Celtic Literature
by Matthew Arnold
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Transcribed from the 1891 Smith, Elder and Co. edition by David Price, email



The following remarks on the study of Celtic Literature formed the substance of four lectures given by me in the chair of poetry at Oxford. They were first published in the Cornhill Magazine, and are now reprinted from thence. Again and again, in the course of them, I have marked the very humble scope intended; which is, not to treat any special branch of scientific Celtic studies (a task for which I am quite incompetent), but to point out the many directions in which the results of those studies offer matter of general interest, and to insist on the benefit we may all derive from knowing the Celt and things Celtic more thoroughly. It was impossible, however, to avoid touching on certain points of ethnology and philology, which can be securely handled only by those who have made these sciences the object of special study. Here the mere literary critic must owe his whole safety to his tact in choosing authorities to follow, and whatever he advances must be understood as advanced with a sense of the insecurity which, after all, attaches to such a mode of proceeding, and as put forward provisionally, by way of hypothesis rather than of confident assertion.

To mark clearly to the reader both this provisional character of much which I advance, and my own sense of it, I have inserted, as a check upon some of the positions adopted in the text, notes and comments with which Lord Strangford has kindly furnished me. Lord Strangford is hardly less distinguished for knowing ethnology and languages so scientifically than for knowing so much of them; and his interest, even from the vantage-ground of his scientific knowledge, and after making all due reserves on points of scientific detail, in my treatment,—with merely the resources and point of view of a literary critic at my command,—of such a subject as the study of Celtic Literature, is the most encouraging assurance I could have received that my attempt is not altogether a vain one.

Both Lord Strangford and others whose opinion I respect have said that I am unjust in calling Mr. Nash, the acute and learned author of Taliesin, or the Bards and Druids of Britain, a 'Celt-hater.' 'He is a denouncer,' says Lord Strangford in a note on this expression, 'of Celtic extravagance, that is all; he is an anti-Philocelt, a very different thing from an anti-Celt, and quite indispensable in scientific inquiry. As Philoceltism has hitherto,—hitherto, remember,—meant nothing but uncritical acceptance and irrational admiration of the beloved object's sayings and doings, without reference to truth one way or the other, it is surely in the interest of science to support him in the main. In tracing the workings of old Celtic leaven in poems which embody the Celtic soul of all time in a mediaeval form, I do not see that you come into any necessary opposition with him, for your concern is with the spirit, his with the substance only.' I entirely agree with almost all which Lord Strangford here urges, and indeed, so sincere is my respect for Mr. Nash's critical discernment and learning, and so unhesitating my recognition of the usefulness, in many respects, of the work of demolition performed by him, that in originally designating him as a Celt-hater, I hastened to add, as the reader will see by referring to the passage, {0a} words of explanation and apology for so calling him. But I thought then, and I think still, that Mr. Nash, in pursuing his work of demolition, too much puts out of sight the positive and constructive performance for which this work of demolition is to clear the ground. I thought then, and I think still, that in this Celtic controversy, as in other controversies, it is most desirable both to believe and to profess that the work of construction is the fruitful and important work, and that we are demolishing only to prepare for it. Mr. Nash's scepticism seems to me,—in the aspect in which his work, on the whole, shows it,—too absolute, too stationary, too much without a future; and this tends to make it, for the non-Celtic part of his readers, less fruitful than it otherwise would be, and for his Celtic readers, harsh and repellent. I have therefore suffered my remarks on Mr. Nash still to stand, though with a little modification; but I hope he will read them by the light of these explanations, and that he will believe my sense of esteem for his work to be a thousand times stronger than my sense of difference from it.

To lead towards solid ground, where the Celt may with legitimate satisfaction point to traces of the gifts and workings of his race, and where the Englishman may find himself induced to sympathise with that satisfaction and to feel an interest in it, is the design of all the considerations urged in the following essay. Kindly taking the will for the deed, a Welshman and an old acquaintance of mine, Mr. Hugh Owen, received my remarks with so much cordiality, that he asked me to come to the Eisteddfod last summer at Chester, and there to read a paper on some topic of Celtic literature or antiquities. In answer to this flattering proposal of Mr. Owen's, I wrote him a letter which appeared at the time in several newspapers, and of which the following extract preserves all that is of any importance

'My knowledge of Welsh matters is so utterly insignificant that it would be impertinence in me, under any circumstances, to talk about those matters to an assemblage of persons, many of whom have passed their lives in studying them.

'Your gathering acquires more interest every year. Let me venture to say that you have to avoid two dangers in order to work all the good which your friends could desire. You have to avoid the danger of giving offence to practical men by retarding the spread of the English language in the principality. I believe that to preserve and honour the Welsh language and literature is quite compatible with not thwarting or delaying for a single hour the introduction, so undeniably useful, of a knowledge of English among all classes in Wales. You have to avoid, again, the danger of alienating men of science by a blind partial, and uncritical treatment of your national antiquities. Mr. Stephens's excellent book, The Literature of the Cymry, shows how perfectly Welshmen can avoid this danger if they will.

'When I see the enthusiasm these Eisteddfods can awaken in your whole people, and then think of the tastes, the literature, the amusements, of our own lower and middle class, I am filled with admiration for you. It is a consoling thought, and one which history allows us to entertain, that nations disinherited of political success may yet leave their mark on the world's progress, and contribute powerfully to the civilisation of mankind. We in England have come to that point when the continued advance and greatness of our nation is threatened by one cause, and one cause above all. Far more than by the helplessness of an aristocracy whose day is fast coming to an end, far more than by the rawness of a lower class whose day is only just beginning, we are emperilled by what I call the "Philistinism" of our middle class. On the side of beauty and taste, vulgarity; on the side of morals and feeling, coarseness; on the side of mind and spirit, unintelligence,—this is Philistinism. Now, then, is the moment for the greater delicacy and spirituality of the Celtic peoples who are blended with us, if it be but wisely directed, to make itself prized and honoured. In a certain measure the children of Taliesin and Ossian have now an opportunity for renewing the famous feat of the Greeks, and conquering their conquerors. No service England can render the Celts by giving you a share in her many good qualities, can surpass that which the Celts can at this moment render England, by communicating to us some of theirs.'

Now certainly, in that letter, written to a Welshman and on the occasion of a Welsh festival, I enlarged on the merits of the Celtic spirit and of its works, rather than on their demerits. It would have been offensive and inhuman to do otherwise. When an acquaintance asks you to write his father's epitaph, you do not generally seize that opportunity for saying that his father was blind of one eye, and had an unfortunate habit of not paying his tradesmen's bills. But the weak side of Celtism and of its Celtic glorifiers, the danger against which they have to guard, is clearly indicated in that letter; and in the remarks reprinted in this volume,—remarks which were the original cause of Mr. Owen's writing to me, and must have been fully present to his mind when he read my letter,—the shortcomings both of the Celtic race, and of the Celtic students of its literature and antiquities, are unreservedly marked, and, so far as is necessary, blamed. {0b} It was, indeed, not my purpose to make blame the chief part of what I said; for the Celts, like other people, are to be meliorated rather by developing their gifts than by chastising their defects. The wise man, says Spinoza admirably, 'de humana impotentia non nisi parce loqui curabit, at largiter de humana virtute seupotentia.' But so far as condemnation of Celtic failure was needful towards preparing the way for the growth of Celtic virtue, I used condemnation.

The Times, however, prefers a shorter and sharper method of dealing with the Celts, and in a couple of leading articles, having the Chester Eisteddfod and my letter to Mr. Hugh Owen for their text, it developed with great frankness, and in its usual forcible style, its own views for the amelioration of Wales and its people. Cease to do evil, learn to do good, was the upshot of its exhortations to the Welsh; by evil, the Times understanding all things Celtic, and by good, all things English. 'The Welsh language is the curse of Wales. Its prevalence, and the ignorance of English have excluded, and even now exclude the Welsh people from the civilisation of their English neighbours. An Eisteddfod is one of the most mischievous and selfish pieces of sentimentalism which could possibly be perpetrated. It is simply a foolish interference with the natural progress of civilisation and prosperity. If it is desirable that the Welsh should talk English, it is monstrous folly to encourage them in a loving fondness for their old language. Not only the energy and power, but the intelligence and music of Europe have come mainly from Teutonic sources, and this glorification of everything Celtic, if it were not pedantry, would be sheer ignorance. The sooner all Welsh specialities disappear from the face of the earth the better.'

And I need hardly say, that I myself, as so often happens to me at the hands of my own countrymen, was cruelly judged by the Times, and most severely treated. What I said to Mr. Owen about the spread of the English language in Wales being quite compatible with preserving and honouring the Welsh language and literature, was tersely set down as 'arrant nonsense,' and I was characterised as 'a sentimentalist who talks nonsense about the children of Taliesin and Ossian, and whose dainty taste requires something more flimsy than the strong sense and sturdy morality of his fellow Englishmen.'

As I said before, I am unhappily inured to having these harsh interpretations put by my fellow Englishmen upon what I write, and I no longer cry out about it. And then, too, I have made a study of the Corinthian or leading article style, and know its exigencies, and that they are no more to be quarrelled with than the law of gravitation. So, for my part, when I read these asperities of the Times, my mind did not dwell very much on my own concern in them; but what I said to myself, as I put the newspaper down, was this: 'Behold England's difficulty in governing Ireland!'

