IN HAPPY VALLEY
John Fox, Jr.
Illustrated By F. C. Yohn
New York Charles Scribner's Sons 1917 Copyright, 1916, 1917, by Charles Scribner's Sons Published October, 1917 Copyright, 1905, 1906, By P. F. Collier & Son, Incorporated
To Hope, Little Daughter of Richard Harding Davis.
The Courtship of Allaphair
The Compact of Christopher
The Lord's Own Level
The Marquise of Queensberry
His Last Christmas Gift
The Angel from Viper
The Pope of the Big Sandy
The Goddess of Happy Valley
The Battle-Prayer of Parson Small
The Christmas Tree on Pigeon
"You stay hyeh with the baby," he said quietly, "an' I'll take yo' meal home."
"You got him down!" she cried. "Jump on him an' stomp him!"
"Mammy," he said abruptly, "I'll stop drinkin' if you will."
"Let 'em loose!" he yelled. "Git at it, boys! Go fer him, Ham—whoop-ee-ee!"
"Miss Hildy, Jeems Henery is the bigges' liar on Viper."
"I'm a-goin' to give it back to 'em. Churches, schools, libraries, hospitals, good roads."
Night and day, and through wind and storm, she had travelled the hills, healing the sick.
"O Lawd ... hyeh's another who meddles with thy servant and profanes thy day."
THE COURTSHIP OF ALLAPHAIR
Preaching at the open-air meeting-house was just over and the citizens of Happy Valley were pouring out of the benched enclosure within living walls of rhododendron. Men, women, children, babes in arms mounted horse or mule or strolled in family groups homeward up or down the dusty road. Youths and maids paired off, dallying behind. Emerged last one rich, dark, buxom girl alone. Twenty yards down the road two young mountaineers were squatted in the shade whittling, and to one she nodded. The other was a stranger—one Jay Dawn—and the stare he gave her was not only bold but impudent.
"Who's goin' home with that gal?" she heard him ask.
"Nobody," was the answer; "that gal al'ays goes home alone." She heard his snort of incredulity.
"Well, I'm goin' with her right now." The other man caught his arm.
"No, you ain't"—and she heard no more.
Athwart the wooded spur she strode like a man. Her full cheeks and lips were red and her black, straight hair showed Indian blood, of which she was not ashamed. On top of the spur a lank youth with yellow hair stood in the path.
"How-dye, Allaphair!" he called uneasily, while she was yet some yards away.
"How-dye!" she said unsmiling and striding on toward him with level eyes.
"Allaphair," he pleaded quickly, "lemme——"
"Git out o' my way, Jim Spurgill." The boy stepped quickly from the path and she swept past him.
"Allaphair, lemme walk home with ye." The girl neither answered nor turned her head, though she heard his footsteps behind her.
"Allaphair, uh, Allaphair, please lemme—" He broke off abruptly and sprang behind a tree, for Allaphair's ungentle ways were widely known. The girl had stooped for a stone and was wheeling with it in her hand. Gingerly the boy poked his head out from behind the tree, prepared to dodge.
"You're wuss'n a she-wolf in sucklin' time," he grumbled, and the girl did not seem displeased. Indeed, there was a grim smile on her scarlet lips when she dropped the stone and stalked on. It was almost an hour before she crossed a foot-log and took the level sandy curve about a little bluff, whence she could see the two-roomed log cabin that was home. There were flowers in the little yard and morning-glories covered the small porch, for, boyish as she was, she loved flowers and growing things. A shrill cry of welcome greeted her at the gate, and she swept the baby sister toddling toward her high above her head, fondled her in her arms, and stopped on the threshold. Within was another man, slight and pale and a stranger.
"This is the new school-teacher, Allaphair," said her mother. "He calls hisself Iry Combs."
"How-dye!" said the girl, but the slight man rose and came forward to shake hands. She flashed a frown at her mother a moment later, behind the stranger's back; teachers boarded around and he might be there for a week and perhaps more. The teacher was mountain born and bred, but he had been to the Bluegrass to school, and he had brought back certain little niceties of dress, bearing, and speech that irritated the girl. He ate slowly and little, for he had what he called indigestion, whatever that was. Distinctly he was shy, and his only vague appeal to her was in his eyes, which were big, dark, and lonely.
It was a disgrace for Allaphair to have reached her years of one-and-twenty without marrying, and the disgrace was just then her mother's favorite theme. Feeling rather poorly, the old woman began on it that afternoon. Allaphair had gone out to the woodpile and was picking up an armful of firewood, and the mother had followed her. Said Allaphair:
"I tell you agin an' agin I hain't got no use fer 'em—a-totin' guns an' knives an' a-drinkin' moonshine an' fightin' an' breakin' up meetin's an' lazin' aroun' ginerally. An' when they ain't that way," she added contemptuously, "they're like that un thar. Look at him!" She broke into a loud laugh. Ira Combs had volunteered to milk, and the old cow had just kicked him over in the mud. He rose red with shame and anger—she felt more than she saw the flash of his eyes—and valiantly and silently he went back to his task. Somehow the girl felt a pang of pity for him, for already she saw in his eyes the telltale look that she knew so well in the eyes of men. With his kind it would go hard; and right she was to the detail.
She herself went to St. Hilda to work and learn, but one morning she passed his little schoolhouse just as he was opening for the day. From a gable the flag of her country waved, and she stopped mystified. And then from the green, narrow little valley floated up to her wondering ears a song. Abruptly it broke off and started again; he was teaching the children the song of her own land, which she and they had never heard before. It was almost sunset when she came back and the teacher was starting for home. He was ahead of her—she knew he had seen her coming—but he did not wait for her, nor did he look back while she was following him all the way home. And next Sunday he too went to church, and after meeting he started for home alone and she followed alone. He had never made any effort to speak to her alone, nor did he venture the courting pleasantries of other men. Only in his telltale eyes was his silent story plain, and she knew it better than if he had put it into words. In spite of her certainty, however, she was a little resentful that Sunday morning, for his slender figure climbed doggedly ahead, and suddenly she sat down that he might get entirely out of her sight.
She got down on her hands and knees to drink from the little rain-clear brook that tinkled across the road at the bottom of the hill, and all at once lifted her head like a wild thing. Some one was coming down the hill—coming at a dog-trot. A moment later her name was called, and it was the voice of a stranger. She knew it was Jay Dawn, for she had heard of him—had heard of his boast that he would keep company with her—and she kept swiftly on. Again and again he called, but she paid no heed. She glared at him fiercely when he caught up with her—and stopped. He stopped. She walked on and he walked on. He caught her by the arm when she stopped again, and she threw off his hold with a force that wheeled him half around, and started off on a run. She stooped when she next heard him close to her and whirled, with a stone in her hand.
"Go 'way!" she panted. "I'll brain ye!" He laughed, but he came no nearer.
"All right," he said, as though giving up the chase, but when she turned the next spur there Jay was waiting for her by the side of the road.
"How-dye," he grinned. Three times he cut across ledge and spur and gave her a grinning how-dye. The third time she was ready for him and she let fly. The first stone whistled past his head with astonishing speed. The second he dodged and the third caught him between the shoulders as he leaped for a tree with an oath and a yell. And there she left him, swearing horribly and frankly at her.
Jay Dawn did not go back to logging that week. Report was that he had gone to "courtin' an' throwin' rocks at woodpeckers." Both statements were true, but Jay was courting at long range. He hung about her house a great deal. Going to mill, looking for her cow, to and fro from the mission, Allaphair never failed to see Jay Dawn. He always spoke and he never got answer. He always grinned, but his eye was threatening. To the school-teacher he soon began to give special notice, for that was what Allaphair seemed to be doing herself. He saw them sitting in the porch together alone, going out to milk or to the woodpile. Passing her gate one flower-scented dusk, he heard the drone of their voices behind the morning-glory vines and heard her laugh quite humanly. He snorted his disgust, but once when he saw the girl walking home with the teacher from school he seethed with rage and bided his time for both. He did spend much time throwing at woodpeckers, ostensibly, but he was not practising for a rock duel with Allaphair. He had picked out the level stretch of sandy road not far from Allaphair's house, which was densely lined with rhododendron and laurel, and was carefully denuding it of stones. When any one came along he was playing David with the birds; a moment later he was "a-workin' the public road," but not to make the going easier for the none too dainty feet of Allaphair. Indeed, the girl twice saw him at his peculiar diversion, but all suspicion was submerged in scorn.
The following Sunday things happened. On the way from church the girl had come to the level stretch of sand. Beyond the vine-clad bluff and "a whoop and a holler" further on was home. Midway of the stretch Jay Dawn stepped from the bushes and blocked her way, and with him were his grin and his threatening eye.
"I'm goin' to kiss ye," he said. Right, left, and behind she looked for a stone, and he laughed.
"Thar hain't a rock between that poplar back thar and that poplar thar at the bluff; the woodpeckers done got 'em all." There was no use to run—the girl knew she was trapped and her breast began to heave. Slowly he neared her, with one hand outstretched, as though he were going to halter a wild horse, but she did not give ground. When she slapped at his hand he caught her by one wrist, and then with lightning quickness by the other. Quickly she bent her head, caught one of his wrists with her teeth, and bit it to the bone, so that with an open cry of pain he threw her loose. Then she came at him with her fists like a man, and she fought like a man. Blow after blow she rained on him, and one on the chin made him stagger. He could not hit back, so he closed in, and then it was cavewoman and caveman. He expected her to bite again and scratch, but she did neither—nor did she cry for help. She kept on like a man, and after one blow in his stomach which made him sick she grappled like a wrestler, which she was, and but for his own quickness would have thrown him over her left knee. Each was in the straining embrace of the other now and her heaving breast was crushed against his, and for a moment he stood still.
"This suits me exactly," he cackled, and that made her furious and turned her woman again. To keep her now from biting him he thrust his right forearm under her chin and bent her slowly backward. Her right fist beat his muscular back harmlessly—she caught him by the hair, but unmindful he bent her slowly on.
"I'll have ye killed," she said savagely—"I'll have ye killed"; and then suddenly he felt her collapse, submissive, and his lips caught hers.
