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My Reminiscences
by Rabindranath Tagore
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Transcriber's Note: Obvious typographical errors have been corrected in this text. For a complete list, please see the bottom of this document. Letters with macrons are represented as ā.

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MY REMINISCENCES

BY

SIR RABINDRANATH TAGORE

WITH FRONTISPIECE FROM THE PORTRAIT IN COLORS BY SASI KUMAR HESH

New York

THE MACMILLAN COMPANY

1917

All rights reserved

COPYRIGHT, 1916 AND 1917

BY THE MACMILLAN COMPANY

Set up and electrotyped. Published April, 1917.



TRANSLATOR'S PREFACE

These Reminiscences were written and published by the Author in his fiftieth year, shortly before he started on a trip to Europe and America for his failing health in 1912. It was in the course of this trip that he wrote for the first time in the English language for publication.

In these memory pictures, so lightly, even casually presented by the author there is, nevertheless, revealed a connected history of his inner life together with that of the varying literary forms in which his growing self found successive expression, up to the point at which both his soul and poetry attained maturity.

This lightness of manner and importance of matter form a combination the translation of which into a different language is naturally a matter of considerable difficulty. It was, in any case, a task which the present Translator, not being an original writer in the English language, would hardly have ventured to undertake, had there not been other considerations. The translator's familiarity, however, with the persons, scenes, and events herein depicted made it a temptation difficult for him to resist, as well as a responsibility which he did not care to leave to others not possessing these advantages, and therefore more liable to miss a point, or give a wrong impression.

The Translator, moreover, had the author's permission and advice to make a free translation, a portion of which was completed and approved by the latter before he left India on his recent tour to Japan and America.

In regard to the nature of the freedom taken for the purposes of the translation, it may be mentioned that those suggestions which might not have been as clear to the foreign as to the Bengali reader have been brought out in a slightly more elaborate manner than in the original text; while again, in rare cases, others which depend on allusions entirely unfamiliar to the non-Indian reader, have been omitted rather than spoil by an over-elaboration the simplicity and naturalness which is the great feature of the original.

There are no footnotes in the original. All the footnotes here given have been added by the Translator in the hope that they may be of further assistance to the foreign reader.



CONTENTS

PAGE

Translator's Preface v

PART I

1. 1

2. Teaching Begins 3

3. Within and Without 8

PART II

4. Servocracy 25

5. The Normal School 30

6. Versification 35

7. Various Learning 38

8. My First Outing 44

9. Practising Poetry 48

PART III

10. Srikantha Babu 53

11. Our Bengali Course Ends 57

12. The Professor 60

13. My Father 67

14. A Journey with my Father 76

15. At the Himalayas 89

PART IV

16. My Return 101

17. Home Studies 111

18. My Home Environment 116

19. Literary Companions 125

20. Publishing 133

21. Bhanu Singha 135

22. Patriotism 138

23. The Bharati 147

PART V

24. Ahmedabad 155

25. England 157

26. Loken Palit 175

27. The Broken Heart 177

PART VI

28. European Music 189

29. Valmiki Pratibha 192

30. Evening Songs 199

31. An Essay on Music 203

32. The River-side 207

33. More About the Evening Songs 210

34. Morning Songs 214

PART VII

35. Rajendrahal Mitra 231

36. Karwar 235

37. Nature's Revenge 238

38. Pictures and Songs 241

39. An Intervening Period 244

40. Bankim Chandra 247

PART VIII

41. The Steamer Hulk 255

42. Bereavements 257

43. The Rains and Autumn 264

44. Sharps and Flats 267



LIST OF ILLUSTRATIONS

Rabindranath Tagore from the Portrait by S. K. Hesh Frontispiece

Facing Page

Tagore in 1877 6

The Inner Garden Was My Paradise 14

The Ganges 54

Satya 64

Singing to My Father 82

The Himalayas 94

The Servant-Maids in the Verandah 106

My Eldest Brother 120

Moonlight 180

The Ganges Again 208

Karwar Beach 236

My Brother Jyotirindra 256



PART I



MY REMINISCENCES

(1)

I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. He makes many a big thing small and small thing big. He has no compunction in putting into the background that which was to the fore, or bringing to the front that which was behind. In short he is painting pictures, and not writing history.

Thus, over Life's outward aspect passes the series of events, and within is being painted a set of pictures. The two correspond but are not one.

We do not get the leisure to view thoroughly this studio within us. Portions of it now and then catch our eye, but the greater part remains out of sight in the darkness. Why the ever-busy painter is painting; when he will have done; for what gallery his pictures are destined—who can tell?

Some years ago, on being questioned as to the events of my past life, I had occasion to pry into this picture-chamber. I had thought to be content with selecting some few materials for my Life's story. I then discovered, as I opened the door, that Life's memories are not Life's history, but the original work of an unseen Artist. The variegated colours scattered about are not reflections of outside lights, but belong to the painter himself, and come passion-tinged from his heart; thereby unfitting the record on the canvas for use as evidence in a court of law.

But though the attempt to gather precise history from memory's storehouse may be fruitless, there is a fascination in looking over the pictures, a fascination which cast its spell on me.

The road over which we journey, the wayside shelter in which we pause, are not pictures while yet we travel—they are too necessary, too obvious. When, however, before turning into the evening resthouse, we look back upon the cities, fields, rivers and hills which we have been through in Life's morning, then, in the light of the passing day, are they pictures indeed. Thus, when my opportunity came, did I look back, and was engrossed.

Was this interest aroused within me solely by a natural affection for my own past? Some personal feeling, of course, there must have been, but the pictures had also an independent artistic value of their own. There is no event in my reminiscences worthy of being preserved for all time. But the quality of the subject is not the only justification for a record. What one has truly felt, if only it can be made sensible to others, is always of importance to one's fellow men. If pictures which have taken shape in memory can be brought out in words, they are worth a place in literature.

It is as literary material that I offer my memory pictures. To take them as an attempt at autobiography would be a mistake. In such a view these reminiscences would appear useless as well as incomplete.



(2) Teaching Begins

We three boys were being brought up together. Both my companions were two years older than I. When they were placed under their tutor, my teaching also began, but of what I learnt nothing remains in my memory.

What constantly recurs to me is "The rain patters, the leaf quivers."[1] I am just come to anchor after crossing the stormy region of the kara, khala[2] series; and I am reading "The rain patters, the leaf quivers," for me the first poem of the Arch Poet. Whenever the joy of that day comes back to me, even now, I realise why rhyme is so needful in poetry. Because of it the words come to an end, and yet end not; the utterance is over, but not its ring; and the ear and the mind can go on and on with their game of tossing the rhyme to each other. Thus did the rain patter and the leaves quiver again and again, the live-long day in my consciousness.

Another episode of this period of my early boyhood is held fast in my mind.

We had an old cashier, Kailash by name, who was like one of the family. He was a great wit, and would be constantly cracking jokes with everybody, old and young; recently married sons-in-law, new comers into the family circle, being his special butts. There was room for the suspicion that his humour had not deserted him even after death. Once my elders were engaged in an attempt to start a postal service with the other world by means of a planchette. At one of the sittings the pencil scrawled out the name of Kailash. He was asked as to the sort of life one led where he was. Not a bit of it, was the reply. "Why should you get so cheap what I had to die to learn?"

This Kailash used to rattle off for my special delectation a doggerel ballad of his own composition. The hero was myself and there was a glowing anticipation of the arrival of a heroine. And as I listened my interest would wax intense at the picture of this world-charming bride illuminating the lap of the future in which she sat enthroned. The list of the jewellery with which she was bedecked from head to foot, and the unheard of splendour of the preparations for the bridal, might have turned older and wiser heads; but what moved the boy, and set wonderful joy pictures flitting before his vision, was the rapid jingle of the frequent rhymes and the swing of the rhythm.

These two literary delights still linger in my memory—and there is the other, the infants' classic: "The rain falls pit-a-pat, the tide comes up the river."

The next thing I remember is the beginning of my school-life. One day I saw my elder brother, and my sister's son Satya, also a little older than myself, starting off to school, leaving me behind, accounted unfit. I had never before ridden in a carriage nor even been out of the house. So when Satya came back, full of unduly glowing accounts of his adventures on the way, I felt I simply could not stay at home. Our tutor tried to dispel my illusion with sound advice and a resounding slap: "You're crying to go to school now, you'll have to cry a lot more to be let off later on." I have no recollection of the name, features or disposition of this tutor of ours, but the impression of his weighty advice and weightier hand has not yet faded. Never in my life have I heard a truer prophecy.

My crying drove me prematurely into the Oriental Seminary. What I learnt there I have no idea, but one of its methods of punishment I still bear in mind. The boy who was unable to repeat his lessons was made to stand on a bench with arms extended, and on his upturned palms were piled a number of slates. It is for psychologists to debate how far this method is likely to conduce to a better grasp of things. I thus began my schooling at an extremely tender age.

My initiation into literature had its origin, at the same time, in the books which were in vogue in the servants' quarters. Chief among these were a Bengali translation of Chanakya's aphorisms, and the Ramayana of Krittivasa.

A picture of one day's reading of the Ramayana comes clearly back to me.



