By Theophile Gautier
Translated By Lafcadio Hearn
Five hundred years before the Trojan war, and seventeen hundred and fifteen years before our own era, there was a grand festival at Sardes. King Candaules was going to marry. The people were affected with that sort of pleasurable interest and aimless emotion wherewith any royal event inspires the masses, even though it in no wise concerns them, and transpires in superior spheres of life which they can never hope to reach.
As soon as Phoebus-Apollo, standing in his quadriga, had gilded to saffron the summits of fertile Mount Tmolus with his rays, the good people of Sardes were all astir, going and coming, mounting or descending the marble stairways leading from the city to the waters of the Pactolus, that opulent river whose sands Midas filled with tiny sparks of gold when he bathed in its stream. One would have supposed that each one of these good citizens was himself about to marry, so solemn and important was the demeanour of all.
Men were gathering in groups in the Agora, upon the steps of the temples and along the porticoes. At every street corner one might have encountered women leading by the hand little children, whose uneven walk ill suited the maternal anxiety and impatience. Maidens were hastening to the fountains, all with urns gracefully balanced upon their heads, or sustained by their white arms as with natural handles, so as to procure early the necessary water provision for the household, and thus obtain leisure at the hour when the nuptial procession should pass. Washerwomen hastily folded the still damp tunics and chlamidae, and piled them upon mule-wagons. Slaves turned the mill without any need of the overseer's whip to tickle their naked and scar-seamed shoulders. Sardes was hurrying itself to finish with those necessary everyday cares which no festival can wholly disregard.
The road along which the procession was to pass had been strewn with fine yellow sand. Brazen tripods, disposed along the way at regular intervals, sent up to heaven the odorous smoke of cinnamon and spikenard. These vapours, moreover, alone clouded the purity of the azure above. The clouds of a hymeneal day ought, indeed, to be formed only by the burning of perfumes. Myrtle and rose-laurel branches were strewn upon the ground, and from the walls of the palaces were suspended by little rings of bronze rich tapestries, whereon the needles of industrious captives—intermingling wool, silver, and gold—had represented various scenes in the history of the gods and heroes: Ixion embracing the cloud; Diana surprised in the bath by Actaeon; the shepherd Paris as judge in the contest of beauty held upon Mount Ida between Hera, the snowy-armed, Athena of the sea-green eyes, and Aphrodite, girded with her magic cestus; the old men of Troy rising to honour Helena as she passed through the Skaian gate, a subject taken from one of the poems of the blind man of Meles. Others exhibited in preference scenes taken from the life of Heracles, the Theban, through flattery to Candaules, himself a Heracleid, being descended from the hero through Alcaeus. Others contented themselves by decorating the entrances of their dwellings with garlands and wreaths in token of rejoicing.
Among the multitudes marshalled along the way from the royal house even as far as the gates of the city, through which the young queen would pass on her arrival, conversation naturally turned upon the beauty of the bride, whereof the renown had spread throughout all Asia; and upon the character of the bridegroom, who, although not altogether an eccentric, seemed nevertheless one not readily appreciated from the common standpoint of observation.
Nyssia, daughter of the Satrap Megabazus, was gifted with marvellous purity of feature and perfection of form; at least such was the rumour spread abroad by the female slaves who attended her, and a few female friends who had accompanied her to the bath; for no man could boast of knowing aught of Nyssia save the colour of her veil and the elegant folds that she involuntarily impressed upon the soft materials which robed her statuesque body.
The barbarians did not share the ideas of the Greeks in regard to modesty. While the youths of Achaia made no scruples of allowing their oil-anointed torsos to shine under the sun in the stadium, and while the Spartan virgins danced ungarmented before the altar of Diana, those of Persepolis, Ebactana, and Bactria, attaching more importance to chastity of the body than to chastity of mind, considered those liberties allowed to the pleasure of the eyes by Greek manner as impure and highly reprehensible, and held no woman virtuous who permitted men to obtain a glimpse of more than the tip of her foot in walking, as it slightly deranged the discreet folds of a long tunic.
Despite all this mystery, or rather, perhaps, by very reason of this mystery, the fame of Nyssia had not been slow to spread throughout all Lydia, and become popular there to such a degree that it had reached even Candaules, although kings are ordinarily the most illy informed people in their kingdoms, and live like the gods in a kind of cloud which conceals from them the knowledge of terrestrial things.
The Eupatridae of Sardes, who hoped that the young king might, perchance, choose a wife from their family, the hetairae of Athens, of Samos, of Miletus and of Cyprus, the beautiful slaves from the banks of the Indus, the blond girls brought at a vast expense from the depths of the Cimmerian fogs, were heedful never to utter in the presence of Candaules, whether within hearing or beyond hearing, a single word which bore any relation to Nyssia. The bravest, in a question of beauty, recoil before the prospect of a contest in which they can anticipate being outrivalled.
And nevertheless no person in Sardes, or even in Lydia, had beheld this redoubtable adversary, no person save one solitary being, who from the time of that encounter had kept his lips as firmly closed upon the subject as though Harpocrates, the god of silence, had sealed them with his finger, and that was Gyges, chief of the guards of Candaules. One day Gyges, his mind filled with various projects and vague ambitions, had been wandering among the Bactrian hills, whither his master had sent him upon an important and secret mission. He was dreaming of the intoxication of omnipotence, of treading upon purple with sandals of gold, of placing the diadem upon the brows of the fairest of women.
These thoughts made his blood boil in his veins, and, as though to pursue the flight of his dreams, he smote his sinewy heel upon the foam-whitened flanks of his Numidian horse.
The weather, at first calm, had changed and waxed tempestuous like the warrior's soul; and Boreas, his locks bristling with Thracian frosts, his cheeks puffed out, his arms folded upon his breast, smote the rain-freighted clouds with the mighty beatings of his wings.
A bevy of young girls who had been gathering flowers in the meadow, fearing the coming storm, were returning to the city in all haste, each carrying her perfumed harvest in the lap of her tunic. Seeing a stranger on horseback approaching in the distance, they had hidden their faces in their mantles, after the custom of the barbarians; but at the very moment that Gyges was passing by the one whose proud carriage and richer habiliments seemed to designate her the mistress of the little band, an unusually violent gust of wind carried away the veil of the fair unknown, and, whirling it through the air like a feather, chased it to such a distance that it could not be recovered. It was Nyssia, daughter of Megabazus, who found herself thus with face unveiled in the presence of Gyges, a humble captain of King Candaules's guard. Was it only the breath of Boreas which had brought about this accident, or had Eros, who delights to vex the hearts of men, amused himself by severing the string which had fastened the protecting tissue? However that may have been, Gyges was stricken motionless at the sight of that Medusa of beauty, and not till long after the folds of Nyssia's robe had disappeared beyond the gates of the city could he think of proceeding on his way. Although there was nothing to justify such a conjecture, he cherished the belief that he had seen the satrap's daughter; and that meeting, which affected him almost like an apparition, accorded so fully with the thoughts that were occupying him at the moment of its occurrence, that he could not help perceiving therein something fateful and ordained of the gods. In truth it was upon that brow that he would have wished to place the diadem. What other could be more worthy of it? But what probability was there that Gyges would ever have a throne to share? He had not sought to follow up this adventure, and assure himself that it was indeed the daughter of Megabazus whose mysterious face had been revealed to him by Chance, the great filcher. Nyssia had fled so swiftly that it would have been impossible for him then to overtake her; and, moreover, he had been dazzled, fascinated, thunder-stricken, as it were, rather than charmed by that superhuman apparition, by that monster of beauty!
Nevertheless that image, although seen only in the glimpse of a moment, had engraved itself upon his heart in lines deep as those which the sculptors trace on ivory with tools reddened in the fire. He had endeavoured, although vainly, to efface it, for the love which he felt for Nyssia inspired him with a secret terror. Perfection in such a degree is ever awe-inspiring, and women so like unto goddesses could only work evil to feeble mortals; they are formed for divine adulteries, and even the most courageous men never risk themselves in such amours without trembling. Therefore no hope had blossomed in the soul of Gyges, overwhelmed and discouraged in advance by the sentiment of the impossible. Ere opening his lips to Nyssia he would have wished to despoil the heaven of its robe of stars, to take from Phoebus his crown of rays, forgetting that women only give themselves to those unworthy of them, and that to win their love one must act as though he desired to earn their hate.
From that day the roses of joy no longer bloomed upon his cheeks. By day he was sad and mournful, and seemed to wander abroad in solitary dreaming, like a mortal who has beheld a divinity. At night he was haunted by dreams in which he beheld Nyssia seated by his side upon cushions of purple between the golden griffins of the royal throne.
Therefore Gyges, the only one who could speak of his own knowledge concerning Nyssia, having never spoken of her, the Sardians were left to their own conjectures in her regard; and their conjectures, it must be confessed, were fantastic and altogether fabulous. The beauty of Nyssia, thanks to the veils which shrouded her, became a sort of myth, a canvas, a poem to which each one added ornamentation as the fancy took him.
'If report be not false,' lisped a young debauchee from Athens, who stood with one hand upon the shoulder of an Asiatic boy, 'neither Plangon, nor Archianassa, nor Thais can be compared with this marvellous barbarian; yet I can scarce believe that she equals Theano of Colophon, from whom I once bought a single night at the price of as much gold as she could bear away, after having plunged both her white arms up to the shoulder in my cedar-wood coffer.'