"Thar now," he said, letting her loose; "you need a leetle tamin', you do," and he turned and walked slowly away. The girl dropped to the ground, weeping. But there was an exultant look in her eyes before she reached home.
The teacher was sitting in the porch.
"He never would 'a' done it," she muttered, and she hardly spoke to him.
A message from Jay Dawn reached the school-teacher the morning after the "running of a set" at the settlement school. Jay had infuriated Allaphair by his attentions to Polly Stidham from Quicksand. Allaphair had flirted outrageously with Ira Combs the teacher, and in turn Jay got angry, not at her but at the man. So he sent word that he would come down the next Saturday and knock "that mullet-headed, mealy-mouthed, spindle-shanked rat into the middle of next week," and drive him from the hills.
"Whut you goin' to do about it?" asked Allaphair, secretly thrilled. To her surprise the little man seemed neither worried nor frightened.
"Nothing," he said, adding the final g with irritating precision; "but I have never backed out of a fight in my life." Allaphair could hardly hold back a hoot of contempt.
"Why, he'll break you to pieces with his hands."
"Perhaps—if he gets hold of me." The girl almost shrieked.
"You hain't going to run?"
"I'm not going to run; it's no disgrace to get licked."
"But if he crows over ye atterwards—whut'll you do then?"
The teacher made no answer, nor did he answer Jay's message. He merely went his way, which was neither to avoid nor seek; so Jay sought him. Allaphair saw him the next Friday afternoon, waiting by the roadside—waiting, no doubt, for Ira Combs. Her first impulse was to cross over the spur and warn the teacher, but curiosity as to just what the little man would do got the better of her, and she slipped aside into the bushes and crept noiselessly to a spot whence she could peer out and see and hear all that might happen. Soon she saw the school-teacher coming, as was his wont, leisurely, looking at the ground at his feet and with his hands clasped behind his back. He did not see the threatening figure waiting until Jay rose.
"Stop thar, little Iry," he sneered, and he whipped out his revolver and fired. The girl nearly screamed, but the bullet cut into the dust near Ira's right foot.
"Yuh danced purty well t'other night, an' I want to see ye dance some more by yo'self. Git at it!" He raised his gun again and the school-teacher raised one hand. He had grown very red and as suddenly very pale, but he did not look frightened.
"You can kill me," he drawled quietly, "but I'm not going to dance for you. Suppose you whoop me instead—I heard that was your intention." Jay laughed.
"Air ye goin' to fight me?" he asked incredulously.
"I'd rather be licked than dance."
"All right," said Jay. "I'll lam' ye aroun' a little an' spank ye good an' mebbe make ye dance atterwards." He unbuckled his pistol and tossed it into the grass by the roadside.
"Will you fight fair?" asked Ira, still formal in speech. "No wrestling, biting, or gouging."
"No wrasslin', no bitin', no gougin'," mimicked Jay, beginning to revolve his huge fists around each other in country fashion. The little man waited, his left arm outstretched and bent and his right across and close to his chest, and the watching girl almost groaned. Still his white, calm face, his steady eyes, and his lithe poise fascinated her. She would not let Jay hurt him badly—she would come out and take a hand herself. Jay opened one fist, and with his open hand made a powerful, contemptuous sweep at Ira's head, and the girl expected to see the little teacher fly off into the bushes and the fight over. To her amazement Ira gave no ground at all. His feet never moved, but like a blacksnake's head his own darted back; Jay's great hand fanned the air, and as his own force whirled him half around, Allaphair had to hold back a screech of laughter, for Ira had slapped him. Jay looked puzzled, but with fists clinched, he rushed fiercely. Right and left he swung, but the teacher was never there. Presently there was another stinging smack on his cheek and another, as Ira danced about him like the shadow of a magic lantern.
"He's a-tirin' him down," thought Allaphair, but she was wrong; Ira was trying to make him mad, and that did not take much time or trouble. Jay rushed him.
"No wrasslin'," called Ira quietly, at the same time stopping the rush with a left-hand swing on Jay's chin that made the head wabble.
"I reckon he must be left-handed," thought the wondering Allaphair. There are persons who literally do grind their teeth with rage and it is audible. The girl heard Jay's now.
"He's goin' to kill him," she thought, and she got ready to do her part, for with a terrible, hoarse grunt Jay had rushed. Like a greased rod of steel the boy writhed loose from the big, crooked talons that reached for his throat, and his right fist, knobbed on the end of another bar of steel, came up under Jay's bent head with every ounce of the whole weight behind it in the blow. It caught the big man on the point of the chin. Jay's head snapped up and back violently, his feet left the ground, and his big body thudded the road.
"My God, he's knocked him down! My God, he's knocked him down!" muttered the amazed girl. "You got him down!" she cried. "Jump on him an' stomp him!" He turned one startled look toward her and—it is incredible—the look even at that moment was shy; but he stood still, for Ira had picked up the ethics as well as the skill of the art, of which nothing was known in Happy Valley or elsewhere in the hills. So he stood still, his hands open, and waited. For a while Jay did not move, and his eyes, when they did open, looked dazed. He rose slowly, and as things came back to him his face became suddenly distorted. Nothing alive could humiliate him that way and still live; he meant to kill now.
"Look out!" screamed the girl. Jay rushed for the gun and Ira darted after him; but there was a quicker flash from the bushes, and Jay found his own gun pointed at his own breast and behind it Allaphair's black eyes searing him.
"Huh!" she grunted contemptuously, and the silence was absolute while she broke the pistol, emptied the cartridges into her hand, and threw them far over into the bushes.
"Less go on home, Iry," she said, and a few steps away she turned and tossed the gun at Jay's feet. He stooped, picked it up, and, twirling it in his hand, looked foolishly after them. Presently he grinned, for at bottom Jay was a man. And two hours later, amid much wonder and many guffaws, he was telling the tale:
"The damned leetle spindle-shank licked me—licked me! An' I'll back him agin anybody in Happy Valley or anywhar else—ef you leave out bitin', gougin', and wrasslin'."
"Did ye lose yo' gal, too?" asked Pleasant Trouble.
"Huh!" said Jay, "I reckon not—she knows her boss."
The two walked home slowly and in silence—Ira in front and Allaphair, as does the woman in the hills, following close behind, in a spirit quite foreign to her hitherto. The little school-teacher had turned shy again and said never a word, but, as he opened the gate to let her pass through, she saw the old, old telltale look in his sombre eyes. Her mother was crooning in the porch.
"No ploughin' termorrer, mammy. Me an' Iry want the ole nag to go down to the Couht House in the mornin'. Iry's axed me to marry him."
Perhaps every woman does not love a master—perhaps Allaphair had found hers.
THE COMPACT OF CHRISTOPHER
The boy had come home for Sunday and must go back now to the Mission school. He picked up his battered hat and there was no good-by.
"I reckon I better be goin'," he said, and out he walked. The mother barely raised her eyes, but after he was gone she rose and from the low doorway looked after his sturdy figure trudging up the road. His whistle, as clear as the call of a quail, filled her ears for a while and then was buried beyond the hill. A smaller lad clutched her black skirt, whimpering:
"Wisht I c'd go to the Mission school."
"Thar hain't room," she said shortly.
"The teacher says thar hain't room. I wish to God thar was."
Still whistling, the boy trudged on. Now and then he would lift his shrill voice and the snatch of an old hymn or a folk-song would float through the forest and echo among the crags above him. It was a good three hours' walk whither he was bound, but in less than an hour he stopped where a brook tumbled noisily from a steep ravine and across the road—stopped and looked up the thick shadows whence it came. Hesitant, he stood on one foot and then on the other, with a wary look down the road and up the ravine.
"I said I'd try to git back," he said aloud. "I said I'd try."
And with this self-excusing sophistry he darted up the brook. The banks were steep and thickly meshed with rhododendron, from which hemlock shot like black arrows upward, but the boy threaded through them like a snake. His breast was hardly heaving when he reached a small plateau hundreds of feet above the road, where two branches of the stream met from narrower ravines right and left. To the right he climbed, not up the bed of the stream, but to the top of a little spur, along which he went slowly and noiselessly, stooping low. A little farther on he dropped on his knees and crawled to the edge of a cliff, where he lay flat on his belly and peeked over. Below him one Jeb Mullins, a stooping, gray old man, was stirring something in a great brass kettle. A tin cup was going the round of three men squatting near. On a log two men were playing with greasy cards, and near them another lay in drunken sleep. The boy grinned, slid down through the bushes, and, deepening his voice all he could, shouted:
"Throw up yo' hands!"
The old man flattened behind the big kettle with his pistol out. One of the four men leaped for a tree—the others shot up their hands. The card-players rolled over the bank near them, with no thought of where they would land, and the drunken man slept on. The boy laughed loudly.
"Don't shoot!" he cried, and he came through the bushes jeering. The men at the still dropped their hands and looked sheepish and then angry, as did the card-players, whose faces reappeared over the edge of the bank. But the old man and the young one behind the tree, who alone had got ready to fight, joined in with the boy, and the others had to look sheepish again.
"Come on, Chris!" said the old moonshiner, dipping the cup into the white liquor and handing it forth full, "Hit's on me."
Christmas is "new Christmas" in Happy Valley. The women give scant heed to it, and to the men it means "a jug of liquor, a pistol in each hand, and a galloping nag." There had been target-shooting at Uncle Jerry's mill to see who should drink old Jeb Mullins's moonshine and who should smell, and so good was the marksmanship that nobody went without his dram. The carousing, dancing, and fighting were about all over, and now, twelve days later, it was the dawn of "old Christmas," and St. Hilda sat on the porch of her Mission school alone. The old folks of Happy Valley pay puritan heed to "old Christmas." They eat cold food and preserve a solemn demeanor on that day, and they have the pretty legend that at midnight the elders bloom and the beasts of the field and the cattle in the barn kneel, lowing and moaning. The sun was just rising and the day was mild, for a curious warm spell, not uncommon in the hills, had come to Happy Valley. Already singing little workers were "toting rocks" from St. Hilda's garden, corn-field, and vineyard, for it was Monday, and every Monday they gathered—boys and girls—from creek and hillside, to help her as volunteers. Far up the road she heard among them taunting laughter and jeers, and she rose quickly. A loud oath shocked the air, and she saw a boy chasing one of the workers up the vineyard hill. She saw the pursuer raise his hand and fall, just as he was about to hurl a stone. Then there were more laughter and jeers, and the fallen boy picked himself up heavily and started down the road toward her—staggering. On he came staggering, and when he stood swaying before her there was no shocked horror in her face—only pity and sorrow.