The day was a cloudy one. I was playing about in the long verandah[3] overlooking the road. All of a sudden Satya, for some reason I do not remember, wanted to frighten me by shouting, "Policeman! Policeman!" My ideas of the duties of policemen were of an extremely vague description. One thing I was certain about, that a person charged with crime once placed in a policeman's hands would, as sure as the wretch caught in a crocodile's serrated grip, go under and be seen no more. Not knowing how an innocent boy could escape this relentless penal code, I bolted towards the inner apartments, with shudders running down my back for blind fear of pursuing policemen. I broke to my mother the news of my impending doom, but it did not seem to disturb her much. However, not deeming it safe to venture out again, I sat down on the sill of my mother's door to read the dog-eared Ramayana, with a marbled paper cover, which belonged to her old aunt. Alongside stretched the verandah running round the four sides of the open inner quadrangle, on which had fallen the faint afternoon glow of the clouded sky, and finding me weeping over one of its sorrowful situations my great-aunt came and took away the book from me.



(3) Within and Without

Luxury was a thing almost unknown in the days of my infancy. The standard of living was then, as a whole, much more simple than it is now. Apart from that, the children of our household were entirely free from the fuss of being too much looked after. The fact is that, while the process of looking after may be an occasional treat for the guardians, to the children it is always an unmitigated nuisance.

We used to be under the rule of the servants. To save themselves trouble they had almost suppressed our right of free movement. But the freedom of not being petted made up even for the harshness of this bondage, for our minds were left clear of the toils of constant coddling, pampering and dressing-up.

Our food had nothing to do with delicacies. A list of our articles of clothing would only invite the modern boy's scorn. On no pretext did we wear socks or shoes till we had passed our tenth year. In the cold weather a second cotton tunic over the first one sufficed. It never entered our heads to consider ourselves ill-off for that reason. It was only when old Niyamat, the tailor, would forget to put a pocket into one of our tunics that we complained, for no boy has yet been born so poor as not to have the wherewithal to stuff his pockets; nor, by a merciful dispensation of providence, is there much difference between the wealth of boys of rich and of poor parentage. We used to have a pair of slippers each, but not always where we had our feet. Our habit of kicking the slippers on ahead, and catching them up again, made them work none the less hard, through effectually defeating at every step the reason of their being.

Our elders were in every way at a great distance from us, in their dress and food, living and doing, conversation and amusement. We caught glimpses of these, but they were beyond our reach. Elders have become cheap to modern children; they are too readily accessible, and so are all objects of desire. Nothing ever came so easily to us. Many a trivial thing was for us a rarity, and we lived mostly in the hope of attaining, when we were old enough, the things which the distant future held in trust for us. The result was that what little we did get we enjoyed to the utmost; from skin to core nothing was thrown away. The modern child of a well-to-do family nibbles at only half the things he gets; the greater part of his world is wasted on him.

Our days were spent in the servants' quarters in the south-east corner of the outer apartments. One of our servants was Shyam, a dark chubby boy with curly locks, hailing from the District of Khulna. He would put me into a selected spot and, tracing a chalk line all round, warn me with solemn face and uplifted finger of the perils of transgressing this ring. Whether the threatened danger was material or spiritual I never fully understood, but a great fear used to possess me. I had read in the Ramayana of the tribulations of Sita for having left the ring drawn by Lakshman, so it was not possible for me to be sceptical of its potency.

Just below the window of this room was a tank with a flight of masonry steps leading down into the water; on its west bank, along the garden wall, an immense banyan tree; to the south a fringe of cocoanut palms. Ringed round as I was near this window I would spend the whole day peering through the drawn Venetian shutters, gazing and gazing on this scene as on a picture book. From early morning our neighbours would drop in one by one to have their bath. I knew the time for each one to arrive. I was familiar with the peculiarities of each one's toilet. One would stop up his ears with his fingers as he took his regulation number of dips, after which he would depart. Another would not venture on a complete immersion but be content with only squeezing his wet towel repeatedly over his head. A third would carefully drive the surface impurities away from him with a rapid play of his arms, and then on a sudden impulse take his plunge. There was one who jumped in from the top steps without any preliminaries at all. Another would walk slowly in, step by step, muttering his morning prayers the while. One was always in a hurry, hastening home as soon as he was through with his dip. Another was in no sort of hurry at all, taking his bath leisurely, followed with a good rub-down, and a change from wet bathing clothes into clean ones, including a careful adjustment of the folds of his waist cloth, ending with a turn or two in the outer[4] garden, and the gathering of flowers, with which he would finally saunter slowly homewards, radiating the cool comfort of his refreshed body, as he went. This would go on till it was past noon. Then the bathing places would be deserted and become silent. Only the ducks remained, paddling about after water snails, or busy preening their feathers, the live-long day.

When solitude thus reigned over the water, my whole attention would be drawn to the shadows under the banyan tree. Some of its aerial roots, creeping down along its trunk, had formed a dark complication of coils at its base. It seemed as if into this mysterious region the laws of the universe had not found entrance; as if some old-world dream-land had escaped the divine vigilance and lingered on into the light of modern day. Whom I used to see there, and what those beings did, it is not possible to express in intelligible language. It was about this banyan tree that I wrote later:

With tangled roots hanging down from your branches, O ancient banyan tree, You stand still day and night, like an ascetic at his penances, Do you ever remember the child whose fancy played with your shadows?

Alas! that banyan tree is no more, nor the piece of water which served to mirror the majestic forest-lord! Many of those who used to bathe there have also followed into oblivion the shade of the banyan tree. And that boy, grown older, is counting the alternations of light and darkness which penetrate the complexities with which the roots he has thrown off on all sides have encircled him.

Going out of the house was forbidden to us, in fact we had not even the freedom of all its parts. We perforce took our peeps at nature from behind the barriers. Beyond my reach there was this limitless thing called the Outside, of which flashes and sounds and scents used momentarily to come and touch me through its interstices. It seemed to want to play with me through the bars with so many gestures. But it was free and I was bound—there was no way of meeting. So the attraction was all the stronger. The chalk line has been wiped away to-day, but the confining ring is still there. The distant is just as distant, the outside is still beyond me; and I am reminded of the poem I wrote when I was older:

The tame bird was in a cage, the free bird was in the forest, They met when the time came, it was a decree of fate. The free bird cries, "O my love, let us fly to wood." The cage bird whispers, "Come hither, let us both live in the cage." Says the free bird, "Among bars, where is there room to spread one's wings?" "Alas," cries the cage bird, "I should not know where to sit perched in the sky."

The parapets of our terraced roofs were higher than my head. When I had grown taller; when the tyranny of the servants had relaxed; when, with the coming of a newly married bride into the house, I had achieved some recognition as a companion of her leisure, then did I sometimes come up to the terrace in the middle of the day. By that time everybody in the house would have finished their meal; there would be an interval in the business of the household; over the inner apartments would rest the quiet of the midday siesta; the wet bathing clothes would be hanging over the parapets to dry; the crows would be picking at the leavings thrown on the refuse heap at the corner of the yard; in the solitude of that interval the caged bird would, through the gaps in the parapet, commune bill to bill with the free bird!



I would stand and gaze.... My glance first falls on the row of cocoanut trees on the further edge of our inner garden. Through these are seen the "Singhi's Garden" with its cluster of huts[5] and tank, and on the edge of the tank the dairy of our milkwoman, Tara; still further on, mixed up with the tree-tops, the various shapes and different heights of the terraced roofs of Calcutta, flashing back the blazing whiteness of the midday sun, stretch right away into the grayish blue of the eastern horizon. And some of these far distant dwellings from which stand forth their roofed stair-ways leading up to the terrace, look as if with uplifted finger and a wink they are hinting to me of the mysteries of their interiors. Like the beggar at the palace door who imagines impossible treasures to be held in the strong rooms closed to him, I can hardly tell of the wealth of play and freedom which these unknown dwellings seem to me crowded with. From the furthest depth of the sky full of burning sunshine overhead the thin shrill cry of a kite reaches my ear; and from the lane adjoining Singhi's Garden comes up, past the houses silent in their noonday slumber, the sing-song of the bangle-seller—chai choori chai ... and my whole being would fly away from the work-a-day world.

My father hardly ever stayed at home, he was constantly roaming about. His rooms on the third storey used to remain shut up. I would pass my hands through the venetian shutters, and thus opening the latch get the door open, and spend the afternoon lying motionless on his sofa at the south end. First of all it was a room always closed, and then there was the stolen entry, this gave it a deep flavour of mystery; further the broad empty expanse of terrace to the south, glowing in the rays of the sun would set me day-dreaming.

There was yet another attraction. The water-works had just been started in Calcutta, and in the first exuberance of its triumphant entry it did not stint even the Indian quarters of their supply. In that golden age of pipe water, it used to flow even up to my father's third storey rooms. And turning on the shower tap I would indulge to my heart's content in an untimely bath. Not so much for the comfort of it, as to give rein to my desire to do just as I fancied. The alternation of the joy of liberty, and the fear of being caught, made that shower of municipal water send arrows of delight thrilling into me.

