HONORE DE BALZAC
The trilogy known as Lost Illusions consists of: Two Poets A Distinguished Provincial at Paris Eve and David
In many references parts one and three are combined under the title Lost Illusions and A Distinguished Provincial at Paris is given its individual title. Following this trilogy is a sequel, Scenes from a Courtesan's Life, which is set directly following the end of Eve and David.
The longest, without exception, of Balzac's books, and one which contains hardly any passage that is not very nearly of his best, Illusions Perdues suffers, I think, a little in point of composition from the mixture of the Angouleme scenes of its first and third parts with the purely Parisian interest of Un Grand Homme de Province. It is hardly possible to exaggerate the gain in distinctness and lucidity of arrangement derived from putting Les Deux Poetes and Eve et David (a much better title than that which has been preferred in the Edition Definitive) together in one volume, and reserving the greatness and decadence of Lucien de Rubempre for another. It is distinctly awkward that this should be divided, as it is itself an enormous episode, a sort of Herodotean parenthesis, rather than an integral part of the story. And, as a matter of fact, it joins on much more to the Splendeurs et Miseres des Courtisanes than to its actual companions. In fact, it is an instance of the somewhat haphazard and arbitrary way in which the actual division of the Comedie has worked, that it should, dealing as it does wholly and solely with Parisian life, be put in the Scenes de la Vie de Province, and should be separated from its natural conclusion not merely as a matter of volumes, but as a matter of divisions. In making the arrangement, however, it is necessary to remember Balzac's own scheme, especially as the connection of the three parts in other ways is too close to permit the wrenching of them asunder altogether and finally. This caution given, all that is necessary can be done by devoting the first part of the introduction entirely to the first and third or Angouleme parts, and by consecrating the latter part to the egregious Lucien by himself.
There is a double gain in doing this, for, independently of the connection as above referred to, Lucien has little to do except as an opportunity for the display of virtue by his sister and David Sechard; and the parts in which they appear are among the most interesting of Balzac's work. The "Idyllic" charm of this marriage for love, combined as it is with exhibitions of the author's power in more than one of the ways in which he loved best to show it, has never escaped attention from Balzac's most competent critics. He himself had speculated in print and paper before David Sechard was conceived; he himself had for all "maniacs," all men of one idea, the fraternal enthusiasm of a fellow-victim. He could never touch a miser without a sort of shudder of interest; and that singular fancy of his for describing complicated legal and commercial undertakings came in too. Nor did he spare, in this wide-ranging book, to bring in other favorite matters of his, the hobereau—or squireen—aristocracy, the tittle-tattle of the country town and so forth.
The result is a book of multifarious interest, not hampered, as some of its fellows are, by an uncertainty on the author's part as to what particular hare he is coursing. Part of the interest, after the description of the printing office and of old Sechard's swindling of his son, is a doubling, it is true, upon that of La muse du Departement, and is perhaps a little less amusingly done; but it is blended with better matters. Sixte du Chatelet is a considerable addition to Balzac's gallery of the aristocracy in transition—of the Bonaparte parvenus whom perhaps he understood even better than the old nobility, for they were already in his time becoming adulterated and alloyed; or than the new folk of business and finance, for they were but in their earliest stages. Nor is the rest of the society of Madame de Bargeton inferior.
But the real interest both of Les Deux Poetes, and still more of Eve et David, between which two, be it always remembered, comes in the Distinguished Provincial, lies in the characters who gave their name to the last part. In David, the man of one idea, who yet has room for an honest love and an all-deserved friendship, Balzac could not go wrong. David Sechard takes a place by himself among the sheep of the Comedie. Some may indeed say that this phrase is unfortunate, that Balzac's sheep have more qualities of the mutton than innocence. It is not quite to be denied. But David is very far indeed from being a good imbecile, like Cesar Birotteau, or a man intoxicated out of common-sense by a passion respectable in itself, like Goriot. His sacrifice of his mania in time is something—nay, it is very much; and his disinterested devotion to his brother-in-law does not quite pass the limits of sense.
But what shall we say of Eve? She is good of course, good as gold, as Eugenie Grandet herself; and the novelist has been kind enough to allow her to be happier. But has he quite interested us in her love for David? Has he even persuaded us that the love existed in a form deserving the name? Did not Eve rather take her husband to protect him, to look after him, than either to love, honor, and obey in the orthodox sense, or to love for love's sake only, as some still take their husbands and wives even at the end of the nineteenth century? This is a question which each reader must answer for himself; but few are likely to refuse assent to the sentence, "Happy the husband who has such a wife as Eve Chardon!"
The central part of Illusions Perdues, which in reason stands by itself, and may do so ostensibly with considerably less than the introduction explanatory which Balzac often gives to his own books, is one of the most carefully worked out and diversely important of his novels. It should, of course, be read before Splendeurs et Miseres des Courtisanes, which is avowedly its second part, a small piece of Eve et David serving as the link between them. But it is almost sufficient by and to itself. Lucien de Rubempre ou le Journalisme would be the most straightforward and descriptive title for it, and one which Balzac in some of his moods would have been content enough to use.
The story of it is too continuous and interesting to need elaborate argument, for nobody is likely to miss any important link in it. But Balzac has nowhere excelled in finesse and success of analysis, the double disillusion which introduces itself at once between Madame de Bargeton and Lucien, and which makes any redintegratio amoris of a valid kind impossible, because each cannot but be aware that the other has anticipated the rupture. It will not, perhaps, be a matter of such general agreement whether he has or has not exceeded the fair license of the novelist in attributing to Lucien those charms of body and gifts of mind which make him, till his moral weakness and worthlessness are exposed, irresistible, and enable him for a time to repair his faults by a sort of fairy good-luck. The sonnets of Les Marguerites, which were given to the author by poetical friends —Gautier, it is said, supplied the "Tulip"—are undoubtedly good and sufficient. But Lucien's first article, which is (according to a practice the rashness of which cannot be too much deprecated) given likewise, is certainly not very wonderful; and the Paris press must have been rather at a low ebb if it made any sensation. As we are not favored with any actual portrait of Lucien, detection is less possible here, but the novelist has perhaps a very little abused the privilege of making a hero, "Like Paris handsome, and like Hector brave," or rather "Like Paris handsome, and like Phoebus clever." There is no doubt, however, that the interest of the book lies partly in the vivid and severe picture of journalism given in it, and partly in the way in which the character of Lucien is adjusted to show up that of the abstract journalist still farther.
How far is the picture true? It must be said, in fairness to Balzac, that a good many persons of some competence in France have pronounced for its truth there; and if that be so, all one can say is, "So much the worse for French journalists." It is also certain that a lesser, but still not inconsiderable number of persons in England—generally persons who, not perhaps with Balzac's genius, have like Balzac published books, and are not satisfied with their reception by the press—agree more or less as to England. For myself, I can only say that I do not believe things have ever been quite so bad in England, and that I am quite sure there never has been any need for them to be. There are, no doubt, spiteful, unprincipled, incompetent practitioners of journalism as of everything else; and it is of course obvious that while advertisements, the favor of the chiefs of parties, and so forth, are temptations to newspaper managers not to hold up a very high standard of honor, anonymity affords to newspaper writers a dangerously easy shield to cover malice or dishonesty. But I can only say that during long practice in every kind of political and literary journalism, I never was seriously asked to write anything I did not think, and never had the slightest difficulty in confining myself to what I did think.
In fact Balzac, like a good many other men of letters who abuse journalism, put himself very much out of court by continually practising it, not merely during his struggling period, but long after he had made his name, indeed almost to the very last. And it is very hard to resist the conclusion that when he charged journalism generally not merely with envy, hatred, malice, and all uncharitableness, but with hopeless and pervading dishonesty, he had little more ground for it than an inability to conceive how any one, except from vile reasons of this kind, could fail to praise Honore de Balzac.
At any rate, either his art by itself, or his art assisted and strengthened by that personal feeling which, as we have seen counted for much with him, has here produced a wonderfully vivid piece of fiction—one, I think, inferior in success to hardly anything he has done. Whether, as at a late period a very well-informed, well-affected, and well-equipped critic hinted, his picture of the Luciens and the Lousteaus did not a little to propagate both is another matter. The seriousness with which Balzac took the accusation perhaps shows a little sense of galling. But putting this aside, Un Grand Homme de Province a Paris must be ranked, both for comedy and tragedy, both for scheme and execution, in the first rank of his work.
The bibliography of this long and curious book—almost the only one which contains some verse, some of Balzac's own, some given to him by his more poetical friends—occupies full ten pages of M. de Lovenjoul's record. The first part, which bore the general title, was a book from the beginning, and appeared in 1837 in the _Scenes de la Vie de Province_. It had five chapters, and the original verse it contained had appeared in the _Annalaes Romantiques_ ten years earlier with slight variants. The second part, _Un Grand Homme de Province_, likewise appeared as a book, independently published by Souverain in 1839 in two volumes and forty chapters. But two of these chapters had been inserted a few days before the publications in the _Estafette_. Here Canalis was more distinctly identified with Lamartine than in the subsequent texts. The third part, unlike its forerunners, appeared serially in two papers, _L'Etat_ and _Le Parisien_, in the year 1843, under the title of _David Sechard, ou les Souffrances d'un Inventeur_, and next year became a book under the first title only. But before this last issue it had been united to the other two parts, and had appeared as _Eve et David_ in the first edition of the _Comedie.