"Oh, Chris, Chris!" she said sadly. The boy neither spoke nor lifted his eyes, and she led him up-stairs and put him to bed. All day he slept in a stupor, and it was near sunset when he came down, pale, shamed, and silent. There were several children in the porch.
"Come, Chris!" St. Hilda said, and he followed her down to the edge of the creek, where she sat down on a log and he stood with hanging head before her.
"Chris," she said, "we'll have a plain talk now. This is the fourth time you've been"—the word came with difficulty—"drunk."
"I've sent you away three times, and three times I've let you come back. I let you come back after new Christmas, only twelve days ago."
"You can't keep your word."
"I don't know what to do now, so I'm going to ask you."
She paused and Chris was silent, but he was thinking, and she waited. Presently he looked straight into her eyes, still silent.
"What do you think I'd better do?" she insisted.
"I reckon you got to whoop me, Miss Hildy."
"But you know I can't whip you, Chris. I never whip anybody."
Several times a child had offered to whip himself, had done so, and she wondered whether the boy would propose that, but he repeated, obstinately and hopelessly:
"You got to whoop me."
"I won't—I can't." Then an idea came. "Your mother will have to whip you."
Chris shook his head and was silent. He was not on good terms with his mother. It was a current belief that she had "put pizen in his daddy's liquer." She had then married a man younger than she was, and to the boy's mind the absence of dignity in one case matched the crime in the other.
"All right," he said at last; "but I reckon you better send somebody else atter her. You can't trust me to git by that still"—he stopped with a half-uttered oath of surprise:
A woman was coming up the road. She wore a black cotton dress and a black sunbonnet—mourning relics for the dead husband which the living one had never had the means to supplant—and rough shoes. She pushed back the bonnet with one nervous, bony hand, saw the two figures on the edge of the creek, and without any gesture or call came toward them. And only the woman's quickness in St. Hilda saw the tense anxiety of the mother's face relax. The boy saw nothing; he was only amazed.
"Why, mammy, whut the—whut are you doin' up hyeh?"
The mother did not answer, and St. Hilda saw that she did not want to answer. St. Hilda rose with a warm smile of welcome.
"So this is Chris's mother?"
The woman shook hands limply.
"Hit's whut I passes fer," she said, and she meant neither smartness nor humor. The boy was looking wonderingly, almost suspiciously at her, and she saw she must give him some explanation.
"I been wantin' to see the school hyeh an' Miss Hildy. I had to come up to see Aunt Sue Morrow, who's might' nigh gone, so I jes kep' a-walkin' on up hyeh."
"Miss Hildy hyeh," said the boy, "was jes about to send fer ye."
"To sen' fer me?"
"I been drunk agin."
The mother showed no surprise or displeasure.
"Hit's the fourth time since sorghum time," the boy went on relentlessly. "I axed Miss Hildy hyeh to whoop me, but she says she don't nuver whoop nobody, so she was jes a-goin' to send fer you to come an' whoop me when you come a-walkin' up the road."
This was all, and the lad pulled out an old Barlow knife and went to a hickory sapling. The two women watched him silently as he cut off a stout switch and calmly began to trim it. At last the woman turned to the teacher and her voice trembled.
"I don't see Chris thar more'n once or twice a year, an' seems kind o' hard that I got to whoop him."
The boy turned sharply, and helplessly she took the switch.
"And hit hain't his fault nohow. His stepdaddy got him drunk. He tol' me so when he come home. I went by the still to find Chris an' cuss out ole Jeb Mullins an' the men thar. An' I come on hyeh."
"Set down a minute, mammy," said Chris, dropping on the log on one side of St. Hilda, and obediently the mother sat down on the other side.
"Mammy," he said abruptly, "I'll stop drinkin' if you will."
St. Hilda almost gasped. The woman lifted her eyes to the mountainside and dropped her gaze presently to her hands, which were twisting the switch in her lap.
"I'll stop if you will," he repeated.
"I'll try, Chris," she said, but she did not look up.
"Gimme yo' hand."
Across St. Hilda's lap she stretched one shaking hand, which the boy clasped.
"Put yo' hand on thar, too, Miss Hildy," he said, and when he felt the pressure of her big, strong, white hand for a moment he got up quickly and turned his face.
"All right, mammy."
St. Hilda rose, too, and started for the house—her eyes so blurred that she could hardly see the path. Midway she wheeled.
"Don't!" she cried.
The mother was already on her way home, breaking the switch to pieces and hiding her face within the black sunbonnet. The boy was staring after her.
THE LORD'S OWN LEVEL
The blacksmith-shop sat huddled by the roadside at the mouth of Wolf Run—a hut of blackened boards. The rooftree sagged from each gable down to the crazy chimney in the centre, and the smoke curled up between the clapboard shingles or, as the wind listed, out through the cracks of any wall. It was a bird-singing, light-flashing morning in spring, and Lum Chapman did things that would have set all Happy Valley to wondering. A bareheaded, yellow-haired girl rode down Wolf Run on an old nag. She was perched on a sack of corn, and she gave Lum a shy "how-dye" when she saw him through the wide door. Lum's great forearm eased, the bellows flattened with a long, slow wheeze, and he went to the door and looked after her. Professionally he noted that one hind shoe of the old nag was loose and that the other was gone. Then he went back to his work. It would not be a busy day with Uncle Jerry at the mill—there would not be more than one or two ahead of her and her meal would soon be ground. Several times he quit work to go to the door and look down the road, and finally he saw her coming. Again she gave him a shy "how-dye," and his eyes followed her up Wolf Run until she was out of sight.
The miracle these simple acts would have been to others was none to him. He was hardly self-conscious, much less analytical, and he went back to his work again.
A little way up that creek Lum himself lived in a log cabin, and he lived alone. This in itself was as rare as a miracle in the hills, and the reason, while clear, was still a mystery: Lum had never been known to look twice at the same woman. He was big, kind, taciturn, ox-eyed, calm. He was so good-natured that anybody could banter him, but nobody ever carried it too far except a bully from an adjoining county one court day. Lum picked him up bodily and dashed him to the ground so that blood gushed from his nose and he lay there bewildered, white, and still. Lum rarely went to church, and he never talked religion, politics, or neighborhood gossip. He was really thought to be quite stupid, in spite of the fact that he could make lightning calculations about crops, hogs, and cattle in his head. However, one man knew better, but he was a "furriner," a geologist, a "rock-pecker" from the Bluegrass. To him Lum betrayed an uncanny eye in discovering coal signs and tracing them to their hidden beds, and wide and valuable knowledge of the same. Once the foreigner lost his barometer just when he was trying to locate a coal vein on the side of the mountain opposite. Two days later Lum pointed to a ravine across the valley.
"You'll find that coal not fer from the bottom o' that big poplar over thar." The geologist stared, but he went across and found the coal and came back mystified.
"How'd you do it?"
Lum led him up Wolf Run. Where the vein showed by the creek-side Lum had built a little dam, and when the water ran even with the mud-covered stones he had turned the stream aside. The geologist lay down, sighted across the surface of the water, and his eye caught the base of the big poplar.
"Hit's the Lord's own level," said Lum, and back he went to his work, the man looking after him and muttering:
"The Lord's own level."
Hardly knowing it, Lum waited for grinding day. There was the same exchange of "how-dyes" between him and the girl, going and coming, and Lum noted that the remaining hind shoe was gone from the old nag and that one of the front ones was going. This too was gone the next time she passed, and for the first time Lum spoke:
"Yo' hoss needs shoein'."
"She ain't wuth it," said the girl. Two hours later, when the girl came back, Lum took up the conversation again.
"Oh, yes, she is," he drawled, and the girl slid from her sack of meal and watched him, which she could do fearlessly, for Lum never looked at her. He had never asked her name and he did not ask her now.
"I'm Jeb Mullins's gal," she said. "Pap'll be comin' 'long hyeh some day an' pay ye."
"My name's Lum—Lum Chapman."
"They calls me Marthy."
He lifted her bag to the horse's bony withers with one hand, but he did not offer to help her mount. He watched her again as she rode away, and when she looked back he turned with a queer feeling into his shop. Two days later Jeb Mullins came by.
"Whad' I owe ye?" he asked.
"Nothin'," said Lum gruffly.
The next day the old man brought down a broken plough on his shoulder, and to the same question he got the same answer:
"Nothin'." So he went back and teased Martha, who blushed when she next passed the door of the shop, and this time Lum did not go out to watch her down the road.
Sunday following, Parson Small, the circuit-rider, preached in the open-air "meetin'-house," that had the sky for a roof and blossoming rhododendron for walls, and—wonder of wonders—Lum Chapman was there. In the rear he sat, and everybody turned to look at Lum. So simple was he that the reason of his presence was soon plain, for he could no more keep his eyes from the back of Martha Mullins's yellow head than a needle could keep its point from the North Pole. The circuit-rider on his next circuit would preach the funeral services of Uncle Billy Hall, who had been dead ten years, and Uncle Billy would be draped with all the virtues that so few men have when alive and that so few lack when dead. He would marry such couples as might to marriage be inclined. There were peculiar customs in Happy Valley, due to the "rider's" long absences, so that sometimes a baby might without shame be present at the wedding of its own parents. To be sure, Lum's eyes did swerve once when the preacher spoke of marriage—swerved from where the women sat to where sat the men—to young Jake Kilburn, called Devil Jake, a name of which he was rather proud; for Martha's eyes had swerved to him too, and Jake shot back a killing glance and began twisting his black mustache.
And then the preacher told about the woman whom folks once stoned.
Lum listened dully and waited helplessly around at the end of the meeting until he saw Martha and Jake go down the road together, Martha shy and conscious and Jake the conquering daredevil that he was known to be among women. Lum went back to his cabin, cooked his dinner, and sat down in his doorway to whittle and dream.