I pass by the dauntless assumption that the agricultural peasant whom we in England, without Eisteddfods, succeed in developing, is so much finer a product of civilisation than the Welsh peasant, retarded by these 'pieces of sentimentalism.' I will be content to suppose that our 'strong sense and sturdy morality' are as admirable and as universal as the Times pleases. But even supposing this, I will ask did any one ever hear of strong sense and sturdy morality being thrust down other people's throats in this fashion? Might not these divine English gifts, and the English language in which they are preached, have a better chance of making their way among the poor Celtic heathen, if the English apostle delivered his message a little more agreeably? There is nothing like love and admiration for bringing people to a likeness with what they love and admire; but the Englishman seems never to dream of employing these influences upon a race he wants to fuse with himself. He employs simply material interests for his work of fusion; and, beyond these, nothing except scorn and rebuke. Accordingly there is no vital union between him and the races he has annexed; and while France can truly boast of her 'magnificent unity,' a unity of spirit no less than of name between all the people who compose her, in England the Englishman proper is in union of spirit with no one except other Englishmen proper like himself. His Welsh and Irish fellow-citizens are hardly more amalgamated with him now than they were when Wales and Ireland were first conquered, and the true unity of even these small islands has yet to he achieved. When these papers of mine on the Celtic genius and literature first appeared in the Cornhill Magazine, they brought me, as was natural, many communications from Welshmen and Irishmen having an interest in the subject; and one could not but be painfully struck, in reading these communications, to see how profound a feeling of aversion and severance from the English they in general manifested. Who can be surprised at it, when he observes the strain of the Times in the articles just quoted, and remembers that this is the characteristic strain of the Englishman in commenting on whatsoever is not himself? And then, with our boundless faith in machinery, we English expect the Welshman as a matter of course to grow attached to us, because we invite him to do business with us, and let him hold any number of public meetings and publish all the newspapers he likes! When shall we learn, that what attaches people to us is the spirit we are of, and not the machinery we employ?

Last year there was a project of holding a Breton Eisteddfod at Quimper in Brittany, and the French Home Secretary, whether wishing to protect the magnificent unity of France from inroads of Bretonism, or fearing lest the design should be used in furtherance of Legitimist intrigues, or from whatever motive, issued an order which prohibited the meeting. If Mr. Walpole had issued an order prohibiting the Chester Eisteddfod, all the Englishmen from Cornwall to John o' Groat's House would have rushed to the rescue; and our strong sense and sturdy morality would never have stopped gnashing their teeth and rending their garments till the prohibition was rescinded. What a pity our strong sense and sturdy morality fail to perceive that words like those of the Times create a far keener sense of estrangement and dislike than acts like those of the French Minister! Acts like those of the French Minister are attributed to reasons of State, and the Government is held blameable for them, not the French people. Articles like those of the Times are attributed to the want of sympathy and of sweetness of disposition in the English nature, and the whole English people gets the blame of them. And deservedly; for from some such ground of want of sympathy and sweetness in the English nature, do articles like those of the Times come, and to some such ground do they make appeal. The sympathetic and social virtues of the French nature, on the other hand, actually repair the breaches made by oppressive deeds of the Government, and create, among populations joined with France as the Welsh and Irish are joined with England, a sense of liking and attachment towards the French people. The French Government may discourage the German language in Alsace and prohibit Eisteddfods in Brittany; but the Journal des Debats never treats German music and poetry as mischievous lumber, nor tells the Bretons that the sooner all Breton specialities disappear from the face of the earth the better. Accordingly, the Bretons and Alsatians have come to feel themselves a part of France, and to feel pride in bearing the French name; while the Welsh and Irish obstinately refuse to amalgamate with us, and will not admire the Englishman as he admires himself, however much the Times may scold them and rate them, and assure them there is nobody on earth so admirable.

And at what a moment does it assure them of this, good heavens! At a moment when the ice is breaking up in England, and we are all beginning at last to see how much real confusion and insufficiency it covered; when, whatever may be the merits,—and they are great,—of the Englishman and of his strong sense and sturdy morality, it is growing more and more evident that, if he is to endure and advance, he must transform himself, must add something to his strong sense and sturdy morality, or at least must give to these excellent gifts of his a new development. My friend Mr. Goldwin Smith says, in his eloquent way, that England is the favourite of Heaven. Far be it from me to say that England is not the favourite of Heaven; but at this moment she reminds me more of what the prophet Isaiah calls, 'a bull in a net.' She has satisfied herself in all departments with clap-trap and routine so long, and she is now so astounded at finding they will not serve her turn any longer! And this is the moment, when Englishism pure and simple, which with all its fine qualities managed always to make itself singularly unattractive, is losing that imperturbable faith in its untransformed self which at any rate made it imposing,—this is the moment when our great organ tells the Celts that everything of theirs not English is 'simply a foolish interference with the natural progress of civilisation and prosperity;' and poor Talhaiarn, venturing to remonstrate, is commanded 'to drop his outlandish title, and to refuse even to talk Welsh in Wales!'

But let us leave the dead to bury their dead, and let us who are alive go on unto perfection. Let the Celtic members of this empire consider that they too have to transform themselves; and though the summons to transform themselves he often conveyed harshly and brutally, and with the cry to root up their wheat as well as their tares, yet that is no reason why the summons should not be followed so far as their tares are concerned. Let them consider that they are inextricably bound up with us, and that, if the suggestions in the following pages have any truth, we English, alien and uncongenial to our Celtic partners as we may have hitherto shown ourselves, have notwithstanding, beyond perhaps any other nation, a thousand latent springs of possible sympathy with them. Let them consider that new ideas and forces are stirring in England, that day by day these new ideas and forces gain in power, and that almost every one of them is the friend of the Celt and not his enemy. And, whether our Celtic partners will consider this or no, at any rate let us ourselves, all of us who are proud of being the ministers of these new ideas, work incessantly to procure for them a wider and more fruitful application; and to remove the main ground of the Celt's alienation from the Englishman, by substituting, in place of that type of Englishman with whom alone the Celt has too long been familiar, a new type, more intelligent, more gracious, and more humane.


'They went forth to the war, but they always fell.' OSSIAN

Some time ago I spent some weeks at Llandudno, on the Welsh coast. The best lodging-houses at Llandudno look eastward, towards Liverpool; and from that Saxon hive swarms are incessantly issuing, crossing the bay, and taking possession of the beach and the lodging- houses. Guarded by the Great and Little Orme's Head, and alive with the Saxon invaders from Liverpool, the eastern bay is an attractive point of interest, and many visitors to Llandudno never contemplate anything else. But, putting aside the charm of the Liverpool steamboats, perhaps the view, on this side, a little dissatisfies one after a while; the horizon wants mystery, the sea wants beauty, the coast wants verdure, and has a too bare austereness and aridity. At last one turns round and looks westward. Everything is changed. Over the mouth of the Conway and its sands is the eternal softness and mild light of the west; the low line of the mystic Anglesey, and the precipitous Penmaenmawr, and the great group of Carnedd Llewelyn and Carnedd David and their brethren fading away, hill behind hill, in an aerial haze, make the horizon; between the foot of Penmaenmawr and the bending coast of Anglesey, the sea, a silver stream, disappears one knows not whither. On this side, Wales,—Wales, where the past still lives, where every place has its tradition, every name its poetry, and where the people, the genuine people, still knows this past, this tradition, this poetry, and lives with it, and clings to it; while, alas, the prosperous Saxon on the other side, the invader from Liverpool and Birkenhead, has long ago forgotten his. And the promontory where Llandudno stands is the very centre of this tradition; it is Creuddyn, THE BLOODY CITY, where every stone has its story; there, opposite its decaying rival, Conway Castle, is Diganwy, not decaying but long since utterly decayed, some crumbling foundations on a crag top and nothing more; Diganwy, where Mael-gwyn shut up Elphin, and where Taliesin came to free him. Below, in a fold of the hill, is Llan-rhos, the church of the marsh, where the same Mael-gwyn, a British prince of real history, a bold and licentious chief, the original, it is said, of Arthur's Lancelot, shut himself up in the church to avoid the Yellow Plague, and peeped out through a hole in the door, and saw the monster and died. Behind among the woods, is Gloddaeth, THE PLACE OF FEASTING, where the bards were entertained; and farther away, up the valley of the Conway towards Llanrwst, is the Lake of Ceirio-nydd and Taliesin's grave. Or, again, looking seawards and Anglesey-wards you have Pen-mon, Seiriol's isle and priory, where Mael-gwyn lies buried; you have the SANDS OF LAMENTATION and Llys Helig, HEILIG'S MANSION, a mansion under the waves, a sea-buried palace and realm. Hac ibat Simois; hic est Sigeia tellus.

As I walked up and down, looking at the waves as they washed this Sigeian land which has never had its Homer, and listening with curiosity to the strange, unfamiliar speech of its old possessors' obscure descendants,—bathing people, vegetable-sellers, and donkey- boys, who were all about me, suddenly I heard, through the stream of unknown Welsh, words, not English, indeed, but still familiar. They came from a French nursery-maid, with some children. Profoundly ignorant of her relationship, this Gaulish Celt moved among her British cousins, speaking her polite neo-Latin tongue, and full of compassionate contempt, probably, for the Welsh barbarians and their jargon. What a revolution was here! How had the star of this daughter of Gomer waxed, while the star of these Cymry, his sons, had waned! What a difference of fortune in the two, since the days when, speaking the same language, they left their common dwelling-place in the heart of Asia; since the Cimmerians of the Euxine came in upon their western kinsmen, the sons of the giant Galates; since the sisters, Gaul and Britain, cut the mistletoe in their forests, and saw the coming of Caesar! Blanc, rouge, rocher champ, eglise, seigneur,—these words, by which the Gallo-Roman Celt now names white, and red, and rock, and field, and church, and lord, are no part of the speech of his true ancestors, they are words he has learnt; but since he learned them they have had a worldwide success, and we all teach them to our children, and armies speaking them have domineered in every city of that Germany by which the British Celt was broken, and in the train of these armies, Saxon auxiliaries, a humbled contingent, have been fain to follow; the poor Welshman still says, in the genuine tongue of his ancestors, {4} gwyn, goch, craig, maes, llan, arglwydd; but his land is a province, and his history petty, and his Saxon subduers scout his speech as an obstacle to civilisation; and the echo of all its kindred in other lands is growing every day fainter and more feeble; gone in Cornwall, going in Brittany and the Scotch Highlands, going, too, in Ireland; and there, above all, the badge of the beaten race, the property of the vanquished.