TWO POETS (Lost Illusions Part I)
HONORE DE BALZAC
Translated By Ellen Marriage
To Monsieur Victor Hugo,
It was your birthright to be, like a Rafael or a Pitt, a great poet at an age when other men are children; it was your fate, the fate of Chateaubriand and of every man of genius, to struggle against jealousy skulking behind the columns of a newspaper, or crouching in the subterranean places of journalism. For this reason I desired that your victorious name should help to win a victory for this work that I inscribe to you, a work which, if some persons are to be believed, is an act of courage as well as a veracious history. If there had been journalists in the time of Moliere, who can doubt but that they, like marquises, financiers, doctors, and lawyers, would have been within the province of the writer of plays? And why should Comedy, qui castigat ridendo mores, make an exception in favor of one power, when the Parisian press spares none? I am happy, monsieur, in this opportunity of subscribing myself your sincere admirer and friend,
At the time when this story opens, the Stanhope press and the ink-distributing roller were not as yet in general use in small provincial printing establishments. Even at Angouleme, so closely connected through its paper-mills with the art of typography in Paris, the only machinery in use was the primitive wooden invention to which the language owes a figure of speech—"the press groans" was no mere rhetorical expression in those days. Leather ink-balls were still used in old-fashioned printing houses; the pressman dabbed the ink by hand on the characters, and the movable table on which the form of type was placed in readiness for the sheet of paper, being made of marble, literally deserved its name of "impression-stone." Modern machinery has swept all this old-world mechanism into oblivion; the wooden press which, with all its imperfections, turned out such beautiful work for the Elzevirs, Plantin, Aldus, and Didot is so completely forgotten, that something must be said as to the obsolete gear on which Jerome-Nicolas Sechard set an almost superstitious affection, for it plays a part in this chronicle of great small things.
Sechard had been in his time a journeyman pressman, a "bear" in compositors' slang. The continued pacing to and fro of the pressman from ink-table to press, from press to ink-table, no doubt suggested the nickname. The "bears," however, make matters even by calling the compositors monkeys, on account of the nimble industry displayed by those gentlemen in picking out the type from the hundred and fifty-two compartments of the cases.
In the disastrous year 1793, Sechard, being fifty years old and a married man, escaped the great Requisition which swept the bulk of French workmen into the army. The old pressman was the only hand left in the printing-house; and when the master (otherwise the "gaffer") died, leaving a widow, but no children, the business seemed to be on the verge of extinction; for the solitary "bear" was quite incapable of the feat of transformation into a "monkey," and in his quality of pressman had never learned to read or write. Just then, however, a Representative of the People being in a mighty hurry to publish the Decrees of the Convention, bestowed a master printer's license on Sechard, and requisitioned the establishment. Citizen Sechard accepted the dangerous patent, bought the business of his master's widow with his wife's savings, and took over the plant at half its value. But he was not even at the beginning. He was bound to print the Decrees of the Republic without mistakes and without delay.
In this strait Jerome-Nicolas Sechard had the luck to discover a noble Marseillais who had no mind to emigrate and lose his lands, nor yet to show himself openly and lose his head, and consequently was fain to earn a living by some lawful industry. A bargain was struck. M. le Comte de Maucombe, disguised in a provincial printer's jacket, set up, read, and corrected the decrees which forbade citizens to harbor aristocrats under pain of death; while the "bear," now a "gaffer," printed the copies and duly posted them, and the pair remained safe and sound.
In 1795, when the squall of the Terror had passed over, Nicolas Sechard was obliged to look out for another jack-of-all-trades to be compositor, reader, and foreman in one; and an Abbe who declined the oath succeeded the Comte de Maucombe as soon as the First Consul restored public worship. The Abbe became a Bishop at the Restoration, and in after days the Count and the Abbe met and sat together on the same bench of the House of Peers.
In 1795 Jerome-Nicolas had not known how to read or write; in 1802 he had made no progress in either art; but by allowing a handsome margin for "wear and tear" in his estimates, he managed to pay a foreman's wages. The once easy-going journeyman was a terror to his "bears" and "monkeys." Where poverty ceases, avarice begins. From the day when Sechard first caught a glimpse of the possibility of making a fortune, a growing covetousness developed and sharpened in him a certain practical faculty for business—greedy, suspicious, and keen-eyed. He carried on his craft in disdain of theory. In course of time he had learned to estimate at a glance the cost of printing per page or per sheet in every kind of type. He proved to unlettered customers that large type costs more to move; or, if small type was under discussion, that it was more difficult to handle. The setting-up of the type was the one part of his craft of which he knew nothing; and so great was his terror lest he should not charge enough, that he always made a heavy profit. He never took his eyes off his compositors while they were paid by the hour. If he knew that a paper manufacturer was in difficulties, he would buy up his stock at a cheap rate and warehouse the paper. So from this time forward he was his own landlord, and owned the old house which had been a printing office from time immemorial.
He had every sort of luck. He was left a widower with but one son. The boy he sent to the grammar school; he must be educated, not so much for his own sake as to train a successor to the business; and Sechard treated the lad harshly so as to prolong the time of parental rule, making him work at case on holidays, telling him that he must learn to earn his own living, so as to recompense his poor old father, who was slaving his life out to give him an education.
Then the Abbe went, and Sechard promoted one of his four compositors to be foreman, making his choice on the future bishop's recommendation of the man as an honest and intelligent workman. In these ways the worthy printer thought to tide over the time until his son could take a business which was sure to extend in young and clever hands.
David Sechard's school career was a brilliant one. Old Sechard, as a "bear" who had succeeded in life without any education, entertained a very considerable contempt for attainments in book learning; and when he sent his son to Paris to study the higher branches of typography, he recommended the lad so earnestly to save a good round sum in the "working man's paradise" (as he was pleased to call the city), and so distinctly gave the boy to understand that he was not to draw upon the paternal purse, that it seemed as if old Sechard saw some way of gaining private ends of his own by that sojourn in the Land of Sapience. So David learned his trade, and completed his education at the same time, and Didot's foreman became a scholar; and yet when he left Paris at the end of 1819, summoned home by his father to take the helm of business, he had not cost his parent a farthing.
Now Nicolas Sechard's establishment hitherto had enjoyed a monopoly of all the official printing in the department, besides the work of the prefecture and the diocese—three connections which should prove mighty profitable to an active young printer; but precisely at this juncture the firm of Cointet Brothers, paper manufacturers, applied to the authorities for the second printer's license in Angouleme. Hitherto old Sechard had contrived to reduce this license to a dead letter, thanks to the war crisis of the Empire, and consequent atrophy of commercial enterprise; but he had neglected to buy up the right himself, and this piece of parsimony was the ruin of the old business. Sechard thought joyfully when he heard the news that the coming struggle with the Cointets would be fought out by his son and not by himself.
"I should have gone to the wall," he thought, "but a young fellow from the Didots will pull through."
The septuagenarian sighed for the time when he could live at ease in his own fashion. If his knowledge of the higher branches of the craft of printing was scanty, on the other hand, he was supposed to be past master of an art which workmen pleasantly call "tipple-ography," an art held in high esteem by the divine author of Pantagruel; though of late, by reason of the persecution of societies yclept of Temperance, the cult has fallen, day by day, into disuse.
Jerome-Nicolas Sechard, bound by the laws of etymology to be a dry subject, suffered from an inextinguishable thirst. His wife, during her lifetime, managed to control within reasonable bounds the passion for the juice of the grape, a taste so natural to the bear that M. de Chateaubriand remarked it among the ursine tribes of the New World. But philosophers inform us that old age is apt to revert to the habits of youth, and Sechard senior is a case in point—the older he grew, the better he loved to drink. The master-passion had given a stamp of originality to an ursine physiognomy; his nose had developed till it reached the proportions of a double great-canon A; his veined cheeks looked like vine-leaves, covered, as they were, with bloated patches of purple, madder red, and often mottled hues; till altogether, the countenance suggested a huge truffle clasped about by autumn vine tendrils. The little gray eyes, peering out from beneath thick eyebrows like bushes covered with snow, were agleam with the cunning of avarice that had extinguished everything else in the man, down to the very instinct of fatherhood. Those eyes never lost their cunning even when disguised in drink. Sechard put you in mind of one of La Fontaine's Franciscan friars, with the fringe of grizzled hair still curling about his bald pate. He was short and corpulent, like one of the old-fashioned lamps for illumination, that burn a vast deal of oil to a very small piece of wick; for excess of any sort confirms the habit of body, and drunkenness, like much study, makes the fat man stouter, and the lean man leaner still.
For thirty years Jerome-Nicolas-Sechard had worn the famous municipal three-cornered hat, which you may still see here and there on the head of the towncrier in out-of-the-way places. His breeches and waistcoat were of greenish velveteen, and he wore an old-fashioned brown greatcoat, gray cotton stockings, and shoes with silver buckles to them. This costume, in which the workman shone through the burgess, was so thoroughly in keeping with the man's character, defects, and way of life, that he might have come ready dressed into the world. You could no more imagine him apart from his clothes than you could think of a bulb without its husk. If the old printer had not long since given the measure of his blind greed, the very nature of the man came out in the manner of his abdication.
Knowing, as he did, that his son must have learned his business pretty thoroughly in the great school of the Didots, he had yet been ruminating for a long while over the bargain that he meant to drive with David. All that the father made, the son, of course, was bound to lose, but in business this worthy knew nothing of father or son. If, in the first instance, he had looked on David as his only child, later he came to regard him as the natural purchaser of the business, whose interests were therefore his own. Sechard meant to sell dear; David, of course, to buy cheap; his son, therefore, was an antagonist, and it was his duty to get the better of him. The transformation of sentiment into self-seeking, ordinarily slow, tortuous, and veiled by hypocrisy in better educated people, was swift and direct in the old "bear," who demonstrated the superiority of shrewd tipple-ography over book-learned typography.
David came home, and the old man received him with all the cordiality which cunning folk can assume with an eye to business. He was as full of thought for him as any lover for his mistress; giving him his arm, telling him where to put his foot down so as to avoid the mud, warming the bed for him, lighting a fire in his room, making his supper ready. The next day, after he had done his best to fluster his son's wits over a sumptuous dinner, Jerome-Nicolas Sechard, after copious potations, began with a "Now for business," a remark so singularly misplaced between two hiccoughs, that David begged his parent to postpone serious matters until the morrow. But the old "bear" was by no means inclined to put off the long-expected battle; he was too well prepared to turn his tipsiness to good account. He had dragged the chain these fifty years, he would not wear it another hour; to-morrow his son should be the "gaffer."