It was perhaps because the possibility of contact with the outside was so remote that the joy of it came to me so much more readily. When material is in profusion, the mind gets lazy and leaves everything to it, forgetting that for a successful feast of joy its internal equipment counts for more than the external. This is the chief lesson which his infant state has to teach to man. There his possessions are few and trivial, yet he needs no more for his happiness. The world of play is spoilt for the unfortunate youngster who is burdened with an unlimited quantity of playthings.

To call our inner garden a garden is to say a deal too much. Its properties consisted of a citron tree, a couple of plum trees of different varieties, and a row of cocoanut trees. In the centre was a paved circle the cracks of which various grasses and weeds had invaded and planted in them their victorious standards. Only those flowering plants which refused to die of neglect continued uncomplainingly to perform their respective duties without casting any aspersions on the gardener. In the northern corner was a rice-husking shed, where the inmates of the inner apartments would occasionally foregather when household necessity demanded. This last vestige of rural life has since owned defeat and slunk away ashamed and unnoticed.

None the less I suspect that Adam's garden of Eden could hardly have been better adorned than this one of ours; for he and his paradise were alike naked; they needed not to be furnished with material things. It is only since his tasting of the fruit of the tree of knowledge, and till he can fully digest it, that man's need for external furniture and embellishment persistently grows. Our inner garden was my paradise; it was enough for me. I well remember how in the early autumn dawn I would run there as soon as I was awake. A scent of dewy grass and foliage would rush to meet me, and the morning with its cool fresh sunlight would peep out at me over the top of the Eastern garden wall from below the trembling tassels of the cocoanut palms.

There is another piece of vacant land to the north of the house which to this day we call the golabari (barn house). The name shows that in some remote past this must have been the place where the year's store of grain used to be kept in a barn. Then, as with brother and sister in infancy, the likeness between town and country was visible all over. Now the family resemblance can hardly be traced. This golabari would be my holiday haunt if I got the chance. It would hardly be correct to say that I went there to play—it was the place not play, which drew me. Why this was so, is difficult to tell. Perhaps its being a deserted bit of waste land lying in an out-of-the-way corner gave it its charm for me. It was entirely outside the living quarters and bore no stamp of usefulness; moreover it was as unadorned as it was useless, for no one had ever planted anything there; it was doubtless for these reasons that this desert spot offered no resistance to the free play of the boy's imagination. Whenever I got any loop-hole to evade the vigilance of my warders and could contrive to reach the golabari I felt I had a holiday indeed.

There was yet another place in our house which I have even yet not succeeded in finding out. A little girl playmate of my own age called this the "King's palace."[6] "I have just been there," she would sometimes tell me. But somehow the propitious moment never turned up when she could take me along with her. That was a wonderful place, and its playthings were as wonderful as the games that were played there. It seemed to me it must be somewhere very near—perhaps in the first or second storey; the only thing was one never seemed to be able to get there. How often have I asked my companion, "Only tell me, is it really inside the house or outside?" And she would always reply, "No, no, it's in this very house." I would sit and wonder: "Where then can it be? Don't I know all the rooms of the house?" Who the king might be I never cared to inquire; where his palace is still remains undiscovered; this much was clear—the king's palace was within our house.

Looking back on childhood's days the thing that recurs most often is the mystery which used to fill both life and world. Something undreamt of was lurking everywhere and the uppermost question every day was: when, Oh! when would we come across it? It was as if nature held something in her closed hands and was smilingly asking us: "What d'you think I have?" What was impossible for her to have was the thing we had no idea of.

Well do I remember the custard apple seed which I had planted and kept in a corner of the south verandah, and used to water every day. The thought that the seed might possibly grow into a tree kept me in a great state of fluttering wonder. Custard apple seeds still have the habit of sprouting, but no longer to the accompaniment of that feeling of wonder. The fault is not in the custard apple but in the mind. We had once stolen some rocks from an elder cousin's rockery and started a little rockery of our own. The plants which we sowed in its interstices were cared for so excessively that it was only because of their vegetable nature that they managed to put up with it till their untimely death. Words cannot recount the endless joy and wonder which this miniature mountain-top held for us. We had no doubt that this creation of ours would be a wonderful thing to our elders also. The day that we sought to put this to the proof, however, the hillock in the corner of our room, with all its rocks, and all its vegetation, vanished. The knowledge that the schoolroom floor was not a proper foundation for the erection of a mountain was imparted so rudely, and with such suddenness, that it gave us a considerable shock. The weight of stone of which the floor was relieved settled on our minds when we realised the gulf between our fancies and the will of our elders.

How intimately did the life of the world throb for us in those days! Earth, water, foliage and sky, they all spoke to us and would not be disregarded. How often were we struck by the poignant regret that we could only see the upper storey of the earth and knew nothing of its inner storey. All our planning was as to how we could pry beneath its dust-coloured cover. If, thought we, we could drive in bamboo after bamboo, one over the other, we might perhaps get into some sort of touch with its inmost depths.

During the Magh festival a series of wooden pillars used to be planted round the outer courtyard for supporting the chandeliers. Digging holes for these would begin on the first of Magh. The preparations for festivity are ever interesting to young folk. But this digging had a special attraction for me. Though I had watched it done year after year—and seen the hole grow bigger and bigger till the digger had completely disappeared inside, and yet nothing extraordinary, nothing worthy of the quest of prince or knight, had ever appeared—yet every time I had the feeling that the lid being lifted off a chest of mystery. I felt that a little bit more digging would do it. Year after year passed, but that bit never got done. There was a pull at the curtain but it was not drawn. The elders, thought I, can do whatever they please, why do they rest content with such shallow delving? If we young folk had the ordering of it, the inmost mystery of the earth would no longer be allowed to remain smothered in its dust covering.

And the thought that behind every part of the vault of blue reposed the mysteries of the sky would also spur our imaginings. When our Pundit, in illustration of some lesson in our Bengali science primer, told us that the blue sphere was not an enclosure, how thunderstruck we were! "Put ladder upon ladder," said he, "and go on mounting away, but you will never bump your head." He must be sparing of his ladders, I opined, and questioned with a rising inflection, "And what if we put more ladders, and more, and more?" When I realised that it was fruitless multiplying ladders I remained dumbfounded pondering over the matter. Surely, I concluded, such an astounding piece of news must be known only to those who are the world's schoolmasters!



PART II



(4) Servocracy

In the history of India the regime of the Slave Dynasty was not a happy one. In going back to the reign of the servants in my own life's history I can find nothing glorious or cheerful touching the period. There were frequent changes of king, but never a variation in the code of restraints and punishments with which we were afflicted. We, however, had no opportunity at the time for philosophising on the subject; our backs bore as best they could the blows which befell them: and we accepted as one of the laws of the universe that it is for the Big to hurt and for the Small to be hurt. It has taken me a long time to learn the opposite truth that it is the Big who suffer and the Small who cause suffering.

The quarry does not view virtue and vice from the standpoint of the hunter. That is why the alert bird, whose cry warns its fellows before the shot has sped, gets abused as vicious. We howled when we were beaten, which our chastisers did not consider good manners; it was in fact counted sedition against the servocracy. I cannot forget how, in order effectively to suppress such sedition, our heads used to be crammed into the huge water jars then in use; distasteful, doubtless, was this outcry to those who caused it; moreover, it was likely to have unpleasant consequences.

I now sometimes wonder why such cruel treatment was meted out to us by the servants. I cannot admit that there was on the whole anything in our behaviour or demeanour to have put us beyond the pale of human kindness. The real reason must have been that the whole of our burden was thrown on the servants, and the whole burden is a thing difficult to bear even for those who are nearest and dearest. If children are only allowed to be children, to run and play about and satisfy their curiosity, it becomes quite simple. Insoluble problems are only created if you try to confine them inside, keep them still or hamper their play. Then does the burden of the child, so lightly borne by its own childishness, fall heavily on the guardian—like that of the horse in the fable which was carried instead of being allowed to trot on its own legs: and though money procured bearers even for such a burden it could not prevent them taking it out of the unlucky beast at every step.

Of most of these tyrants of our childhood I remember only their cuffings and boxings, and nothing more. Only one personality stands out in my memory.

His name was Iswar. He had been a village schoolmaster before. He was a prim, proper and sedately dignified personage. The Earth seemed too earthy for him, with too little water to keep it sufficiently clean; so that he had to be in a constant state of warfare with its chronic soiled state. He would shoot his water-pot into the tank with a lightning movement so as to get his supply from an uncontaminated depth. It was he who, when bathing in the tank, would be continually thrusting away the surface impurities till he took a sudden plunge expecting, as it were, to catch the water unawares. When walking his right arm stood out at an angle from his body, as if, so it seemed to us, he could not trust the cleanliness even of his own garments. His whole bearing had the appearance of an effort to keep clear of the imperfections which, through unguarded avenues, find entrance into earth, water and air, and into the ways of men. Unfathomable was the depth of his gravity. With head slightly tilted he would mince his carefully selected words in a deep voice. His literary diction would give food for merriment to our elders behind his back, some of his high-flown phrases finding a permanent place in our family repertoire of witticisms. But I doubt whether the expressions he used would sound as remarkable to-day; showing how the literary and spoken languages, which used to be as sky from earth asunder, are now coming nearer each other.