Lum went to church no more. When Martha passed his shop, the same "how-dye" passed between them and no more. Twice the circuit-rider came and went and Martha and Devil Jake did not ask his services. A man who knew Jake's record in another county started a dark rumor which finally reached Lum and sent him after the daredevil. But Jake had fled and Lum followed him almost to the edge of the bluegrass country, to find that Jake had a wife and child. He had meant to bring Jake back to his duty, but he merely beat him up, kicked him to one side of the road like a dog, and came back to his shop.
Old Jeb Mullins came by thereafter with the old nag and the sack of corn, and Lum went on doing little jobs for him for nothing, for Jeb was a skinflint, a moonshiner, and a mean old man. He did not turn Martha out of his hut, because he was callous and because he needed her to cook and to save him work in the garden and corn-field. Martha stayed closely at home, but she was treated so kindly by some of the neighbors that once she ventured to go to church. Then she knew from the glances, whispers, and gigglings of the other girls just where she stood, and she was not seen again very far from her own door. It was a long time before Lum saw her again, so long, indeed, that when at last he saw her coming down Wolf Run on a sack of corn she carried a baby in her arms. She did not look up as she approached, and when she passed she turned her head and did not speak to him. So Lum sat where he was and waited for her to come back, and she knew he had been waiting as soon as she saw him. She felt him staring at her even when she turned her head, and she did not look up until the old nag stopped. Lum was barring the way.
"Yo' hoss needs shoein'," he said gravely, and from her lap he took the baby unafraid. Indeed, the child dimpled and smiled at him, and the little arm around his neck gave him a curious shiver that ran up the back of his head and down his spine. The shoeing was quickly done, and in absolute silence, but when they started up Wolf Run Lum went with them.
"Come by my shack a minit," he said.
The girl said nothing; that in itself would be another scandal, of course, but what was the difference what folks might say? At his cabin he reached up and lifted mother and child from the old nag, and the girl's hair brushed his cheek.
"You stay hyeh with the baby," he said quietly, "an' I'll take yo' meal home." She looked at him with mingled trust and despair. What was the difference?
It was near sundown when Lum got back. Smoke was coming out of his rickety chimney, and the wail of an old ballad reached his ears. Singing, the girl did not hear him coming, and through the open door he saw that the room had been tidied up and that she was cooking supper. The baby was playing on the floor. She turned at the creak of his footstep on the threshold and for the first time she spoke.
"Supper'll be ready in a minit."
A few minutes later he was seated at the table alone and the girl, with the baby on one arm, was waiting on him. By and by he pushed back his chair, pulled out his pipe, and sat down in the doorway. Dusk was coming. In the shadowy depths below a wood-thrush was fluting his last notes for that day. Then for the first time each called the other by name.
"Marthy, the circuit-rider'll be 'roun' two weeks from next Sunday."
"All right, Lum."
THE MARQUISE OF QUEENSBERRY
Thus it had happened. Pleasant Trouble was drunk one day and a fly lit on his knee. He whipped his forty-four from its holster.
"I'll show ye who you air lightin' on!" he swore, and blazed away. Of course he killed the fly, but incidentally he shattered its lighting-place. Had he been in a trench anywhere in France, his leg would have been saved, but he was away out in the Kentucky hills. If he minded the loss of it, however, no one could see, for with chin up and steady, daredevil eyes he swung along about as well on his crutch as if it had been a good leg. Down the road, close to the river's brim, he was swinging now—his voice lifted in song. Ahead of him and just around the curve of the road, with the sun of Happy Valley raining its last gold on her golden bare head, walked the Marquise; but neither Pleasant nor she herself knew she was the Marquise. A few minutes later the girl heard the crunch of the crutch in the sandy road behind her, and she turned with a smile:
"How-dye, Pleaz!" The man caught the flapping brim of his slouch-hat and lifted it—an act of courtesy that he had learned only after Happy Valley was blessed by the advent of the Mission school: making it, he was always embarrassed no little.
"How-dye, Miss Mary!"
"Going down to the dance?"
"No'm," he said with vigorous severity, and then with unctuous virtue—"I hain't nuver run a set or played a play in my life."
The word "dance" is taboo among these Calvinists of the hills. They "run sets" and "play plays"—and these are against the sterner morals that prevail—but they do not dance. The Mission teacher smiled. This was a side-light on the complex character of Pleasant Trouble that she had not known before, and she knew it had nothing to do with his absent leg. A hundred yards ahead of them a boy and a girl emerged from a ravine—young King Camp and Polly Sizemore—and plainly they were quarrelling. The girl's head was high with indignation; the boy's was low with anger, and now and then he would viciously dig the toe of his boot in the sand as he strode along. Pleasant grinned.
"I won't holler to 'em," he said; "I reckon they'd ruther be alone."
"Pleasant," said Miss Mary, "you drink moonshine, don't you?"
"You sometimes make it, don't you?"
"I've been s'picioned."
"You were turned out of church once, weren't you, for shooting up a meeting?"
"Yes," was the indignant defense, "but I proved to 'em that I was drunk, an' they tuk me back." The girl had to laugh.
"And yet you think dancing wrong?"
The girl gave it up—so perfunctory and final was is reply. Indeed, he seemed to have lost interest. Twice he had looked back, and now he turned again. She saw the fulfilment of some prophecy in his face as he grunted and frowned.
"Thar comes Ham Cage," he said. Turning, the girl saw an awkward youth stepping into the road from the same ravine whence Polly and young King had come, but she did not, as did Pleasant, see Ham shifting a revolver from his hip to an inside pocket.
"Those two boys worry the life out of me," she said, and again Pleasant grunted. They were the two biggest boys in the school, and in running, jumping, lifting weights, shooting at marks, and even in working—in everything, indeed, except in books—they were tireless rivals. And now they were bitter contestants for the favor of Polly Sizemore—a fact that Pleasant knew better than the Mission girl.
Flirts are rare in the hills. "If two boys meets at the same house," Pleasant once had told her, "they jes makes the gal say which one she likes best, and t'other one gits!" But with the growth of the Mission school had come a certain tolerance which Polly had used to the limit. Indeed, St. Hilda had discovered a queer reason for a sudden quickening of interest on Polly's part in her studies. Polly had to have the letters she got read for her, and the letters she sent written for her, and thus St. Hilda found that at least three young men, who had gone into the army and had learned to write, thought—each of them—that he was first in her heart. Polly now wanted to learn to read and write so that she could keep such secrets to herself. She had been "settin' up" with Ham Cage for a long time, and now she was "talkin' to" young King Camp. King was taking her to the dance, and it was plain to Pleasant that trouble was near. He looked worried.
"Well," he said, "I reckon thar hain't so much harm the way you school folks run sets because you don't 'low drinkin' or totin' pistols, an' you make 'em go home early. I heerd Miss Hildy is away—do you think you can manage the bad uns?"
"I think so," smiled Miss Mary.
"Well, mebbe I will come around to-night."
"Come right along now," said the girl heartily, but Pleasant had left his own gun at home, so he shook his head and started up the mountain.
Happy Valley was darkening now. The evening star shone white in the last rosy western flush, and already lanterns glowed on the porch of the "big house" where the dancing was to be. From high in the shadows a voice came down to the girl:
"I hain't got a gun an' I hain't had a drink to-day. Hit's a shame when Miss Hildy's always a-tryin' to give us a good time she has to beg us to behave."
The young folks were gathering in. On the porch she saw Polly Sizemore in a chair and young King Camp slipping into the darkness on the other side of the house. A few minutes later Ham Cage strolled into sight, saw Polly, and sullenly dropped on the stone steps as far away from her as possible. The little teacher planned a course of action.
"Ham," she said, as she passed, "I want you to run the first set with me." Ham stared and she was rather startled by his flush.
"Yes'm," he stammered. A moment later young King reappeared at the other end of the porch.
"King," she said, "I want you to run the second set with me," and King too stared, flushed, and stammered assent, while Polly flashed indignation at the little teacher's back. It had been Miss Mary's plan to break up the hill custom of one boy and one girl dancing together all the time—and she had another idea as well.
Pleasant Trouble swung into the circle of light from the porch just as the first set started, and he sat down on the stone steps to look on. It was a jolly dance. Some elderly folks were there to look on, and a few married couples who, in spite of Miss Mary's persuasions, yet refused to take part. It was soon plain that Polly Sizemore and the little teacher were the belles of the ball, though of the two Polly alone seemed to realize it. Pleasant could hardly keep his eyes off the Mission girl. She was light as a feather, her eyes sparkled, her cheeks grew rosy, her laugh rang out, and the flaming spirit of her was kindling fires of which she never dreamed. Pleasant saw her dance first with Ham and then with King, and he grinned with swift recognition of her purpose. And he grinned the more when he saw that she was succeeding beyond her realization—saw it by the rage in Polly's black eyes, which burned now at Ham and now at King, for Miss Mary had no further need to ask either of them to dance—one or the other was always at her side. Indeed the Marquise, without knowing it, was making a pretty triangular mess of things, and Pleasant chuckled unholily—chuckled until he saw things were getting serious, and then his inner laughing ceased and his sharp eyes got wary and watchful. For first Ham and then King would disappear in the darkness, and each time they came back their faces were more flushed and their dancing was more furious.
Now, Polly was winging arrows of anger at the little teacher, and presently Pleasant rose lightly and with incredible swiftness swung across the floor just as the climax came. From the other side Polly too darted forward. Ham and King were glaring at each other over the teacher's pretty head—each claiming the next dance. Miss Mary was opening her mouth for a mild rebuke when the two boys sprang back, the right hand of each flashing to his hip. King drew first, and Pleasant's crutch swished down on his wrist, striking his pistol to the floor. Polly had caught Ham's hand with both her own, and Ham felt the muzzle of Pleasant's forty-four against his stomach.
"Stop it!" said Pleasant sternly. "Miss Mary don't like sech doin's."