But the Celtic genius was just then preparing, in Llandudno, to have its hour of revival. Workmen were busy in putting up a large tent- like wooden building, which attracted the eye of every newcomer, and which my little boys believed (their wish, no doubt, being father to their belief,) to be a circus. It turned out, however, to be no circus for Castor and Pollux, but a temple for Apollo and the Muses. It was the place where the Eisteddfod, or Bardic Congress of Wales, was about to be held; a meeting which has for its object (I quote the words of its promoters) 'the diffusion of useful knowledge, the eliciting of native talent, and the cherishing of love of home and honourable fame by the cultivation of poetry, music, and art.' My little boys were disappointed; but I, whose circus days are over, I, who have a professional interest in poetry, and who, also, hating all one-sidedness and oppression, wish nothing better than that the Celtic genius should be able to show itself to the world and to make its voice heard, was delighted. I took my ticket, and waited impatiently for the day of opening. The day came, an unfortunate one; storms of wind, clouds of dust, an angry, dirty sea. The Saxons who arrived by the Liverpool steamers looked miserable; even the Welsh who arrived by land,—whether they were discomposed by the bad morning, or by the monstrous and crushing tax which the London and North-Western Railway Company levies on all whom it transports across those four miles of marshy peninsula between Conway and Llandudno,— did not look happy. First we went to the Gorsedd, or preliminary congress for conferring the degree of bard. The Gorsedd was held in the open air, at the windy corner of a street, and the morning was not favourable to open-air solemnities. The Welsh, too, share, it seems to me, with their Saxon invaders, an inaptitude for show and spectacle. Show and spectacle are better managed by the Latin race and those whom it has moulded; the Welsh, like us, are a little awkward and resourceless in the organisation of a festival. The presiding genius of the mystic circle, in our hideous nineteenth- century costume, relieved only by a green scarf, the wind drowning his voice and the dust powdering his whiskers, looked thoroughly wretched; so did the aspirants for bardic honours; and I believe, after about an hour of it, we all of us, as we stood shivering round the sacred stones, began half to wish for the Druid's sacrificial knife to end our sufferings. But the Druid's knife is gone from his hands; so we sought the shelter of the Eisteddfod building.

The sight inside was not lively. The president and his supporters mustered strong on the platform. On the floor the one or two front benches were pretty well filled, but their occupants were for the most part Saxons, who came there from curiosity, not from enthusiasm; and all the middle and back benches, where should have been the true enthusiasts,—the Welsh people, were nearly empty. The president, I am sure, showed a national spirit which was admirable. He addressed us Saxons in our own language, and called us 'the English branch of the descendants of the ancient Britons.' We received the compliment with the impassive dulness which is the characteristic of our nature; and the lively Celtic nature, which should have made up for the dulness of ours, was absent. A lady who sat by me, and who was the wife, I found, of a distinguished bard on the platform, told me, with emotion in her look and voice, how dear were these solemnities to the heart of her people, how deep was the interest which is aroused by them. I believe her, but still the whole performance, on that particular morning, was incurably lifeless. The recitation of the prize compositions began: pieces of verse and prose in the Welsh language, an essay on punctuality being, if I remember right, one of them; a poem on the march of Havelock, another. This went on for some time. Then Dr. Vaughan,—the well-known Nonconformist minister, a Welshman, and a good patriot,—addressed us in English. His speech was a powerful one, and he succeeded, I confess, in sending a faint thrill through our front benches; but it was the old familiar thrill which we have all of us felt a thousand times in Saxon chapels and meeting-halls, and had nothing bardic about it. I stepped out, and in the street I came across an acquaintance fresh from London and the parliamentary session. In a moment the spell of the Celtic genius was forgotten, the Philistinism of our Saxon nature made itself felt; and my friend and I walked up and down by the roaring waves, talking not of ovates and bards, and triads and englyns, but of the sewage question, and the glories of our local self-government, and the mysterious perfections of the Metropolitan Board of Works.

I believe it is admitted, even by the admirers of Eisteddfods in general, that this particular Eisteddfod was not a success. Llandudno, it is said, was not the right place for it. Held in Conway Castle, as a few years ago it was, and its spectators,—an enthusiastic multitude,—filling the grand old ruin, I can imagine it a most impressive and interesting sight, even to a stranger labouring under the terrible disadvantage of being ignorant of the Welsh language. But even seen as I saw it at Llandudno, it had the power to set one thinking. An Eisteddfod is, no doubt, a kind of Olympic meeting; and that the common people of Wales should care for such a thing, shows something Greek in them, something spiritual, something humane, something (I am afraid one must add) which in the English common people is not to be found. This line of reflection has been followed by the accomplished Bishop of St. David's, and by the Saturday Review, it is just, it is fruitful, and those who pursued it merit our best thanks. But, from peculiar circumstances, the Llandudno meeting was, as I have said, such as not at all to suggest ideas of Olympia, and of a multitude touched by the divine flame, and hanging on the lips of Pindar. It rather suggested the triumph of the prosaic, practical Saxon, and the approaching extinction of an enthusiasm which he derides as factitious, a literature which he disdains as trash, a language which he detests as a nuisance.

I must say I quite share the opinion of my brother Saxons as to the practical inconvenience of perpetuating the speaking of Welsh. It may cause a moment's distress to one's imagination when one hears that the last Cornish peasant who spoke the old tongue of Cornwall is dead; but, no doubt, Cornwall is the better for adopting English, for becoming more thoroughly one with the rest of the country. The fusion of all the inhabitants of these islands into one homogeneous, English-speaking whole, the breaking down of barriers between us, the swallowing up of separate provincial nationalities, is a consummation to which the natural course of things irresistibly tends; it is a necessity of what is called modern civilisation, and modern civilisation is a real, legitimate force; the change must come, and its accomplishment is a mere affair of time. The sooner the Welsh language disappears as an instrument of the practical, political, social life of Wales, the better; the better for England, the better for Wales itself. Traders and tourists do excellent service by pushing the English wedge farther and farther into the heart of the principality; Ministers of Education, by hammering it harder and harder into the elementary schools. Nor, perhaps, can one have much sympathy with the literary cultivation of Welsh as an instrument of living literature; and in this respect Eisteddfods encourage, I think, a fantastic and mischief-working delusion.

For all serious purposes in modern literature (and trifling purposes in it who would care to encourage?) the language of a Welshman is and must be English; if an Eisteddfod author has anything to say about punctuality or about the march of Havelock, he had much better say it in English; or rather, perhaps, what he has to say on these subjects may as well be said in Welsh, but the moment he has anything of real importance to say, anything the world will the least care to hear, he must speak English. Dilettanteism might possibly do much harm here, might mislead and waste and bring to nought a genuine talent. For all modern purposes, I repeat, let us all as soon as possible be one people; let the Welshman speak English, and, if he is an author, let him write English.

So far, I go along with the stream of my brother Saxons; but here, I imagine, I part company with them. They will have nothing to do with the Welsh language and literature on any terms; they would gladly make a clean sweep of it from the face of the earth. I, on certain terms, wish to make a great deal more of it than is made now; and I regard the Welsh literature,—or rather, dropping the distinction between Welsh and Irish, Gaels and Cymris, let me say Celtic literature,—as an object of very great interest. My brother Saxons have, as is well known, a terrible way with them of wanting to improve everything but themselves off the face of the earth; I have no such passion for finding nothing but myself everywhere; I like variety to exist and to show itself to me, and I would not for the world have the lineaments of the Celtic genius lost. But I know my brother Saxons, I know their strength, and I know that the Celtic genius will make nothing of trying to set up barriers against them in the world of fact and brute force, of trying to hold its own against them as a political and social counter-power, as the soul of a hostile nationality. To me there is something mournful (and at this moment, when one sees what is going on in Ireland, how well may one say so!) in hearing a Welshman or an Irishman make pretensions,— natural pretensions, I admit, but how hopelessly vain!—to such a rival self-establishment; there is something mournful in hearing an Englishman scout them. Strength! alas, it is not strength, strength in the material world, which is wanting to us Saxons; we have plenty of strength for swallowing up and absorbing as much as we choose; there is nothing to hinder us from effacing the last poor material remains of that Celtic power which once was everywhere, but has long since, in the race of civilisation, fallen out of sight. We may threaten them with extinction if we will, and may almost say in so threatening them, like Caesar in threatening with death the tribune Metellus who closed the treasury doors against him: 'And when I threaten this, young man, to threaten it is more trouble to me than to do it.' It is not in the outward and visible world of material life, that the Celtic genius of Wales or Ireland can at this day hope to count for much; it is in the inward world of thought and science. What it HAS been, what it HAS done, let it ask us to attend to that, as a matter of science and history; not to what it will be or will do, as a matter of modern politics. It cannot count appreciably now as a material power; but, perhaps, if it can get itself thoroughly known as an object of science, it may count for a good deal,—far more than we Saxons, most of us, imagine,—as a spiritual power.