Perhaps a word or two about the business premises may be said here. The printing-house had been established since the reign of Louis XIV. in the angle made by the Rue de Beaulieu and the Place du Murier; it had been devoted to its present purposes for a long time past. The ground floor consisted of a single huge room lighted on the side next the street by an old-fashioned casement, and by a large sash window that gave upon the yard at the back. A passage at the side led to the private office; but in the provinces the processes of typography excite such a lively interest, that customers usually preferred to enter by way of the glass door in the street front, though they at once descended three steps, for the floor of the workshop lay below the level of the street. The gaping newcomer always failed to note the perils of the passage through the shop; and while staring at the sheets of paper strung in groves across the ceiling, ran against the rows of cases, or knocked his hat against the tie-bars that secured the presses in position. Or the customer's eyes would follow the agile movements of a compositor, picking out type from the hundred and fifty-two compartments of his case, reading his copy, verifying the words in the composing-stick, and leading the lines, till a ream of damp paper weighted with heavy slabs, and set down in the middle of the gangway, tripped up the bemused spectator, or he caught his hip against the angle of a bench, to the huge delight of boys, "bears," and "monkeys." No wight had ever been known to reach the further end without accident. A couple of glass-windowed cages had been built out into the yard at the back; the foreman sat in state in the one, the master printer in the other. Out in the yard the walls were agreeably decorated by trellised vines, a tempting bit of color, considering the owner's reputation. On the one side of the space stood the kitchen, on the other the woodshed, and in a ramshackle penthouse against the hall at the back, the paper was trimmed and damped down. Here, too, the forms, or, in ordinary language, the masses of set-up type, were washed. Inky streams issuing thence blended with the ooze from the kitchen sink, and found their way into the kennel in the street outside; till peasants coming into the town of a market day believed that the Devil was taking a wash inside the establishment.
As to the house above the printing office, it consisted of three rooms on the first floor and a couple of attics in the roof. The first room did duty as dining-room and lobby; it was exactly the same length as the passage below, less the space taken up by the old-fashioned wooden staircase; and was lighted by a narrow casement on the street and a bull's-eye window looking into the yard. The chief characteristic of the apartment was a cynic simplicity, due to money-making greed. The bare walls were covered with plain whitewash, the dirty brick floor had never been scoured, the furniture consisted of three rickety chairs, a round table, and a sideboard stationed between the two doors of a bedroom and a sitting-room. Windows and doors alike were dingy with accumulated grime. Reams of blank paper or printed matter usually encumbered the floor, and more frequently than not the remains of Sechard's dinner, empty bottles and plates, were lying about on the packages.
The bedroom was lighted on the side of the yard by a window with leaded panes, and hung with the old-world tapestry that decorated house fronts in provincial towns on Corpus Christi Day. For furniture it boasted a vast four-post bedstead with canopy, valances and quilt of crimson serge, a couple of worm-eaten armchairs, two tapestry-covered chairs in walnut wood, an aged bureau, and a timepiece on the mantel-shelf. The Seigneur Rouzeau, Jerome-Nicolas' master and predecessor, had furnished the homely old-world room; it was just as he had left it.
The sitting-room had been partly modernized by the late Mme. Sechard; the walls were adorned with a wainscot, fearful to behold, painted the color of powder blue. The panels were decorated with wall-paper —Oriental scenes in sepia tint—and for all furniture, half-a-dozen chairs with lyre-shaped backs and blue leather cushions were ranged round the room. The two clumsy arched windows that gave upon the Place du Murier were curtainless; there was neither clock nor candle sconce nor mirror above the mantel-shelf, for Mme. Sechard had died before she carried out her scheme of decoration; and the "bear," unable to conceive the use of improvements that brought in no return in money, had left it at this point.
Hither, pede titubante, Jerome-Nicolas Sechard brought his son, and pointed to a sheet of paper lying on the table—a valuation of plant drawn up by the foreman under his direction.
"Read that, my boy," said Jerome-Nicolas, rolling a drunken eye from the paper to his son, and back to the paper. "You will see what a jewel of a printing-house I am giving you."
"'Three wooden presses, held in position by iron tie-bars, cast-iron plates——'"
"An improvement of my own," put in Sechard senior.
"'——Together with all the implements, ink-tables, balls, benches, et cetera, sixteen hundred francs!' Why, father," cried David, letting the sheet fall, "these presses of yours are old sabots not worth a hundred crowns; they are only fit for firewood."
"Sabots?" cried old Sechard, "Sabots? There, take the inventory and let us go downstairs. You will soon see whether your paltry iron-work contrivances will work like these solid old tools, tried and trusty. You will not have the heart after that to slander honest old presses that go like mail coaches, and are good to last you your lifetime without needing repairs of any sort. Sabots! Yes, sabots that are like to hold salt enough to cook your eggs with—sabots that your father has plodded on with these twenty years; they have helped him to make you what you are."
The father, without coming to grief on the way, lurched down the worn, knotty staircase that shook under his tread. In the passage he opened the door of the workshop, flew to the nearest press (artfully oiled and cleaned for the occasion) and pointed out the strong oaken cheeks, polished up by the apprentice.
"Isn't it a love of a press?"
A wedding announcement lay in the press. The old "bear" folded down the frisket upon the tympan, and the tympan upon the form, ran in the carriage, worked the lever, drew out the carriage, and lifted the frisket and tympan, all with as much agility as the youngest of the tribe. The press, handled in this sort, creaked aloud in such fine style that you might have thought some bird had dashed itself against the window pane and flown away again.
"Where is the English press that could go at that pace?" the parent asked of his astonished son.
Old Sechard hurried to the second, and then to the third in order, repeating the manoeuvre with equal dexterity. The third presenting to his wine-troubled eye a patch overlooked by the apprentice, with a notable oath he rubbed it with the skirt of his overcoat, much as a horse-dealer polishes the coat of an animal that he is trying to sell.
"With those three presses, David, you can make your nine thousand francs a year without a foreman. As your future partner, I am opposed to your replacing these presses by your cursed cast-iron machinery, that wears out the type. You in Paris have been making such a to-do over that damned Englishman's invention—a foreigner, an enemy of France who wants to help the ironfounders to a fortune. Oh! you wanted Stanhopes, did you? Thanks for your Stanhopes, that cost two thousand five hundred francs apiece, about twice as much as my three jewels put together, and maul your type to pieces, because there is no give in them. I haven't book-learning like you, but you keep this well in mind, the life of the Stanhope is the death of the type. Those three presses will serve your turn well enough, the printing will be properly done, and folk here in Angouleme won't ask any more of you. You may print with presses made of wood or iron or gold or silver, they will never pay you a farthing more."
"'Item,'" pursued David, "'five thousand pounds weight of type from M. Vaflard's foundry——'" Didot's apprentice could not help smiling at the name.
"Laugh away! After twelve years of wear, that type is as good as new. That is what I call a typefounder! M. Vaflard is an honest man, who uses hard metal; and, to my way of thinking, the best typefounder is the one you go to most seldom."
"'——Taken at ten thousand francs,'" continued David. "Ten thousand francs, father! Why, that is two francs a pound, and the Messrs. Didot only ask thirty-six sous for their Cicero! These nail-heads of yours will only fetch the price of old metal—fivepence a pound."
"You call M. Gille's italics, running-hand and round-hand, 'nail-heads,' do you? M. Gille, that used to be printer to the Emperor! And type that costs six francs a pound! masterpieces of engraving, bought only five years ago. Some of them are as bright yet as when they came from the foundry. Look here!"
Old Sechard pounced upon some packets of unused sorts, and held them out for David to see.
"I am not book-learned; I don't know how to read or write; but, all the same, I know enough to see that M. Gille's sloping letters are the fathers of your Messrs. Didot's English running-hand. Here is the round-hand," he went on, taking up an unused pica type.
David saw that there was no way of coming to terms with his father. It was a case of Yes or No—of taking or leaving it. The very ropes across the ceiling had gone down into the old "bear's" inventory, and not the smallest item was omitted; jobbing chases, wetting-boards, paste-pots, rinsing-trough, and lye-brushes had all been put down and valued separately with miserly exactitude. The total amounted to thirty thousand francs, including the license and the goodwill. David asked himself whether or not this thing was feasible.
Old Sechard grew uneasy over his son's silence; he would rather have had stormy argument than a wordless acceptance of the situation. Chaffering in these sorts of bargains means that a man can look after his interests. "A man who is ready to pay you anything you ask will pay nothing," old Sechard was saying to himself. While he tried to follow his son's train of thought, he went through the list of odds and ends of plant needed by a country business, drawing David now to a hot-press, now to a cutting-press, bragging of its usefulness and sound condition.
"Old tools are always the best tools," said he. "In our line of business they ought to fetch more than the new, like goldbeaters' tools."
Hideous vignettes, representing Hymen and Cupids, skeletons raising the lids of their tombs to describe a V or an M, and huge borders of masks for theatrical posters became in turn objects of tremendous value through old Jerome-Nicolas' vinous eloquence. Old custom, he told his son, was so deeply rooted in the district that he (David) would only waste his pains if he gave them the finest things in life. He himself had tried to sell them a better class of almanac than the Double Liegeois on grocers' paper; and what came of it?—the original Double Liegeois sold better than the most sumptuous calendars. David would soon see the importance of these old-fashioned things when he found he could get more for them than for the most costly new-fangled articles.
"Aha! my boy, Paris is Paris, and the provinces are the provinces. If a man came in from L'Houmeau with an order for wedding cards, and you were to print them without a Cupid and garlands, he would not believe that he was properly married; you would have them all back again if you sent them out with a plain M on them after the style of your Messrs. Didot. They may be fine printers, but their inventions won't take in the provinces for another hundred years. So there you are."
A generous man is a bad bargain-driver. David's nature was of the sensitive and affectionate type that shrinks from a dispute, and gives way at once if an opponent touches his feelings. His loftiness of feeling, and the fact that the old toper had himself well in hand, put him still further at a disadvantage in a dispute about money matters with his own father, especially as he credited that father with the best intentions, and took his covetous greed for a printer's attachment to his old familiar tools. Still, as Jerome-Nicolas Sechard had taken the whole place over from Rouzeau's widow for ten thousand francs, paid in assignats, it stood to reason that thirty thousand francs in coin at the present day was an exorbitant demand.