This erstwhile schoolmaster had discovered a way of keeping us quiet in the evenings. Every evening he would gather us round the cracked castor-oil lamp and read out to us stories from the Ramayana and Mahabharata. Some of the other servants would also come and join the audience. The lamp would be throwing huge shadows right up to the beams of the roof, the little house lizards catching insects on the walls, the bats doing a mad dervish dance round and round the verandahs outside, and we listening in silent open-mouthed wonder.

I still remember, on the evening we came to the story of Kusha and Lava, and those two valiant lads were threatening to humble to the dust the renown of their father and uncles, how the tense silence of that dimly lighted room was bursting with eager anticipation. It was getting late, our prescribed period of wakefulness was drawing to a close, and yet the denouement was far off.

At this critical juncture my father's old follower Kishori came to the rescue, and finished the episode for us, at express speed, to the quickstep of Dasuraya's jingling verses. The impression of the soft slow chant of Krittivasa's[7] fourteen-syllabled measure was swept clean away and we were left overwhelmed by a flood of rhymes and alliterations.

On some occasions these readings would give rise to shastric discussions, which would at length be settled by the depth of Iswar's wise pronouncements. Though, as one of the children's servants, his rank in our domestic society was below that of many, yet, as with old Grandfather Bhisma in the Mahabharata, his supremacy would assert itself from his seat, below his juniors.

Our grave and reverend servitor had one weakness to which, for the sake of historical accuracy, I feel bound to allude. He used to take opium. This created a craving for rich food. So that when he brought us our morning goblets of milk the forces of attraction in his mind would be greater than those of repulsion. If we gave the least expression to our natural repugnance for this meal, no sense of responsibility for our health could prompt him to press it on us a second time.

Iswar also held somewhat narrow views as to our capacity for solid nourishment. We would sit down to our evening repast and a quantity of luchis[8] heaped on a thick round wooden tray would be placed before us. He would begin by gingerly dropping a few on each platter, from a sufficient height to safeguard himself from contamination[9]—like unwilling favours, wrested from the gods by dint of importunity, did they descend, so dexterously inhospitable was he. Next would come the inquiry whether he should give us any more. I knew the reply which would be most gratifying, and could not bring myself to deprive him by asking for another help.

Then again Iswar was entrusted with a daily allowance of money for procuring our afternoon light refreshment. He would ask us every morning what we should like to have. We knew that to mention the cheapest would be accounted best, so sometimes we ordered a light refection of puffed rice, and at others an indigestible one of boiled gram or roasted groundnuts. It was evident that Iswar was not as painstakingly punctilious in regard to our diet as with the shastric proprieties.



(5) The Normal School

While at the Oriental Seminary I had discovered a way out of the degradation of being a mere pupil. I had started a class of my own in a corner of our verandah. The wooden bars of the railing were my pupils, and I would act the schoolmaster, cane in hand, seated on a chair in front of them. I had decided which were the good boys and which the bad—nay, further, I could distinguish clearly the quiet from the naughty, the clever from the stupid. The bad rails had suffered so much from my constant caning that they must have longed to give up the ghost had they been alive. And the more scarred they got with my strokes the worse they angered me, till I knew not how to punish them enough. None remain to bear witness to-day how tremendously I tyrannised over that poor dumb class of mine. My wooden pupils have since been replaced by cast-iron railings, nor have any of the new generation taken up their education in the same way—they could never have made the same impression.

I have since realised how much easier it is to acquire the manner than the matter. Without an effort had I assimilated all the impatience, the short temper, the partiality and the injustice displayed by my teachers to the exclusion of the rest of their teaching. My only consolation is that I had not the power of venting these barbarities on any sentient creature. Nevertheless the difference between my wooden pupils and those of the Seminary did not prevent my psychology from being identical with that of its schoolmasters.

I could not have been long at the Oriental Seminary, for I was still of tender age when I joined the Normal School. The only one of its features which I remember is that before the classes began all the boys had to sit in a row in the gallery and go through some kind of singing or chanting of verses—evidently an attempt at introducing an element of cheerfulness into the daily routine.

Unfortunately the words were English and the tune quite as foreign, so that we had not the faintest notion what sort of incantation we were practising; neither did the meaningless monotony of the performance tend to make us cheerful. This failed to disturb the serene self-satisfaction of the school authorities at having provided such a treat; they deemed it superfluous to inquire into the practical effect of their bounty; they would probably have counted it a crime for the boys not to be dutifully happy. Anyhow they rested content with taking the song as they found it, words and all, from the self-same English book which had furnished the theory.

The language into which this English resolved itself in our mouths cannot but be edifying to philologists. I can recall only one line:

Kallokee pullokee singill mellaling mellaling mellaling.

After much thought I have been able to guess at the original of a part of it. Of what words kallokee is the transformation still baffles me. The rest I think was:

... full of glee, singing merrily, merrily, merrily!

As my memories of the Normal School emerge from haziness and become clearer they are not the least sweet in any particular. Had I been able to associate with the other boys, the woes of learning might not have seemed so intolerable. But that turned out to be impossible—so nasty were most of the boys in their manners and habits. So, in the intervals of the classes, I would go up to the second storey and while away the time sitting near a window overlooking the street. I would count: one year—two years—three years—; wondering how many such would have to be got through like this.

Of the teachers I remember only one, whose language was so foul that, out of sheer contempt for him, I steadily refused to answer any one of his questions. Thus I sat silent throughout the year at the bottom of his class, and while the rest of the class was busy I would be left alone to attempt the solution of many an intricate problem.

One of these, I remember, on which I used to cogitate profoundly, was how to defeat an enemy without having arms. My preoccupation with this question, amidst the hum of the boys reciting their lessons, comes back to me even now. If I could properly train up a number of dogs, tigers and other ferocious beasts, and put a few lines of these on the field of battle, that, I thought, would serve very well as an inspiriting prelude. With our personal prowess let loose thereafter, victory should by no means be out of reach. And, as the picture of this wonderfully simple strategy waxed vivid in my imagination, the victory of my side became assured beyond doubt.

While work had not yet come into my life I always found it easy to devise short cuts to achievement; since I have been working I find that what is hard is hard indeed, and what is difficult remains difficult. This, of course, is less comforting; but nowhere near so bad as the discomfort of trying to take shortcuts.

When at length a year of that class had passed, we were examined in Bengali by Pandit Madhusudan Vachaspati. I got the largest number of marks of all the boys. The teacher complained to the school authorities that there had been favouritism in my case. So I was examined a second time, with the superintendent of the school seated beside the examiner. This time, also, I got a top place.



(6) Versification

I could not have been more than eight years old at the time. Jyoti, a son of a niece of my father's, was considerably older than I. He had just gained an entrance into English literature, and would recite Hamlet's soliloquy with great gusto. Why he should have taken it into his head to get a child, as I was, to write poetry I cannot tell. One afternoon he sent for me to his room, and asked me to try and make up a verse; after which he explained to me the construction of the payar metre of fourteen syllables.

I had up to then only seen poems in printed books—no mistakes penned through, no sign to the eye of doubt or trouble or any human weakness. I could not have dared even to imagine that any effort of mine could produce such poetry.

One day a thief had been caught in our house. Overpowered by curiosity, yet in fear and trembling, I ventured to the spot to take a peep at him. I found he was just an ordinary man! And when he was somewhat roughly handled by our door-keeper I felt a great pity. I had a similar experience with poetry.

When, after stringing together a few words at my own sweet will, I found them turned into a payar verse I felt I had no illusions left about the glories of poetising. So when poor Poetry is mishandled, even now I feel as unhappy as I did about the thief. Many a time have I been moved to pity and yet been unable to restrain impatient hands itching for the assault. Thieves have scarcely suffered so much, and from so many.

The first feeling of awe once overcome there was no holding me back. I managed to get hold of a blue-paper manuscript book by the favour of one of the officers of our estate. With my own hands I ruled it with pencil lines, at not very regular intervals, and thereon I began to write verses in a large childish scrawl.

Like a young deer which butts here, there and everywhere with its newly sprouting horns, I made myself a nuisance with my budding poetry. More so my elder[10] brother, whose pride in my performance impelled him to hunt about the house for an audience.

I recollect how, as the pair of us, one day, were coming out of the estate offices on the ground floor, after a conquering expedition against the officers, we came across the editor of "The National Paper," Nabagopal Mitter, who had just stepped into the house. My brother tackled him without further ado: "Look here, Nabagopal Babu! won't you listen to a poem which Rabi has written?" The reading forthwith followed.

My works had not as yet become voluminous. The poet could carry all his effusions about in his pockets. I was writer, printer and publisher, all in one; my brother, as advertiser, being my only colleague. I had composed some verses on The Lotus which I recited to Nabagopal Babu then and there, at the foot of the stairs, in a voice pitched as high as my enthusiasm. "Well done!" said he with a smile. "But what is a dwirepha?"[11]

How I had got hold of this word I do not remember. The ordinary name would have fitted the metre quite as well. But this was the one word in the whole poem on which I had pinned my hopes. It had doubtless duly impressed our officers. But curiously enough Nabagopal Babu did not succumb to it—on the contrary he smiled! He could not be an understanding man, I felt sure. I never read poetry to him again. I have since added many years to my age but have not been able to improve upon my test of what does or does not constitute understanding in my hearer. However Nabagopal Babu might smile, the word dwirepha, like a bee drunk with honey, stuck to its place, unmoved.