So quickly was it on and over that the teacher hardly realized that it had come on and was over. Her bewildered face paled, but the color came back with a rush, and when her indignant eyes began their deadly work Pleasant knew there was no further need of him, and he stepped back as though to escape penalty even for playing peacemaker in a way so rude.
"You—you—you two!" breathed Miss Mary helplessly, but only for a moment.
"Give me that gun, Ham. Pick that one up, King." Both she handed to Pleasant, and then—no torrent came. She turned with a wave of her hand.
"You can all go home now." There had been a moment of deadly quiet, but in the mountains even boys and girls do not take such events very seriously; the hubbub and tittering that had started again ceased again, and all left quickly and quietly—all but the teacher, Pleasant, and the two boys, for Polly too was moving away. King turned to go after her.
"Wait a moment, King," said Miss Mary, and Polly cried fiercely: "He can stay till doomsday fer all o' me. I hain't goin' with ary one uv 'em." And she flirted away.
"I am not going to talk to you two boys until to-morrow," said Miss Mary firmly, "and then I'm going to put a stop to all this. I want both of you to be here when school closes. I want you too, Pleasant, and I want you to bring Lum Chapman."
Pleasant Trouble was as bewildered as the two shamefaced boys—did she mean to have him hold a gun on the two boys while Lum, the blacksmith, whaled them?
"Never mind—wait till to-morrow. Will you all be here?"
"Yes'm," said all.
"Go with them up the river, Pleasant. Don't let them quarrel, and see that each one goes up his own creek."
The two boys moved away like yoked oxen. At the bottom step Pleasant turned to look back. Very rigid and straight the little teacher stood under the lantern, and the pallor and distress of her face had given way to a look of stern determination.
"Whew!" he breathed, and he turned a half-circle on his crutch into the dark.
Miss Mary Holden was a daughter of the Old Dominion, on the other side of the Cumberland Range, and she came, of course, from fighting stock. She had gone North to school and had come home horrified by—to put it mildly—the Southern tendency to an occasional homicide. There had been a great change, to be sure, within her young lifetime. Except under circumstances that were peculiarly aggravating, gentlemen no longer peppered each other on sight. The duel was quite gone. Indeed, the last one at the old university was in her father's time, and had been, he told her, a fake. A Texan had challenged another student, and the seconds had loaded the pistols with blank cartridges. After firing three times at his enemy the Texan threw his weapon down, swore that he could hit a quarter every time at that distance, pulled forth two guns of his own and demanded that they be used; and they had a terrible time appeasing the Westerner, who, failing in humor, challenged then and there every member of his enemy's fraternity and every member of his own. Thereafter it became the custom there and at other institutions of learning in the State to settle all disputes fist and skull; and of this Miss Holden, who was no pacifist, thoroughly approved. Now she was in a community where the tendency to kill seemed well-nigh universal. St. Hilda was a gentle soul, who would never even whip a pupil. She might not approve—but Miss Holden had the spirit of the pioneer and she must lead these people into the light. So she told her plan next day to Pleasant Trouble and Lum Chapman, who were first to come. Stolid Lum would have shown no surprise had she proposed that the two boys dive from a cliff, and if one survived he won; but the wonder and the succeeding joy in Pleasant's face disturbed Miss Holden. And when Pleasant swung his hat from his head and let out a fox-hunting yelp of pure ecstasy she rebuked him severely, whereat the man with the crutch lapsed into solemnity.
"Will they fight this way?" she asked.
"Them two boys will fight a bee-gum o' sucklin' wildcats—tooth and toe-nail."
"They aren't going to fight that way," protested Miss Holden. "They will fight by the Marquis of—er—Somebody's rules." She explained the best she could the intervals of action and of rest, and her hearers were vastly interested.
"They can't kick?" asked Pleasant.
"What do you mean by 'gouge'?" Pleasant pantomimed with a thumbnail crooked on the outer edge of each eye-socket.
"No!" was the horrified cry.
"Jest a square, stand-up and knock-down fight?"
"Yes," she said reluctantly but bravely.
"Lum will be timekeeper and referee to make them break away when they clinch." When she explained that Pleasant scratched his head.
"They can't even wrassle?" Miss Holden understood and did not correct.
"They can't even wrassle. And you and I will be the seconds."
"Seconds—whut do we do?"
"Oh, we—we fan them and—and wash off the blood," she shivered a little in spite of herself. Pleasant smiled broadly.
"Which one you goin' to wash off?"
"I—I don't know." Pleasant grinned.
"Well, we better toss up fer it an' atter they git hyeh." She did not understand his emphasis.
"Very well," she assented carelessly.
Up the road came Ham Cage now, and down the road came King Camp—both with a rapid stride. Though both had sworn to shoot on sight, they had kept away from each other as they had promised, and now without speaking they glowered unwinking into each other's eyes. Nor did either ask a question when the little teacher, with two towels over one arm, led the way down the road, up over a little ridge, and down to a grassy hollow by the side of a tinkling creek. It was hard for the girl to believe that these two boys meant to shoot each other as they had threatened, but Pleasant had told her they surely would, and that fact held her purpose firm. Without a word they listened while she explained, and without a word both nodded assent—nor did they show any surprise when the girl repeated what she had told Pleasant Trouble and Lum Chapman.
"Jes' a plain ole square, stand-up an' knock-down fight," murmured Pleasant consolingly, pulling forth a silver quarter, "Heads—you wipe Ham; tails—you wipe King." Miss Holden nodded, and for the first time the two lads turned their angry eyes from each other to the girl and yet neither asked a question. Tails it was, and the girl motioned King to a log on one side of the hollow, and Pleasant and Ham to another log on the other side. She handed Pleasant one of the towels, dropped her little watch into Lum's huge palm, and on second thought took it back again: it might get broken, and Lum might be too busy to keep time. Only Pleasant saw the gritting of Ham's teeth when she took her stand by King's side.
"Take off your coats!" she said sharply. The two obeyed swiftly.
"Time!" she called, and the two leaped for each other.
"Stop!" she cried, and they halted. "I forgot—shake hands!"
Both shook their heads instead, like maddened bulls, and even Lum looked amazed; he even spoke:
"Whut's the use o' fightin', if they shakes hands?"
Miss Holden had no argument ready, and etiquette was waived. "Time!" she repeated, and then the two battering-rams, revolving their fists country-fashion, engaged. Half-forgotten Homeric phrases began to flit from a faraway schoolroom back into the little teacher's mind and she began to be consoled for the absence of gloves—those tough old ancients had used gauges of iron and steel. The two boys were evenly matched. After a few thundering body blows they grew wary, and when the round closed their faces were unmarked, they had done each other no damage, and Miss Holden was thrilled—it wasn't so bad after all. Each boy grabbed his own towel and wiped the sweat off his own face.
"Git at it, Ham—git at it!" encouraged Pleasant, and Ham got at it. He gave King a wallop on the jaw; King came back with a jolt on the chin, and the two embraced untenderly.
"Break away!" cried the girl. "Lum, make them break!" Lum thrust one mighty arm between them and, as they flailed unavailingly over it, threw them both back with a right-and-left sweep. Both were panting when the girl called time, and the first blood showed streaming from King's nose. Miss Holden looked a little pale, but gallantly she dipped the towel in the brook and went about her work. Again Pleasant saw his principal's jaw work in a gritting movement, and he chuckled encouragement so loudly that the girl heard him and looked around indignantly. It was inevitable that the seconds, even unconsciously, should take sides, and that point was coming fast. The girl did not hear herself say:
"Shift your head and come back from underneath!" And that was what King proceeded to do, and Ham got an upper-cut on the chin that snapped his head up and sprinkled the blue sky with stars for him just as the bell of the girl's voice sounded time. Meanwhile, up the road below them came a khaki-clad youth and a girl—Polly Sizemore and one of her soldier lovers who was just home on a furlough. Polly heard the noises in the hollow, cocked an ear, put her finger on her lips, and led him to the top of the little ridge whence she could peak over. Her amazed eyes grew hot seeing the Mission girl, and she turned and whispered:
"That fotched-on woman's got 'em fightin'."
The soldier's face radiated joy indeed, and as unseen spectators the two noiselessly settled down.
"Whur'd they learn to fight this way?" whispered the soldier—the army had taught him. Polly whispered back:
"She's a-larnin' 'em." The khaki boy gurgled his joy and craned his neck.
"Whut they fightin' about?" Polly flushed and turned her face.
"I—er—I don't know." The soldier observed neither her flush nor her hesitation, for King and Ham were springing forward for another round; he only muttered his disgust at their awkwardness and their ignorance of the ring in terms that were strange to the girl by his side.
"The mutts, the cheeses, the pore dawgs—they don't know how to guard an' they ain't got no lefts."
Pleasant was advising and encouraging his principal now openly and in a loud voice, and Ham's face began to twist with fury when he heard the Mission girl begin to spur on King. With bared teeth he rushed forward and through the wild blows aimed at him, got both underholds, and King gave a gasping grunt as the breath was squeezed quite out of him.
"Break!" cried the girl. Lum tugged at the locked hand and wrist behind King's back and King's hands flew to Ham's throat. "Break! Break!" And Lum had literally to tear them apart.
"Time!" gasped the girl. She was on the point of tears now, but she held them back and her mouth tightened—she would give them one more round anyhow. When the battling pair rose Pleasant lost his head. He let loose a fox-hunting yell. He forgot his duty and the rules; he forgot the girl—he forgot all but the fight.
"Let 'em loose!" he yelled. "Git at it boys! Go fer him, Ham—whoop—ee—ee!" The girl was electrified. Lum began cracking the knuckles of his huge fingers. Polly and the soldier rose to their feet. That little dell turned eons back. The people there wore skins and two cavemen who had left their clubs at home fought with all the other weapons they had. The Mission girl could never afterward piece out the psychology of that moment of world darkness, but when she saw Ham's crooked thumbs close to King's eyes a weird and thrilling something swept her out of herself. Her watch dropped to the ground. She rushed forward, seized two handfuls of Ham's red hair, and felt Polly's two sinewy hands seizing hers. Like a tigress she flashed about; just in time then came the call of civilization, and she answered it with a joyous cry. Bounding across the creek below came a tall young man, who stopped suddenly in sheer amaze at the scene and as suddenly dashed on. With hair and eyes streaming, the girl went to meet him and rushed into his arms. From that haven she turned.