'Beside her,' added a Eupatrid, who pretended to be better informed than any other person upon all manner of subjects, 'beside her the daughter of Coelus and the Sea would seem but a mere Ethiopian servant.'
'Your words are blasphemy, and although Aphrodite be a kind and indulgent goddess, beware of drawing down her anger upon you.'
'By Hercules!—and that ought to be an oath of some weight in a city ruled by one of his descendants—I cannot retract a word of it.'
'You have seen her, then?'
'No; but I have a slave in my service who once belonged to Nyssia, and who has told me a hundred stories about her.'
'Is it true,' demanded in infantile tones an equivocal-looking woman whose pale-rose tunic, painted cheeks, and locks shining with essences betrayed wretched pretensions to a youth long passed away—' is it true that Nyssia has two pupils in each eye? It seems to me that must be very ugly, and I cannot understand how Candaules could fall in love with such a monstrosity, while there is no lack, at Sardes and in Lydia, of women whose eyes are irreproachable.'
And uttering these words with all sorts of affected airs and simperings, Lamia took a little significant peep in a small mirror of cast metal which she drew from her bosom, and which enabled her to lead back to duty certain wandering curls disarranged by the impertinence of the wind.
'As to the double pupil, that seems to me nothing more than an old nurse's tale,' observed the well-informed patrician; 'but it is a fact that Nyssia's eyes are so piercing that she can see through walls. Lynxes are myopic compared with her.'
'How can a sensible man coolly argue about such an absurdity?' interrupted a citizen, whose bald skull, and the flood of snowy beard into which he plunged his fingers while speaking, lent him an air of preponderance and philosophical sagacity. 'The truth is that the daughter of Megabazus cannot naturally see through a wall any better than you or I, but the Egyptian priest Thoutmosis, who knows so many wondrous secrets, has given her the mysterious stone which is found in the heads of dragons, and whose property, as every one knows, renders all shadows and the most opaque bodies transparent to the eyes of those who possess it. Nyssia always carries this stone in her girdle, or else set into her bracelet, and in that may be found the secret of her clairvoyance.'
The citizen's explanation seemed the most natural one to those of the group whose conversation we are endeavouring to reproduce, and the opinions of Lamia and the patrician were abandoned as improbable.
'At all events,' returned the lover of Theano, 'we are going to have an opportunity of judging for ourselves, for it seems to me that I hear the clarions sounding in the distance, and though Nyssia is still invisible, I can see the herald yonder approaching with palm branches in his hands, to announce the arrival of the nuptial cortege, and make the crowd fall back.'
At this news, which spread rapidly through the crowd, the strong men elbowed their way toward the front ranks; the agile boys, embracing the shafts of the columns, sought to climb up to the capitals and there seat themselves; others, not without having skinned their knees against the bark, succeeded in perching themselves comfortably enough in the Y of some tree-branch. The women lifted their little children upon their shoulders, warning them to hold tightly to their necks. Those who had the good fortune to dwell on the street along which Candaules and Nyssia were about to pass, leaned over from the summit of their roofs, or, rising on their elbows, abandoned for a time the cushions upon which they had been reclining.
A murmur of satisfaction and gratified expectation ran through the crowd, which had already been waiting many long hours, for the arrows of the midday sun were commencing to sting.
The heavy-armed warriors, with cuirasses of bull's-hide covered with overlapping plates of metal, helmets adorned with plumes of horse-hair dyed red, knemides or greaves faced with tin, baldrics studded with nails, emblazoned bucklers, and swords of brass, rode behind a line of trumpeters who blew with might and main upon their long tubes, which gleamed under the sunlight. The horses of these warriors were all white as the feet of Thetis, and might have served, by reason of their noble paces and purity of breeds, as models for those which Phidias at a later day sculptured upon the metopes of the Parthenon.
At the head of this troop rode Gyges, the well-named, for his name in the Lydian tongue signifies beautiful. His features, of the most exquisite regularity, seemed chiselled in marble, owing to his intense pallor, for he had just discovered in Nyssia, although she was veiled with the veil of a young bride, the same woman whose face had been betrayed to his gaze by the treachery of Boreas under the walls of Bactria.
'Handsome Gyges looks very sad,' said the young maidens. 'What proud beauty could have secured his love, or what forsaken one has caused some Thessalian witch to cast a spell on him? Has that cabalistic ring (which he is said to have found hidden within the flanks of a brazen horse in the midst of some forest) lost its virtue, and suddenly ceasing to render its owner invisible, betrayed him to the astonished eyes of some innocent husband, who had deemed himself alone in his conjugal chamber?'
'Perhaps he has been wasting his talents and his drachmas at the game of Palamedes, or else it may be that he is disappointed at not having won the prize at the Olympian games. He had great faith in his horse Hyperion.'
No one of these conjectures was true. A fact is never guessed.
After the battalion commanded by Gyges, there came young boys crowned with myrtle-wreaths, and singing epithalamic hymns after the Lydian manner, accompanying themselves upon lyres of ivory, which they played with bows. All were clad in rose-coloured tunics ornamented with a silver Greek border, and their long hair flowed down over their shoulders in thick curls.
They preceded the gift-bearers, strong slaves whose half-nude bodies exposed to view such interlacements of muscle as the stoutest athletes might have envied.
Upon brancards, supported by two or four men or more, according to the weight of the objects borne, were placed enormous brazen cratera, chiselled by the most famous artists; vases of gold and silver whose sides were adorned with bas-reliefs and whose hands were elegantly worked into chimeras, foliage, and nude women; magnificent ewers to be used in washing the feet of illustrious guests; flagons encrusted with precious stones and containing the rarest perfumes; myrrh from Arabia, cinnamon from the Indies, spikenard from Persia, essence of roses from Smyrna; kamklins or perfuming pans, with perforated covers; cedar-wood or ivory coffers of marvellous workmanship, which opened with a secret spring that none save the inventor could find, and which contained bracelets wrought from the gold of Ophir, necklaces of the most lustrous pearls, mantle-brooches constellated with rubies and carbuncles; toilet-boxes, containing blond sponges, curling-irons, sea-wolves' teeth to polish the nails, the green rouge of Egypt, which turns to a most beautiful pink on touching the skin, powders to darken the eyelashes and eyebrows, and all the refinements that feminine coquetry could invent. Other litters were freighted with purple robes of the finest linen and of all possible shades from the incarnadine hue of the rose to the deep crimson of the blood of the grape; calasires of the linen of Canopus, which is thrown all white into the vat of the dyer, and comes forth again, owing to the various astringents in which it had been steeped, diapered with the most brilliant colours; tunics brought from the fabulous land of Seres, made from the spun slime of a worm which feeds upon leaves, and so fine that they might be drawn through a finger-ring.
Ethiopians, whose bodies shone like jet, and whose temples were tightly bound with cords, lest they should burst the veins of their foreheads in the effort to uphold their burden, carried in great pomp a statue of Hercules, the ancestor of Candaules, of colossal size, wrought of ivory and gold, with the club, the skin of the Nemean lion, the three apples from the garden of the Hesperides, and all the traditional attributes of the hero.
Statues of Venus Urania, and of Venus Genitrix, sculptured by the best pupils of the Sicyon School. That marble of Paros whose gleaming transparency seemed expressly created for the representation of the ever-youthful flesh of the immortals, were borne after the statue of Hercules, which admirably relieved the harmony and elegance of their proportions by contrast with its massive outlines and rugged forms.
A painting by Bularchus, which Candaules had purchased for its weight in gold, executed upon the wood of the female larch-tree, and representing the defeat of the Magnesians, evoked universal admiration by the beauty of its design, the truthfulness of the attitude of its figures, and the harmony of its colouring, although the artist had only employed in its production the four primitive colours: Attic ochre, white, Pontic sinopis and atramentum. The young king loved painting and sculpture even more, perhaps, than well became a monarch, and he had not unfrequently bought a picture at a price equal to the annual revenue of a whole city.
Camels and dromedaries, splendidly caparisoned, with musicians seated on their necks performing upon drums and cymbals, carried the gilded stakes, the cords, and the material of the tent designed for the use of the queen during voyages and hunting parties.
These spectacles of magnificence would upon any other occasion have ravished the people of Sardes with delight, but their curiosity had been enlisted in another direction, and it was not without a certain feeling of impatience that they watched this portion of the procession file by. The young maidens and the handsome boys, bearing flaming torches, and strewing handfuls of crocus flowers along the way, hardly attracted any attention. The idea of beholding Nyssia had preoccupied all minds.
At last Candaules appeared, riding in a chariot drawn by four horses, as beautiful and spirited as those of the sun, all rolling their golden bits in foam, shaking their purple-decked manes, and restrained with great difficulty by the driver, who stood erect at the side of Candaules, and was leaning back to gain more power on the reins.