(7) Various Learning

One of the teachers of the Normal School also gave us private lessons at home. His body was lean, his features dry, his voice sharp. He looked like a cane incarnate. His hours were from six to half-past-nine in the morning. With him our reading ranged from popular literary and science readers in Bengali to the epic of Meghnadvadha.

My third brother was very keen on imparting to us a variety of knowledge. So at home we had to go through much more than what was required by the school course. We had to get up before dawn and, clad in loin-cloths, begin with a bout or two with a blind wrestler. Without a pause we donned our tunics on our dusty bodies, and started on our courses of literature, mathematics, geography and history. On our return from school our drawing and gymnastic masters would be ready for us. In the evening Aghore Babu came for our English lessons. It was only after nine that we were free.

On Sunday morning we had singing lessons with Vishnu. Then, almost every Sunday, came Sitanath Dutta to give us demonstrations in physical science. The last were of great interest to me. I remember distinctly the feeling of wonder which filled me when he put some water, with sawdust in it, on the fire in a glass vessel, and showed us how the lightened hot water came up, and the cold water went down and how finally the water began to boil. I also felt a great elation the day I learnt that water is a separable part of milk, and that milk thickens when boiled because the water frees itself as vapour from the connexion. Sunday did not feel Sunday-like unless Sitanath Babu turned up.

There was also an hour when we would be told all about human bones by a pupil of the Campbell Medical School, for which purpose a skeleton, with the bones fastened together by wires was hung up in our schoolroom. And finally, time was also found for Pandit Heramba Tatwaratna to come and get us to learn by rote rules of Sanscrit grammar. I am not sure which of them, the names of the bones or the sutras of the grammarian, were the more jaw-breaking. I think the latter took the palm.

We began to learn English after we had made considerable progress in learning through the medium of Bengali. Aghore Babu, our English tutor, was attending the Medical College, so he came to teach us in the evening.

Books tell us that the discovery of fire was one of the biggest discoveries of man. I do not wish to dispute this. But I cannot help feeling how fortunate the little birds are that their parents cannot light lamps of an evening. They have their language lessons early in the morning and you must have noticed how gleefully they learn them. Of course we must not forget that they do not have to learn the English language!

The health of this medical-student tutor of ours was so good that even the fervent and united wishes of his three pupils were not enough to cause his absence even for a day. Only once was he laid up with a broken head when, on the occasion of a fight between the Indian and Eurasian students of the Medical College, a chair was thrown at him. It was a regrettable occurrence; nevertheless we were not able to take it as a personal sorrow, and his recovery somehow seemed to us needlessly swift.

It is evening. The rain is pouring in lance-like showers. Our lane is under knee-deep water. The tank has overflown into the garden, and the bushy tops of the Bael trees are seen standing out over the waters. Our whole being, on this delightful rainy evening, is radiating rapture like the Kadamba flower its fragrant spikes. The time for the arrival of our tutor is over by just a few minutes. Yet there is no certainty...! We are sitting on the verandah overlooking the lane[12] watching and watching with a piteous gaze. All of a sudden, with a great big thump, our hearts seem to fall in a swoon. The familiar black umbrella has turned the corner undefeated even by such weather! Could it not be somebody else? It certainly could not! In the wide wide world there might be found another, his equal in pertinacity, but never in this little lane of ours.

Looking back on his period as a whole, I cannot say that Aghore Babu was a hard man. He did not rule us with a rod. Even his rebukes did not amount to scoldings. But whatever may have been his personal merits, his time was evening, and his subject English! I am certain that even an angel would have seemed a veritable messenger of Yama[13] to any Bengali boy if he came to him at the end of his miserable day at school, and lighted a dismally dim lamp to teach him English.

How well do I remember the day our tutor tried to impress on us the attractiveness of the English language. With this object he recited to us with great unction some lines—prose or poetry we could not tell—out of an English book. It had a most unlooked for effect on us. We laughed so immoderately that he had to dismiss us for that evening. He must have realised that he held no easy brief—that to get us to pronounce in his favour would entail a contest ranging over years.

Aghore Babu would sometimes try to bring the zephyr of outside knowledge to play on the arid routine of our schoolroom. One day he brought a paper parcel out of his pocket and said: "I'll show you to-day a wonderful piece of work of the Creator." With this he untied the paper wrapping and, producing a portion of the vocal organs of a human being, proceeded to expound the marvels of its mechanism.

I can still call to mind the shock this gave me at the time. I had always thought the whole man spoke—had never even imagined that the act of speech could be viewed in this detached way. However wonderful the mechanism of a part may be, it is certainly less so than the whole man. Not that I put it to myself in so many words, but that was the cause of my dismay. It was perhaps because the tutor had lost sight of this truth that the pupil could not respond to the enthusiasm with which he was discoursing on the subject.

Another day he took us to the dissecting room of the Medical College. The body of an old woman was stretched on the table. This did not disturb me so much. But an amputated leg which was lying on the floor upset me altogether. To view man in this fragmentary way seemed to me so horrid, so absurd that I could not get rid of the impression of that dark, unmeaning leg for many a day.

After getting through Peary Sarkar's first and second English readers we entered upon McCulloch's Course of Reading. Our bodies were weary at the end of the day, our minds yearning for the inner apartments, the book was black and thick with difficult words, and the subject-matter could hardly have been more inviting, for in those days, Mother Saraswati's[14] maternal tenderness was not in evidence. Children's books were not full of pictures then as they are now. Moreover, at the gateway of every reading lesson stood sentinel an array of words, with separated syllables, and forbidding accent marks like fixed bayonets, barring the way to the infant mind. I had repeatedly attacked their serried ranks in vain.

Our tutor would try to shame us by recounting the exploits of some other brilliant pupil of his. We felt duly ashamed, and also not well-disposed towards that other pupil, but this did not help to dispel the darkness which clung to that black volume.

Providence, out of pity for mankind, has instilled a soporific charm into all tedious things. No sooner did our English lessons begin than our heads began to nod. Sprinkling water into our eyes, or taking a run round the verandahs, were palliatives which had no lasting effect. If by any chance my eldest brother happened to be passing that way, and caught a glimpse of our sleep-tormented condition, we would get let off for the rest of the evening. It did not take our drowsiness another moment to get completely cured.



(8) My First Outing

Once, when the dengue fever was raging in Calcutta, some portion of our extensive family had to take shelter in Chhatu Babu's river-side villa. We were among them.

This was my first outing. The bank of the Ganges welcomed me into its lap like a friend of a former birth. There, in front of the servants' quarters, was a grove of guava trees; and, sitting in the verandah under the shade of these, gazing at the flowing current through the gaps between their trunks, my days would pass. Every morning, as I awoke, I somehow felt the day coming to me like a new gilt-edged letter, with some unheard-of news awaiting me on the opening of the envelope. And, lest I should lose any fragment of it, I would hurry through my toilet to my chair outside. Every day there was the ebb and flow of the tide on the Ganges; the various gait of so many different boats; the shifting of the shadows of the trees from west to east; and, over the fringe of shade-patches of the woods on the opposite bank, the gush of golden life-blood through the pierced breast of the evening sky. Some days would be cloudy from early morning; the opposite woods black; black shadows moving over the river. Then with a rush would come the vociferous rain, blotting out the horizon; the dim line of the other bank taking its leave in tears: the river swelling with suppressed heavings; and the moist wind making free with the foliage of the trees overhead.

I felt that out of the bowels of wall, beam and rafter, I had a new birth into the outside. In making fresh acquaintance with things, the dingy covering of petty habits seemed to drop off the world. I am sure that the sugar-cane molasses, which I had with cold luchis for my breakfast, could not have tasted different from the ambrosia which Indra[15] quaffs in his heaven; for, the immortality is not in the nectar but in the taster, and thus is missed by those who seek it.

Behind the house was a walled-in enclosure with a tank and a flight of steps leading into the water from a bathing platform. On one side of the platform was an immense Jambolan tree, and all round were various fruit trees, growing in thick clusters, in the shade of which the tank nestled in its privacy. The veiled beauty of this retired little inner garden had a wonderful charm for me, so different from the broad expanse of the river-bank in front. It was like the bride of the house, in the seclusion of her midday siesta, resting on a many-coloured quilt of her own embroidering, murmuring low the secrets of her heart. Many a midday hour did I spend alone under that Jambolan tree dreaming of the fearsome kingdom of the Yakshas[16] within the depths of the tank.

I had a great curiosity to see a Bengal village. Its clusters of cottages, its thatched pavilions, its lanes and bathing places, its games and gatherings, its fields and markets, its life as a whole as I saw it in imagination, greatly attracted me. Just such a village was right on the other side of our garden wall, but it was forbidden to us. We had come out, but not into freedom. We had been in a cage, and were now on a perch, but the chain was still there.