"Father, you are cutting my throat!" exclaimed David.
"I," cried the old toper, raising his hand to the lines of cord across the ceiling, "I who gave you life? Why, David, what do you suppose the license is worth? Do you know that the sheet of advertisements alone, at fivepence a line, brought in five hundred francs last month? You turn up the books, lad, and see what we make by placards and the registers at the Prefecture, and the work for the mayor's office, and the bishop too. You are a do-nothing that has no mind to get on. You are haggling over the horse that will carry you to some pretty bit of property like Marsac."
Attached to the valuation of plant there was a deed of partnership between Sechard senior and his son. The good father was to let his house and premises to the new firm for twelve hundred francs per annum, reserving one of the two rooms in the roof for himself. So long as David's purchase-money was not paid in full, the profits were to be divided equally; as soon as he paid off his father, he was to be made sole proprietor of the business.
David made a mental calculation of the value of the license, the goodwill, and the stock of paper, leaving the plant out of account. It was just possible, he thought, to clear off the debt. He accepted the conditions. Old Sechard, accustomed to peasants' haggling, knowing nothing of the wider business views of Paris, was amazed at such a prompt conclusion.
"Can he have been putting money by?" he asked himself. "Or is he scheming out, at this moment, some way of not paying me?"
With this notion in his head, he tried to find out whether David had any money with him; he wanted to be paid something on account. The old man's inquisitiveness roused his son's distrust; David remained close buttoned up to the chin.
Next day, old Sechard made the apprentice move all his own household stuff up into the attic until such time as an empty market cart could take it out on the return journey into the country; and David entered into possession of three bare, unfurnished rooms on the day that saw him installed in the printing-house, without one sou wherewith to pay his men's wages. When he asked his father, as a partner, to contribute his share towards the working expenses, the old man pretended not to understand. He had found the printing-house, he said, and he was not bound to find the money too. He had paid his share. Pressed close by his son's reasoning, he answered that when he himself had paid Rouzeau's widow he had not had a penny left. If he, a poor, ignorant working man, had made his way, Didot's apprentice should do still better. Besides, had not David been earning money, thanks to an education paid for by the sweat of his old father's brow? Now surely was the time when the education would come in useful.
"What have you done with your 'polls?'" he asked, returning to the charge. He meant to have light on a problem which his son left unresolved the day before.
"Why, had I not to live?" David asked indignantly, "and books to buy besides?"
"Oh! you bought books, did you? You will make a poor man of business. A man that buys books is hardly fit to print them," retorted the "bear."
Then David endured the most painful of humiliations—the sense of shame for a parent; there was nothing for it but to be passive while his father poured out a flood of reasons—sordid, whining, contemptible, money-getting reasons—in which the niggardly old man wrapped his refusal. David crushed down his pain into the depths of his soul; he saw that he was alone; saw that he had no one to look to but himself; saw, too, that his father was trying to make money out of him; and in a spirit of philosophical curiosity, he tried to find out how far the old man would go. He called old Sechard's attention to the fact that he had never as yet made any inquiry as to his mother's fortune; if that fortune would not buy the printing-house, it might go some ways towards paying the working expenses.
"Your mother's fortune?" echoed old Sechard; "why, it was her beauty and intelligence!"
David understood his father thoroughly after that answer; he understood that only after an interminable, expensive, and disgraceful lawsuit could he obtain any account of the money which by rights was his. The noble heart accepted the heavy burden laid upon it, seeing clearly beforehand how difficult it would be to free himself from the engagements into which he had entered with his father.
"I will work," he said to himself. "After all, if I have a rough time of it, so had the old man; besides, I shall be working for myself, shall I not?"
"I am leaving you a treasure," said Sechard, uneasy at his son's silence.
David asked what the treasure might be.
"Marion!" said his father.
Marion, a big country girl, was an indispensable part of the establishment. It was Marion who damped the paper and cut it to size; Marion did the cooking, washing, and marketing; Marion unloaded the paper carts, collected accounts, and cleaned the ink-balls; and if Marion had but known how to read, old Sechard would have put her to set up type into the bargain.
Old Sechard set out on foot for the country. Delighted as he was with his sale of the business, he was not quite easy in his mind as to the payment. To the throes of the vendor, the agony of uncertainty as to the completion of the purchase inevitably succeeds. Passion of every sort is essentially Jesuitical. Here was a man who thought that education was useless, forcing himself to believe in the influence of education. He was mortgaging thirty thousand francs upon the ideas of honor and conduct which education should have developed in his son; David had received a good training, so David would sweat blood and water to fulfil his engagements; David's knowledge would discover new resources; and David seemed to be full of fine feelings, so—David would pay! Many a parent does in this way, and thinks that he has acted a father's part; old Sechard was quite of that opinion by the time that he had reached his vineyard at Marsac, a hamlet some four leagues out of Angouleme. The previous owner had built a nice little house on the bit of property, and from year to year had added other bits of land to it, until in 1809 the old "bear" bought the whole, and went thither, exchanging the toil of the printing press for the labor of the winepress. As he put it himself, "he had been in that line so long that he ought to know something about it."
During the first twelvemonth of rural retirement, Sechard senior showed a careful countenance among his vine props; for he was always in his vineyard now, just as, in the old days, he had lived in his shop, day in, day out. The prospect of thirty thousand francs was even more intoxicating than sweet wine; already in imagination he fingered the coin. The less the claim to the money, the more eager he grew to pouch it. Not seldom his anxieties sent him hurrying from Marsac to Angouleme; he would climb up the rocky staircases into the old city and walk into his son's workshop to see how business went. There stood the presses in their places; the one apprentice, in a paper cap, was cleaning the ink-balls; there was a creaking of a press over the printing of some trade circular, the old type was still unchanged, and in the dens at the end of the room he saw his son and the foreman reading books, which the "bear" took for proof-sheets. Then he would join David at dinner and go back to Marsac, chewing the cud of uneasy reflection.
Avarice, like love, has the gift of second sight, instinctively guessing at future contingencies, and hugging its presentiments. Sechard senior living at a distance, far from the workshop and the machinery which possessed such a fascination for him, reminding him, as it did, of days when he was making his way, could feel that there were disquieting symptoms of inactivity in his son. The name of Cointet Brothers haunted him like a dread; he saw Sechard & Son dropping into the second place. In short, the old man scented misfortune in the wind.
His presentiments were too well founded; disaster was hovering over the house of Sechard. But there is a tutelary deity for misers, and by a chain of unforeseen circumstances that tutelary deity was so ordering matters that the purchase-money of his extortionate bargain was to be tumbled after all into the old toper's pouch.
Indifferent to the religious reaction brought about by the Restoration, indifferent no less to the Liberal movement, David preserved a most unlucky neutrality on the burning questions of the day. In those times provincial men of business were bound to profess political opinions of some sort if they meant to secure custom; they were forced to choose for themselves between the patronage of the Liberals on the one hand or the Royalists on the other. And Love, moreover, had come to David's heart, and with his scientific preoccupation and finer nature he had not room for the dogged greed of which our successful man of business is made; it choked the keen money-getting instinct which would have led him to study the differences between the Paris trade and the business of a provincial printing-house. The shades of opinion so sharply defined in the country are blurred and lost in the great currents of Parisian business life. Cointet Brothers set themselves deliberately to assimilate all shades of monarchical opinion. They let every one know that they fasted of a Friday and kept Lent; they haunted the cathedral; they cultivated the society of the clergy; and in consequence, when books of devotion were once more in demand, Cointet Brothers were the first in this lucrative field. They slandered David, accusing him of Liberalism, Atheism, and what not. How, asked they, could any one employ a man whose father had been a Septembrist, a Bonapartist, and a drunkard to boot? The old man was sure to leave plenty of gold pieces behind him. They themselves were poor men with families to support, while David was a bachelor and could do as he pleased; he would have plenty one of these days; he could afford to take things easily; whereas . . . and so forth and so forth.
Such tales against David, once put into circulation, produced their effect. The monopoly of the prefectorial and diocesan work passed gradually into the hands of Cointet Brothers; and before long David's keen competitors, emboldened by his inaction, started a second local sheet of advertisements and announcements. The older establishment was left at length with the job-printing orders from the town, and the circulation of the Charente Chronicle fell off by one-half. Meanwhile the Cointets grew richer; they had made handsome profits on their devotional books; and now they offered to buy Sechard's paper, to have all the trade and judicial announcements of the department in their own hands.
The news of this proposal sent by David to his father brought the old vinegrower from Marsac into the Place du Murier with the swiftness of the raven that scents the corpses on a battlefield.
"Leave me to manage the Cointets," said he to his son; "don't you meddle in this business."
The old man saw what the Cointets meant; and they took alarm at his clearsighted sagacity. His son was making a blunder, he said, and he, Sechard, had come to put a stop to it.
"What was to become of the connection if David gave up the paper? It all depended upon the paper. All the attorneys and solicitors and men of business in L'Houmeau were Liberals to a man. The Cointets had tried to ruin the Sechards by accusing them of Liberalism, and by so doing gave them a plank to cling to—the Sechards should keep the Liberal business. Sell the paper indeed! Why, you might as well sell the stock-in-trade and the license!"
Old Sechard asked the Cointets sixty thousand francs for the printing business, so as not to ruin his son; he was fond of his son; he was taking his son's part. The vinegrower brought his son to the front to gain his point, as a peasant brings in his wife.
His son was unwilling to do this, that, or the other; it varied according to the offers which he wrung one after another from the Cointets, until, not without an effort, he drew them on to give twenty-two thousand francs for the Charente Chronicle. But, at the same time, David must pledge himself thenceforward to print no newspaper whatsoever, under a penalty of thirty thousand francs for damages.
That transaction dealt the deathblow to the Sechard establishment; but the old vinegrower did not trouble himself much on that head. Murder usually follows robbery. Our worthy friend intended to pay himself with the ready money. To have the cash in his own hands he would have given in David himself over and above the bargain, and so much the more willingly since that this nuisance of a son could claim one-half of the unexpected windfall. Taking this fact into consideration, therefore, the generous parent consented to abandon his share of the business but not the business premises; and the rental was still maintained at the famous sum of twelve hundred francs per annum.