Candaules was a young man full of vigour, and well worthy of his Herculean origin. His head was joined to his shoulders by a neck massive as a bull's, and almost without a curve; his hair, black and lustrous, twisted itself into rebellious little curls, here and there concealing the circlet of his diadem; his ears, small and upright, were of a ruddy hue; his forehead was broad and full, though a little low, like all antique foreheads; his eyes full of gentle melancholy, his oval cheeks, his chin with its gentle and regular curves, his mouth with its slightly parted lips—all bespoke the nature of the poet rather than that of the warrior. In fact, although he was brave, skilled in all bodily exercises, could subdue a wild horse as well as any of the Lapithae, or swim across the current of rivers when they descended, swollen with melted snow, from the mountains, although he might have bent the bow of Odysseus or borne the shield of Achilles, he seemed little occupied with dreams of conquest; and war usually so fascinating to young kings, had little attraction for him. He contented himself with repelling the attacks of his ambitious neighbours, and sought not to extend his own dominions. He preferred building palaces, after plans suggested by himself to the architects, who always found the king's hints of no small value, or to form collections of statues and paintings by artists of the elder and later schools. He had the works of Telephanes of Sicyon, Cleanthes, Ardices of Corinth, Hygiemon, Deinias, Charmides, Eumarus, and Cimon, some being simple drawings, and others paintings in various colours or monochromes. It was even said that Candaules had not disdained to wield with his own royal hands—a thing hardly becoming a prince—the chisel of the sculptor and the sponge of the encaustic painter.
But why should we dwell upon-Candaules? The reader undoubtedly feels like the people of Sardes: and it is of Nyssia that he desires to hear.
The daughter of Megabazus was mounted upon an elephant, with wrinkled skin and immense ears which seemed like flags, who advanced with a heavy but rapid gait, like a vessel in the midst of the waves. His tusks and his trunk were encircled with silver rings, and around the pillars of his limbs were entwined necklaces of enormous pearls. Upon his back, which was covered with a magnificent Persian carpet of striped pattern, stood a sort of estrade overlaid with gold finely chased, and constellated with onyx stones, carnelians, chrysolites, lapis-lazuli, and girasols; upon this estrade sat the young queen, so covered with precious stones as to dazzle the eyes of the beholders. A mitre, shaped like a helmet, on which pearls formed flower designs and letters after the Oriental manner, was placed upon her head; her ears, both the lobes and rims of which had been pierced, were adorned with ornaments in the form of little cups, crescents, and balls; necklaces of gold and silver beads, which had been hollowed out and carved, thrice encircled her neck and descended with a metallic tinkling upon her bosom; emerald serpents with topaz or ruby eyes coiled themselves in many folds about her arms, and clasped themselves by biting their own tails. These bracelets were connected by chains of precious stones, and so great was their weight that two attendants were required to kneel beside Nyssia and support her elbows. She was clad in a robe embroidered by Syrian workmen with shining designs of golden foliage and diamond fruits, and over this she wore the short tunic of Persepolis, which hardly descended to the knee, and of which the sleeves were slit and fastened by sapphire clasps. Her waist was encircled from hip to loins by a girdle wrought of narrow material, variegated with stripes and flowered designs, which formed themselves into symmetrical patterns as they were brought together by a certain arrangement of the folds which Indian girls alone know how to make. Her trousers of byssus, which the Phoenicians called syndon were confined at the ankles by anklets adorned with gold and silver bells, and completed this toilet so fantastically rich and wholly opposed to Greek taste. But, alas! a saffron-coloured flammeum pitilessly masked the face of Nyssia, who seemed embarrassed, veiled though she was, at finding so many eyes fixed upon her, and frequently signed to a slave behind her to lower the parasol of ostrich plumes, and thus conceal her yet more from the curious gaze of the crowd.
Candaules had vainly begged of her to lay aside her veil, even for that solemn occasion. The young barbarian had refused to pay the welcome of her beauty to his people. Great was the disappointment. Lamia declared that Nyssia dared not uncover her face for fear of showing her double pupil. The young libertine remained convinced that Theano of Colophon was more beautiful than the queen of Sardes; and Gyges sighed when he beheld Nyssia, after having made her elephant kneel down, descend upon the inclined heads of Damascus slaves as upon a living ladder, to the threshold of the royal dwelling, where the elegance of Greek architecture was blended with the fantasies and enormities of Asiatic taste.
In our character of poet we have the right to lift the saffron-coloured flammeum which concealed the young bride, being more fortunate in this wise than the Sardians, who after a whole day's waiting were obliged to return to their houses, and were left, as before, to their own conjectures.
Nyssia was really far superior to her reputation, great as it was. It seemed as though Nature in creating her had resolved to exhaust her utmost powers, and thus make atonement for all former experimental attempts and fruitless essays. One would have said that, moved by jealousy of the future marvels of the Greek sculptors, she also had resolved to model a statue herself, and to prove that she was still sovereign mistress in the plastic art.
The grain of snow, the micaceous brilliancy of Parian marble, the sparkling pulp of balsamine flowers, would render but a feeble idea of the ideal substance whereof. Nyssia had been formed. That flesh, so fine, so delicate, permitted daylight to penetrate it, and modelled itself in transparent contours, in lines as sweetly harmonious as music itself. According to different surroundings, it took the colour of the sunlight or of purple, like the aromal body of a divinity, and seemed to radiate light and life. The world of perfections inclosed within the nobly lengthened oval of her chaste face could have been rendered by no earthly art—neither by the chisel of the sculptor, nor the brush of the painter, nor the style of any poet—though it were Praxiteles, Apelles, or Mimnernus; and on her smooth brow, bathed by waves of hair amber-bright as molten electrum and sprinkled with gold filings, according to the Babylonian custom, sat as upon a jasper throne the unalterable serenity of perfect loveliness.
As for her eyes, though they did not justify what popular credulity said of them, they were at least wonderfully strange eyes; brown eyebrows, with extremities ending in points elegant as those of the arrows of Eros, and which were joined to each other by a streak of henna after the Asiatic fashion, and long fringes of silkily-shadowed eyelashes contrasted strikingly with the twin sapphire stars rolling in the heaven of dark silver which formed those eyes. The irises of those eyes, whose pupils were blacker than atrament, varied singularly in shades of shifting colour. From sapphire they changed to turquoise, from turquoise to beryl, from beryl to yellow amber, and sometimes, like a limpid lake whose bottom is strewn with jewels, they offered, through their incalculable depths, glimpses of golden and diamond sands upon which green fibrils vibrated and twisted themselves into emerald serpents. In those orbs of phosphoric lightning the rays of suns extinguished, the splendours of vanished worlds, the glories of Olympus eclipsed—all seemed to have concentrated their reflections. When contemplating them one thought of eternity, and felt himself seized with a mighty giddiness, as though he were leaning over the verge of the Infinite.
The expression of those extraordinary eyes was not less variable than their tint. At times their lids opened like the portals of celestial dwellings; they invited you into elysiums of light, of azure, of ineffable felicity; they promised you the realisation, tenfold, a hundredfold, of all your dreams of happiness, as though they had divined your soul's most secret thoughts; again, impenetrable as sevenfold plated shields of the hardest metals, they flung back your gaze like blunted and broken arrows. With a simple inflexion of the brow, a mere flash of the pupil, more terrible than the thunder of Zeus, they precipitated you from the heights of your most ambitious escalades into depths of nothingness so profound that it was impossible to rise again. Typhon himself, who writhes under AEtna, could not have lifted the mountains of disdain with which they overwhelmed you. One felt that though he should live for a thousand Olympiads endowed with the beauty of the fair son of Latona, the genius of Orpheus, the unbounded might of Assyrian kings, the treasures of the Cabeirei, the Telchines, and the Dactyli, gods of subterranean wealth, he could never change their expression to mildness.
At other times their languishment was so liquidly persuasive, their brilliancy and irradiation so penetrating, that the icy coldness of Nestor and Priam would have melted under their gaze, like the wax of the wings of Icarus when he approached the flaming zones. For one such glance a man would have gladly steeped his hands in the blood of his host, scattered the ashes of his father to the four winds, overthrown the holy images of the gods, and stolen the fire of heaven itself, like the sublime thief, Prometheus.
Nevertheless, their most ordinary expression, it must be confessed, was of a chastity to make one desperate—a sublime coldness—an ignorance of all possibilities of human passion, such as would have made the moon-bright eyes of Phoebe or the sea-green eyes of Athena appear by comparison more liquidly tempting than those of a young girl of Babylon sacrificing to the goddess Mylitta within the cord-circled enclosure of Succoth-Benohl. Their invincible virginity seemed to bid love defiance.
The cheeks of Nyssia, which no human gaze had ever profaned, save that of Gyges on the day when the veil was blown away, possessed a youthful bloom, a tender pallor, a delicacy of grain, and a downiness whereof the faces of our women, perpetually exposed to sunlight and air, cannot convey the most distant idea. Modesty created fleeting rosy clouds upon them like those which a drop of crimson essence would form in a cup of milk, and when uncoloured by any emotion they took a silvery sheen, a warm light, like an alabaster vessel illumined by a lamp within. That lamp was her charming soul, which exposed to view the transparency of her flesh.
A bee would have been deceived by her mouth, whose form was so perfect, whose corners were so purely dimpled, whose crimson was so rich and warm that the gods would have descended from their Olympian dwellings in order to touch it with lips humid with immortality, but that the jealousy of the goddesses restrained their impetuosity. Happy the wind which passed through that purple and pearl, which dilated those pretty nostrils, so finely cut and shaded with rosy tints like the mother-of-pearl of the shells thrown by the sea on the shore of Cyprus at the feet of Venus Anadyomene! But are there not a multitude of favours thus granted to things which cannot understand them? What lover would not wish to be the tunic of his well-beloved or the water of her bath?