The bent of our time is towards science, towards knowing things as they are; so the Celt's claims towards having his genius and its works fairly treated, as objects of scientific investigation, the Saxon can hardly reject, when these claims are urged simply on their own merits, and are not mixed up with extraneous pretensions which jeopardise them. What the French call the science des origines, the science of origins,—a science which is at the bottom of all real knowledge of the actual world, and which is every day growing in interest and importance—is very incomplete without a thorough critical account of the Celts, and their genius, language, and literature. This science has still great progress to make, but its progress, made even within the recollection of those of us who are in middle life, has already affected our common notions about the Celtic race; and this change, too, shows how science, the knowing things as they are, may even have salutary practical consequences. I remember, when I was young, I was taught to think of Celt as separated by an impassable gulf from Teuton; {14} my father, in particular, was never weary of contrasting them; he insisted much oftener on the separation between us and them than on the separation between us and any other race in the world; in the same way Lord Lyndhurst, in words long famous, called the Irish 'aliens in speech, in religion, in blood.' This naturally created a profound sense of estrangement; it doubled the estrangement which political and religious differences already made between us and the Irish: it seemed to make this estrangement immense, incurable, fatal. It begot a strange reluctance, as any one may see by reading the preface to the great text-book for Welsh poetry, the Myvyrian Archaeology, published at the beginning of this century, to further,—nay, allow,—even among quiet, peaceable people like the Welsh, the publication of the documents of their ancient literature, the monuments of the Cymric genius; such was the sense of repulsion, the sense of incompatibilty, of radical antagonism, making it seem dangerous to us to let such opposites to ourselves have speech and utterance. Certainly the Jew,—the Jew of ancient times, at least,—then seemed a thousand degrees nearer than the Celt to us. Puritanism had so assimilated Bible ideas and phraseology; names like Ebenezer, and notions like that of hewing Agag in pieces, came so natural to us, that the sense of affinity between the Teutonic and the Hebrew nature was quite strong; a steady, middleclass Anglo-Saxon much more imagined himself Ehud's cousin than Ossian's. But meanwhile, the pregnant and striking ideas of the ethnologists about the true natural grouping of the human race, the doctrine of a great Indo-European unity, comprising Hindoos, Persians, Greeks, Latins, Celts, Teutons, Slavonians, on the one hand, and, on the other hand, of a Semitic unity and of a Mongolian unity, separated by profound distinguishing marks from the Indo-European unity and from one another, was slowly acquiring consistency and popularising itself. So strong and real could the sense of sympathy or antipathy, grounded upon real identity or diversity in race, grow in men of culture, that we read of a genuine Teuton,—Wilhelm von Humboldt—finding, even in the sphere of religion, that sphere where the might of Semitism has been so overpowering, the food which most truly suited his spirit in the productions not of the alien Semitic genius, but of the genius of Greece or India, the Teutons born kinsfolk of the common Indo- European family. 'Towards Semitism he felt himself,' we read, 'far less drawn;' he had the consciousness of a certain antipathy in the depths of his nature to this, and to its 'absorbing, tyrannous, terrorist religion,' as to the opener, more flexible Indo-European genius, this religion appeared. 'The mere workings of the old man in him!' Semitism will readily reply; and though one can hardly admit this short and easy method of settling the matter, it must be owned that Humboldt's is an extreme case of Indo-Europeanism, useful as letting us see what may be the power of race and primitive constitution, but not likely, in the spiritual sphere, to have many companion cases equalling it. Still, even in this sphere, the tendency is in Humboldt's direction; the modern spirit tends more and more to establish a sense of native diversity between our European bent and the Semitic and to eliminate, even in our religion, certain elements as purely and excessively Semitic, and therefore, in right, not combinable with our European nature, not assimilable by it. This tendency is now quite visible even among ourselves, and even, as I have said, within the great sphere of the Semitic genius, the sphere of religion; and for its justification this tendency appeals to science, the science of origins; it appeals to this science as teaching us which way our natural affinities and repulsions lie. It appeals to this science, and in part it comes from it; it is, in considerable part, an indirect practical result from it.

In the sphere of politics, too, there has, in the same way, appeared an indirect practical result from this science; the sense of antipathy to the Irish people, of radical estrangement from them, has visibly abated amongst all the better part of us; the remorse for past ill-treatment of them, the wish to make amends, to do them justice, to fairly unite, if possible, in one people with them, has visibly increased; hardly a book on Ireland is now published, hardly a debate on Ireland now passes in Parliament, without this appearing. Fanciful as the notion may at first seem, I am inclined to think that the march of science,—science insisting that there is no such original chasm between the Celt and the Saxon as we once popularly imagined, that they are not truly, what Lord Lyndhurst called them, ALIENS IN BLOOD from us, that they are our brothers in the great Indo-European family,—has had a share, an appreciable share, in producing this changed state of feeling. No doubt, the release from alarm and struggle, the sense of firm possession, solid security, and overwhelming power; no doubt these, allowing and encouraging humane feelings to spring up in us, have done much; no doubt a state of fear and danger, Ireland in hostile conflict with us, our union violently disturbed, might, while it drove back all humane feelings, make also the old sense of utter estrangement revive. Nevertheless, so long as such a malignant revolution of events does not actually come about, so long the new sense of kinship and kindliness lives, works, and gathers strength; and the longer it so lives and works, the more it makes any such malignant revolution improbable. And this new, reconciling sense has, I say, its roots in science.

However, on these indirect benefits of science we must not lay too much stress. Only this must be allowed; it is clear that there are now in operation two influences, both favourable to a more attentive and impartial study of Celtism than it has yet ever received from us. One is, the strengthening in us of the feeling of Indo-Europeanism; the other, the strengthening in us of the scientific sense generally. The first breaks down barriers between us and the Celt, relaxes the estrangement between us; the second begets the desire to know his case thoroughly, and to be just to it. This is a very different matter from the political and social Celtisation of which certain enthusiasts dream; but it is not to be despised by any one to whom the Celtic genius is dear; and it is possible, while the other is not.


To know the Celtic case thoroughly, one must know the Celtic people; and to know them, one must know that by which a people best express themselves,—their literature. Few of us have any notion what a mass of Celtic literature is really yet extant and accessible. One constantly finds even very accomplished people, who fancy that the remains of Welsh and Irish literature are as inconsiderable by their volume, as, in their opinion, they are by their intrinsic merit; that these remains consist of a few prose stories, in great part borrowed from the literature of nations more civilised than the Welsh or Irish nation, and of some unintelligible poetry. As to Welsh literature, they have heard, perhaps, of the Black Book of Caermarthen, or of the Red Book of Hergest, and they imagine that one or two famous manuscript books like these contain the whole matter. They have no notion that, in real truth, to quote the words of one who is no friend to the high pretensions of Welsh literature, but their most formidable impugner, Mr. Nash:- 'The Myvyrian manuscripts alone, now deposited in the British Museum, amount to 47 volumes of poetry, of various sizes, containing about 4,700 pieces of poetry, in 16,000 pages, besides about 2,000 englynion or epigrammatic stanzas. There are also, in the same collection, 53 volumes of prose, in about 15,300 pages, containing great many curious documents on various subjects. Besides these, which were purchased of the widow of the celebrated Owen Jones, the editor of the Myvyrian Archaeology, there are a vast number of collections of Welsh manuscripts in London, and in the libraries of the gentry of the principality.' The Myvyrian Archaeology, here spoken of by Mr. Nash, I have already mentioned; he calls its editor, Owen Jones, celebrated; he is not so celebrated but that he claims a word, in passing, from a professor of poetry. He was a Denbighshire STATESMAN, as we say in the north, born before the middle of last century, in that vale of Myvyr, which has given its name to his archaeology. From his childhood he had that passion for the old treasures of his Country's literature, which to this day, as I have said, in the common people of Wales is so remarkable; these treasures were unprinted, scattered, difficult of access, jealously guarded. 'More than once,' says Edward Lhuyd, who in his Archaeologia Britannica, brought out by him in 1707, would gladly have given them to the world, 'more than once I had a promise from the owner, and the promise was afterwards retracted at the instigation of certain persons, pseudo-politicians, as I think, rather than men of letters.' So Owen Jones went up, a young man of nineteen, to London, and got employment in a furrier's shop in Thames Street; for forty years, with a single object in view, he worked at his business; and at the end of that time his object was won. He had risen in his employment till the business had become his own, and he was now a man of considerable means; but those means had been sought by him for one purpose only, the purpose of his life, the dream of his youth,—the giving permanence and publicity to the treasures of his national literature. Gradually he got manuscript after manuscript transcribed, and at last, in 1801, he jointly with two friends brought out in three large volumes, printed in double columns, his Myvyrian Archaeology of Wales. The book is full of imperfections, it presented itself to a public which could not judge of its importance, and it brought upon its author, in his lifetime, more attack than honour. He died not long afterwards, and now he lies buried in Allhallows Church, in London, with his tomb turned towards the east, away from the green vale of Clwyd and the mountains of his native Wales; but his book is the great repertory of the literature of his nation, the comparative study of languages and literatures gains every day more followers, and no one of these followers, at home or abroad, touches Welsh literature without paying homage to the Denbighshire peasant's name; if the bard's glory and his own are still matter of moment to him,—si quid mentem mortalia tangunt,—he may be satisfied.

Even the printed stock of early Welsh literature is, therefore, considerable, and the manuscript stock of it is very great indeed. Of Irish literature, the stock, printed and manuscript, is truly vast; the work of cataloguing and describing this has been admirably performed by another remarkable man, who died only the other day, Mr. Eugene O'Curry. Obscure Scaliger of a despised literature, he deserves some weightier voice to praise him than the voice of an unlearned bellettristic trifler like me; he belongs to the race of the giants in literary research and industry,—a race now almost extinct. Without a literary education, and impeded too, it appears, by much trouble of mind and infirmity of body, he has accomplished such a thorough work of classification and description for the chaotic mass of Irish literature, that the student has now half his labour saved, and needs only to use his materials as Eugene O'Curry hands them to him. It was as a professor in the Catholic University in Dublin that O'Curry gave the lectures in which he has done the student this service; it is touching to find that these lectures, a splendid tribute of devotion to the Celtic cause, had no hearer more attentive, more sympathising, than a man, himself, too, the champion of a cause more interesting than prosperous,—one of those causes which please noble spirits, but do not please destiny, which have Cato's adherence, but not Heaven's,—Dr. Newman. Eugene O'Curry, in these lectures of his, taking as his standard the quarto page of Dr. O'Donovan's edition of the Annals of the Four Masters (and this printed monument of one branch of Irish literature occupies by itself, let me say in passing, seven large quarto volumes, containing 4,215 pages of closely printed matter), Eugene O'Curry says, that the great vellum manuscript books belonging to Trinity College, Dublin, and to the Royal Irish Academy,—books with fascinating titles, the Book of the Dun Cow, the Book of Leinster, the Book of Ballymote, the Speckled Book, the Book of Lecain, the Yellow Book of Lecain,—have, between them, matter enough to fill 11,400 of these pages; the other vellum manuscripts in the library of Trinity College, Dublin, have matter enough to fill 8,200 pages more; and the paper manuscripts of Trinity College, and the Royal Irish Academy together, would fill, he says, 30,000 such pages more. The ancient laws of Ireland, the so- called Brehon laws, which a commission is now publishing, were not as yet completely transcribed when O'Curry wrote; but what had even then been transcribed was sufficient, he says, to fill nearly 8,000 of Dr. O'Donovan's pages. Here are, at any rate, materials enough with a vengeance. These materials fall, of course, into several divisions. The most literary of these divisions, the Tales, consisting of Historic Tales and Imaginative Tales, distributes the contents of its Historic Tales as follows:- Battles, voyages, sieges, tragedies, cow- spoils, courtships, adventures, land-expeditions, sea-expeditions, banquets, elopements, loves, lake-irruptions, colonisations, visions. Of what a treasure-house of resources for the history of Celtic life and the Celtic genius does that bare list, even by itself, call up the image! The Annals of the Four Masters give 'the years of foundations and destructions of churches and castles, the obituaries of remarkable persons, the inaugurations of kings, the battles of chiefs, the contests of clans, the ages of bards, abbots, bishops, &c.' {25} Through other divisions of this mass of materials,—the books of pedigrees and genealogies, the martyrologies and festologies, such as the Felire of Angus the Culdee, the topographical tracts, such as the Dinnsenchas,—we touch 'the most ancient traditions of the Irish, traditions which were committed to writing at a period when the ancient customs of the people were unbroken.' We touch 'the early history of Ireland, civil and ecclesiastical.' We get 'the origin and history of the countless monuments of Ireland, of the ruined church and tower, the sculptured cross, the holy well, and the commemorative name of almost every townland and parish in the whole island.' We get, in short, 'the most detailed information upon almost every part of ancient Gaelic life, a vast quantity of valuable details of life and manners.' {26}

And then, besides, to our knowledge of the Celtic genius, Mr. Norris has brought us from Cornwall, M. de la Villemarque from Brittany, contributions, insignificant indeed in quantity, if one compares them with the mass of the Irish materials extant, but far from insignificant in value.