The old man came into town very seldom after the paper was sold to the Cointets. He pleaded his advanced age, but the truth was that he took little interest in the establishment now that it was his no longer. Still, he could not quite shake off his old kindness for his stock-in-trade; and when business brought him into Angouleme, it would have been hard to say which was the stronger attraction to the old house —his wooden presses or the son whom (as a matter of form) he asked for rent. The old foreman, who had gone over to the rival establishment, knew exactly how much this fatherly generosity was worth; the old fox meant to reserve a right to interfere in his son's affairs, and had taken care to appear in the bankruptcy as a privileged creditor for arrears of rent.
The causes of David's heedlessness throw a light on the character of that young man. Only a few days after his establishment in the paternal printing office, he came across an old school friend in the direst poverty. Lucien Chardon, a young fellow of one-and-twenty or thereabouts, was the son of a surgeon-major who had retired with a wound from the republican army. Nature had meant M. Chardon senior for a chemist; chance opened the way for a retail druggist's business in Angouleme. After many years of scientific research, death cut him off in the midst of his incompleted experiments, and the great discovery that should have brought wealth to the family was never made. Chardon had tried to find a specific for the gout. Gout is a rich man's malady; the rich will pay large sums to recover health when they have lost it, and for this reason the druggist deliberately selected gout as his problem. Halfway between the man of science on the one side and the charlatan on the other, he saw that the scientific method was the one road to assured success, and had studied the causes of the complaint, and based his remedy on a certain general theory of treatment, with modifications in practice for varying temperaments. Then, on a visit to Paris undertaken to solicit the approval of the Academie des Sciences, he died, and lost all the fruits of his labors.
It may have been that some presentiment of the end had led the country druggist to do all that in him lay to give his boy and girl a good education; the family had been living up to the income brought in by the business; and now when they were left almost destitute, it was an aggravation of their misfortune that they had been brought up in the expectations of a brilliant future; for these hopes were extinguished by their father's death. The great Desplein, who attended Chardon in his last illness, saw him die in convulsions of rage.
The secret of the army surgeon's ambition lay in his passionate love for his wife, the last survivor of the family of Rubempre, saved as by a miracle from the guillotine in 1793. He had gained time by declaring that she was pregnant, a lie told without the girl's knowledge or consent. Then, when in a manner he had created a claim to call her his wife, he had married her in spite of their common poverty. The children of this marriage, like all children of love, inherited the mother's wonderful beauty, that gift so often fatal when accompanied by poverty. The life of hope and hard work and despair, in all of which Mme. Chardon had shared with such keen sympathy, had left deep traces in her beautiful face, just as the slow decline of a scanty income had changed her ways and habits; but both she and her children confronted evil days bravely enough. She sold the druggist's shop in the Grand' Rue de L'Houmeau, the principal suburb of Angouleme; but it was impossible for even one woman to exist on the three hundred francs of income brought in by the investment of the purchase-money, so the mother and daughter accepted the position, and worked to earn a living. The mother went out as a monthly nurse, and for her gentle manners was preferred to any other among the wealthy houses, where she lived without expense to her children, and earned some seven francs a week. To save her son the embarrassment of seeing his mother reduced to this humble position, she assumed the name of Madame Charlotte; and persons requiring her services were requested to apply to M. Postel, M. Chardon's successor in the business. Lucien's sister worked for a laundress, a decent woman much respected in L'Houmeau, and earned fifteen daily sous. As Mme. Prieur's forewoman she had a certain position in the workroom, which raised her slightly above the class of working-girls.
The two women's slender earnings, together with Mme. Chardon's three hundred francs of rentes, amounted to about eight hundred francs a year, and on this sum three persons must be fed, clothed, and lodged. Yet, with all their frugal thrift, the pittance was scarcely sufficient; nearly the whole of it was needed for Lucien. Mme. Chardon and her daughter Eve believed in Lucien as Mahomet's wife believed in her husband; their devotion for his future knew no bounds. Their present landlord was the successor to the business, for M. Postel let them have rooms at the further end of a yard at the back of the laboratory for a very low rent, and Lucien slept in the poor garret above. A father's passion for natural science had stimulated the boy, and at first induced him to follow in the same path. Lucien was one of the most brilliant pupils at the grammar school of Angouleme, and when David Sechard left, his future friend was in the third form.
When chance brought the school-fellows together again, Lucien was weary of drinking from the rude cup of penury, and ready for any of the rash, decisive steps that youth takes at the age of twenty. David's generous offer of forty francs a month if Lucien would come to him and learn the work of a printer's reader came in time; David had no need whatever of a printer's reader, but he saved Lucien from despair. The ties of a school friendship thus renewed were soon drawn closer than ever by the similarity of their lot in life and the dissimilarity of their characters. Both felt high swelling hopes of manifold success; both consciously possessed the high order of intelligence which sets a man on a level with lofty heights, consigned though they were socially to the lowest level. Fate's injustice was a strong bond between them. And then, by different ways, following each his own bent of mind, they had attained to poesy. Lucien, destined for the highest speculative fields of natural science, was aiming with hot enthusiasm at fame through literature; while David, with that meditative temperament which inclines to poetry, was drawn by his tastes towards natural science.
The exchange of roles was the beginning of an intellectual comradeship. Before long, Lucien told David of his own father's farsighted views of the application of science to manufacture, while David pointed out the new ways in literature that Lucien must follow if he meant to succeed. Not many days had passed before the young men's friendship became a passion such as is only known in early manhood. Then it was that David caught a glimpse of Eve's fair face, and loved, as grave and meditative natures can love. The et nunc et semper et in secula seculorum of the Liturgy is the device taken by many a sublime unknown poet, whose works consist in magnificent epics conceived and lost between heart and heart. With a lover's insight, David read the secret hopes set by the mother and sister on Lucien's poet's brow; and knowing their blind devotion, it was very sweet to him to draw nearer to his love by sharing her hopes and her self-sacrifice. And in this way Lucien came to be David's chosen brother. As there are ultras who would fain be more Royalist than the King, so David outdid the mother and sister in his belief in Lucien's genius; he spoiled Lucien as a mother spoils her child.
Once, under pressure of the lack of money which tied their hands, the two were ruminating after the manner of young men over ways of promptly realizing a large fortune; and, after fruitless shakings of all the trees already stripped by previous comers, Lucien bethought himself of two of his father's ideas. M. Chardon had talked of a method of refining sugar by a chemical process, which would reduce the cost of production by one-half; and he had another plan for employing an American vegetable fibre for making paper, something after the Chinese fashion, and effecting an enormous saving in the cost of raw material. David, knowing the importance of a question raised already by the Didots, caught at this latter notion, saw a fortune in it, and looked upon Lucien as the benefactor whom he could never repay.
Any one may guess how the ruling thoughts and inner life of this pair of friends unfitted them for carrying on the business of a printing house. So far from making fifteen to twenty thousand francs, like Cointet Brothers, printers and publishers to the diocese, and proprietors of the Charente Chronicle (now the only newspaper in the department)—Sechard & Son made a bare three hundred francs per month, out of which the foreman's salary must be paid, as well as Marion's wages and the rent and taxes; so that David himself was scarcely making twelve hundred francs per annum. Active and industrious men of business would have bought new type and new machinery, and made an effort to secure orders for cheap printing from the Paris book trade; but master and foreman, deep in absorbing intellectual interests, were quite content with such orders as came to them from their remaining customers.
In the long length the Cointets had come to understand David's character and habits. They did not slander him now; on the contrary, wise policy required that they should allow the business to flicker on; it was to their interest indeed to maintain it in a small way, lest it should fall into the hands of some more formidable competitor; they made a practice of sending prospectuses and circulars —job-printing, as it is called—to the Sechard's establishment. So it came about that, all unwittingly, David owed his existence, commercially speaking, to the cunning schemes of his competitors. The Cointets, well pleased with his "craze," as they called it, behaved to all appearance both fairly and handsomely; but, as a matter of fact, they were adopting the tactics of the mail-coach owners who set up a sham opposition coach to keep bona fide rivals out of the field.
Inside and outside, the condition of the Sechard printing establishment bore testimony to the sordid avarice of the old "bear," who never spent a penny on repairs. The old house had stood in sun and rain, and borne the brunt of the weather, till it looked like some venerable tree trunk set down at the entrance of the alley, so riven it was with seams and cracks of all sorts and sizes. The house front, built of brick and stone, with no pretensions to symmetry, seemed to be bending beneath the weight of a worm-eaten roof covered with the curved pantiles in common use in the South of France. The decrepit casements were fitted with the heavy, unwieldy shutters necessary in that climate, and held in place by massive iron cross bars. It would have puzzled you to find a more dilapidated house in Angouleme; nothing but sheer tenacity of mortar kept it together. Try to picture the workshop, lighted at either end, and dark in the middle; the walls covered with handbills and begrimed by friction of all the workmen who had rubbed past them for thirty years; the cobweb of cordage across the ceiling, the stacks of paper, the old-fashioned presses, the pile of slabs for weighting the damp sheets, the rows of cases, and the two dens in the far corners where the master printer and foreman sat—and you will have some idea of the life led by the two friends.
One day early in May, 1821, David and Lucien were standing together by the window that looked into the yard. It was nearly two o'clock, and the four or five men were going out to dinner. David waited until the apprentice had shut the street door with the bell fastened to it; then he drew Lucien out into the yard as if the smell of paper, ink, and presses and old woodwork had grown intolerable to him, and together they sat down under the vines, keeping the office and the door in view. The sunbeams, playing among the trellised vine-shoots, hovered over the two poets, making, as it were, an aureole about their heads, bringing the contrast between their faces and their characters into a vigorous relief that would have tempted the brush of some great painter.