"It's a draw!" she said faintly. "Shake—" She did not finish the sentence. Ham and King had risen and were staring at her and the stranger. They looked at each other, and then saw Polly sidling back to the soldier. Again they looked at each other, grinned at each other, and, as each turned for his coat—clasped hands.
"Oh!" cried the girl, "I'm so glad."
"This is not my brother," she said, leading the stranger forward. If she expected to surprise them, she didn't, for in the hills brothers and sisters do not rush into each other's arms. "It's my sweetheart, and he's come to take me home. And you won't shoot each other—you won't fight any more?" And Ham said:
"Not jes' at present"; and King laughed.
"I'm so glad."
Pleasant swung back to the Mission House with the two foreigners, and on the way Miss Holden explained. The stranger was a merry person, and that part of Happy Valley rang with his laughter.
"My! I wish I had got there earlier—what were they fighting about?"
"Why, Polly Sizemore, that pretty girl with black hair who lost her head when—when—I caught hold of Ham." The shoulder of Pleasant Trouble that was not working up and down over his crutch began to work up and down over something else.
"What's the matter, Pleasant?" asked the girl.
"Nothin'." But he was grinning when they reached the steps of the Mission, and he turned on Miss Holden a dancing eye.
"Polly nothin'—them two boys was a-fightin' about you!" And he left her aghast and wheeled chuckling away.
Next afternoon the Marquise bade her little brood a tearful good-by and rode with her lover up Happy Valley to go over the mountain, on to the railroad, and back into the world. At the mouth of Wolf Run Pleasant Trouble was waiting to shake hands.
"Tell Polly good-by for me, Pleasant," said Miss Holden. "She wasn't there."
"Polly and the soldier boy rid up to the Leetle Jedge o' Happy Valley last night to git married."
"Oh," said Miss Holden, and she flushed a little. "And Ham and King weren't there—where do you suppose they are?" Pleasant pointed to a green little hollow high up a ravine.
"They're up thar."
"Alone?" Pleasant nodded and Miss Holden looked anxious.
"They aren't fighting again?"
"Do you suppose they are really friends now?"
"Ham an' King air as lovin' as a pair o' twins," said Pleasant decidedly and Miss Holden looked much pleased.
"What on earth are they doing up there?"
"Well," drawled Pleasant, "when they ain't huggin' an' shakin' hands they're wrasslin' with a jug o' moonshine."
The Mission girl looked disturbed, and the merry stranger let loose his ringing laugh.
"Oh, dear! Now, where do you suppose they got moonshine?"
"I tol' you," repeated Pleasant, "that I didn't know nobody who couldn't git moonshine." Miss Holden sighed, her lover laughed again, and they rode away, Pleasant watching them till they were out of sight.
"Whut I aimed to say was," corrected Pleasant mentally, "I didn't know nobody who knowed me that couldn't git it." And he jingled the coins in his pockets that at daybreak that morning had been in the pockets of Ham and King.
HIS LAST CHRISTMAS GIFT
The sergeant got the wounded man to his feet and threw one arm around his waist. Then he all but carried him, stumbling along, with both hands clasped across his eyes, down the ravine that looked at night like some pit of hell. For along their path a thousand coke-ovens spat forth red tongues that licked northward with the wind, shot red arrows into the choking black smoke that surged up the mountainside, and lighted with fire the bellies of the clouds rolling overhead.
"Whar you takin' me?"
"Hospital." The mountainer stopped suddenly.
"Why, I can't see them ovens!"
"You come on, Jim."
Next morning Jim lay on a cot with a sheet drawn to his chin and a grayish, yellow bandage covering forehead and eyes down to the tip of his nose. When the surgeon lifted that bandage the nurse turned her face aside, and what was under it, or rather what was not under it, shall not be told. Only out in the operating-room the smooth-faced young assistant was curiously counting over some round leaden pellets, and he gave one low whistle when he pushed into a pile a full fourscore.
"He said he was a-lookin' through a keyhole," the sergeant reported, "an' somebody let him have it with both barrels—but that don't go. Jim wouldn't be lookin' through no keyhole; he'd bust the door down."
Nor could the sergeant learn more. He had found the man stumbling down Possum Hollow, and up that hollow the men and women of the mining camp did not give one another away.
"It might 'a' been any one of a dozen fellers I know," the sergeant said, for Jim was a feudsman and had his enemies by the score.
The man on the cot said nothing. Once, to be sure, when he was crossing the border of Etherland, and once only, he muttered: "Yes, she come from Happy Valley, but she was a cat, no doubt about that. Yes, sir, the old girl was a cat." But when he was conscious that much even he never would say again. He simply lay grim, quiet, uncomplaining, and not even the surgeon, whose step he got quickly to know, could get him to tell who had done the deed.
On the fourth day he showed some cheer.
"Look here, doc," he said, "when you goin' to take this rag off o' my eyes? I hain't seen a wink since I come in here."
"Oh, pretty soon," said the surgeon, and the nurse turned away again with drops in her eyes that would never be for the wounded man's eyes to shed again.
On the sixth day his pulse was fast and his blood was high—and that night the nurse knew precisely what meant the look in the surgeon's face when he motioned her to leave the room. Then he bent to lift the bandage once more.
"Why don't you take 'em all off, doc? I'd like to see the old girl again. Has she gone back to Happy Valley?"
"Won't she come to see me?"
"Yes, she'll come, but she can't now—she's sick abed." The man grinned.
"Yes, I know them spells."
"Jim," said the surgeon suddenly, "I'm going to be very busy to-morrow, and if you've got any message to send to anybody or anything to say to me, you'd better say it before I go." He spoke carelessly, but with a little too much care.
The sheet moved over the hands clasped across Jim's breast. "Why, doc, you don't mean to say—" He stopped and drew in one breath slowly.
"Oh, no, but you can't always tell, and I might not get back till late, and I thought you might have something to tell me about—" He paused helplessly, and the man on the cot began moving his lips. The surgeon bent low.
"Why, doc," he said very slowly, "you—don't—really—mean—to—say—that the old—" his voice dropped to a whisper, "has finished me this time?"
"Who finished you, Jim—who'd you say finished you?"
A curious smile flitted over the coarse lips and passed. Then the lips tightened and the thought behind the bandage made its way to the surgeon's quick brain, and there was a long silence.
"Doc, d'you ever hear tell of a woman bein' hung?"
"Doc, am I goin' shore?" This question the surgeon answered with another, bending low.
"Jim, what message shall I give your wife?" The curious smile came back.
"Doc, this is Christmas, ain't it?"
"Doc, you're shore, air ye, that nobody knows who done it?"
"Nobody but you, Jim."
The man had been among men the terror of the hills for years, but on the last words that passed his gray lips his soul must have swung upward toward the soul of the Man who lived and died for the peace of those hills.
"Doc," he said thickly, "you jus' tell the old girl Jim says: 'Happy Christmas!'"
The surgeon started back at the grim cheer of that message, but he took it like a priest and carried it back through the little hell that flared down the ravine on Jim now through the window. And like a priest he told it to but one living soul.
THE ANGEL FROM VIPER
He had violet eyes, the smile of a seraph, and a halo of yellow hair, and he came from Viper, which is a creek many, many hills away from Happy Valley. He came on foot and alone to St. Hilda, who said sadly that she had no room for him. But she sighed helplessly when the Angel smiled—and made room for him. To the teachers he became Willie—to his equals he was Bill. In a few weeks he got homesick and, without a word, disappeared. A fortnight later he turned up again with a little brother, and again he smiled at St. Hilda.
"Jeems Henery hyeh," he said, "'lowed as how he'd come along"—and James Henry got a home. Jeems was eight, and the Angel, who was ten, was brother and father to him. He saw to it that Jeems Henery worked and worked hard and that he behaved himself, so that his concern for the dull, serious little chap touched St. Hilda deeply. That concern seemed, indeed, sacrificial—and was.
When spring breathed on the hills the Angel got restless. He was homesick again and must go to see his mother.
"But, Willie," said St. Hilda, "you told me your mother died two years ago."
"She come might' nigh dyin'," said the Angel. "That's what I said." St. Hilda reasoned with him to no avail, and because she knew he would go anyhow gave him permission.
"Miss Hildy, I'm a-leavin' Jeems Henery with ye now, an' I reckon I oughter tell you somethin'."
"Yes, Willie," answered St. Hilda absently.
"Miss Hildy, Jeems Henery is the bigges' liar on Viper."
"Yes," repeated St. Hilda; "what?"
"The truth ain't in Jeems Henery," the Angel went on placidly. "You can't lam' it inter 'im an' tain't no use to try. You jus' watch him close while I'm gone."
Half an hour later the Angel put his hand gently on St. Hilda's knee, and his violet eyes were troubled. "Miss Hildy," he said solemnly, "Jeems Henery is the cussin'est boy on Viper. I reckon Jeems Henery is the cussin'est boy in the world. You've got to watch him while I'm gone, or no tellin' whut he will larn them young uns o' yours."
"All right. I'll do the best I can."
"An' that ain't all," added the Angel solemnly. "Jeems Henery"—St. Hilda almost held her breath—"Jeems Henery is the gamblin'est boy on Viper. Jeems Henery jes' can't look at a marble without tremblin' all over. If you don't watch him like a hawk while I'm gone I reckon Jeems Henery'll larn them young uns o' yours all the devilment in the world."
James Henry veered into view just then around the corner of the house.
"Jeems Henery," called the Angel sternly, "come hyeh!" And James Henry stood before the bar of the Angel's judgment.
"Jeems Henery, air you the gamblin'est boy on Viper?" James Henry nodded cheerfully.
"Air you the cussin'est boy on Viper?" Again there was a nod of cheerful acknowledgment.
"Jeems Henery, air you the bigges' liar on Viper?" James Henry, looking with adoring eyes at the Angel, nodded shameless shame for the third time, and the Angel turned triumphantly.
"Thar now!" Astounded, St. Hilda looked from one brother to the other.
"Well, not one word of this have I heard before."