One morning two of our elders went out for a stroll into the village. I could not restrain my eagerness any longer, and, slipping out unperceived, followed them for some distance. As I went along the deeply shaded lane, with its close thorny seora hedges, by the side of the tank covered with green water weeds, I rapturously took in picture after picture. I still remember the man with bare body, engaged in a belated toilet on the edge of the tank, cleaning his teeth with the chewed end of a twig. Suddenly my elders became aware of my presence behind them. "Get away, get away, go back at once!" they scolded. They were scandalised. My feet were bare, I had no scarf or upper-robe over my tunic, I was not dressed fit to come out; as if it was my fault! I never owned any socks or superfluous apparel, so not only went back disappointed for that morning, but had no chance of repairing my shortcomings and being allowed to come out any other day. However though the Beyond was thus shut out from behind, in front the Ganges freed me from all bondage, and my mind, whenever it listed, could embark on the boats gaily sailing along, and hie away to lands not named in any geography.

This was forty years ago. Since then I have never set foot again in that champak-shaded villa garden. The same old house and the same old trees must still be there, but I know it cannot any longer be the same—for where am I now to get that fresh feeling of wonder which made it what it was?

We returned to our Jorasanko house in town. And my days were as so many mouthfuls offered up to be gulped down into the yawning interior of the Normal School.



(9) Practising Poetry

That blue manuscript book was soon filled, like the hive of some insect, with a network of variously slanting lines and the thick and thin strokes of letters. The eager pressure of the boy writer soon crumpled its leaves; and then the edges got frayed, and twisted up claw-like as if to hold fast the writing within, till at last, down what river Baitarani[17] I know not, its pages were swept away by merciful oblivion. Anyhow they escaped the pangs of a passage through the printing press and need fear no birth into this vale of woe.

I cannot claim to have been a passive witness of the spread of my reputation as a poet. Though Satkari Babu was not a teacher of our class he was very fond of me. He had written a book on Natural History—wherein I hope no unkind humorist will try to find a reason for such fondness. He sent for me one day and asked: "So you write poetry, do you?" I did not conceal the fact. From that time on, he would now and then ask me to complete a quatrain by adding a couplet of my own to one given by him.

Gobinda Babu of our school was very dark, and short and fat. He was the Superintendent. He sat, in his black suit, with his account books, in an office room on the second storey. We were all afraid of him, for he was the rod-bearing judge. On one occasion I had escaped from the attentions of some bullies into his room. The persecutors were five or six older boys. I had no one to bear witness on my side—except my tears. I won my case and since then Govinda Babu had a soft corner in his heart for me.

One day he called me into his room during the recess. I went in fear and trembling but had no sooner stepped before him than he also accosted me with the question: "So you write poetry?" I did not hesitate to make the admission. He commissioned me to write a poem on some high moral precept which I do not remember. The amount of condescension and affability which such a request coming from him implied can only be appreciated by those who were his pupils. When I finished and handed him the verses next day, he took me to the highest class and made me stand before the boys. "Recite," he commanded. And I recited loudly.

The only praiseworthy thing about this moral poem was that it soon got lost. Its moral effect on that class was far from encouraging—the sentiment it aroused being not one of regard for its author. Most of them were certain that it was not my own composition. One said he could produce the book from which it was copied, but was not pressed to do so; the process of proving is such a nuisance to those who want to believe. Finally the number of seekers after poetic fame began to increase alarmingly; moreover their methods were not those which are recognised as roads to moral improvement.

Nowadays there is nothing strange in a youngster writing verses. The glamour of poesy is gone. I remember how the few women who wrote poetry in those days were looked upon as miraculous creations of the Deity. If one hears to-day that some young lady does not write poems one feels sceptical. Poetry now sprouts long before the highest Bengali class is reached; so that no modern Gobinda Babu would have taken any notice of the poetic exploit I have recounted.



PART III



(10) Srikantha Babu

At this time I was blessed with a hearer the like of whom I shall never get again. He had so inordinate a capacity for being pleased as to have utterly disqualified him for the post of critic in any of our monthly Reviews. The old man was like a perfectly ripe Alfonso mango—not a trace of acid or coarse fibre in his composition. His tender clean-shaven face was rounded off by an all-pervading baldness; there was not the vestige of a tooth to worry the inside of his mouth; and his big smiling eyes gleamed with a constant delight. When he spoke in his soft deep voice, his mouth and eyes and hands all spoke likewise. He was of the old school of Persian culture and knew not a word of English. His inseparable companions were a hubble-bubble at his left, and a sitar on his lap; and from his throat flowed song unceasing.

Srikantha Babu had no need to wait for a formal introduction, for none could resist the natural claims of his genial heart. Once he took us to be photographed with him in some big English photographic studio. There he so captivated the proprietor with his artless story, in a jumble of Hindusthani and Bengali, of how he was a poor man, but badly wanted this particular photograph taken, that the man smilingly allowed him a reduced rate. Nor did such bargaining sound at all incongruous in that unbending English establishment, so naive was Srikantha Babu, so unconscious of any possibility of giving offence. He would sometimes take me along to a European missionary's house. There, also, with his playing and singing, his caresses of the missionary's little girl and his unstinted admiration of the little booted feet of the missionary's lady, he would enliven the gathering as no one else could have done. Another behaving so absurdly would have been deemed a bore, but his transparent simplicity pleased all and drew them to join in his gaiety.

Srikantha Babu was impervious to rudeness or insolence. There was at the time a singer of some repute retained in our establishment. When the latter was the worse for liquor he would rail at poor Srikantha Babu's singing in no very choice terms. This he would bear unflinchingly, with no attempt at retort. When at last the man's incorrigible rudeness brought about his dismissal Srikantha Babu anxiously interceded for him. "It was not he, it was the liquor," he insisted.



He could not bear to see anyone sorrowing or even to hear of it. So when any one of the boys wanted to torment him they had only to read out passages from Vidyasagar's "Banishment of Sita"; whereat he would be greatly exercised, thrusting out his hands in protest and begging and praying of them to stop.

This old man was the friend alike of my father, my elder brothers and ourselves. He was of an age with each and every one of us. As any piece of stone is good enough for the freshet to dance round and gambol with, so the least provocation would suffice to make him beside himself with joy. Once I had composed a hymn, and had not failed to make due allusion to the trials and tribulations of this world. Srikantha Babu was convinced that my father would be overjoyed at such a perfect gem of a devotional poem. With unbounded enthusiasm he volunteered personally to acquaint him with it. By a piece of good fortune I was not there at the time but heard afterwards that my father was hugely amused that the sorrows of the world should have so early moved his youngest son to the point of versification. I am sure Gobinda Babu, the superintendent, would have shown more respect for my effort on so serious a subject.

In singing I was Srikantha Babu's favorite pupil. He had taught me a song: "No more of Vraja[18] for me," and would drag me about to everyone's rooms and get me to sing it to them. I would sing and he would thrum an accompaniment on his sitar and when we came to the chorus he would join in, and repeat it over and over again, smiling and nodding his head at each one in turn, as if nudging them on to a more enthusiastic appreciation.

He was a devoted admirer of my father. A hymn had been set to one of his tunes, "For He is the heart of our hearts." When he sang this to my father Srikantha Babu got so excited that he jumped up from his seat and in alternation violently twanged his sitar as he sang: "For He is the heart of our hearts" and then waved his hand about my father's face as he changed the words to "For you are the heart of our hearts."

When the old man paid his last visit to my father, the latter, himself bed-ridden, was at a river-side villa in Chinsurah. Srikantha Babu, stricken with his last illness, could not rise unaided and had to push open his eyelids to see. In this state, tended by his daughter, he journeyed to Chinsurah from his place in Birbhoom. With a great effort he managed to take the dust of my father's feet and then return to his lodgings in Chinsurah where he breathed his last a few days later. I heard afterwards from his daughter that he went to his eternal youth with the song "How sweet is thy mercy, Lord!" on his lips.



(11) Our Bengali Course Ends

At School we were then in the class below the highest one. At home we had advanced in Bengali much further than the subjects taught in the class. We had been through Akshay Datta's book on Popular Physics, and had also finished the epic of Meghnadvadha. We read our physics without any reference to physical objects and so our knowledge of the subject was correspondingly bookish. In fact the time spent on it had been thoroughly wasted; much more so to my mind than if it had been wasted in doing nothing. The Meghnadvadha, also, was not a thing of joy to us. The tastiest tit-bit may not be relished when thrown at one's head. To employ an epic to teach language is like using a sword to shave with—sad for the sword, bad for the chin. A poem should be taught from the emotional standpoint; inveigling it into service as grammar-cum-dictionary is not calculated to propitiate the divine Saraswati.

All of a sudden our Normal School career came to an end; and thereby hangs a tale. One of our school teachers wanted to borrow a copy of my grandfather's life by Mitra from our library. My nephew and classmate Satya managed to screw up courage enough to volunteer to mention this to my father. He came to the conclusion that everyday Bengali would hardly do to approach him with. So he concocted and delivered himself of an archaic phrase with such meticulous precision that my father must have felt our study of the Bengali language had gone a bit too far and was in danger of over-reaching itself. So the next morning, when according to our wont our table had been placed in the south verandah, the blackboard hung up on a nail in the wall, and everything was in readiness for our lessons with Nilkamal Babu, we three were sent for by my father to his room upstairs. "You need not do any more Bengali lessons," he said. Our minds danced for very joy.