Such was Nyssia, if we dare make use of the expression after so vague a description of her face. If our foggy Northern idioms had the warm liberty, the burning enthusiasm of the Sir Hasirim, we might, perhaps, by comparisons—awakening in the mind of the reader memories of flowers and perfumes, of music and sunlight, evoking, by the magic of words, all the graceful and charming images that the universe can contain—have been able to give some idea of Nyssia's features; but it is permitted to Solomon alone to compare the nose of a beautiful woman to the tower of Lebanon which looketh toward Damascus. And yet what is there in the world of more importance than the nose of a beautiful woman? Had Helen, the white Tyndarid, been flat-nosed, would the Trojan War have taken place? And if the profile of Semiramis had not been perfectly regular, would she have bewitched the old monarch of Nineveh and encircled her brow with the mitre of pearls, the symbol of supreme power?
Although Candaules had brought to his palace the most beautiful slaves from the people of the Sorse, of Askalon, of Sogdiana, of the Sacse, of Rhapta, the most celebrated courtesans from Ephesus, from Pergamus, from Smyrna, and from Cyprus, he was completely fascinated by the charms of Nyssia. Up to that time he had not even suspected the existence of such perfection.
Privileged as a husband to enjoy fully the contemplation of this beauty, he found himself dazzled, giddy, like one who leans over the edge of an abyss, or fixes his eyes upon the sun; he felt himself seized, as it were, with the dilirium of possession, like a priest drunk with the god who fills and moves him. All other thoughts disappeared from his soul, and the universe seemed to him only as a vague mist in the midst of which beamed the shining phantom of Nyssia. His happiness transformed itself into ecstasy, and his love into madness. At times his very felicity terrified him. To be only a wretched king, only a remote descendant of a hero who had become a god by mighty labours, only a common man formed of flesh and bone, and without having in aught rendered himself worthy of it—without having even, like his ancestor, strangled some hydra, or torn some lion asunder—to enjoy a happiness whereof Zeus of the ambrosial hair would scarce be worthy, though lord of all Olympus! He felt, as it were, a shame to thus hoard up for himself alone so rich a treasure, to steal this marvel from the world, to be the dragon with scales and claws who guarded the living type of the ideal of lovers, sculptors, and poets. All they had ever dreamed of in their hope, their melancholy, and their despair, he possessed—he, Candaules, poor tyrant of Sardes, who had only a few wretched coffers filled with pearls, a few cisterns filled with gold pieces, and thirty or forty thousand slaves, purchased or taken in war.
Candaules's felicity was too great for him, and the strength which he would doubtless have found at his command in time of misfortune was wanting to him in time of happiness. His joy overflowed from his soul like water from a vase placed upon the fire, and in the exasperation of his enthusiasm for Nyssia he had reached the point of desiring that she were less timid and less modest, for it cost him no little effort to retain in his own breast the secret of such wondrous beauty.
'Ah,' he would murmur to himself during the deep reveries which absorbed him at all hours that he did not spend at the queen's side, 'how strange a lot is mine! I am wretched because of that which would make any other husband happy. Nyssia will not leave the shadow of the gynaeceum, and refuses, with barbarian modesty, to lift her veil in the presence of any other than myself. Yet with what an intoxication of pride would my love behold her, radiantly sublime, gaze down upon my kneeling people from the summit of the royal steps, and, like the rising dawn, extinguish all those pale stars who during the night thought themselves suns! Proud Lydian women, who believe yourselves beautiful, but for Nyssia's reserve you would appear, even to your lovers, as ugly as the oblique-eyed and thick-lipped slaves of Nahasi and Kush. Were she but once to pass along the streets of Sardes with face unveiled, you might in vain pull your adorers by the lappet of their tunic, for none of them would turn his head, or, if he did, it would be to demand your name, so utterly would he have forgotten you! They would rush to precipitate themselves beneath the silver wheels of her chariot, that they might have even the pleasure of being crushed by her, like those devotees of the Indus who pave the pathway of their idol with their bodies.
'And you, O goddesses, whom Paris-Alexander judged, had Nyssia appeared among you, not one of you would have borne away the golden apple, not even Aphrodite, despite her cestus and her promise to the shepherd-arbiter that she would make him beloved by the most beautiful woman in the world!...
'Alas! to think that such beauty is not immortal, and that years will alter those divine outlines, that admirable hymn of forms, that poem whose strophes are contours, and which no one in the world has ever read or may ever read save myself; to be the sole depositary of so splendid a treasure! If I knew even by imitating the play of light and shadow with the aid of lines and colours, how to fix upon wood a reflection of that celestial face; if marble were not rebellious to my chisel, how well would I fashion in the purest vein of Paros or Pentelicus an image of that charming body, which would make the proud effigies of the goddesses fall from their altars! And long after, when deep below the slime of deluges, and beneath the dust of ruined cities, the men of future ages should find a fragment of that petrified shadow of Nyssia, they would cry: "Behold, how the women of this vanished world were formed!" And they would erect a temple wherein to enshrine the divine fragment. But I have naught save a senseless admiration and a love that is madness! Sole adorer of an unknown divinity, I possess no power to spread her worship through the world.'
Thus in Candaules had the enthusiasm of the artist extinguished the jealousy of the lover. Admiration was mightier than love. If in place of Nyssia, daughter of the Satrap Megabazus, all imbued with Oriental ideas, he had espoused some Greek girl from Athens or Corinth, he would certainly have invited to his court the most skilful painters and sculptors, and have given them the queen for their model, as did afterward Alexander his favourite Campaspe, who posed naked before Apelles. Such a whim would have encountered no opposition from a woman of the land where even the most chaste made a boast of having contributed—some for the back, some for the bosom—to the perfection of a famous statue. But hardly would the bashful Nyssia consent to unveil herself in the discreet shadow of the thalamus, and the earnest prayers of the king really shocked her rather than gave her pleasure. The sentiment of duty and obedience alone induced her to yield at times to what she styled the whims of Candaules.
Sometimes he besought her to allow the flood of her hair to flow over her shoulders in a river of gold richer than the Pactolus, to encircle her brow with a crown of ivy and linden leaves like a bacchante of Mount Maenalus, to lie, hardly veiled by a cloud of tissue finer than woven wind, upon a tiger-skin with silver claws and ruby eyes, or to stand erect in a great shell of mother-of-pearl, with a dew of pearls falling from her tresses in lieu of drops of sea-water.
When he had placed himself in the best position for observation, he became absorbed in silent contemplation. His hand, tracing vague contours in the air, seemed to be sketching the outlines for some picture, and he would have remained thus for whole hours if Nyssia, soon becoming weary of her role of model, had not reminded him in chill and disdainful tones that such amusements were unworthy of royal majesty and contrary to the holy laws of matrimony. 'It is thus,' she would exclaim, as she withdrew, draped to her very eyes, into the most mysterious recesses of her apartment, 'that one treats a mistress, not a virtuous woman of noble blood!'
These wise remonstrances did not cure Candaules, whose passion augmented in inverse ratio to the coldness shown him by the queen. And it had at last brought him to that point that he could no longer keep the secrets of the nuptial couch. A confidant became as necessary to him as to the prince of a modern tragedy. He did not proceed, you may feel assured, to fix his choice upon some crabbed philosopher of frowning mien, with a flood of gray-and-white beard rolling down over a mantle in proud tatters; nor a warrior who could talk of nothing save ballista, catapults, and scythed chariots; nor a sententious Eupatrid full of councils and politic maxims; but Gyges, whose reputation for gallantry caused him to be regarded as a connoisseur in regard to women.
One evening he laid his hand upon his shoulder in a more than ordinarily familiar and cordial manner, and after giving him a look of peculiar significance, he suddenly strode away from the group of courtiers, saying in a loud voice:
'Gyges, come and give me your opinion in regard to my effigy, which the Sicyon sculptors have just finished chiselling on the genealogical bas-relief where the deeds of my ancestors are celebrated.'
'O king, your knowledge is greater than that of your humble subject, and I know not how to express my gratitude for the honour you do me in deigning to consult me,' replied Gyges, with a sign of assent.
Candaules and his favourite traversed several halls ornamented in the Hellenic style, where the Corinthian acanthus and the Ionic volute bloomed or curled in the capitals of the columns, where the friezes were peopled with little figures in polychromatic plastique representing processions and sacrifices, and they finally arrived at a remote portion of the ancient palace whose walls were built with stones of irregular form, put together without cement in the cyclopean manner. This ancient architecture was colossally proportioned and weirdly grim. The immeasurable genius of the elder civilisations of the Orient was there legibly written, and recalled the granite and brick debauches of Egypt and Assyria. Something of the spirit of the ancient architects of the tower of Lylax survived in those thick-set pillars with their deep-fluted trunks, whose capitals were formed by four heads of bulls, placed forehead to forehead, and bound together by knots of serpents that seemed striving to devour them, an obscure cosmogonie symbol whereof the meaning was no longer intelligible, and had descended into the tomb with the hierophants of preceding ages. The gates were neither of a square nor rounded form. They described a sort of ogive much resembling the mitre of the Magi, and by their fantastic character gave still more intensity to the character of the building.