"Jeems Henery is a sly un—ain't you, Jeems Henery?"
"Ain't nobody who can ketch up Jeems Henery 'ceptin' me."
"Well, Willie, if this is more than I can handle, don't you think you'd better not go home but stay here and help me with James Henry?" The Angel did not even hesitate.
"I reckon I better," he said, and he visibly swelled with importance. "I had to lam' Jeems Henery this mornin', an' I reckon I'll have to keep on lammin' him 'most every day."
"Don't you lam' James Henry at all," said St. Hilda decisively.
"All right," said the Angel. "Jeems Henery, git about yo' work now."
Thereafter St. Hilda kept watch on James Henry and he was, indeed, a sly one. There was gambling going on. St. Hilda did not encourage tale-bearing, but she knew it was going on. Still she could not catch James Henry. One day the Angel came to her.
"I've got Jeems Henery to stop gamblin'," he whispered, "an' I didn't have to lam' him." And, indeed, gambling thereafter ceased. The young man who had come for the summer to teach the boys the games of the outside world reported that much swearing had been going on but that swearing too had stopped.
"I've got Jeems Henery to stop cussin'," reported the Angel, and so St. Hilda rewarded him with the easy care of the nice new stable she had built on the hillside. His duty was to clean it and set things in order every day.
Some ten days later she was passing near the scene of the Angel's new activities, and she hailed him.
"How are you getting along?" She called.
"Come right on, Miss Hildy," shouted the Angel. "I got ever'thing cleaned up. Come on an' look in the furthest corners!"
St. Hilda went on, but ten minutes later she had to pass that way again and she did look in. Nothing had been done. The stable was in confusion and a pitchfork lay prongs upward midway of the barn door.
"How's this, Ephraim?" she asked, mystified. Ephraim was a fourteen-year-old boy who did the strenuous work of the barn.
"Why, Miss Hildy, I jes' hain't had time to clean up yit."
"You haven't had time?" she echoed in more mystery. "That isn't your work—it's Willie's." It was Ephraim's turn for mystery.
"Why, Miss Hildy, Willie told me more'n a week ago that you said fer me to do all the cleanin' up."
"Do you mean to say that you've been doing this work for over a week? What's Willie been doing?"
"Not a lick—jes' settin' aroun' studyin' an' whistlin'."
St. Hilda went swiftly down the hill, herself in deep study, and she summoned the Angel to the bar of her judgment. The Angel writhed and wormed, but it was no use, and at last with smile, violet eyes, and halo the Angel spoke the truth. Then a great light dawned for St. Hilda, and she played its searching rays on the Angel's past and he spoke more truth, leaving her gasping and aghast.
"Why—why did you say all that about your poor little brother?"
The Angel's answer was prompt. "Why, I figgered that you couldn't ketch Jeems Henery an' wouldn't ketch me. An'," the Angel added dreamily, "it come might' nigh bein' that-a-way if I just had——"
"You're a horrid, wicked little boy," St. Hilda cried, but the Angel would not be perturbed, for he was a practical moralist.
"Jeems Henery," he called into space, "come hyeh!" And out of space James Henry came, as though around the corner he had been waiting the summons.
"Jeems Henery, who was the gamblin'est, cussin'est, lyin'est boy on Viper?"
"My big brother Bill!" shouted Jeems Henery proudly.
"Who stopped gamblin', cussin', an' lyin'?"
"My big brother Bill!"
"Who stopped all these young uns o' Miss Hildy's from cussin' an' gamblin'?" And Jeems Henery shouted: "My big brother Bill!" The Angel, well pleased, turned to St. Hilda.
"Thar now," he said triumphantly, and seeing that he had reduced St. Hilda to helpless pulp he waved his hand.
"Git back to yo' work, Jeems Henery." But St. Hilda was not yet all pulp.
"Willie," she asked warily, "when did you stop lying?"
"Why, jes' now!" There was in the Angel's face a trace of wonder at St. Hilda's lack of understanding.
"How did James Henry know?" The mild wonder persisted.
"Jeems Henery knows me!" St. Hilda was all pulp now, but it was late afternoon, and birds were singing in the woods, and her little people were singing as they worked in fields; and her heart was full. She spoke gently.
"Go on back to work, Willie," she was about to say, but the Angel had gone a-dreaming and his face was sad, and she said instead:
"What is it, Willie?"
"I know whut's been the matter with me, Miss Hildy—I hain't been the same since my mother died six year ago." For a moment St. Hilda took a little silence to gain self-control.
"You mean," she said sternly, "'come might' nigh dyin',' Willie, and two years ago."
"Well, Miss Hildy, hit 'pears like six." Her brain whirled at the working of his, but his eyes, his smile, and the halo, glorified just then by a bar of sunlight, were too much for St. Hilda, and she gathered him into her arms.
"Oh, Willie, Willie," she half-sobbed; "I don't know what to do with you!" And then, to comfort her, the Angel spoke gently:
"Miss Hildy, jes' don't do—nothin'."
THE POPE OF THE BIG SANDY
He entered a log cabin in the Kentucky hills. An old woman with a pair of scissors cut the tie that bound him to his mother and put him in swaddling-clothes of homespun. Now, in silk pajamas, with three doctors and two nurses to make his going easy, he was on his way out of a suite of rooms ten stories above the splendor of Fifth Avenue.
It was early morning. A taxi swung into the paved circle in front of the hotel below and a little man in slouch-hat and black frock coat, and with his trousers in his boots, stepped gingerly out. He took off the hat with one hand, dropped his saddle-pockets from the other, and mopped his forehead with a bandanna handkerchief.
"My God, brother," he said to the grinning driver, "I tol' ye to hurry, but I didn't 'low you'd fly! How much d' I owe ye an' how do I git in hyeh?"
A giant in a gold-braided uniform had picked up the saddle-pockets when the little man turned.
"Well, now, that's clever of ye," he said, thrusting out his hand, "I reckon you air the proprietor—how's the Pope?"
"Sure, I dunno, sor—this way, sor." The astonished giant pointed to the swinging door and turned for light to the taxi man who, doubled with laughter over his wheel, tapped his forehead. At the desk the little man pushed his hat back and put both elbows down.
"Whar's the Pope?"
"The Pope!" From behind, the giant was making frantic signs, but the clerk's brow cleared. "Oh, yes—front!"
The little man gasped and swayed as the elevator shot upward, but a moment later the little judge of Happy Valley and the Pope of the Big Sandy were hand in hand.
"How're yo' folks, judge?"
"Stirrin'—how're you, Jim?"
"Ain't stirrin' at all."
"Shucks, you'll be up an' aroun' in no time."
"I ain't goin' to git up again."
"Don't you git stubborn now, Jim."
A nurse brought in some medicine and the Pope took it with a wry face. The judge reached for his saddle-pockets and pulled out a bottle of white liquor with a stopper of corn-shucks.
"This'll take the bad taste out o' yo' mouth."
"The docs won't let me—but lemme smell it." The judge had whipped out a twist of long green and again the Pope shook his head:
"Can't drink—can't chaw!"
"Oh, Lord!" The judge bit off a mouthful and a moment later walked to the window and, with his first and second fingers forked over his lips, ejected an amber stream.
"Good Lord, judge—don't do that. You'll splatter a million people." He called for a spittoon and the judge grunted disgustedly.
"I'd hate to live in a place whar a feller can't spit out o' his own window."
"Don't you like it?"
"Hit looks like circus day—I got the headache already."
A telegram was brought in.
"Been seein' a lot about you in the papers," said the judge, and the Pope waved wearily to a pile of dailies. There were columns about him in those papers—about his meteoric rise: how he started a poor boy in the mountains, studied by candle-light, taught school in the hills: how a vision of their future came to him even that early and how he clung to that vision all his life, turning, twisting for option money on coal lands, making a little sale now and then, but always options and more options and sales and more sales, until now the poor mountain boy was a king among the coal barons of the land.
"Judge," said the Pope, "the votin's started down home."
"How's it goin'?"
"Been spendin' any money?"
"Not a cent."
"Ole Bill Maddox is."
"Why, judge, I'm the daddy an' grandaddy o' that town. I built streets and sidewalks for it out o' my own pocket. I put up two churches for 'em. I built the water-works, the bank, an' God knows what all. Ole Bill Maddox can't turn a wheel against me." The little judge was marvelling: here was a man who had refused all his life to run for office, who could have been congressman, senator, governor; and who had succumbed at last.
"Jim, what in blue hell do you want that office fer?"
"To make folks realize their duties as citizens," said the Pope patiently; "to maintain streets and sidewalks and water-works and sewers an' become an independent community, instead o' layin' back on other folks!"
"How about all them churches you been buildin' all over them mountains—air they self-sustainin'?"
"Well, they do need a little help now and then." The judge grunted.
Through the morning many cards were brought the Pope, but the doctors allowed no business. To amuse himself the Pope sent the judge into the sitting-room to listen to the million-dollar project of one sleek young man, and the judge reported:
"Nothin' doin'—he's got a bad eye."
"Right," said the Pope. At twelve o'clock the judge looked at his watch:
"Dinner-time." And the Pope ordered his old mountain friend cabbage, bacon, and greens.
"Judge, I got to sleep now. I've got a car down below. After dinner you can take a ride or you can take a walk."
"You can't git me into a automobile an' I'm afeard to walk. I'd git run over. I'll jus' hang aroun'."
Another telegram was brought in.
"Runnin' easy an' winnin' in a walk," said the Pope. "It's a cinch. You can open anything else that comes while I'm asleep."
The judge himself had not slept well on the train; so he took off his boots, put his yarn-stockinged feet in one chair, and sitting up in another took a nap. An hour later the Pope called for him. The last telegram reported that he was so far ahead that none others would be sent until the committee started to count ballots.
"I've made you an executor in my will, judge," he said, "an' I want you to see that some things are done yourself." The judge nodded.
"I want you to have a new church built in Happy Valley. I want you to give St. Hilda and that settlement school five thousand a year. An'"—he paused—"you know ole Bill Maddox cut me out an' married Sally Ann Spurlock—how many children they got now, judge?"
"Well, I want you to see that every gol-durned one of 'em gits the chance to go to school."