Nilkamal Babu was waiting downstairs, our books were lying open on the table, and the idea of getting us once more to go through the Meghnadvadha doubtless still occupied his mind. But as on one's death-bed the various routine of daily life seems unreal, so, in a moment, did everything, from the Pandit down to the nail on which the blackboard was hung, become for us as empty as a mirage. Our sole trouble was how to give this news to Nilkamal Babu with due decorum. We did it at last with considerable restraint, while the geometrical figures on the blackboard stared at us in wonder and the blank verse of the Meghnadvadha looked blankly on.

Our Pandit's parting words were: "At the call of duty I may have been sometimes harsh with you—do not keep that in remembrance. You will learn the value of what I have taught you later on."

Indeed I have learnt that value. It was because we were taught in our own language that our minds quickened. Learning should as far as possible follow the process of eating. When the taste begins from the first bite, the stomach is awakened to its function before it is loaded, so that its digestive juices get full play. Nothing like this happens, however, when the Bengali boy is taught in English. The first bite bids fair to wrench loose both rows of teeth—like a veritable earthquake in the mouth! And by the time he discovers that the morsel is not of the genus stone, but a digestible bonbon, half his allotted span of life is over. While one is choking and spluttering over the spelling and grammar, the inside remains starved, and when at length the taste is felt, the appetite has vanished. If the whole mind does not work from the beginning its full powers remain undeveloped to the end. While all around was the cry for English teaching, my third brother was brave enough to keep us to our Bengali course. To him in heaven my grateful reverence.



(12) The Professor

On leaving the Normal School we were sent to the Bengal Academy, a Eurasian institution. We felt we had gained an access of dignity, that we had grown up—at least into the first storey of freedom. In point of fact the only progress we made in that academy was towards freedom. What we were taught there we never understood, nor did we make any attempt to learn, nor did it seem to make any difference to anybody that we did not. The boys here were annoying but not disgusting—which was a great comfort. They wrote ASS on their palms and slapped it on to our backs with a cordial "hello!" They gave us a dig in the ribs from behind and looked innocently another way. They dabbed banana pulp on our heads and made away unperceived. Nevertheless it was like coming out of slime on to rock—we were worried but not soiled.

This school had one great advantage for me. No one there cherished the forlorn hope that boys of our sort could make any advance in learning. It was a petty institution with an insufficient income, so that we had one supreme merit in the eyes of its authorities—we paid our fees regularly. This prevented even the Latin Grammar from proving a stumbling block, and the most egregious of blunders left our backs unscathed. Pity for us had nothing to do with it—the school authorities had spoken to the teachers!

Still, harmless though it was, after all it was a school. The rooms were cruelly dismal with their walls on guard like policemen. The house was more like a pigeon-holed box than a human habitation. No decoration, no pictures, not a touch of colour, not an attempt to attract the boyish heart. The fact that likes and dislikes form a large part of the child mind was completely ignored. Naturally our whole being was depressed as we stepped through its doorway into the narrow quadrangle—and playing truant became chronic with us.

In this we found an accomplice. My elder brothers had a Persian tutor. We used to call him Munshi. He was of middle age and all skin and bone, as though dark parchment had been stretched over his skeleton without any filling of flesh and blood. He probably knew Persian well, his knowledge of English was quite fair, but in neither of these directions lay his ambition. His belief was that his proficiency in singlestick was matched only by his skill in song. He would stand in the sun in the middle of our courtyard and go through a wonderful series of antics with a staff—his own shadow being his antagonist. I need hardly add that his shadow never got the better of him and when at the end he gave a great big shout and whacked it on the head with a victorious smile, it lay submissively prone at his feet. His singing, nasal and out of tune, sounded like a gruesome mixture of groaning and moaning coming from some ghost-world. Our singing master Vishnu would sometimes chaff him: "Look here, Munshi, you'll be taking the bread out of our mouths at this rate!" To which his only reply would be a disdainful smile.

This shows that the Munshi was amenable to soft words; and in fact, whenever we wanted we could persuade him to write to the school authorities to excuse us from attendance. The school authorities took no pains to scrutinise these letters, they knew it would be all the same whether we attended or not, so far as educational results were concerned.

I have now a school of my own in which the boys are up to all kinds of mischief, for boys will be mischievous—and schoolmasters unforgiving. When any of us are beset with undue uneasiness at their conduct and are stirred into a resolution to deal out condign punishment, the misdeeds of my own schooldays confront me in a row and smile at me.

I now clearly see that the mistake is to judge boys by the standard of grown-ups, to forget that a child is quick and mobile like a running stream; and that, in the case of such, any touch of imperfection need cause no great alarm, for the speed of the flow is itself the best corrective. When stagnation sets in then comes the danger. So it is for the teacher, more than the pupil, to beware of wrongdoing.

There was a separate refreshment room for Bengali boys for meeting their caste requirements. This was where we struck up a friendship with some of the others. They were all older than we. One of these will bear to be dilated upon.

His specialty was the art of Magic, so much so that he had actually written and published a little booklet on it, the front page of which bore his name with the title of Professor. I had never before come across a schoolboy whose name had appeared in print, so that my reverence for him—as a professor of magic I mean—was profound. How could I have brought myself to believe that anything questionable could possibly find place in the straight and upright ranks of printed letters? To be able to record one's own words in indelible ink—was that a slight thing? To stand unscreened yet unabashed, self-confessed before the world,—how could one withhold belief in the face of such supreme self-confidence? I remember how once I got the types for the letters of my name from some printing press, and what a memorable thing it seemed when I inked and pressed them on paper and found my name imprinted.

We used to give a lift in our carriage to this schoolfellow and author-friend of ours. This led to visiting terms. He was also great at theatricals. With his help we erected a stage on our wrestling ground with painted paper stretched over a split bamboo framework. But a peremptory negative from upstairs prevented any play from being acted thereon.

A comedy of errors was however played later on without any stage at all. The author of this has already been introduced to the reader in these pages. He was none other than my nephew Satya. Those who behold his present calm and sedate demeanour would be shocked to learn of the tricks of which he was the originator.



The event of which I am writing happened sometime afterwards when I was twelve or thirteen. Our magician friend had told of so many strange properties of things that I was consumed with curiosity to see them for myself. But the materials of which he spoke were invariably so rare or distant that one could hardly hope to get hold of them without the help of Sindbad the sailor. Once, as it happened, the Professor forgot himself so far as to mention accessible things. Who could ever believe that a seed dipped and dried twenty-one times in the juice of a species of cactus would sprout and flower and fruit all in the space of an hour? I was determined to test this, not daring withal to doubt the assurance of a Professor whose name appeared in a printed book.

I got our gardener to furnish me with a plentiful supply of the milky juice, and betook myself, on a Sunday afternoon, to our mystic nook in a corner of the roof terrace, to experiment with the stone of a mango. I was wrapt in my task of dipping and drying—but the grown-up reader will probably not wait to ask me the result. In the meantime, I little knew that Satya, in another corner, had, in the space of an hour, caused to root and sprout a mystical plant of his own creation. This was to bear curious fruit later on.

After the day of this experiment the Professor rather avoided me, as I gradually came to perceive. He would not sit on the same side in the carriage, and altogether seemed to fight shy of me.

One day, all of a sudden, he proposed that each one in turn should jump off the bench in our schoolroom. He wanted to observe the differences in style, he said. Such scientific curiosity did not appear queer in a professor of magic. Everyone jumped, so did I. He shook his head with a subdued "h'm." No amount of persuasion could draw anything further out of him.

Another day he informed us that some good friends of his wanted to make our acquaintance and asked us to accompany him to their house. Our guardians had no objection, so off we went. The crowd in the room seemed full of curiosity. They expressed their eagerness to hear me sing. I sang a song or two. Mere child as I was I could hardly have bellowed like a bull. "Quite a sweet voice," they all agreed.

When refreshments were put before us they sat round and watched us eat. I was bashful by nature and not used to strange company; moreover the habit I acquired during the attendance of our servant Iswar left me a poor eater for good. They all seemed impressed with the delicacy of my appetite.

In the fifth act I got some curiously warm letters from our Professor which revealed the whole situation. And here let the curtain fall.

I subsequently learnt from Satya that while I had been practising magic on the mango seed, he had successfully convinced the Professor that I was dressed as a boy by our guardians merely for getting me a better schooling, but that really this was only a disguise. To those who are curious in regard to imaginary science I should explain that a girl is supposed to jump with her left foot forward, and this is what I had done on the occasion of the Professor's trial. I little realised at the time what a tremendously false step mine had been!



(13) My Father

Shortly after my birth my father took to constantly travelling about. So it is no exaggeration to say that in my early childhood I hardly knew him. He would now and then come back home all of a sudden, and with him came foreign servants with whom I felt extremely eager to make friends. Once there came in this way a young Panjabi servant named Lenu. The cordiality of the reception he got from us would have been worthy of Ranjit Singh himself. Not only was he a foreigner, but a Panjabi to boot,—what wonder he stole our hearts away?

We had the same reverence for the whole Panjabi nation as for Bhima and Arjuna of the Mahabharata. They were warriors; and if they had sometimes fought and lost, that was clearly the enemy's fault. It was glorious to have Lenu, of the Panjab, in our very home.

My sister-in-law had a model war-ship under a glass case, which, when wound up, rocked on blue-painted silken waves to the tinkling of a musical box. I would beg hard for the loan of this to display its marvels to the admiring Lenu.