This portion of the palace formed a sort of court surrounded by a portico whose architecture was ornamented with the genealogical bas-relief to which Can-daules had alluded.
In the midst thereof sat Heracles upon a throne, with the upper part of his body uncovered, and his feet resting upon a stool, according to the rite for the representation of divine personages. His colossal proportions would otherwise have left no doubt as to his apotheosis, and the archaic rudeness and hugeness of the work, wrought by the chisel of some primitive artist, imparted to his figure an air of barbaric majesty, a savage grandeur more appropriate, perhaps, to the character of this monster-slaying hero than would have been the work of a sculptor consummate in his art.
On the right of the throne were Alcseus, son of the hero and of Omphale; Ninus, Belus, Argon, the earlier kings of the dynasty of the Heracleidae, then all the line of intermediate kings, terminating with Ardys, Alyattes, Meles or Myrsus, father of Candaules, and finally Candaules himself.
All these personages, with their hair braided into little strings, their beards spirally twisted, their oblique eyes, angular attitudes, cramped and stiff gestures, seemed to own a sort of factitious life, due to the rays of the setting sun, and the ruddy hue which time lends to marble in warm climates. The inscriptions in antique characters, graven beside them after the manner of legends, enhanced still more the mysterious weirdness of the long procession of figures in strange barbarian garb.
By a singular chance, which Gyges could not help observing, the statue of Candaules occupied the last available place at the right hand of Heracles; the dynastic cycle was closed, and in order to find a place for the descendants of Candaules it would be absolutely necessary to build a new portico and commence the formation of a new bas-relief.
Candaules, whose arm still rested on the shoulder of Gyges, walked slowly round the portico in silence. He seemed to hesitate to enter into the subject, and had altogether forgotten the pretext under which he had led the captain of his guards into that solitary place.
'What would you do, Gyges,' said Candaules, at last breaking the silence which had been growing painful to both, 'if you were a diver, and should bring up from the green bosom of the ocean a pearl of incomparable purity and lustre, and of worth so vast as to exhaust the richest treasures of the earth?'
'I would inclose it,' answered Gyges, a little surprised at this brusque question, 'in a cedar box overlaid with plates of brass, and I would bury it under a detached rock in some desert place; and from time to time, when I should feel assured that none could see me, I would go thither to contemplate my precious jewel and admire the colours of the sky mingling with its nacreous tints.'
'And I,' replied Candaules, his eye illuminated with enthusiasm, 'if I possessed so rich a gem, I would enshrine it in my diadem, that I might exhibit it freely to the eyes of all men, in the pure light of the sun, that I might adorn myself with its splendour and smile with pride when I should hear it said: "Never did king of Assyria or Babylon, never did Greek or Trinacrian tyrant possess so lustrous a pearl as Candaules, son of Myrsus and descendant of Heracles, King of Sardes and of Lydia! Compared with Candaules, Midas, who changed all things to gold, were only a mendicant as poor as Irus."'
Gyges listened with astonishment to this discourse of Candaules, and sought to penetrate the hidden sense of these lyric divagations. The king appeared to be in a state of extraordinary excitement: his eyes sparkled with enthusiasm; a feverish rosiness tinted his cheeks; his dilated nostrils inhaled the air with unusual effort.
'Well, Gyges,' continued Candaules, without appearing to notice the uneasiness of his favourite, 'I am that diver. Amid this dark ocean of humanity, wherein confusedly move so many defective or misshapen beings, so many forms incomplete or degraded, so many types of bestial ugliness, wretched outlines of nature's experimental essays, I have found beauty, pure, radiant, without spot, without flaw, the ideal made real, the dream accomplished, a form which no painter or sculptor has ever been able to translate upon canvas or into marble—I have found Nyssia!'
'Although the queen has the timid modesty of the women of the Orient, and that no man save her husband has ever beheld her features, Fame, hundred-tongued and hundred-eared, has celebrated her praise throughout the world,' answered Gyges, respectfully inclining his head as he spoke.
'Mere vague, insignificant rumours. They say of her, as of all women not actually ugly, that she is more beautiful than Aphrodite or Helen; but no person could form even the most remote idea of such perfection. In vain have I besought Nyssia to appear unveiled at some public festival, some solemn sacrifice, or to show herself for an instant leaning over the royal terrace, bestowing upon her people the immense favour of one look, the prodigality of one profile view, more generous than the goddesses who permit their worshippers to behold only pale simulacra of ivory or alabaster. She would never consent to that. Now there is one strange thing which I blush to acknowledge even to you, dear Gyges. Formerly I was jealous; I wished to conceal my amours from all eyes, no shadow was thick enough, no mystery sufficiently impenetrable. Now I can no longer recognise myself. I have the feelings neither of a lover nor a husband; my love has melted in adoration like thin wax in a fiery brazier. All petty feelings of jealousy or possession have vanished. No, the most finished work that heaven has ever given to earth, since the day that Prometheus held the flame under the right breast of the statue of clay, cannot thus be kept hidden in the chill shadow of the gynaeceum. Were I to die, then the secret of this beauty would for ever remain shrouded beneath the sombre draperies of widowhood! I feel myself culpable in its concealment, as though I had the sun in my house, and prevented it from illuminating the world. And when I think of those harmonious lines, those divine contours which I dare scarcely touch with a timid kiss, I feel my heart ready to burst; I wish that some friendly eye could share my happiness and, like a severe judge to whom a picture is shown, recognise after careful examination that it is irreproachable, and that the possessor has not been deceived by his enthusiasm. Yes, often do I feel myself tempted to tear off with rash hand those odious tissues, but Nyssia, in her fierce chastity, would never forgive me. And still I cannot alone endure such felicity. I must have a confidant for my ecstasies, an echo which will answer my cries of admiration, and it shall be none other than you.'
Having uttered these words, Candaules brusquely turned and disappeared through a secret passage. Gyges, left thus alone, could not avoid noticing the peculiar concourse of events which seemed to place him always in Nyssia's path. A chance had enabled him to behold her beauty, though walled up from all other eyes. Among many princes and satraps she had chosen to espouse Candaules, the very king he served; and through some strange caprice, which he could only regard as fateful, this king had just made him, Gyges, his confidant in regard to the mysterious creature whom none else had approached, and absolutely sought to complete the work of Boreas on the plain of Bactria! Was not the hand of the gods visible in all these circumstances? That spectre of beauty, whose veil seemed to be lifted slowly, a little at a time, as though to enkindle a flame within him, was it not leading him, without his having suspected it, toward the accomplishment of some mighty destiny? Such were the questions which Gyges asked himself, but being unable to penetrate the obscurity of the future, he resolved to await the course of events, and left the Court of Images, where the twilight darkness was commencing to pile itself up in all the angles, and to render the effigies of the ancestors of Candaules yet more and more weirdly menacing.
Was it a mere effort of light, or was it rather an illusion produced by that vague uneasiness with which the boldest hearts are filled by the approach of night amid ancient monuments? As he stepped across the threshold Gyges fancied that he heard deep groans issue from the stone lips of the bas-reliefs, and it seemed to him that Heracles was making enormous efforts to loosen his granite club.
On the following day Candaules again took Gyges aside and continued the conversation begun under the portico of the Heracleidae. Having freed himself from the embarrassment of broaching the subject, he freely unbosomed himself to his confidant; and had Nyssia been able to overhear him she might perhaps have been willing to pardon his conjugal indiscretions for the sake of his passionate eulogies of her charms.
Gyges listened to all these bursts of praise with the slightly constrained air of one who is yet uncertain whether his interlocutor is not feigning an enthusiasm more ardent than he actually feels, in order to provoke a confidence naturally cautious to utter itself. Can-daules at last said to him in a tone of disappointment: 'I see, Gyges, that you do not believe me. You think I am boasting, or have allowed myself to be fascinated like some clumsy labourer by a robust country girl on whose cheeks Hygeia has crushed the gross hues of health. No, by all the gods! I have collected within my home, like a living bouquet, the fairest flowers of Asia and of Greece. I know all that the art of sculptors and painters has produced since the time of Daedalus, whose statues walked and spoke. Linus, Orpheus, Homer, have taught me harmony and rhythm. I do not look about me with Love's bandage blindfolding my eyes. I judge of all things coolly. The passions of youth never influence my admiration, and when I am as withered, decrepit, wrinkled, as Tithonus in his swaddling bands, my opinion will be still the same. But I forgive your incredulity and want of sympathy. In order to understand me fully, it is necessary that you should see Nyssia in the radiant brilliancy of her shining whiteness, free from jealous drapery, even as Nature with her own hands moulded her in a lost moment of inspiration which never can return. This evening I will hide you in a corner of the bridal chamber... you shall see her!'
'Sire, what do you ask of me?' returned the young warrior with respectful firmness. 'How shall I, from the depths of my dust, from the abyss of my nothingness, dare to raise my eyes to this sun of perfections, at the risk of remaining blind for the rest of my life, or being able to see naught but a dazzling spectre in the midst of darkness? Have pity on your humble slave, and do not compel him to an action so contrary to the maxims of virtue. No man should look upon what does not belong to him. We know that the immortals always punish those who through imprudence or audacity surprise them in their divine nudity. Nyssia is the loveliest of all women; you are the happiest of lovers and husbands. Heracles, your ancestor, never found in the course of his many conquests aught to compare with your queen. If you, the prince of whom even the most skilful artists seek judgment and counsel—if you find her incomparable, of what consequence can the opinion of an obscure soldier like me be to you? Abandon, therefore, this fantasy, which I presume to say is unworthy of your royal majesty, and of which you would repent so soon as it had been satisfied.'