Now, old Bill Maddox was running against the Pope, and was fighting him hard, and the judge hated old Bill Maddox; so he said nothing. The Pope too was silent a long while.
"Judge, I got all my money out o' the mountain folks. I robbed 'em right and left."
"You ain't never robbed nobody in Happy Valley," said the judge a little grimly, and the Pope chuckled.
"No, you wouldn't let me. I got all my money from 'em an' do you know what I'm goin' to do?"
"Git some more, I reckon."
The Pope chuckled again: "I'm a-goin' to give it back to 'em. Churches, schools, libraries, hospitals, good roads—any durned thing in the world that will do 'em any good. It's all in my will. An', judge," he added with a little embarrassment, "I've sort o' fixed it so that when you want to help out a widder or a orphan in Happy Valley you can do it without always diggin' down into yo' own jeans."
"Shucks, don't you worry about me or the folks in Happy Valley—you done enough fer them lettin' 'em alone; an' that durned ole Bill Maddox, he's a fightin' you right now afore yo' face an' behind yo' back. He's the meanest——"
"Makes no difference. His children ain't to blame an' thar's Sally Ann." The Pope yawned and his brow wrinkled with pain. "I better take a little more sleep, judge." A doctor came in and felt the Pope's pulse and the judge left the room worried by the physician's face and his whispered direction to the nurse to summon another doctor.
An hour later the Pope called him back, and his voice was weak:
"Bring in every telegram, judge."
"You mustn't bother," interposed the doctor firmly, and the Pope's mouth set and the old dominant gleam came into his eyes.
"Bring in every telegram," he repeated. Outside, in the hallway, the judge waylaid the doctor.
"Ain't he goin' to pull through?"
"One chance in a thousand," was the curt answer.
About three o'clock the judge got a telegram that made him swear fearfully, and thereafter they came fast. The Pope would use no money. The judge wired the Pope's manager warily offering a thousand of his own. The answer came—"Too late." At five o'clock they were running neck and neck. Ten minutes before the polls closed old Bill Maddox rounded up twenty more votes and victory was his. And all the while the judge was making reports to the Pope:
"It's a cinch."
"Ole Bill fighting tooth and toe-nail but you got him, Jim."
"Countin' the votes now."
"Air ye shore, Jim, you want to leave all that money fer ole Bill's brats?—he's a hound."
"Ole Bill comin' up a little, Jim."
And then came that last telegram, reporting defeat, and with it crushed in his hand the judge made his last report:
"All over. You've got 'em, Jim. Hooray! Can't you hear 'em yell?" The Pope's white mouth smiled and his eyelids flickered, but his eyes stayed closed.
"Jim, I wouldn't give all that money to old Bill's brats—just some fer Sally Ann."
"All of it for old Bill's—for Sally Ann's children, the mountain folks, an' the old home town." The Pope opened his eyes and he spoke:
"All of you—nurses an' docs—git out o' here, please." And knowing that the end was nigh they quietly withdrew.
"Judge, you ain't no actor—you're a ham!"
"Whut you mean, Jim?" asked the judge, for in truth he did not understand—not just then. The roar of the city rose from below, but the sunset came through the window as through all windows of the world. The Pope's hand reached for the judge's hand. His lips moved and the judge bent low.
"Beat!" whispered the Pope; "beat, by God! Beat—for—councilman—in—my—own home town." And because he knew his fellow man, the good and the bad, the Pope passed with a smile.
THE GODDESS OF HAPPY VALLEY
The professor stood at the window of his study waiting for Her to come home. The wind outside was high and whipped her skirts close to her magnificent body as, breasting it unconcernedly, she came with a long, slow stride around a corner down the street. Now, as always whenever he saw her move, he thought of the line in Virgil, for even in her walk she showed the goddess. And Juno was her name.
He met her at the door and he did not have to stoop to kiss her. "What is it, dear?" he said quickly, for deep in her eyes, which looked level with his, he saw trouble.
She handed him a letter and walked to the window—looking out at the gathering storm. The letter was from her home away down in the Kentucky hills—from the Mission teacher in Happy Valley.
There was an epidemic of typhoid down there. It was spreading through the school and through the hills. They were without nurses or doctors, and they needed help.
"Too bad, too bad," he murmured, and he turned anxiously.
"I must go," she said, with a catch in her breath. "One cabin is built above another all the way up the creeks down there. The springs are by the stream. High water floods all of them, and the infection goes with the tide. And the poor things don't know—they don't know. Oh, I must go!"
For a moment he was silent, and then he got up and put his arms about her. He was smiling.
"Then, I'll go with you." She wheeled quickly.
"No, no, no! You can't leave your work, and—remember!"
He did remember how useless it had been to argue with her, and he knew it was useless now. Moreover, if she was going at all, it was like her to go at once—like her to go up-stairs at once to her packing and leave him in the darkened study alone.
They had been married two years. He had seen her first entering his own classroom, and straightway that Latin line took permanent quarters in his brain, so that he was almost startled when he learned her Olympic name. It was not long before he found himself irresistibly drawn to her big, serious eyes that never wandered in a moment's inattention, found himself expounding directly to her—a fact already discovered by every girl in the classroom except Juno herself; and she never did discover, for no one was intimate enough to tell her seriously, and there was that about her that forbade the telling in badinage. With all secrecy, and shyly almost, he set about to learn what he could about her, and that was little indeed.
She came from the mountains of Kentucky, she had won a scholarship in the bluegrass region of the same State, had come North, and was living with painful economy working her way through college, he heard, as a waitress in the dining-hall. He was rather shocked to hear of one incident. The girl who was the head of all athletics in college had once addressed rather sharp words to Juno, who had been persuaded to try for the basket-ball team. The mountain girl did not respond in kind. Instead, her big eyes narrowed to volcanic slits, she caught the champion shot-putter by the shoulders, shook her until her hair came down, and then, with fists doubled, had stood waiting for more trouble.
When the term closed the professor stayed on to finish some experiments he had on hand, and at dinner in his boarding-house the next night he nearly overturned his soup-plate, for it was the goddess who had placed it before him. She was there for the summer—not having money to go home—as a general helper in the household and living under the same roof. She too was going on with her studies, and he offered to help her.
He found her a source of puzzling surprises. While she was from the South, she was not Southern in speech, sentiments, ideas, or ideals. Her voice was not Southern and, while she elided final consonants, her intonation was not of the South. Indeed she would startle him every now and then by dropping some archaic word or old form of expression that made him think of Chaucer. Her feeling toward the negro was precisely what his was, and once when he halted in some stricture on the Confederacy and started to apologize she laughed.
"All my folks," she said, "fit fer the Union—as we say down there," she added with a smile.
So that gradually he began to realize that the Appalachian Range, while being parts of the Southern States, was not of them at all, but was a region sui generis, and that its inhabitants were the only Americans who had never swerved in fealty to the flag.
By midsummer it was all over with him, and he shocked his own reticent soul by blurting out one day: "I want you to marry me." The words had been shot from him by some inner dynamic force, and at the moment he would have given anything he had could he have taken them back. He waited in terror and very frankly and proudly she lifted her heavy lashes, looked straight into his eyes, and firmly said:
He went away then, but his relief was not what he thought it would be. He could not forget that her mouth quivered slightly, and that there seemed to be a faint weakening in the depths of her eyes when he told her good-by. He could climb no mountain that he did not see her striding as from Olympus down it. He walked by no seashore that he did not see her rising from the waves, and again he went to her, and again he asked. And this time, just as frankly and proudly, she looked him in the eyes and said:
"Yes—on one condition."
"That you don't go to my home and my people for five years." He laughed.
"Why, you big, beautiful, silly young person, I know mountains and mountaineers."
"Yes—of Europe—but not mine."
"Very well," he said, and, not knowing women, he asked:
"Why didn't you say 'Yes' the first time?"
"I don't know," she said.
She had lifted her voice first, one spring dawn, in a log cabin that clung to the steep bank of Clover Fork, and her wail rose above the rush of its high waters—above the song of a wood-thrush in the top of a poplar high above her. Somewhere her mother had heard the word Juno, and the mere sound of the word appealed to her starved sense of beauty as did one of the old-fashioned flowers she planted in her tiny yard. So the mother gave the child that name and, like the name, the child grew up, tall, slow, and majestic of movement, singularly gentle and quiet, except when aroused, and then her wrath and her might were primeval.
St. Hilda, the Mission teacher, was the first from the outside world to be drawn to her. She had stopped in at the cabin on Clover one day to find the mother of the family ill in bed, and twelve-year-old Juno acting as cook and mother for a brood of ten. A few months later she persuaded the father to let the girl come down to her school, and in the succeeding years she became St. Hilda's right hand and the mainstay in the supervision of the kitchen, housework, and laundry, and even in the management of the Mission's farm. No one had the subtle understanding of St. Hilda's charges as had Juno—no one could handle them quite so well. So that it was with real grief and great personal loss that St. Hilda opened the way for Juno to go to school in the Bluegrass. And now, one sunset in mid-May, she was back at the Mission in Happy Valley, and the two were in each other's arms.
Happy Valley it was no longer, for throughout it the plague had spread fear or sickness or death in every little home. St. Hilda had gathered her own little sufferers in tents collected from a railway-camp over the mountains, a surveying party, and from the Bluegrass. A volunteer doctor had come from the "settlements," and two nurses, and so Juno took to the outside work up and down the river, up every little creek, and out in the hills. All day and far into the night she was gone. Sometimes she did not for days come back to the Mission. Her face grew white and drawn, and her cheeks hollow from poor food, meagre snatches of sleep, and untiring work. The doctor warned her, St. Hilda warned her, she got anxious warning letters from her husband, but on she went. And the inevitable happened.
One hot midday, as she watched by the bedside of a little patient with a branch of maple in her hand to keep the flies away, she drowsed, and one of the wretched little insects lighted on her moist red lips. Soon thereafter the "walking typhoid" caught her as she was striding past Lum Chapman's blacksmith-shop. Instinctively she kept on toward home, and reached there raving: "Don't let him come—don't let him come!" And when the news got about the heart of Happy Valley almost bled.