Caged in the house as we were, anything savouring of foreign parts had a peculiar charm for me. This was one of the reasons why I made so much of Lenu. This was also the reason why Gabriel, the Jew, with his embroidered gaberdine, who came to sell attars and scented oils, stirred me so; and the huge Kabulis, with their dusty, baggy trousers and knapsacks and bundles, wrought on my young mind a fearful fascination.

Anyhow, when my father came, we would be content with wandering round about his entourage and in the company of his servants. We did not reach his immediate presence.

Once while my father was away in the Himalayas, that old bogey of the British Government, the Russian invasion, came to be a subject of agitated conversation among the people. Some well-meaning lady friend had enlarged on the impending danger to my mother with all the circumstance of a prolific imagination. How could a body tell from which of the Tibetan passes the Russian host might suddenly flash forth like a baleful comet?

My mother was seriously alarmed. Possibly the other members of the family did not share her misgivings; so, despairing of grown-up sympathy, she sought my boyish support. "Won't you write to your father about the Russians?" she asked.

That letter, carrying the tidings of my mother's anxieties, was my first one to my father. I did not know how to begin or end a letter, or anything at all about it. I went to Mahananda, the estate munshi.[19] The resulting style of address was doubtless correct enough, but the sentiments could not have escaped the musty flavour inseparable from literature emanating from an estate office.

I got a reply to my letter. My father asked me not to be afraid; if the Russians came he would drive them away himself. This confident assurance did not seem to have the effect of relieving my mother's fears, but it served to free me from all timidity as regards my father. After that I wanted to write to him every day and pestered Mahananda accordingly. Unable to withstand my importunity he would make out drafts for me to copy. But I did not know that there was the postage to be paid for. I had an idea that letters placed in Mahananda's hands got to their destination without any need for further worry. It is hardly necessary to mention that, Mahananda being considerably older than myself, these letters never reached the Himalayan hill-tops.

When, after his long absences, my father came home even for a few days, the whole house seemed filled with the weight of his presence. We would see our elders at certain hours, formally robed in their chogas, passing to his rooms with restrained gait and sobered mien, casting away any pan[20] they might have been chewing. Everyone seemed on the alert. To make sure of nothing going wrong, my mother would superintend the cooking herself. The old mace-bearer, Kinu, with his white livery and crested turban, on guard at my father's door, would warn us not to be boisterous in the verandah in front of his rooms during his midday siesta. We had to walk past quietly, talking in whispers, and dared not even take a peep inside.

On one occasion my father came home to invest the three of us with the sacred thread. With the help of Pandit Vedantavagish he had collected the old Vedic rites for the purpose. For days together we were taught to chant in correct accents the selections from the Upanishads, arranged by my father under the name of "Brahma Dharma," seated in the prayer hall with Becharam Babu. Finally, with shaven heads and gold rings in our ears, we three budding Brahmins went into a three-days' retreat in a portion of the third storey.

It was great fun. The earrings gave us a good handle to pull each other's ears with. We found a little drum lying in one of the rooms; taking this we would stand out in the verandah, and, when we caught sight of any servant passing alone in the storey below, we would rap a tattoo on it. This would make the man look up, only to beat a hasty retreat the next moment with averted eyes.[21] In short we cannot claim that these days of our retirement were passed in ascetic meditation.

I am however persuaded that boys like ourselves could not have been rare in the hermitages of old. And if some ancient document has it that the ten or twelve-year old Saradwata or Sarngarava[22] is spending the whole of the days of his boyhood offering oblations and chanting mantras, we are not compelled to put unquestioning faith in the statement; because the book of Boy Nature is even older and also more authentic.

After we had attained full brahminhood I became very keen on repeating the gayatri.[23] I would meditate on it with great concentration. It is hardly a text the full meaning of which I could have grasped at that age. I well remember what efforts I made to extend the range of my consciousness with the help of the initial invocation of "Earth, firmament and heaven." How I felt or thought it is difficult to express clearly, but this much is certain that to be clear about the meaning of words is not the most important function of the human understanding.

The main object of teaching is not to explain meanings, but to knock at the door of the mind. If any boy is asked to give an account of what is awakened in him at such knocking, he will probably say something very silly. For what happens within is much bigger than what he can express in words. Those who pin their faith on University examinations as a test of all educational results take no account of this fact.

I can recollect many things which I did not understand, but which stirred me deeply. Once, on the roof terrace of our river-side villa, my eldest brother, at the sudden gathering of clouds, repeated aloud some stanzas from Kalidas's "Cloud Messenger." I could not, nor had I the need to, understand a word of the Sanskrit. His ecstatic declamation of the sonorous rhythm was enough for me.

Then, again, before I could properly understand English, a profusely illustrated edition of "The Old Curiosity Shop" fell into my hands. I went through the whole of it, though at least nine-tenths of the words were unknown to me. Yet, with the vague ideas I conjured up from the rest, I spun out a variously coloured thread on which to string the illustrations. Any university examiner would have given me a great big zero, but the reading of the book had not proved for me quite so empty as all that.

Another time I had accompanied my father on a trip on the Ganges in his houseboat. Among the books he had with him was an old Fort William edition of Jayadeva's Gita Govinda. It was in the Bengali character. The verses were not printed in separate lines, but ran on like prose. I did not then know anything of Sanskrit, yet because of my knowledge of Bengali many of the words were familiar. I cannot tell how often I read that Gita Govinda. I can well remember this line:

The night that was passed in the lonely forest cottage.

It spread an atmosphere of vague beauty over my mind. That one Sanskrit word, Nibhrita-nikunja-griham, meaning "the lonely forest cottage" was quite enough for me.

I had to discover for myself the intricate metre of Jayadeva, because its divisions were lost in the clumsy prose form of the book. And this discovery gave me very great delight. Of course I did not fully comprehend Jayadeva's meaning. It would hardly be correct to aver that I had got it even partly. But the sound of the words and the lilt of the metre filled my mind with pictures of wonderful beauty, which impelled me to copy out the whole of the book for my own use.

The same thing happened, when I was a little older, with a verse from Kalidas's "Birth of the War God." The verse moved me greatly, though the only words of which I gathered the sense, were "the breeze carrying the spray-mist of the falling waters of the sacred Mandakini and shaking the deodar leaves." These left me pining to taste the beauties of the whole. When, later, a Pandit explained to me that in the next two lines the breeze went on "splitting the feathers of the peacock plume on the head of the eager deer-hunter," the thinness of this last conceit disappointed me. I was much better off when I had relied only upon my imagination to complete the verse.

Whoever goes back to his early childhood will agree that his greatest gains were not in proportion to the completeness of his understanding. Our Kathakas[24] I know this truth well. So their narratives always have a good proportion of ear-filling Sanskrit words and abstruse remarks not calculated to be fully understood by their simple hearers, but only to be suggestive.

The value of such suggestion is by no means to be despised by those who measure education in terms of material gains and losses. These insist on trying to sum up the account and find out exactly how much of the lesson imparted can be rendered up. But children, and those who are not over-educated, dwell in that primal paradise where men can come to know without fully comprehending each step. And only when that paradise is lost comes the evil day when everything needs must be understood. The road which leads to knowledge, without going through the dreary process of understanding, that is the royal road. If that be barred, though the world's marketing may yet go on as usual, the open sea and the mountain top cease to be possible of access.

So, as I was saying, though at that age I could not realise the full meaning of the Gayatri, there was something in me which could do without a complete understanding. I am reminded of a day when, as I was seated on the cement floor in a corner of our schoolroom meditating on the text, my eyes overflowed with tears. Why those tears came I knew not; and to a strict cross-questioner I would probably have given some explanation having nothing to do with the Gayatri. The fact of the matter is that what is going on in the inner recesses of consciousness is not always known to the dweller on the surface.



(14) A journey with my Father

My shaven head after the sacred thread ceremony caused me one great anxiety. However partial Eurasian lads may be to things appertaining to the Cow, their reverence for the Brahmin[25] is notoriously lacking. So that, apart from other missiles, our shaven heads were sure to be pelted with jeers. While I was worrying over this possibility I was one day summoned upstairs to my father. How would I like to go with him to the Himalayas, I was asked. Away from the Bengal Academy and off to the Himalayas! Would I like it? O that I could have rent the skies with a shout, that might have given some idea of the How!

On the day of our leaving home my father, as was his habit, assembled the whole family in the prayer hall for divine service. After I had taken the dust of the feet of my elders I got into the carriage with my father. This was the first time in my life that I had a full suit of clothes made for me. My father himself had selected the pattern and colour. A gold embroidered velvet cap completed my costume. This I carried in my hand, being assailed with misgivings as to its effect in juxtaposition to my hairless head. As I got into the carriage my father insisted on my wearing it, so I had to put it on. Every time he looked another way I took it off. Every time I caught his eye it had to resume its proper place.

My father was very particular in all his arrangements and orderings. He disliked leaving things vague or undetermined and never allowed slovenliness or makeshifts. He had a well-defined code to regulate his relations with others and theirs with him. In this he was different from the generality of his countrymen. With the rest of us a little carelessness this way or that did not signify; so in our dealings with him we had to be anxiously careful. It was not so much the little less or more that he objected to as the failure to be up to the standard.

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