'Listen, Gyges,' returned Candaules; 'I perceive that you suspect me; you think that I seek to put you to some proof, but by the ashes of that funeral pyre whence my ancestor arose a god, I swear to you that I speak frankly and without any after-purpose.'
'O Candaules, I doubt not of your good faith; your passion is sincere, but perchance, after I should have obeyed you, you would conceive a deep aversion to me, and learn to hate me for not having more firmly resisted your will. You would seek to take back from these eyes, indiscreet through compulsion, the image which you allowed them to glance upon in a moment of delirium; and who knows but that you would condemn them to the eternal night of the tomb to punish them for remaining open at a moment when they ought to have been closed.'
'Fear nothing; I pledge my royal word that no evil shall befall you.'
'Pardon your slave if he still dares to offer some objection, even after such a promise. Have you reflected that what you propose to me is a violation of the sanctity of marriage, a species of visual adultery? A woman often lays aside her modesty with her garments; and once violated by a look, without having actually ceased to be virtuous, she might deem that she had lost her flower of purity. You promise, indeed, to feel no resentment against me; but who can ensure me against the wrath of Nyssia, she who is so reserved and chaste, so apprehensive, fierce, and virginal in her modesty that she might be deemed still ignorant of the laws of Hymen? Should she ever learn of the sacrilege which I am about to render myself guilty of in deferring to my master's wishes, what punishment would she condemn me to suffer in expiation of such a crime? Who could place me beyond the reach of her avenging anger?'
'I did not know you were so wise and prudent,' said Candaules, with a slightly ironical smile; 'but such dangers are all imaginary, and I shall hide you in such a way that Nyssia will never know she has been seen by any one except her royal husband.'
Being unable to offer any further defence, Gyges made a sign of assent in token of complete submission to the king's will. He had made all the resistance in his power, and thenceforward his conscience could feel at ease in regard to whatever might happen; besides, by any further opposition to the will of Candaules, he would have feared to oppose destiny itself, which seemed striving to bring him still nearer to Nyssia for some grim ulterior purpose into which it was not given to him to see further.
Without actually being able to foresee any result, he beheld a thousand vague and shadowy images passing before his eyes. That subterranean love, so long crouched at the foot of his soul's stairway, had climbed a few steps higher, guided by some fitful glimmer of hope. The weight of the impossible no longer pressed so heavily upon his breast, now that he believed himself aided by the gods. In truth, who would have dreamed that the much-boasted charms of the daughter of Megabazus would ere long cease to own any mystery for Gyges?
'Come, Gyges,' said Candaules, taking him by the hand, 'let us make profit of the time. Nyssia is walking in the garden with her women; let us look at the place, and plan our stratagems for this evening.'
The king took his confidant by the hand and led him along the winding ways which conducted to the nuptial apartment. The doors of the sleeping-room were made of cedar planks so perfectly put together that it was impossible to discover the joints. By dint of rubbing them with wool steeped in oil, the slaves had rendered the wood as polished as marble. The brazen nails, with heads cut in facets, which studded them, had all the brilliancy of the purest gold. A complicated system of straps and metallic rings, whereof Candaules and his wife alone knew the combination, served to secure them, for in those heroic ages the locksmith's art was yet in its infancy.
Candaules unloosed the knots, made the rings slide back upon the thongs, raised with a handle which fitted into a mortise the bar that fastened the door from within, and bidding Gyges place himself against the wall, turned back one of the folding-doors upon him in such a way as to hide him completely; yet the door did not fit so perfectly to its frame of oaken beams, all carefully polished and put up according to line by a skilful workman, that the young warrior could not obtain a distinct view of the chamber interior through the interstices contrived to give room for the free play of the hinges.
Facing the entrance, the royal bed stood upon an estrade of several steps, covered with purple drapery. Columns of chased silver supported the entablature, all ornamented with foliage wrought in relief, amid which Loves were sporting with dolphins, and heavy curtains embroidered with gold surrounded it like the folds of a tent.
Upon the altar of the household gods were placed vases of precious metal, paterae enamelled with flowers, double-handled cups, and all things needful for libations.
Along the walls, which were faced with planks of cedar-wood, marvellously worked, at regular intervals stood tall statues of black basalt in the constrained attitudes of Egyptian art, each sustaining in its hand a bronze torch into which a splinter of resinous wood had been fitted.
An onyx lamp, suspended by a chain of silver, hung from that beam of the ceiling which is called the black beam, because more exposed than the others to the embrowning smoke. Every evening a slave carefully filled this lamp with odoriferous oil.
Near the head of the bed, on a little column, hung a trophy of arms, consisting of a visored helmet, a twofold buckler made of four bulls' hides and covered with plates of brass and tin, a two-edged sword, and several ashen javelins with brazen heads.
The tunics and mantles of Candaules were hung upon wooden pegs. They comprised garments both simple and double; that is, capable of going twice around the body. A mantle of thrice-dyed purple, ornamented with embroidery representing a hunting scene wherein Laconian hounds were pursuing and tearing deer, and a tunic whereof the material, fine and delicate as the skin which envelops an onion had all the sheen of woven sunbeams, were especially noticeable. Opposite to the trophy stood an armchair inlaid with silver and ivory upon which Nyssia hung her garments. Its seat was covered with a leopard skin more eye-spotted than the body of Argus, and its foot-support was richly adorned with openwork carving.
'I am generally the first to retire,' observed Candaules to Gyges, 'and I always leave this door open as it is now. Nyssia, who has invariably some tapestry flower to finish, or some order to give her women, usually delays a little in joining me; but at last she comes, and slowly takes off, one by one, as though the effort cost her dearly, and lays upon that ivory chair, all those draperies and tunics which by day envelop her like mummy bandages. From your hiding-place you will be able to follow all her graceful movements, admire her unrivalled charms, and judge for yourself whether Candaules be a young fool prone to vain boasting, or whether he does not really possess the richest pearl of beauty that ever adorned a diadem.'
'O King, I can well believe your words without such a proof as this,' replied Gyges, stepping forth from his hiding-place. 'When she has laid aside her garments,' continued Candaules, without heeding the exclamation of his confidant, 'she will come to lie down with me. You must take advantage of the moment to steal away, for in passing from the chair to the bed she turns her back to the door. Step lightly as though you were treading upon ears of ripe wheat; take heed that no grain of sand squeaks under your sandals; hold your breath, and retire as stealthily as possible. The vestibule is all in darkness, and the feeble rays of the only lamp which remains burning do not penetrate beyond the threshold of the chamber. It is, therefore, certain that Nyssia cannot possibly see you; and to-morrow there will be some one in the world who can comprehend my ecstasies, and will feel no longer astonished at my bursts of admiration. But see, the day is almost spent; the Sun will soon water his steeds in the Hesperian waves at the further end of the world, and beyond the Pillars erected by my ancestors. Return to your hiding-place, Gyges, and though the hours of waiting may seem long, I can swear by Eros of the Golden Arrows that you will not regret having waited.'
After this assurance Candaules left Gyges again hidden behind the door. 'The compulsory quiet which the king's young confidant found himself obliged to maintain left him ample leisure for thought. His situation was certainly a most extraordinary one. He had loved Nyssia as one loves a star. Convinced of the hopelessness of the undertaking, he had made no effort to approach her. And, nevertheless, by a succession of extraordinary events he was about to obtain a knowledge of treasures reserved for lovers and husbands only. Not a word, not a glance had been exchanged between himself and Nyssia, who probably ignored the very existence of the one being for whom her beauty would so soon cease to be a mystery. Unknown to her whose modesty would have naught to sacrifice for you, how strange a situation! To love a woman in secret and find oneself led by her husband to the threshold of the nuptial chamber, to have for guide to that treasure the very dragon who should defend all approach to it, was there not in all this ample food for astonishment and wonder at the combination of events wrought by destiny?
In the midst of these reflections, he suddenly heard the sound of footsteps on the pavement. It was only the slaves coming to replenish the oil in the lamp, throw fresh perfumes upon the coals of the kamklins, and arrange the purple and saffron-tinted sheepskins which formed the royal bed.