David's physique was of the kind that Nature gives to the fighter, the man born to struggle in obscurity, or with the eyes of all men turned upon him. The strong shoulders, rising above the broad chest, were in keeping with the full development of his whole frame. With his thick crop of black hair, his fleshy, high-colored, swarthy face, supported by a thick neck, he looked at first sight like one of Boileau's canons: but on a second glance there was that in the lines about the thick lips, in the dimple of the chin, in the turn of the square nostrils, with the broad irregular line of central cleavage, and, above all, in the eyes, with the steady light of an all-absorbing love that burned in them, which revealed the real character of the man—the wisdom of the thinker, the strenuous melancholy of a spirit that discerns the horizon on either side, and sees clearly to the end of winding ways, turning the clear light of analysis upon the joys of fruition, known as yet in idea alone, and quick to turn from them in disgust. You might look for the flash of genius from such a face; you could not miss the ashes of the volcano; hopes extinguished beneath a profound sense of the social annihilation to which lowly birth and lack of fortune condemns so many a loftier mind. And by the side of the poor printer, who loathed a handicraft so closely allied to intellectual work, close to this Silenus, joyless, self-sustained, drinking deep draughts from the cup of knowledge and of poetry that he might forget the cares of his narrow lot in the intoxication of soul and brain, stood Lucien, graceful as some sculptured Indian Bacchus.
For in Lucien's face there was the distinction of line which stamps the beauty of the antique; the Greek profile, with the velvet whiteness of women's faces, and eyes full of love, eyes so blue that they looked dark against a pearly setting, and dewy and fresh as those of a child. Those beautiful eyes looked out from under their long chestnut lashes, beneath eyebrows that might have been traced by a Chinese pencil. The silken down on his cheeks, like his bright curling hair, shone golden in the sunlight. A divine graciousness transfused the white temples that caught that golden gleam; a matchless nobleness had set its seal in the short chin raised, but not abruptly. The smile that hovered about the coral lips, yet redder as they seemed by force of contrast with the even teeth, was the smile of some sorrowing angel. Lucien's hands denoted race; they were shapely hands; hands that men obey at a sign, and women love to kiss. Lucien was slender and of middle height. From a glance at his feet, he might have been taken for a girl in disguise, and this so much the more easily from the feminine contour of the hips, a characteristic of keen-witted, not to say, astute, men. This is a trait which seldom misleads, and in Lucien it was a true indication of character; for when he analyzed the society of to-day, his restless mind was apt to take its stand on the lower ground of those diplomatists who hold that success justifies the use of any means however base. It is one of the misfortunes attendant upon great intellects that perforce they comprehend all things, both good and evil.
The two young men judged society by the more lofty standard because their social position was at the lowest end of the scale, for unrecognized power is apt to avenge itself for lowly station by viewing the world from a lofty standpoint. Yet it is, nevertheless, true that they grew but the more bitter and hopeless after these swift soaring flights to the upper regions of thought, their world by right. Lucien had read much and compared; David had thought much and deeply. In spite of the young printer's look of robust, country-bred health, his turn of mind was melancholy and somewhat morbid—he lacked confidence in himself; but Lucien, on the other hand, with a boldness little to be expected from his feminine, almost effeminate, figure, graceful though it was, Lucien possessed the Gascon temperament to the highest degree—rash, brave, and adventurous, prone to make the most of the bright side, and as little as possible of the dark; his was the nature that sticks at no crime if there is anything to be gained by it, and laughs at the vice which serves as a stepping-stone. Just now these tendencies of ambition were held in check, partly by the fair illusions of youth, partly by the enthusiasm which led him to prefer the nobler methods, which every man in love with glory tries first of all. Lucien was struggling as yet with himself and his own desires, and not with the difficulties of life; at strife with his own power, and not with the baseness of other men, that fatal exemplar for impressionable minds. The brilliancy of his intellect had a keen attraction for David. David admired his friend, while he kept him out of the scrapes into which he was led by the furie francaise.
David, with his well-balanced mind and timid nature at variance with a strong constitution, was by no means wanting in the persistence of the Northern temper; and if he saw all the difficulties before him, none the less he vowed to himself to conquer, never to give way. In him the unswerving virtue of an apostle was softened by pity that sprang from inexhaustible indulgence. In the friendship grown old already, one was the worshiper, and that one was David; Lucien ruled him like a woman sure of love, and David loved to give way. He felt that his friend's physical beauty implied a real superiority, which he accepted, looking upon himself as one made of coarser and commoner human clay.
"The ox for patient labor in the fields, the free life for the bird," he thought to himself. "I will be the ox, and Lucien shall be the eagle."
So for three years these friends had mingled the destinies bright with such glorious promise. Together they read the great works that appeared above the horizon of literature and science since the Peace —the poems of Schiller, Goethe, and Byron, the prose writings of Scott, Jean-Paul, Berzelius, Davy, Cuvier, Lamartine, and many more. They warmed themselves beside these great hearthfires; they tried their powers in abortive creations, in work laid aside and taken up again with new glow of enthusiasm. Incessantly they worked with the unwearied vitality of youth; comrades in poverty, comrades in the consuming love of art and science, till they forgot the hard life of the present, for their minds were wholly bent on laying the foundations of future fame.
"Lucien," said David, "do you know what I have just received from Paris?" He drew a tiny volume from his pocket. "Listen!"
And David read, as a poet can read, first Andre de Chenier's Idyll Neere, then Le Malade, following on with the Elegy on a Suicide, another elegy in the classic taste, and the last two Iambes.
"So that is Andre de Chenier!" Lucien exclaimed again and again. "It fills one with despair!" he cried for the third time, when David surrendered the book to him, unable to read further for emotion.—"A poet rediscovered by a poet!" said Lucien, reading the signature of the preface.
"After Chenier had written those poems, he thought that he had written nothing worth publishing," added David.
Then Lucien in his turn read aloud the fragment of an epic called L'Aveugle and two or three of the Elegies, till, when he came upon the line—
If they know not bliss, is there happiness on earth?
He pressed the book to his lips, and tears came to the eyes of either, for the two friends were lovers and fellow-worshipers.
The vine-stems were changing color with the spring; covering the rifted, battered walls of the old house where squalid cracks were spreading in every direction, with fluted columns and knots and bas-reliefs and uncounted masterpieces of I know not what order of architecture, erected by fairy hands. Fancy had scattered flowers and crimson gems over the gloomy little yard, and Chenier's Camille became for David the Eve whom he worshiped, for Lucien a great lady to whom he paid his homage. Poetry had shaken out her starry robe above the workshop where the "monkeys" and "bears" were grotesquely busy among types and presses. Five o'clock struck, but the friends felt neither hunger nor thirst; life had turned to a golden dream, and all the treasures of the world lay at their feet. Far away on the horizon lay the blue streak to which Hope points a finger in storm and stress; and a siren voice sounded in their ears, calling, "Come, spread your wings; through that streak of gold or silver or azure lies the sure way of escape from evil fortune!"
Just at that moment the low glass door of the workshop was opened, and out came Cerizet, an apprentice (David had brought the urchin from Paris). This youth introduced a stranger, who saluted the friends politely, and spoke to David.
"This, sir, is a monograph which I am desirous of printing," said he, drawing a huge package of manuscript from his pocket. "Will you oblige me with an estimate?"
"We do not undertake work on such a scale, sir," David answered, without looking at the manuscript. "You had better see the Messieurs Cointet about it."
"Still we have a very pretty type which might suit it," put in Lucien, taking up the roll. "We must ask you to be kind enough, sir, to leave your commission with us and call again to-morrow, and we will give you an estimate."
"Have I the pleasure of addressing M. Lucien Chardon?"
"Yes, sir," said the foreman.
"I am fortunate in this opportunity of meeting with a young poet destined to such greatness," returned the author. "Mme. de Bargeton sent me here."
Lucien flushed red at the name, and stammered out something about gratitude for the interest which Mme. de Bargeton took in him. David noticed his friend's embarrassed flush, and left him in conversation with the country gentleman, the author of a monograph on silkwork cultivation, prompted by vanity to print the effort for the benefit of fellow-members of the local agricultural society.
When the author had gone, David spoke.
"Lucien, are you in love with Mme. de Bargeton?"
"But social prejudices set you as far apart as if she were living at Pekin and you in Greenland."
"The will of two lovers can rise victorious over all things," said Lucien, lowering his eyes.
"You will forget us," returned the alarmed lover, as Eve's fair face rose before his mind.
"On the contrary, I have perhaps sacrificed my love to you," cried Lucien.
"What do you mean?"
"In spite of my love, in spite of the different motives which bid me obtain a secure footing in her house, I have told her that I will never go thither again unless another is made welcome too, a man whose gifts are greater than mine, a man destined for a brilliant future —David Sechard, my brother, my friend. I shall find an answer waiting when I go home. All the aristocrats may have been asked to hear me read my verses this evening, but I shall not go if the answer is negative, and I will never set foot in Mme. de Bargeton's house again."
David brushed the tears from his eyes, and wrung Lucien's hand. The clock struck six.
"Eve must be anxious; good-bye," Lucien added abruptly.
He hurried away. David stood overcome by the emotion that is only felt to the full at his age, and more especially in such a position as his —the friends were like two young swans with wings unclipped as yet by the experiences of provincial life.
"Heart of gold!" David exclaimed to himself, as his eyes followed Lucien across the workshop.
Lucien went down to L'Houmeau along the broad Promenade de Beaulieu, the Rue du Minage, and Saint-Peter's Gate. It was the longest way round, so you may be sure that Mme. de Bargeton's house lay on the way. So delicious it was to pass under her windows, though she knew nothing of his presence, that for the past two months he had gone round daily by the Palet Gate into L'Houmeau.
Under the trees of Beaulieu he saw how far the suburb lay from the city. The custom of the country, moreover, had raised other barriers harder to surmount than the mere physical difficulty of the steep flights of steps which Lucien was descending. Youth and ambition had thrown the flying-bridge of glory across the gulf between the city and the suburb, yet Lucien was as uneasy in his mind over his lady's answer as any king's favorite who has tried to climb yet higher, and fears that being over-bold he is like to fall. This must seem a dark saying to those who have never studied the manners and customs of cities divided into the upper and lower town; wherefore it is necessary to enter here upon some topographical details, and this so much the more if the reader is to comprehend the position of one of the principal characters in the story—Mme. de Bargeton.