We want to know what all this mass of documents really tells us about the Celt. But the mode of dealing with these documents, and with the whole question of Celtic antiquity, has hitherto been most unsatisfactory. Those who have dealt with them, have gone to work, in general, either as warm Celt-lovers or as warm Celt-haters, and not as disinterested students of an important matter of science. One party seems to set out with the determination to find everything in Celtism and its remains; the other, with the determination to find nothing in them. A simple seeker for truth has a hard time between the two. An illustration or so will make clear what I mean. First let us take the Celt-lovers, who, though they engage one's sympathies more than the Celt-haters, yet, inasmuch as assertion is more dangerous than denial, show their weaknesses in a more signal way. A very learned man, the Rev. Edward Davies, published in the early part of this century two important books on Celtic antiquity. The second of these books, The Mythology and Rites of the British Druids, contains, with much other interesting matter, the charming story of Taliesin. Bryant's book on mythology was then in vogue, and Bryant, in the fantastical manner so common in those days, found in Greek mythology what he called an arkite idolatry, pointing to Noah's deluge and the ark. Davies, wishing to give dignity to his Celtic mythology, determines to find the arkite idolatry there too, and the style in which he proceeds to do this affords a good specimen of the extravagance which has caused Celtic antiquity to be looked upon with so much suspicion. The story of Taliesin begins thus:-

'In former times there was a man of noble descent in Penllyn. His name was Tegid Voel, and his paternal estate was in the middle of the Lake of Tegid, and his wife was called Ceridwen.'

Nothing could well be simpler; but what Davies finds in this simple opening of Taliesin's story is prodigious:-

'Let us take a brief view of the proprietor of this estate. Tegid Voel—BALD SERENITY—presents itself at once to our fancy. The painter would find no embarrassment in sketching the portrait of this sedate venerable personage, whose crown is partly stripped of its hoary honours. But of all the gods of antiquity, none could with propriety sit for this picture excepting Saturn, the acknowledged representative of Noah, and the husband of Rhea, which was but another name for Ceres, the genius of the ark.'

And Ceres, the genius of the ark, is of course found in Ceridwen, 'the British Ceres, the arkite goddess who initiates us into the deepest mysteries of the arkite superstition.'

Now the story of Taliesin, as it proceeds, exhibits Ceridwen as a sorceress; and a sorceress, like a goddess, belongs to the world of the supernatural; but, beyond this, the story itself does not suggest one particle of relationship between Ceridwen and Ceres. All the rest comes out of Davies's fancy, and is established by reasoning of the force of that about 'bald serenity.'

It is not difficult for the other side, the Celt-haters, to get a triumph over such adversaries as these. Perhaps I ought to ask pardon of Mr. Nash, whose Taliesin it is impossible to read without profit and instruction, for classing him among the Celt-haters; his determined scepticism about Welsh antiquity seems to me, however, to betray a preconceived hostility, a bias taken beforehand, as unmistakable as Mr. Davies's prepossessions. But Mr. Nash is often very happy in demolishing, for really the Celt-lovers seem often to try to lay themselves open, and to invite demolition. Full of his notions about an arkite idolatry and a Helio-daemonic worship, Edward Davies gives this translation of an old Welsh poem, entitled The Panegyric of Lludd the Great:-

'A song of dark import was composed by the distinguished Ogdoad, who assembled on the day of the moon, and went in open procession. On the day of Mars they allotted wrath to their adversaries; and on the day of Mercury they enjoyed their full pomp; on the day of Jove they were delivered from the detested usurpers; on the day of Venus, the day of the great influx, they swam in the blood of men; {29} on the day of the Sun there truly assemble five ships and five hundred of those who make supplication: O Brithi, O Brithoi! O son of the compacted wood, the shock overtakes me; we all attend on Adonai, on the area of Pwmpai.'

That looks Helio-daemonic enough, undoubtedly; especially when Davies prints O Brithi, O Brithoi! in Hebrew characters, as being 'vestiges of sacred hymns in the Phoenician language.' But then comes Mr. Nash, and says that the poem is a middle-age composition, with nothing Helio-daemonic about it; that it is meant to ridicule the monks; and that O Brithi, O Brithoi! is a mere piece of unintelligible jargon in mockery of the chants used by the monks at prayers; and he gives this counter-translation of the poem:-

'They make harsh songs; they note eight numbers. On Monday they will be prying about. On Tuesday they separate, angry with their adversaries. On Wednesday they drink, enjoying themselves ostentatiously. On Thursday they are in the choir; their poverty is disagreeable. Friday is a day of abundance, the men are swimming in pleasures. On Sunday, certainly, five legions and five hundreds of them, they pray, they make exclamations: O Brithi, O Brithoi! Like wood-cuckoos in noise they will be, every one of the idiots banging on the ground.'

As one reads Mr. Nash's explanation and translation after Edward Davies's, one feels that a flood of the broad daylight of common- sense has been suddenly shed over the Panegyric on Lludd the Great, and one is very grateful to Mr. Nash.

Or, again, when another Celt-lover, Mr. Herbert, has bewildered us with his fancies, as uncritical as Edward Davies's; with his neo- Druidism, his Mithriac heresy, his Crist-celi, or man-god of the mysteries; and above all, his ape of the sanctuary, 'signifying the mercurial principle, that strange and unexplained disgrace of paganism,' Mr. Nash comes to our assistance, and is most refreshingly rational. To confine ourselves to the ape of the sanctuary only. Mr. Herbert constructs his monster,—to whom, he says, 'great sanctity, together with foul crime, deception, and treachery,' is ascribed,—out of four lines of old Welsh poetry, of which he adopts the following translation:-

'Without the ape, without the stall of the cow, without the mundane rampart, the world will become desolate, not requiring the cuckoos to convene the appointed dance over the green.'

One is not very clear what all this means, but it has, at any rate, a solemn air about it, which prepares one for the development of its first-named personage, the ape, into the mystical ape of the sanctuary. The cow, too,—says another famous Celt-lover, Dr. Owen, the learned author of the Welsh Dictionary,—the cow (henfon) is the cow of transmigration; and this also sounds natural enough. But Mr. Nash, who has a keen eye for the piecing which frequently happens in these old fragments, has observed that just here, where the ape of the sanctuary and the cow of transmigration make their appearance, there seems to come a cluster of adages, popular sayings; and he at once remembers an adage preserved with the word henfon in it, where, as he justly says, 'the cow of transmigration cannot very well have place.' This adage, rendered literally in English, is: 'Whoso owns the old cow, let him go at her tail;' and the meaning of it, as a popular saying, is clear and simple enough. With this clue, Mr. Nash examines the whole passage, suggests that heb eppa, 'without the ape,' with which Mr. Herbert begins, in truth belongs to something going before and is to be translated somewhat differently; and, in short, that what we really have here is simply these three adages one after another: 'The first share is the full one. Politeness is natural, says the ape. Without the cow-stall there would be no dung- heap.' And one can hardly doubt that Mr. Nash is quite right.

Even friends of the Celt, who are perfectly incapable of extravagances of this sort, fall too often into a loose mode of criticism concerning him and the documents of his history, which is unsatisfactory in itself, and also gives an advantage to his many enemies. One of the best and most delightful friends he has ever had,—M. de la Villemarque,—has seen clearly enough that often the alleged antiquity of his documents cannot be proved, that it can be even disproved, and that he must rely on other supports than this to establish what he wants; yet one finds him saying: 'I open the collection of Welsh bards from the sixth to the tenth century. Taliesin, one of the oldest of them,' . . . and so on. But his adversaries deny that we have really any such thing as a 'collection of Welsh bards from the sixth to the tenth century,' or that a 'Taliesin, one of the oldest of them,' exists to be quoted in defence of any thesis. Sharon Turner, again, whose Vindication of the Ancient British Poems was prompted, it seems to me, by a critical instinct at bottom sound, is weak and uncritical in details like this: 'The strange poem of Taliesin, called the Spoils of Annwn, implies the existence (in the sixth century, he means) of mythological tales about Arthur; and the frequent allusion of the old Welsh bards to the persons and incidents which we find in the Mabinogion, are further proofs that there must have been such stories in circulation amongst the Welsh.' But the critic has to show, against his adversaries, that the Spoils of Annwn is a real poem of the sixth century, with a real sixth-century poet called Taliesin for its author, before he can use it to prove what Sharon Turner there wishes to prove; and, in like manner, the high antiquity of persons and incidents that are found in the manuscripts of the Mabinogion,— manuscripts written, like the famous Red Book of Hergest, in the library of Jesus College at Oxford, in the fourteenth and fifteenth centuries,—is not proved by allusions of the old Welsh bards, until (which is just the question at issue) the pieces containing these allusions are proved themselves to possess a very high antiquity. In the present state of the question as to the early Welsh literature, this sort of reasoning is inconclusive and bewildering, and merely carries us round in a circle. Again, it is worse than inconclusive reasoning, it shows so uncritical a spirit that it begets grave mistrust, when Mr. Williams ab Ithel, employed by the Master of the Rolls to edit the Brut y Tywysogion, the 'Chronicle of the Princes,' says in his introduction, in many respects so useful and interesting: 'We may add, on the authority of a scrupulously faithful antiquary, and one that was deeply versed in the traditions of his order—the late Iolo Morganwg—that King Arthur in his Institutes of the Round Table introduced the age of the world for events which occurred before Christ, and the year of Christ's nativity for all subsequent events.' Now, putting out of the question Iolo Morganwg's character as an antiquary, it is obvious that no one, not Grimm himself, can stand in that way as 'authority' for King Arthur's having thus regulated chronology by his Institutes of the Round Table, or even for there ever having been any such institutes at all. And finally, greatly as I respect and admire Mr. Eugene O'Curry, unquestionable as is the sagacity, the moderation, which he in general unites with his immense learning, I must say that he, too, like his brother Celt- lovers, sometimes lays himself dangerously open. For instance, the Royal Irish Academy possesses in its Museum a relic of the greatest value, the Domhnach Airgid, a Latin manuscript of the four gospels. The outer box containing this manuscript is of the fourteenth century, but the manuscript itself, says O'Curry (and no man is better able to judge) is certainly of the sixth. This is all very well. 'But,' O'Curry then goes on, 'I believe no reasonable doubt can exist that the Domhnach Airgid was actually sanctified by the hand of our great Apostle.' One has a thrill of excitement at receiving this assurance from such a man as Eugene O'Curry; one believes that he is really going to make it clear that St. Patrick did actually sanctify the Domhnach Airgid with his own hands; and one reads on:-