The hour approached, and Gyges felt his heart beat faster, and the pulsation of his arteries quicken. He even felt a strong impulse to steal away before the arrival of the queen, and, after averring subsequently to Candaules that he had remained, abandon himself confidently to the most extravagant eulogiums. He felt a strong repugnance (for, despite his somewhat free life, Gyges was not without delicacy) to take by stealth a favour for the free granting of which he would gladly have paid with his life. The husband's complicity rendered this theft more odious in a certain sense, and he would have preferred to owe to any other circumstance the happiness of beholding the marvel of Asia in her nocturnal toilet. Perhaps, indeed, the approach of danger, let us acknowledge as veracious historians, had no little to do with his virtuous scruples. Undoubtedly Gyges did not lack courage. Mounted upon his war-chariot, with quiver rattling upon his shoulder, and bow in hand, he would have defied the most valiant warriors; in the chase he would have attacked without fear the Calydon boar or the Nemean lion; but—explain the enigma as you will—he trembled at the idea of looking at a beautiful woman through a chink in a door. No one possesses every kind of courage. He felt likewise that he could not behold Nyssia with impunity. It would be a decisive epoch in his life. Through having obtained but a momentary glimpse of her he had lost all peace of mind; what, then, would be the result of that which was about to take place? Could life itself continue for him when to that divine head which fired his dreams should be added a charming body formed for the kisses of the immortals? What would become of him should he find himself unable thereafter to contain his passion in darkness and silence as he had done till that time? Would he exhibit to the court of Lydia the ridiculous spectacle of an insane love, or would he strive by some extravagant action to bring down upon himself the disdainful pity of the queen? Such a result was strongly probable, since the reason of Candaules himself, the legitimate possessor of Nyssia, had been unable to resist the vertigo caused by that superhuman beauty—he, the thoughtless young king who till then had laughed at love, and preferred pictures and statues before all things. These arguments were very rational but wholly useless, for at the same moment Candaules entered the chamber, and exclaimed in a low but distinct voice as he passed the door:
'Patience, my poor Gyges, Nyssia will soon come.' When he saw that he could no longer retreat, Gyges, who was but a young man after all, forgot every other consideration, and no longer thought of aught save the happiness of feasting his eyes upon the charming spectacle which Candaules was about to offer him. One cannot demand from a captain of twenty-five the austerity of a hoary philosopher.
At last a low whispering of raiment sweeping and trailing over marble, distinctly audible in the deep silence of the night, announced the approach of the queen. In effect it was she. With a step as cadenced and rhythmic as an ode, she crossed the threshold of the thalamus, and the wind of her veil with its floating folds almost touched the burning cheek of Gyges, who felt wellnigh on the point of fainting, and found himself compelled to seek the support of the wall; but soon recovering from the violence of his emotions, he approached the chink of the door, and took the most favourable position for enabling him to lose nothing of the scene whereof he was about to be an invisible witness.
Nyssia advanced to the ivory chair and commenced to detach the pins, terminated by hollow balls of gold, which fastened her veil upon her head; and Gyges from the depths of the shadow-filled angle where he stood concealed could examine at his ease the proud and charming face of which he had before obtained only a hurried glimpse; that rounded neck, at once delicate and powerful, whereon Aphrodite had traced with the nail of her little finger those three faint lines which are still at this very day known as the 'necklace of Venus'; that white nape on whose alabaster surface little wild rebellious curls were disporting and entwining themselves; those silver shoulders, half rising from the opening of the chlamys, like the moon's disc emerging from an opaque cloud. Candaules, half reclining upon his cushions, gazed with fondness upon his wife, and thought to himself: 'Now Gyges, who is so cold, so difficult to please, and so sceptical, must be already half convinced.'
Opening a little coffer which stood on a table supported by one leg terminating in carven lion's paws, the queen freed her beautiful arms from the weight of the bracelets and jewellery wherewith they had been overburdened during the day—arms whose form and whiteness might well have enabled them to compare with those of Hera, sister and wife of Zeus, the lord of Olympus. Precious as were her jewels, they were assuredly not worth the spots which they concealed, and had Nyssia been a coquette, one might have well supposed that she only donned them in order that she should be entreated to take them off. The rings and chased work had left upon her skin, fine and tender as the interior pulp of a lily, light rosy imprints, which she soon dissipated by rubbing them with her little taper-fingered hand, all rounded and slender at its extremities.
Then with the movement of a dove trembling in the snow of its feathers, she shook her hair, which being no longer held by the golden pins, rolled down in languid spirals like hyacinth flowers over her back and bosom. Thus she remained for a few moments ere reassembling the scattered curls and finally re-uniting them into one mass. It was marvellous to watch the blond ringlets streaming like jets of liquid gold between the silver of her fingers; and her arms undulating like swans' necks as they were arched above her head in the act of twisting and confining the natural bullion. If you have ever by chance examined one of those beautiful Etruscan vases with red figures on a black ground, and decorated with one of those subjects which are designated under the title of 'Greek Toilette,' then you will have some idea of the grace of Nyssia in that attitude which, from the age of antiquity to our own era, has furnished such a multitude of happy designs for painters and statuaries.
Having thus arranged her coiffure, she seated herself upon the edge of the ivory footstool and commenced to untie the little bands which fastened her buskins. We moderns, owing to our horrible system of footgear, which is hardly less absurd than the Chinese shoe, no longer know what a foot is. That of Nyssia was of a perfection rare even in Greece and antique Asia. The great toe, a little apart like the thumb of a bird, the other toes, slightly long, and all ranged in charming symmetry, the nails well shaped and brilliant as agates, the ankles well rounded and supple, the heel slightly tinted with a rosy hue—nothing was wanting to the perfection of the little member. The leg attached to this foot, and which gleamed like polished marble under the lamp-light, was irreproachable in the purity of its outlines and the grace of its curves.
Gyges, lost in contemplation, though all the while fully comprehending the madness of Candaules, said to himself that had the gods bestowed such a treasure upon him he would have known how to keep it to himself.
'Well, Nyssia, are you not coming to sleep with me?' exclaimed Candaules, seeing that the queen was not hurrying herself in the least, and feeling desirous to abridge the watch of Gyges.
'Yes, my dear lord, I will soon be ready,' answered Nyssia.
And she detached the cameo which fastened the peplum upon her shoulder. There remained only the tunic to let fall. Gyges, behind the door, felt his veins hiss through his temples; his heart beat so violently that he feared it must make itself heard in the chamber, and to repress its fierce pulsations he pressed his hand upon his bosom; and when Nyssia, with a movement of careless grace, unfastened the girdle of her tunic, he thought his knees would give way beneath him.
Nyssia—was it an instinctive presentiment, or was her skin, virginally pure from profane looks, so delicately magnetic in its susceptibility that it could feel the rays of a passionate eye though that eye was invisible?—Nyssia hesitated to strip herself of that tunic, the last rampart of her modesty. Twice or thrice her shoulders, her bosom, and bare arms shuddered with a nervous chill, as though they had been suddenly grazed by the wings of a nocturnal butterfly, or as though an insolent lip had dared to touch them in the darkness.
At last, seeming to nerve herself for a sudden resolve she doffed the tunic in its turn; and the white poem of her divine body suddenly appeared in all its splendour, like the statue of a goddess unveiled on the day of a temple's inauguration. Shuddering with pleasure the light glided and gloated over those exquisite forms, and covered them with timid kisses, profiting by an occasion, alas, rare indeed! The rays scattered through the chamber, disdaining to illuminate golden arms, jewelled clasps, or brazen tripods, all concentrated themselves upon Nyssia, and left all other objects in obscurity. Were we Greeks of the age of Pericles we might at our ease eulogise those beautiful serpentine lines, those polished flanks, those elegant curves, those breasts which might have served as moulds for the cup of Hebe; but modern prudery forbids such descriptions, for the pen cannot find pardon for what is permitted to the chisel; and besides, there are some things which can be written of only in marble.
Candaules smiled in proud satisfaction. With a rapid step, as though ashamed of being so beautiful, for she was only the daughter of a man and a woman, Nyssia approached the bed, her arms folded upon her bosom; but with a sudden movement she turned round ere taking her place upon the couch beside her royal spouse, and beheld through the aperture of the door a gleaming eye flaming like the carbuncle of Oriental legend; for if it were false that she had a double pupil, and that she possessed the stone which is found in the heads of dragons, it was at least true that her green glance penetrated darkness like the glaucous eye of the cat and tiger.
A cry, like that of a fawn who receives an arrow in her flank while tranquilly dreaming among the leafy shadows, was on the point of bursting from her lips, yet she found strength to control herself, and lay down beside Candaules, cold as a serpent, with the violets of death upon her cheeks and lips. Not a muscle of her limbs quivered, not a fibre of her body palpitated, and soon her slow, regular breathing seemed to indicate that Morpheus had distilled his poppy juice upon her eyelids.
She had divined and comprehended all.
Gyges, trembling and distracted with passion, had retired, following exactly the instructions of Candaules; and if Nyssia, through some unfortunate chance, had not turned her head ere taking her place upon the couch, and perceived him in the act of taking flight, doubtless she would have remained for ever unconscious of the outrage done to her charms by a husband more passionate than scrupulous.
Accustomed to the winding corridors of the palace, the young warrior had no difficulty in finding his way out. He passed through the city at a reckless pace like a madman escaped from Anticyra, and by making himself known to the sentinels who guarded the ramparts, he had the gates opened for him and gained the fields beyond. His brain burned, his cheeks flamed as with the fires of fever; his breath came hotly panting through his lips; he flung himself down upon the meadow-sod humid with the tears of the night; and at last hearing in the darkness, through the thick grass and water-plants, the silvery respiration of a Naiad, he dragged himself to the spring, plunged his hands and arms into the crystal flood, bathed his face, and drank several mouthfuls of the water in the hope to cool the ardour which was devouring him. Any one who could have seen him thus hopelessly bending over the spring in the feeble starlight would have taken him for Narcissus pursuing his own shadow; but it was not of himself assuredly that Gyges was enamoured.