The old city of Angouleme is perched aloft on a crag like a sugar-loaf, overlooking the plain where the Charente winds away through the meadows. The crag is an outlying spur on the Perigord side of a long, low ridge of hill, which terminates abruptly just above the road from Paris to Bordeaux, so that the Rock of Angouleme is a sort of promontory marking out the line of three picturesque valleys. The ramparts and great gateways and ruined fortress on the summit of the crag still remain to bear witness to the importance of this stronghold during the Religious Wars, when Angouleme was a military position coveted alike of Catholics and Calvinists, but its old-world strength is a source of weakness in modern days; Angouleme could not spread down to the Charente, and shut in between its ramparts and the steep sides of the crag, the old town is condemned to stagnation of the most fatal kind.
The Government made an attempt about this very time to extend the town towards Perigord, building a Prefecture, a Naval School, and barracks along the hillside, and opening up roads. But private enterprise had been beforehand elsewhere. For some time past the suburb of L'Houmeau had sprung up, a mushroom growth at the foot of the crag and along the river-side, where the direct road runs from Paris to Bordeaux. Everybody has heard of the great paper-mills of Angouleme, established perforce three hundred years ago on the Charente and its branch streams, where there was a sufficient fall of water. The largest State factory of marine ordnance in France was established at Ruelle, some six miles away. Carriers, wheelwrights, posthouses, and inns, every agency for public conveyance, every industry that lives by road or river, was crowded together in Lower Angouleme, to avoid the difficulty of the ascent of the hill. Naturally, too, tanneries, laundries, and all such waterside trades stood within reach of the Charente; and along the banks of the river lay the stores of brandy and great warehouses full of the water-borne raw material; all the carrying trade of the Charente, in short, had lined the quays with buildings.
So the Faubourg of L'Houmeau grew into a busy and prosperous city, a second Angouleme rivaling the upper town, the residence of the powers that be, the lords spiritual and temporal of Angouleme; though L'Houmeau, with all its business and increasing greatness, was still a mere appendage of the city above. The noblesse and officialdom dwelt on the crag, trade and wealth remained below. No love was lost between these two sections of the community all the world over, and in Angouleme it would have been hard to say which of the two camps detested the other the more cordially. Under the Empire the machinery worked fairly smoothly, but the Restoration wrought both sides to the highest pitch of exasperation.
Nearly every house in the upper town of Angouleme is inhabited by noble, or at any rate by old burgher, families, who live independently on their incomes—a sort of autochthonous nation who suffer no aliens to come among them. Possibly, after two hundred years of unbroken residence, and it may be an intermarriage or two with one of the primordial houses, a family from some neighboring district may be adopted, but in the eyes of the aboriginal race they are still newcomers of yesterday.
Prefects, receivers-general, and various administrations that have come and gone during the last forty years, have tried to tame the ancient families perched aloft like wary ravens on their crag; the said families were always willing to accept invitations to dinners and dances; but as to admitting the strangers to their own houses, they were inexorable. Ready to scoff and disparage, jealous and niggardly, marrying only among themselves, the families formed a serried phalanx to keep out intruders. Of modern luxury they had no notion; and as for sending a boy to Paris, it was sending him, they thought to certain ruin. Such sagacity will give a sufficient idea of the old-world manners and customs of this society, suffering from thick-headed Royalism, infected with bigotry rather than zeal, all stagnating together, motionless as their town founded upon a rock. Yet Angouleme enjoyed a great reputation in the provinces round about for its educational advantages, and neighboring towns sent their daughters to its boarding schools and convents.
It is easy to imagine the influence of the class sentiment which held Angouleme aloof from L'Houmeau. The merchant classes are rich, the noblesse are usually poor. Each side takes its revenge in scorn of the other. The tradespeople in Angouleme espouse the quarrel. "He is a man of L'Houmeau!" a shopkeeper of the upper town will tell you, speaking of a merchant in the lower suburb, throwing an accent into the speech which no words can describe. When the Restoration defined the position of the French noblesse, holding out hopes to them which could only be realized by a complete and general topsy-turvydom, the distance between Angouleme and L'Houmeau, already more strongly marked than the distance between the hill and plain, was widened yet further. The better families, all devoted as one man to the Government, grew more exclusive here than in any other part of France. "The man of L'Houmeau" became little better than a pariah. Hence the deep, smothered hatred which broke out everywhere with such ugly unanimity in the insurrection of 1830 and destroyed the elements of a durable social system in France. As the overweening haughtiness of the Court nobles detached the provincial noblesse from the throne, so did these last alienate the bourgeoisie from the royal cause by behavior that galled their vanity in every possible way.
So "a man of L'Houmeau," a druggist's son, in Mme. de Bargeton's house was nothing less than a little revolution. Who was responsible for it? Lamartine and Victor Hugo, Casimir Delavigne and Canalis, Beranger and Chateaubriand. Davrigny, Benjamin Constant and Lamennais, Cousin and Michaud,—all the old and young illustrious names in literature in short, Liberals and Royalists, alike must divide the blame among them. Mme. de Bargeton loved art and letters, eccentric taste on her part, a craze deeply deplored in Angouleme. In justice to the lady, it is necessary to give a sketch of the previous history of a woman born to shine, and left by unlucky circumstances in the shade, a woman whose influence decided Lucien's career.
M. de Bargeton was the great-grandson of an alderman of Bordeaux named Mirault, ennobled under Louis XIII. for long tenure of office. His son, bearing the name of Mirault de Bargeton, became an officer in the household troops of Louis XIV., and married so great a fortune that in the reign of Louis XV. his son dropped the Mirault and was called simply M. de Bargeton. This M. de Bargeton, the alderman's grandson, lived up to his quality so strenuously that he ran through the family property and checked the course of its fortunes. Two of his brothers indeed, great-uncles of the present Bargeton, went into business again, for which reason you will find the name of Mirault among Bordeaux merchants at this day. The lands of Bargeton, in Angoumois in the barony of Rochefoucauld, being entailed, and the house in Angouleme, called the Hotel Bargeton, likewise, the grandson of M. de Bargeton the Waster came in for these hereditaments; though the year 1789 deprived him of all seignorial rights save to the rents paid by his tenants, which amounted to some ten thousand francs per annum. If his grandsire had but walked in the ways of his illustrious progenitors, Bargeton I. and Bargeton II., Bargeton V. (who may be dubbed Bargeton the Mute by way of distinction) should by rights have been born to the title of Marquis of Bargeton; he would have been connected with some great family or other, and in due time he would have been a duke and a peer of France, like many another; whereas, in 1805, he thought himself uncommonly lucky when he married Mlle. Marie-Louise-Anais de Negrepelisse, the daughter of a noble long relegated to the obscurity of his manor-house, scion though he was of the younger branch of one of the oldest families in the south of France. There had been a Negrepelisse among the hostages of St. Louis. The head of the elder branch, however, had borne the illustrious name of d'Espard since the reign of Henri Quatre, when the Negrepelisse of that day married an heiress of the d'Espard family. As for M. de Negrepelisse, the younger son of a younger son, he lived upon his wife's property, a small estate in the neighborhood of Barbezieux, farming the land to admiration, selling his corn in the market himself, and distilling his own brandy, laughing at those who ridiculed him, so long as he could pile up silver crowns, and now and again round out his estate with another bit of land.
Circumstances unusual enough in out-of-the-way places in the country had inspired Mme. de Bargeton with a taste for music and reading. During the Revolution one Abbe Niollant, the Abbe Roze's best pupil, found a hiding-place in the old manor-house of Escarbas, and brought with him his baggage of musical compositions. The old country gentleman's hospitality was handsomely repaid, for the Abbe undertook his daughter's education. Anais, or Nais, as she was called must otherwise have been left to herself, or, worse still, to some coarse-minded servant-maid. The Abbe was not only a musician, he was well and widely read, and knew both Italian and German; so Mlle. de Negrepelise received instruction in those tongues, as well as in counterpoint. He explained the great masterpieces of the French, German, and Italian literatures, and deciphered with her the music of the great composers. Finally, as time hung heavy on his hands in the seclusion enforced by political storms, he taught his pupil Latin and Greek and some smatterings of natural science. A mother might have modified the effects of a man's education upon a young girl, whose independent spirit had been fostered in the first place by a country life. The Abbe Niollant, an enthusiast and a poet, possessed the artistic temperament in a peculiarly high degree, a temperament compatible with many estimable qualities, but prone to raise itself above bourgeois prejudices by the liberty of its judgments and breadth of view. In society an intellect of this order wins pardon for its boldness by its depth and originality; but in private life it would seem to do positive mischief, by suggesting wanderings from the beaten track. The Abbe was by no means wanting in goodness of heart, and his ideas were therefore the more contagious for this high-spirited girl, in whom they were confirmed by a lonely life. The Abbe Niollant's pupil learned to be fearless in criticism and ready in judgement; it never occurred to her tutor that qualities so necessary in a man are disadvantages in a woman destined for the homely life of a house-mother. And though the Abbe constantly impressed it upon his pupil that it behoved her to be the more modest and gracious with the extent of her attainments, Mlle. de Negrepelisse conceived an excellent opinion of herself and a robust contempt for ordinary humanity. All those about her were her inferiors, or persons who hastened to do her bidding, till she grew to be as haughty as a great lady, with none of the charming blandness and urbanity of a great lady. The instincts of vanity were flattered by the pride that the poor Abbe took in his pupil, the pride of an author who sees himself in his work, and for her misfortune she met no one with whom she could measure herself. Isolation is one of the greatest drawbacks of a country life. We lose the habit of putting ourselves to any inconvenience for the sake of others when there is no one for whom to make the trifling sacrifices of personal effort required by dress and manner. And everything in us shares in the change for the worse; the form and the spirit deteriorate together.
With no social intercourse to compel self-repression, Mlle. de Negrepelisse's bold ideas passed into her manner and the expression of her face. There was a cavalier air about her, a something that seems at first original, but only suited to women of adventurous life. So this education, and the consequent asperities of character, which would have been softened down in a higher social sphere, could only serve to make her ridiculous at Angouleme so soon as her adorers should cease to worship eccentricities that charm only in youth.