'As St. Patrick, says an ancient life of St. Mac Carthainn preserved by Colgan in his Acta Sanctorum Hiberniae, was on his way from the north, and coming to the place now called Clogher, he was carried over a stream by his strong man, Bishop Mac Carthainn, who, while bearing the Saint, groaned aloud, exclaiming: "Ugh! Ugh!"

'"Upon my good word," said the Saint, "it was not usual with you to make that noise."

'"I am now old and infirm," said Bishop Mac Carthainn, "and all my early companions in mission-work you have settled down in their respective churches, while I am still on my travels."

'"Found a church then," said the Saint, "that shall not be too near us" (that is to his own Church of Armagh) "for familiarity, nor too far from us for intercourse."

'And the Saint then left Bishop Mac Carthainn there, at Clogher, and bestowed the Domhnach Airgid upon him, which had been given to Patrick from heaven, when he was on the sea, coming to Erin.'

The legend is full of poetry, full of humour; and one can quite appreciate, after reading it, the tact which gave St. Patrick such a prodigious success in organising the primitive church in Ireland; the new bishop, 'not too near us for familiarity, nor too far from us for intercourse,' is a masterpiece. But how can Eugene O'Curry have imagined that it takes no more than a legend like that, to prove that the particular manuscript now in the Museum of the Royal Irish Academy was once in St. Patrick's pocket?

I insist upon extravagances like these, not in order to throw ridicule upon the Celt-lovers,—on the contrary, I feel a great deal of sympathy with them,—but rather, to make it clear what an immense advantage the Celt-haters, the negative side, have in the controversy about Celtic antiquity; how much a clear-headed sceptic, like Mr. Nash, may utterly demolish, and, in demolishing, give himself the appearance of having won an entire victory. But an entire victory he has, as I will next proceed to show, by no means won.


I said that a sceptic like Mr. Nash, by demolishing the rubbish of the Celtic antiquaries, might often give himself the appearance of having won a complete victory, but that a complete victory he had, in truth, by no means won. He has cleared much rubbish away, but this is no such very difficult feat, and requires mainly common-sense; to be sure, Welsh archaeologists are apt to lose their common-sense, but at moments when they are in possession of it they can do the indispensable, negative part of criticism, not, indeed, so briskly or cleverly as Mr. Nash, but still well enough. Edward Davies, for instance, has quite clearly seen that the alleged remains of old Welsh literature are not to be taken for genuine just as they stand: 'Some petty and mendicant minstrel, who only chaunted it as an old song, has tacked on' (he says of a poem he is discussing) 'these lines, in a style and measure totally different from the preceding verses: "May the Trinity grant us mercy in the day of judgment: a liberal donation, good gentlemen!"' There, fifty years before Mr. Nash, is a clearance like one of Mr. Nash's. But the difficult feat in this matter is the feat of construction; to determine when one has cleared away all that is to be cleared away, what is the significance of that which is left; and here, I confess, I think Mr. Nash and his fellow-sceptics, who say that next to nothing is left, and that the significance of whatever is left is next to nothing, dissatisfy the genuine critic even more than Edward Davies and his brother enthusiasts, who have a sense that something primitive, august, and interesting is there, though they fail to extract it, dissatisfy him. There is a very edifying story told by O'Curry of the effect produced on Moore, the poet, who had undertaken to write the history of Ireland (a task for which he was quite unfit), by the contemplation of an old Irish manuscript. Moore had, without knowing anything about them, spoken slightingly of the value to the historian of Ireland of the materials afforded by such manuscripts; but, says O'Curry:-

'In the year 1839, during one of his last visits to the land of his birth, he, in company with his old and attached friend Dr. Petrie, favoured me with an unexpected visit at the Royal Irish Academy. I was at that period employed on the Ordnance Survey of Ireland, and at the time of his visit happened to have before me on my desk the Books of Ballymote and Lecain, The Speckled Book, The Annals of the Four Masters, and many other ancient books, for historical research and reference. I had never before seen Moore, and after a brief introduction and explanation of the nature of my occupation by Dr. Petrie, and seeing the formidable array of so many dark and time-worn volumes by which I was surrounded, he looked a little disconcerted, but after a while plucked up courage to open the Book of Ballymote and ask what it was. Dr. Petrie and myself then entered into a short explanation of the history and character of the books then present as well as of ancient Gaedhelic documents in general. Moore listened with great attention, alternately scanning the books and myself, and then asked me, in a serious tone, if I understood them, and how I had learned to do so. Having satisfied him upon these points, he turned to Dr. Petrie and said:- "Petrie, these huge tomes could not have been written by fools or for any foolish purpose. I never knew anything about them before, and I had no right to have undertaken the History of Ireland."'

And from that day Moore, it is said, lost all heart for going on with his History of Ireland, and it was only the importunity of the publishers which induced him to bring out the remaining volume.

COULD NOT HAVE BEEN WRITTEN BY FOOLS OR FOR ANY FOOLISH PURPOSE. That is, I am convinced, a true presentiment to have in one's mind when one looks at Irish documents like the Book of Ballymote, or Welsh documents like the Red Book of Hergest. In some respects, at any rate, these documents are what they claim to be, they hold what they pretend to hold, they touch that primitive world of which they profess to be the voice. The true critic is he who can detect this precious and genuine part in them, and employ it for the elucidation of the Celt's genius and history, and for any other fruitful purposes to which it can be applied. Merely to point out the mixture of what is late and spurious in them, is to touch but the fringes of the matter. In reliance upon the discovery of this mixture of what is late and spurious in them, to pooh-pooh them altogether, to treat them as a heap of rubbish, a mass of middle-age forgeries, is to fall into the greatest possible error. Granted that all the manuscripts of Welsh poetry (to take that branch of Celtic literature which has had, in Mr. Nash, the ablest disparager), granted that all such manuscripts that we possess are, with the most insignificant exception, not older than the twelfth century; granted that the twelfth and thirteenth centuries were a time of great poetical activity in Wales, a time when the mediaeval literature flourished there, as it flourished in England, France, and other countries; granted that a great deal of what Welsh enthusiasts have attributed to their great traditional poets of the sixth century belongs to this later epoch,—what then? Does that get rid of the great traditional poets,—the Cynveirdd or old bards, Aneurin, Taliesin, Llywarch Hen, and their compeers,—does that get rid of the great poetical tradition of the sixth century altogether, does it merge the whole literary antiquity of Wales in her mediaeval literary antiquity, or, at least, reduce all other than this to insignificance? Mr. Nash says it does; all his efforts are directed to show how much of the so called sixth-century pieces may be resolved into mediaeval, twelfth- century work; his grand thesis is that there is nothing primitive and pre-Christian in the extant Welsh literature, no traces of the Druidism and Paganism every one associates with Celtic antiquity; all this, he says, was extinguished by Paulinus in AD. 59, and never resuscitated. 'At the time the Mabinogion and the Taliesin ballads were composed, no tradition or popular recollection of the Druids or the Druidical mythology existed in Wales. The Welsh bards knew of no older mystery, nor of any mystic creed, unknown to the rest of the Christian world.' And Mr. Nash complains that 'the old opinion that the Welsh poems contain notices of Druid or Pagan superstitions of a remote origin' should still find promulgators; what we find in them is only, he says, what was circulating in Wales in the twelfth century, and one great mistake in these investigations has been the supposing that the Welsh of the twelfth, or even of the sixth century, were wiser as well as more Pagan than their neighbours.'

Why, what a wonderful thing is this! We have, in the first place, the most weighty and explicit testimony,—Strabo's, Caesar's, Lucan's,—that this race once possessed a special, profound, spiritual discipline, that they were, to use Mr. Nash's words, 'wiser than their neighbours.' Lucan's words are singularly clear and strong, and serve well to stand as a landmark in this controversy, in which one is sometimes embarrassed by hearing authorities quoted on this side or that, when one does not feel sure precisely what they say, how much or how little; Lucan, addressing those hitherto under the pressure of Rome, but now left by the Roman civil war to their own devices, says:-

'Ye too, ye bards, who by your praises perpetuate the memory of the fallen brave, without hindrance poured forth your strains. And ye, ye Druids, now that the sword was removed, began once more your barbaric rites and weird solemnities. To you only is given knowledge or ignorance (whichever it be) of the gods and the powers of heaven; your dwelling is in the lone heart of the forest. From you we learn, that the bourne of man's ghost is not the senseless grave, not the pale realm of the monarch below; in another world his spirit survives still;—death, if your lore be true, is but the passage to enduring life.'