The rapid apparition of Nyssia had dazzled his eyes like the keen zigzag of a lightning flash. He beheld her floating before him in a luminous whirlwind, and felt that never through all his life could he banish that image from his vision. His love had grown to vastness; its flower had suddenly burst, like those plants which open their blossoms with a clap of thunder. To master his passion were henceforth a thing impossible: as well counsel the empurpled waves which Poseidon lifts with his trident to lie tranquilly in their bed of sand and cease to foam upon the rocks of the shore. Gyges was no longer master of himself, and he felt a miserable despair, as of a man riding in a chariot, who finds his terrified and uncontrollable horses rushing with all the speed of a furious gallop toward some rock-bristling precipice. A hundred thousand projects, each wilder than the last, whirled confusedly through his brain. He blasphemed Destiny, he cursed his mother for having given him life, and the gods that they had not caused him to be born to a throne, for then he might have been able to espouse the daughter of the satrap.
A frightful agony gnawed at his heart; he was jealous of the king. From the moment of the tunic's fall at the feet of Nyssia, like the flight of a white dove alighting upon a meadow, it had seemed to him that she belonged to him; he deemed himself despoiled of his wealth by Candaules. In all his amorous reveries he had never until then thought of the husband; he had thought of the queen only as of a pure abstraction, without representing to himself in fancy all those intimate details of conjugal familiarity, so poignant, so bitter for those who love a woman in the power of another. Now he had beheld Nyssia's blond head bending like a blossom beside the dark head of Candaules. The very thought of it had inflamed his anger to the highest degree, although a moment's reflection should have convinced him that things could not have come to pass otherwise, and he felt growing within him a most unjust hatred against his master. The act of having compelled his presence at the queen's dishabille seemed to him a barbarous irony, an odious refinement of cruelty, for he did not remember that his love for her could not have been known by the king, who had sought in him only a confidant of easy morals and a connoisseur in beauty. That which he ought to have regarded as a great favour affected him like a mortal injury for which he was meditating vengeance. While thinking that to-morrow the same scene of which he had been a mute and invisible witness would infallibly renew itself, his tongue clove to his palate, his forehead became imbeaded with drops of cold sweat, and his hand convulsively grasped the hilt of his great double-edged sword.
Nevertheless, thanks to the freshness of the night, that excellent counsellor, he became a little calmer, and returned to Sardes before the morning light had become bright enough to enable a few early rising citizens and slaves to notice the pallor of his brow and the disorder of his apparel. He betook himself to his regular post at the palace, well suspecting that Can-daules would shortly send for him; and, however violent the agitation of his feelings, he felt he was not powerful enough to brave the anger of the king, and could in no way escape submitting again to this role of confidant, which could thenceforth only inspire him with horror. Having arrived at the palace, he seated himself upon the steps of the cypress-panelled vestibule, leaned his back against a column, and, under the pretext of being fatigued by the long vigil under arms, he covered his head with his mantle and feigned sleep, to avoid answering the questions of the other guards.
If the night had been terrible to Gyges, it had not been less so to Nyssia, as she never for an instant doubted that he had been purposely hidden there by Candaules. The king's persistency in begging her not to veil so austerely a face which the gods had made for the admiration of men, his evident vexation upon her refusal to appear in Greek costume at the sacrifices and public solemnities, his unsparing raillery at what he termed her barbarian shyness, all tended to convince her that the young Heracleid had sought to admit some one into those mysteries which should remain secret to all, for without his encouragement no man could have dared to risk himself in an undertaking the discovery of which would have resulted in the punishment of a speedy death.
How slowly did the black hours seem to her to pass! How anxiously did she await the coming of dawn to mingle its bluish tints with the yellow gleams of the almost exhausted lamp! It seemed to her that Apollo would never mount his chariot again, and that some invisible hand was sustaining the sand of the hourglass in air. Though brief as any other, that night seemed to her like the Cimmerian nights, six long months of darkness.
While it lasted she lay motionless and rigid at full length on the very edge of her couch in dread of being touched by Candaules. If she had not up to that night felt a very strong love for the son of Myrsus, she had, at least, ever exhibited toward him that grave and serene tenderness which every virtuous woman entertains for her husband, although the altogether Greek freedom of his morals frequently displeased her, and though he entertained ideas at variance with her own in regard to modesty; but after such an affront she could only feel the chilliest hatred and most icy contempt for him; she would have preferred even death to one of his caresses. Such an outrage it was impossible to forgive, for among the barbarians, and above all among the Persians and Bactrians, it was held a great disgrace, not for women only, but even for men, to be seen without their garments.
At length Candaules arose, and Nyssia, awaking from her simulated sleep, hurried from that chamber now profaned in her eyes as though it had served for the nocturnal orgies of Bacchantes and courtesans. It was agony for her to breathe that impure air any longer, and that she might freely give herself up to her grief she took refuge in the upper apartments reserved for the women, summoned her slaves by clapping her hands, and poured ewers of water over her shoulders, her bosom, and her whole body, as though hoping by this species of lustral ablution to efface the soil imprinted by the eyes of Gyges. She would have voluntarily torn, as it were, from her body that skin upon which the rays shot from a burning pupil seemed to have left their traces. Taking from the hands of her waiting-women the thick downy materials which served to drink up the last pearls of the bath, she wiped herself with such violence that a slight purple cloud rose to the spots she had rubbed.
'In vain,' she exclaimed, letting the damp tissues fall, and dismissing her attendants—'in vain would I pour over myself all the waters of all the springs and the rivers; the ocean with all its bitter gulfs could not purify me. Such a stain may be washed out only with blood. Oh, that look, that look! It has incrusted itself upon me; it clasps me, covers me, burns me like the tunic dipped in the blood of Nessus; I feel it beneath my draperies, like an envenomed tissue which nothing can detach from my body! Now, indeed, would I vainly pile garments upon garments, select materials the least transparent, and the thickest of mantles. I would none the less bear upon my naked flesh this infamous robe woven by one adulterous and lascivious glance. Vainly, since the hour when I issued from the chaste womb of my mother, have I been brought up in private, enveloped, like Isis, the Egyptian goddess, with a veil of which none might have lifted the hem without paying for his audacity with his life. In vain have I remained guarded from all evil desires, from all profane imaginings, unknown of men, virgin as the snow on which the eagle himself could not imprint the seal of his talons, so loftily does the mountain which it covers lift its head in the pure and icy air. The depraved caprice of a Lydian Greek has sufficed to make me lose in a single instant, without any guilt of mine, all the fruit of long years of precaution and reserve. Innocent and dishonoured, hidden from all yet made public to all... this is the lot to which Candaules has condemned me. Who can assure me that, at this very moment, Gyges is not in the act of discoursing upon my charms with some soldiers at the very threshold of the palace? Oh shame! Oh infamy! Two men have beheld me naked and yet at this instant enjoy the sweet light of the sun! In what does Nyssia now differ from the most shameless hetaira, from the vilest of courtesans? This body which I have striven to render worthy of being the habitation of a pure and noble soul, serves for a theme of conversation; it is talked of like some lascivious idol brought from Sicyon or from Corinth; it is commended or found fault with. The shoulder is perfect, the arm is charming, perhaps a little thin—what know I? All the blood of my heart leaps to my cheeks at such a thought. Oh beauty, fatal gift of the gods! why am I not the wife of some poor mountain goatherd of innocent and simple habits? He would not have suborned a goatherd like himself at the threshold of his cabin to profane his humble happiness! My lean figure, my unkempt hair, my complexion faded by the burning sun, would then have saved me from so gross an insult, and my honest homeliness would not have been compelled to blush. How shall I dare, after the scene of this night, to pass before those men, proudly erect under the folds of a tunic which has no longer aught to hide from either of them. I should drop dead with shame upon the pavement. Candaules, Candaules, I was at least entitled to more respect from you, and there was nothing in my conduct which could have provoked such an outrage. Was I one of those ones whose arms for ever cling like ivy to their husbands' necks, and who seem more like slaves bought with money for a master's pleasure than free-born women of noble blood? Have I ever after a repast sung amorous hymns accompanying myself upon the lyre, with wine-moist lips, naked shoulders, and a wreath of roses about my hair, or given you cause, by any immodest action, to treat me like a mistress whom one shows after a banquet to his companions in debauch?' While Nyssia was thus buried in her grief, great tears overflowed from her eyes like rain-drops from the azure chalice of a lotus-flower after some storm, and rolling down her pale cheeks fell upon her fair forlorn hands, languishingly open, like roses whose leaves are half-shed, for no order came from the brain to give them activity. The attitude of Niobe, beholding her fourteenth child succumb beneath the arrows of Apollo and Diana, was not more sadly despairing, but soon starting from this state of prostration, she rolled herself upon the floor, rent her garments, covered her beautiful dishevelled hair with ashes, tore her bosom and cheeks with her nails amid convulsive sobs, and abandoned herself to all the excesses of Oriental grief, the more violently that she had been forced so long to contain her indignation, shame, pangs of wounded dignity, and all the agony that convulsed her soul, for the pride of her whole life had been broken, and the idea that she had nothing wherewith to reproach herself afforded her no consolation. As a poet has said, only the innocent know remorse. She was repenting of the crime which another had committed.