As for M. de Negrepelisse, he would have given all his daughter's books to save the life of a sick bullock; and so miserly was he, that he would not have given her two farthings over and above the allowance to which she had a right, even if it had been a question of some indispensable trifle for her education.
In 1802 the Abbe died, before the marriage of his dear child, a marriage which he, doubtless, would never have advised. The old father found his daughter a great care now that the Abbe was gone. The high-spirited girl, with nothing else to do, was sure to break into rebellion against his niggardliness, and he felt quite unequal to the struggle. Like all young women who leave the appointed track of woman's life, Nais had her own opinions about marriage, and had no great inclination thereto. She shrank from submitting herself, body and soul, to the feeble, undignified specimens of mankind whom she had chanced to meet. She wished to rule, marriage meant obedience; and between obedience to coarse caprices and a mind without indulgence for her tastes, and flight with a lover who should please her, she would not have hesitated for a moment.
M. de Negrepelisse maintained sufficient of the tradition of birth to dread a mesalliance. Like many another parent, he resolved to marry his daughter, not so much on her account as for his own peace of mind. A noble or a country gentleman was the man for him, somebody not too clever, incapable of haggling over the account of the trust; stupid enough and easy enough to allow Nais to have her own way, and disinterested enough to take her without a dowry. But where to look for a son-in-law to suit father and daughter equally well, was the problem. Such a man would be the phoenix of sons-in-law.
To M. de Negrepelisse pondering over the eligible bachelors of the province with these double requirements in his mind. M. de Bargeton seemed to be the only one who answered to this description. M. de Bargeton, aged forty, considerably shattered by the amorous dissipations of his youth, was generally held to be a man of remarkably feeble intellect; but he had just the exact amount of commonsense required for the management of his fortune, and breeding sufficient to enable him to avoid blunders or blatant follies in society in Angouleme. In the bluntest manner M. de Negrepelisse pointed out the negative virtues of the model husband designed for his daughter, and made her see the way to manage him so as to secure her own happiness. So Nais married the bearer of arms, two hundred years old already, for the Bargeton arms are blazoned thus: the first or, three attires gules; the second, three ox's heads cabossed, two and one, sable; the third, barry of six, azure and argent, in the first, six shells or, three, two, and one. Provided with a chaperon, Nais could steer her fortunes as she chose under the style of the firm, and with the help of such connections as her wit and beauty would obtain for her in Paris. Nais was enchanted by the prospect of such liberty. M. de Bargeton was of the opinion that he was making a brilliant marriage, for he expected that in no long while M. de Negrepelisse would leave him the estates which he was rounding out so lovingly; but to an unprejudiced spectator it certainly seemed as though the duty of writing the bridegroom's epitaph might devolve upon his father-in-law.
By this time Mme. de Bargeton was thirty-six years old and her husband fifty-eight. The disparity in age was the more startling since M. de Bargeton looked like a man of seventy, whereas his wife looked scarcely half her age. She could still wear rose-color, and her hair hanging loose upon her shoulders. Although their income did not exceed twelve thousand francs, they ranked among the half-dozen largest fortunes in the old city, merchants and officials excepted; for M. and Mme. de Bargeton were obliged to live in Angouleme until such time as Mme. de Bargeton's inheritance should fall in and they could go to Paris. Meanwhile they were bound to be attentive to old M. de Negrepelisse (who kept them waiting so long that his son-in-law in fact predeceased him), and Nais' brilliant intellectual gifts, and the wealth that lay like undiscovered ore in her nature, profited her nothing, underwent the transforming operation of Time and changed to absurdities. For our absurdities spring, in fact, for the most part, from the good in us, from some faculty or quality abnormally developed. Pride, untempered by intercourse with the great world becomes stiff and starched by contact with petty things; in a loftier moral atmosphere it would have grown to noble magnanimity. Enthusiasm, that virtue within a virtue, forming the saint, inspiring the devotion hidden from all eyes and glowing out upon the world in verse, turns to exaggeration, with the trifles of a narrow existence for its object. Far away from the centres of light shed by great minds, where the air is quick with thought, knowledge stands still, taste is corrupted like stagnant water, and passion dwindles, frittered away upon the infinitely small objects which it strives to exalt. Herein lies the secret of the avarice and tittle-tattle that poison provincial life. The contagion of narrow-mindedness and meanness affects the noblest natures; and in such ways as these, men born to be great, and women who would have been charming if they had fallen under the forming influence of greater minds, are balked of their lives.
Here was Mme. de Bargeton, for instance, smiting the lyre for every trifle, and publishing her emotions indiscriminately to her circle. As a matter of fact, when sensations appeal to an audience of one, it is better to keep them to ourselves. A sunset certainly is a glorious poem; but if a woman describes it, in high-sounding words, for the benefit of matter-of-fact people, is she not ridiculous? There are pleasures which can only be felt to the full when two souls meet, poet and poet, heart and heart. She had a trick of using high-sounding phrases, interlarded with exaggerated expressions, the kind of stuff ingeniously nicknamed tartines by the French journalist, who furnishes a daily supply of the commodity for a public that daily performs the difficult feat of swallowing it. She squandered superlatives recklessly in her talk, and the smallest things took giant proportions. It was at this period of her career that she began to type-ize, individualize, synthesize, dramatize, superiorize, analyze, poetize, angelize, neologize, tragedify, prosify, and colossify—you must violate the laws of language to find words to express the new-fangled whimsies in which even women here and there indulge. The heat of her language communicated itself to the brain, and the dithyrambs on her lips were spoken out of the abundance of her heart. She palpitated, swooned, and went into ecstasies over anything and everything, over the devotion of a sister of Charity, and the execution of the brothers Fauchet, over M. d'Arlincourt's Ipsiboe, Lewis' Anaconda, or the escape of La Valette, or the presence of mind of a lady friend who put burglars to flight by imitating a man's voice. Everything was heroic, extraordinary, strange, wonderful, and divine. She would work herself into a state of excitement, indignation, or depression; she soared to heaven, and sank again, gazed at the sky, or looked to earth; her eyes were always filled with tears. She wore herself out with chronic admiration, and wasted her strength on curious dislikes. Her mind ran on the Pasha of Janina; she would have liked to try conclusions with him in his seraglio, and had a great notion of being sewn in a sack and thrown into the water. She envied that blue-stocking of the desert, Lady Hester Stanhope; she longed to be a sister of Saint Camilla and tend the sick and die of yellow fever in a hospital at Barcelona; 'twas a high, a noble destiny! In short, she thirsted for any draught but the clear spring water of her own life, flowing hidden among green pastures. She adored Byron and Jean-Jacques Rousseau, or anybody else with a picturesque or dramatic career. Her tears were ready to flow for every misfortune; she sang paeans for every victory. She sympathized with the fallen Napoleon, and with Mehemet Ali, massacring the foreign usurpers of Egypt. In short, any kind of genius was accommodated with an aureole, and she was fully persuaded that gifted immortals lived on incense and light.
A good many people looked upon her as a harmless lunatic, but in these extravagances of hers a keener observer surely would have seen the broken fragments of a magnificent edifice that had crumbled into ruin before it was completed, the stones of a heavenly Jerusalem—love, in short, without a lover. And this was indeed the fact.
The story of the first eighteen years of Mme. de Bargeton's married life can be summed up in a few words. For a long while she lived upon herself and distant hopes. Then, when she began to see that their narrow income put the longed-for life in Paris quite out of the question, she looked about her at the people with whom her life must be spent, and shuddered at her loneliness. There was not a single man who could inspire the madness to which women are prone when they despair of a life become stale and unprofitable in the present, and with no outlook for the future. She had nothing to look for, nothing to expect from chance, for there are lives in which chance plays no part. But when the Empire was in the full noonday of glory, and Napoleon was sending the flower of his troops to the Peninsula, her disappointed hopes revived. Natural curiosity prompted her to make an effort to see the heroes who were conquering Europe in obedience to a word from the Emperor in the order of the day; the heroes of a modern time who outdid the mythical feats of paladins of old. The cities of France, however avaricious or refractory, must perforce do honor to the Imperial Guard, and mayors and prefects went out to meet them with set speeches as if the conquerors had been crowned kings. Mme. de Bargeton went to a ridotto given to the town by a regiment, and fell in love with an officer of a good family, a sub-lieutenant, to whom the crafty Napoleon had given a glimpse of the baton of a Marshal of France. Love, restrained, greater and nobler than the ties that were made and unmade so easily in those days, was consecrated coldly by the hands of death. On the battlefield of Wagram a shell shattered the only record of Mme. de Bargeton's young beauty, a portrait worn on the heart of the Marquis of Cante-Croix. For long afterwards she wept for the young soldier, the colonel in his second campaign, for the heart hot with love and glory that set a letter from Nais above Imperial favor. The pain of those days cast a veil of sadness over her face, a shadow that only vanished at the terrible age when a woman first discovers with dismay that the best years of her life are over, and she has had no joy of them; when she sees her roses wither, and the longing for love is revived again with the desire to linger yet for a little on the last smiles of youth. Her nobler qualities dealt so many wounds to her soul at the moment when the cold of the provinces seized upon her. She would have died of grief like the ermine if by chance she had been sullied by contact with those men whose thoughts are bent on winning a few sous nightly at cards after a good dinner; pride saved her from the shabby love intrigues of the provinces. A woman so much above the level of those about her, forced to decide between the emptiness of the men whom she meets and the emptiness of her own life, can make but one choice; marriage and society became a cloister for Anais. She lived by poetry as the Carmelite lives by religion. All the famous foreign books published in France for the first time between 1815 and 1821, the great essayists, M. de Bonald and M. de Maistre (those two eagles of thought)—all the lighter French literature, in short, that appeared during that sudden outburst of first vigorous growth might bring delight into her solitary life, but not flexibility of mind or body. She stood strong and straight like some forest tree, lightning-blasted but still erect. Her dignity became a stilted manner, her social supremacy led her into affectation and sentimental over-refinements; she queened it with her foibles, after the usual fashion of those who allow their courtiers to adore them.