There is the testimony of an educated Roman, fifty years after Christ, to the Celtic race being then 'wiser than their neighbours;' testimony all the more remarkable because civilised nations, though very prone to ascribe to barbarous people an ideal purity and simplicity of life and manners, are by no means naturally inclined to ascribe to them high attainment in intellectual and spiritual things. And now, along with this testimony of Lucan's, one has to carry in mind Caesar's remark, that the Druids, partly from a religious scruple, partly from a desire to discipline the memory of their pupils, committed nothing to writing. Well, then come the crushing defeat of the Celtic race in Britain and the Roman conquest; but the Celtic race subsisted here still, and any one can see that, while the race subsisted, the traditions of a discipline such as that of which Lucan has drawn the picture were not likely to be so very speedily 'extinguished.' The withdrawal of the Romans, the recovered independence of the native race here, the Saxon invasion, the struggle with the Saxons, were just the ground for one of those bursts of energetic national life and self-consciousness which find a voice in a burst of poets and poetry. Accordingly, to this time, to the sixth century, the universal Welsh tradition attaches the great group of British poets, Taliesin and his fellows. In the twelfth century there began for Wales, along with another burst of national life, another burst of poetry; and this burst LITERARY in the stricter sense of the word,—a burst which left, for the first time, written records. It wrote the records of its predecessors, as well as of itself, and therefore Mr. Nash wants to make it the real author of the whole poetry, one may say, of the sixth century, as well as its own. No doubt one cannot produce the texts of the poetry of the sixth century; no doubt we have this only as the twelfth and succeeding centuries wrote it down; no doubt they mixed and changed it a great deal in writing it down. But, since a continuous stream of testimony shows the enduring existence and influence among the kindred Celts of Wales and Brittany, from the sixth century to the twelfth, of an old national literature, it seems certain that much of this must be traceable in the documents of the twelfth century, and the interesting thing is to trace it. It cannot be denied that there is such a continuous stream of testimony; there is Gildas in the sixth century, Nennius in the eighth, the laws of Howel in the tenth; in the eleventh, twenty or thirty years before the new literary epoch began, we hear of Rhys ap Tudor having 'brought with him from Brittany the system of the Round Table, which at home had become quite forgotten, and he restored it as it is, with regard to minstrels and bards, as it had been at Caerleon-upon-Usk, under the Emperor Arthur, in the time of the sovereignty of the race of the Cymry over the island of Britain and its adjacent islands.' Mr. Nash's own comment on this is: 'We here see the introduction of the Arthurian romance from Brittany, preceding by nearly one generation the revival of music and poetry in North Wales;' and yet he does not seem to perceive what a testimony is here to the reality, fulness, and subsistence of that primitive literature about which he is so sceptical. Then in the twelfth century testimony to this primitive literature absolutely abounds; one can quote none better than that of Giraldus de Barri, or Giraldus Cambrensis, as he is usually called. Giraldus is an excellent authority, who knew well what he was writing about, and he speaks of the Welsh bards and rhapsodists of his time as having in their possession 'ancient and authentic books' in the Welsh language. The apparatus of technical terms of poetry, again, and the elaborate poetical organisation which we find, both in Wales and Ireland, existing from the very commencement of the mediaeval literary period in each, and to which no other mediaeval literature, so far as I know, shows at its first beginnings anything similar, indicates surely, in these Celtic peoples, the clear and persistent tradition of an older poetical period of great development, and almost irresistibly connects itself in one's mind with the elaborate Druidic discipline which Caesar mentions.

But perhaps the best way to get a full sense of the storied antiquity, forming as it were the background to those mediaeval documents which in Mr. Nash's eyes pretty much begin and end with themselves, is to take, almost at random, a passage from such a tale as Kilhwch and Olwen, in the Mabinogion,—that charming collection, for which we owe such a debt of gratitude to Lady Charlotte Guest (to call her still by the name she bore when she made her happy entry into the world of letters), and which she so unkindly suffers to remain out of print. Almost every page of this tale points to traditions and personages of the most remote antiquity, and is instinct with the very breath of the primitive world. Search is made for Mabon, the son of Modron, who was taken when three nights old from between his mother and the wall. The seekers go first to the Ousel of Cilgwri; the Ousel had lived long enough to peck a smith's anvil down to the size of a nut, but he had never heard of Mabon. 'But there is a race of animals who were formed before me, and I will be your guide to them.' So the Ousel guides them to the Stag of Redynvre. The Stag has seen an oak sapling, in the wood where he lived, grow up to be an oak with a hundred branches, and then slowly decay down to a withered stump, yet he had never heard of Mabon. 'But I will be your guide to the place where there is an animal which was formed before I was;' and he guides them to the Owl of Cwm Cawlwyd. 'When first I came hither,' says the Owl, 'the wide valley you see was a wooded glen. And a race of men came and rooted it up. And there grew a second wood; and this wood is the third. My wings, are they not withered stumps?' Yet the Owl, in spite of his great age, had never heard of Mabon; but he offered to be guide 'to where is the oldest animal in the world, and the one that has travelled most, the Eagle of Gwern Abwy.' The Eagle was so old, that a rock, from the top of which he pecked at the stars every evening, was now not so much as a span high. He knew nothing of Mabon; but there was a monster Salmon, into whom he once struck his claws in Llyn Llyw, who might, perhaps, tell them something of him. And at last the Salmon of Llyn Llyw told them of Mabon. 'With every tide I go along the river upwards, until I come near to the walls of Gloucester, and there have I found such wrong as I never found elsewhere.' And the Salmon took Arthur's messengers on his shoulders up to the wall of the prison in Gloucester, and they delivered Mabon.

Nothing could better give that sense of primitive and pre-mediaeval antiquity which to the observer with any tact for these things is, I think, clearly perceptible in these remains, at whatever time they may have been written; or better serve to check too absolute an acceptance of Mr. Nash's doctrine,—in some respects very salutary,— 'that the common assumption of such remains of the date of the sixth century, has been made upon very unsatisfactory grounds.' It is true, it has; it is true, too, that, as he goes on to say, 'writers who claim for productions actually existing only in manuscripts of the twelfth, an origin in the sixth century, are called upon to demonstrate the links of evidence, either internal or external, which bridge over this great intervening period of at least five hundred years.' Then Mr. Nash continues: 'This external evidence is altogether wanting.' Not altogether, as we have seen; that assertion is a little too strong. But I am content to let it pass, because it is true, that without internal evidence in this matter the external evidence would be of no moment. But when Mr. Nash continues further: 'And the internal evidence even of the so-called historic poems themselves, is, in some instances at least, opposed to their claims to an origin in the sixth century,' and leaves the matter there, and finishes his chapter, I say that is an unsatisfactory turn to give to the matter, and a lame and impotent conclusion to his chapter; because the one interesting, fruitful question here is, not in what instances the internal evidence opposes the claims of these poems to a sixth-century origin, but in what instances it supports them, and what these sixth-century remains, thus established, signify.

So again with the question as to the mythological import of these poems. Mr. Nash seems to me to have dealt with this, too, rather in the spirit of a sturdy enemy of the Celts and their pretensions,— often enough chimerical,—than in the spirit of a disinterested man of science. 'We find in the oldest compositions in the Welsh language no traces,' he says, 'of the Druids, or of a pagan mythology.' He will not hear of there being, for instance, in these compositions, traces of the doctrine of the transmigration of souls, attributed to the Druids in such clear words by Caesar. He is very severe upon a German scholar, long and favourably known in this country, who has already furnished several contributions to our knowledge of the Celtic race, and of whose labours the main fruit has, I believe, not yet been given us,—Mr. Meyer. He is very severe upon Mr. Meyer, for finding in one of the poems ascribed to Taliesin, 'a sacrificial hymn addressed to the god Pryd, in his character of god of the Sun.' It is not for me to pronounce for or against this notion of Mr. Meyer's. I have not the knowledge which is needed in order to make one's suffrage in these matters of any value; speaking merely as one of the unlearned public, I will confess that allegory seems to me to play, in Mr. Meyer's theories, a somewhat excessive part; Arthur and his Twelve (?) Knights of the Round Table signifying solely the year with its twelve months; Percival and the Miller signifying solely steel and the grindstone; Stonehenge and the Gododin put to purely calendarial purposes; the Nibelungen, the Mahabharata, and the Iliad, finally following the fate of the Gododin; all this appears to me, I will confess, a little prematurely grasped, a little unsubstantial. But that any one who knows the set of modern mythological science towards astronomical and solar myths, a set which has already justified itself in many respects so victoriously, and which is so irresistible that one can hardly now look up at the sun without having the sensations of a moth;—that any one who knows this, should find in the Welsh remains no traces of mythology, is quite astounding. Why, the heroes and heroines of the old Cymric world are all in the sky as well as in Welsh story; Arthur is the Great Bear, his harp is the constellation Lyra; Cassiopeia's chair is Llys Don, Don's Court; the daughter of Don was Arianrod, and the Northern Crown is Caer Arianrod; Gwydion was Don's son, and the Milky Way is Caer Gwydion. With Gwydion is Math, the son of Mathonwy, the 'man of illusion and phantasy;' and the moment one goes below the surface,—almost before one goes below the surface,—all is illusion and phantasy, double-meaning, and far-reaching mythological import, in the world which all these personages inhabit. What are the three hundred ravens of Owen, and the nine sorceresses of Peredur, and the dogs of Annwn the Welsh Hades, and the birds of Rhiannon, whose song was so sweet that warriors remained spell-bound for eighty years together listening to them? What is the Avanc, the water-monster, of whom every lake-side in Wales, and her proverbial speech, and her music, to this day preserve the tradition? What is Gwyn the son of Nudd, king of fairie, the ruler of the Tylwyth Teg, or family of beauty, who till the day of doom fights on every first day of May,—the great feast of the sun among the Celtic peoples,— with Gwythyr, for the fair Cordelia, the daughter of Lear? What is the wonderful mare of Teirnyon, which on the night of every first of May foaled, and no one ever knew what became of the colt? Who is the mystic Arawn, the king of Annwn, who changed semblance for a year with Pwyll, prince of Dyved, and reigned in his place? These are no mediaeval personages; they belong to an older, pagan, mythological world. The very first thing that strikes one, in reading the Mabinogion, is how evidently the mediaeval story-teller is pillaging an antiquity of which he does not fully possess the secret; he is like a peasant building his hut on the site of Halicarnassus or Ephesus; he builds, but what he builds is full of materials of which he knows not the history, or knows by a glimmering tradition merely;- -stones 'not of this building,' but of an older architecture, greater, cunninger, more majestical. In the mediaeval stories of no Latin or Teutonic people does this strike one as in those of the Welsh. Kilhwch, in the story, already quoted, of Kilhwch and Olwen, asks help at the hand of Arthur's warriors; a list of these warriors is given, which fills I know not how many pages of Lady Charlotte Guest's book; this list is a perfect treasure-house of mysterious ruins:-

'Teithi Hen, the son of Gwynham—(his domains were swallowed up by the sea, and he himself hardly escaped, and he came to Arthur, and his knife had this peculiarity, that from the time that he came there no haft would ever remain upon it, and owing to this a sickness came over him, and he pined away during the remainder of his life, and of this he died).

'Drem, the son of Dremidyd—(when the gnat arose in the morning with the sun, Drem could see it from Gelli Wic in Cornwall, as far off as Pen Blathaon in North Britain).

'Kynyr Keinvarvawc—(when he was told he had a son born, he said to his wife: Damsel, if thy son be mine, his heart will be always cold, and there will be no warmth in his hands).'

How evident, again, is the slightness of the narrator's hold upon the Twrch-Trwyth and his strange story! How manifest the mixture of known and unknown, shadowy and clear, of different layers and orders of tradition jumbled together, in the story of Bran the Blessed, a story whose personages touch a comparatively late and historic time. Bran invades Ireland, to avenge one of 'the three unhappy blows of this island,' the daily striking of Branwen by her husband Matholwch, King of Ireland. Bran is mortally wounded by a poisoned dart, and only seven men of Britain, 'the Island of the Mighty,' escape, among them Taliesin:-

'And Bran commanded them that they should cut off his head. And take you my head, said he, and bear it even unto the White Mount in London, and bury it there with the face towards France. And a long time will you be upon the road. In Harlech you will be feasting seven years, the birds of Rhiannon singing unto you the while. And all that time the head will be to you as pleasant company as it ever was when on my body. And at Gwales in Penvro you will be fourscore years, and you may remain there, and the head with you uncorrupted, until you open the door that looks towards Aber Henvelen and towards Cornwall. And after you have opened that door, there you may no longer tarry; set forth then to London to bury the head, and go straight forward.

'So they cut off his head, and those seven went forward therewith. And Branwen was the eighth with them, and they came to land at Aber Alaw in Anglesey, and they sate down to rest. And Branwen looked towards Ireland and towards the Island of the Mighty, to see if she could descry them. "Alas," said she, "woe is me that I was ever born; two islands have been destroyed because of me." Then she uttered a loud groan, and there broke her heart. And they made her a four-sided grave, and buried her upon the banks of the Alaw.

'Then they went to Harlech, and sate down to feast and to drink there; and there came three birds and began singing, and all the songs they had ever heard were harsh compared thereto; and at this feast they continued seven years. Then they went to Gwales in Penvro, and there they found a fair and regal spot overlooking the ocean, and a spacious hall was therein. And they went into the hall, and two of its doors were open, but the third door was closed, that which looked towards Cornwall. "See yonder," said Manawyddan, "is the door that we may not open." And that night they regaled themselves and were joyful. And there they remained fourscore years, nor did they think they had ever spent a time more joyous and mirthful. And they were not more weary than when first they came, neither did they, any of them, know the time they had been there. And it was as pleasant to them having the head with them as if Bran had been with them himself.

'But one day said Heilyn, the son of Gwyn: "Evil betide me if I do not open the door to know if that is true which is said concerning it." So he opened the door and looked towards Cornwall and Aber Henvelen. And when they had looked, they were as conscious of all the evils they had ever sustained, and of all the friends and companions they had lost, and of all the misery that had befallen them, as if all had happened in that very spot; and especially of the fate of their lord. And because of their perturbation they could not rest, but journeyed forth with the head towards London. And they buried the head in the White Mount.'

Arthur afterwards, in his pride and self-confidence, disinterred the head, and this was one of 'the three unhappy disclosures of the island of Britain.'

There is evidently mixed here, with the newer legend, a detritus, as the geologists would say, of something far older; and the secret of Wales and its genius is not truly reached until this detritus, instead of being called recent because it is found in contact with what is recent, is disengaged, and is made to tell its own story.

But when we show him things of this kind in the Welsh remains, Mr. Nash has an answer for us. 'Oh,' he says, 'all this is merely a machinery of necromancers and magic, such as has probably been possessed by all people in all ages, more or less abundantly. How similar are the creations of the human mind in times and places the most remote! We see in this similarity only an evidence of the existence of a common stock of ideas, variously developed according to the formative pressure of external circumstances. The materials of these tales are not peculiar to the Welsh.' And then Mr. Nash points out, with much learning and ingenuity, how certain incidents of these tales have their counterparts in Irish, in Scandinavian, in Oriental romance. He says, fairly enough, that the assertions of Taliesin, in the famous Hanes Taliesin, or History of Taliesin, that he was present with Noah in the Ark, at the Tower of Babel, and with Alexander of Macedon, 'we may ascribe to the poetic fancy of the Christian priest of the thirteenth century, who brought this romance into its present form. We may compare these statements of the universal presence of the wonder-working magician with those of the gleeman who recites the Anglo-Saxon metrical tale called the Traveller's Song.' No doubt, lands the most distant can be shown to have a common property in many marvellous stories. This is one of the most interesting discoveries of modern science; but modern science is equally interested in knowing how the genius of each people has differentiated, so to speak, this common property of theirs; in tracking out, in each case, that special 'variety of development,' which, to use Mr. Nash's own words, 'the formative pressure of external circumstances' has occasioned; and not the formative pressure from without only, but also the formative pressure from within. It is this which he who deals with the Welsh remains in a philosophic spirit wants to know. Where is the force, for scientific purposes, of telling us that certain incidents by which Welsh poetry has been supposed to indicate a surviving tradition of the doctrine of transmigration, are found in Irish poetry also, when Irish poetry has, like Welsh, its roots in that Celtism which is said to have held this doctrine of transmigration so strongly? Where is even the great force, for scientific purposes, of proving, if it were possible to prove, that the extant remains of Welsh poetry contain not one plain declaration of Druidical, Pagan, pre-Christian doctrine, if one has in the extant remains of Breton poetry such texts as this from the prophecy of Gwenchlan: 'Three times must we all die, before we come to our final repose'? or as the cry of the eagles, in the same poem, of fierce thirst for Christian blood, a cry in which the poet evidently gives vent to his own hatred? since the solidarity, to use that convenient French word, of Breton and Welsh poetry is so complete, that the ideas of the one may be almost certainly assumed not to have been wanting to those of the other. The question is, when Taliesin says, in the Battle of the Trees: 'I have been in many shapes before I attained a congenial form. I have been a narrow blade of a sword, I have been a drop in the air, I have been a shining star, I have been a word in a book, I have been a book in the beginning, I have been a light in a lantern a year and a half, I have been a bridge for passing over three-score rivers; I have journeyed as an eagle, I have been a boat on the sea, I have been a director in battle, I have been a sword in the hand, I have been a shield in fight, I have been the string of a harp, I have been enchanted for a year in the foam of water. There is nothing in which I have not been,'—the question is, have these 'statements of the universal presence of the wonder-working magician' nothing which distinguishes them from 'similar creations of the human mind in times and places the most remote;' have they not an inwardness, a severity of form, a solemnity of tone, which indicates the still reverberating echo of a profound doctrine and discipline, such as was Druidism? Suppose we compare Taliesin, as Mr. Nash invites us, with the gleeman of the Anglo-Saxon Traveller's Song. Take the specimen of this song which Mr. Nash himself quotes: 'I have been with the Israelites and with the Essyringi, with the Hebrews and with the Indians and with the Egyptians; I have been with the Medes and with the Persians and with the Myrgings.' It is very well to parallel with this extract Taliesin's: 'I carried the banner before Alexander; I was in Canaan when Absalom was slain; I was on the horse's crupper of Elias and Enoch; I was on the high cross of the merciful son of God; I was the chief overseer at the building of the tower of Nimrod; I was with my King in the manger of the ass; I supported Moses through the waters of Jordan; I have been in the buttery in the land of the Trinity; it is not known what is the nature of its meat and its fish.' It is very well to say that these assertions 'we may fairly ascribe to the poetic fancy of a Christian priest of the thirteenth century.' Certainly we may; the last of Taliesin's assertions more especially; though one must remark at the same time that the Welshman shows much more fire and imagination than the Anglo-Saxon. But Taliesin adds, after his: 'I was in Canaan when Absalom was slain,' 'I WAS IN THE HALL OF DON BEFORE GWYDION WAS BORN;' he adds, after: 'I was chief overseer at the building of the tower of Nimrod,' 'I HAVE BEEN THREE TIMES RESIDENT IN THE CASTLE OF ARIANROD;' he adds, after: 'I was at the cross with Mary Magdalene,' 'I OBTAINED MY INSPIRATION FROM THE CAULDRON OF CERIDWEN.' And finally, after the mediaeval touch of the visit to the buttery in the land of the Trinity, he goes off at score: 'I have been instructed in the whole system of the universe; I shall be till the day of judgment on the face of the earth. I have been in an uneasy chair above Caer Sidin, and the whirling round without motion between three elements. Is it not the wonder of the world that cannot be discovered?' And so he ends the poem. But here is the Celtic, the essential part of the poem: it is here that the 'formative pressure' has been really in operation; and here surely is paganism and mythology enough, which the Christian priest of the thirteenth century can have had nothing to do with. It is unscientific, no doubt, to interpret this part as Edward Davies and Mr. Herbert do; but it is unscientific also to get rid of it as Mr. Nash does. Wales and the Welsh genius are not to be known without this part; and the true critic is he who can best disengage its real significance.

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