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Riley Farm-Rhymes
by James Whitcomb Riley
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RILEY FARM-RHYMES

By James Whitcomb Riley

Inscribed with all Grateful Esteem



TO THE GOOD OLD-FASHIONED PEOPLE

The deadnin' and the thicket's jes' a b'ilin' full o' June, From the rattle o' the cricket, to the yaller-hammer's tune; And the catbird in the bottom and the sap-suck on the snag, Seems's ef they cain't—od-rot-'em!—jes' do nothin' else but brag!

There' music in the twitter o' the bluebird and the jay, And that sassy little critter jes' a-peckin' all the day; There' music in the "flicker," and there' music in the thrush, And there' music in the snicker o' the chipmunk in the brush!—

There' music all around me!—And I go back—in a dream Sweeter yit than ever found me fast asleep:—And, in the stream That used to split the medder wher' the dandylions growed, I stand knee-deep, and redder than the sunset down the road.



CONTENTS

BROOK SONG, THE CANARY AT THE FARM, A CLOVER, THE COUNTRY PATHWAY, A GRIGGSBY'S STATION HOW JOHN QUIT THE FARM JUNE KNEE-DEEP IN JUNE "MYLO JONES'S WIFE" OLD-FASHIONED ROSES OLD MAN'S NURSERY RHYME OLD OCTOBER OLD WINTERS ON THE FARM ORCHARD LANDS OF LONG AGO, THE ROMANCIN' SEPTEMBER DARK SONG OF LONG AGO, A TALE OF THE AIRLY DAYS, A THOUGHTS FER THE DISCURAGED FARMER TREE-TOAD, THE UP AND DOWN OLD BRANDYWINE WET-WEATHER TALK WHEN EARLY MARCH SEEMS MIDDLE MAY WHEN THE FROST IS ON THE PUNKIN WHEN THE GREEN GITS BACK IN THE TREES WHERE THE CHILDREN USED TO PLAY WORTERMELON TIME



RILEY FARM-RHYMES



THE ORCHARD LANDS OF LONG AGO

The orchard lands of Long Ago! O drowsy winds, awake, and blow The snowy blossoms back to me, And all the buds that used to be! Blow back along the grassy ways Of truant feet, and lift the haze Of happy summer from the trees That trail their tresses in the seas Of grain that float and overflow The orchard lands of Long Ago!

Blow back the melody that slips In lazy laughter from the lips That marvel much if any kiss Is sweeter than the apple's is. Blow back the twitter of the birds— The lisp, the titter, and the words Of merriment that found the shine Of summer-time a glorious wine That drenched the leaves that loved it so, In orchard lands of Long Ago!

O memory! alight and sing Where rosy-bellied pippins cling, And golden russets glint and gleam, As, in the old Arabian dream, The fruits of that enchanted tree The glad Aladdin robbed for me! And, drowsy winds, awake and fan My blood as when it overran A heart ripe as the apples grow In orchard lands of Long Ago!



WHEN THE FROST IS ON THE PUNKIN

When the frost is on the punkin and the fodder's in the shock, And you hear the kyouck and gobble of the struttin' turkey-cock, And the clackin' of the guineys, and the cluckin' of the hens, And the rooster's hallylooyer as he tiptoes on the fence; O, it's then's the times a feller is a-feelin' at his best, With the risin' sun to greet him from a night of peaceful rest, As he leaves the house, bare-headed, and goes out to feed the stock, When the frost is on the punkin and the fodder's in the shock.

They's something kindo' harty-like about the atmusfere When the heat of summer's over and the coolin' fall is here— Of course we miss the flowers, and the blossums on the trees, And the mumble of the hummin'-birds and buzzin' of the bees; But the air's so appetizin'; and the landscape through the haze Of a crisp and sunny morning of the airly autumn days Is a pictur' that no painter has the colorin' to mock— When the frost is on the punkin and the fodder's in the shock.

The husky, rusty russel of the tossels of the corn, And the raspin' of the tangled leaves, as golden as the morn; The stubble in the furries—kindo' lonesome-like, but still A-preachin' sermuns to us of the barns they growed to fill; The strawstack in the medder, and the reaper in the shed; The hosses in theyr stalls below—the clover overhead!— O, it sets my hart a-clickin' like the tickin' of a clock, When the frost is on the punkin and the fodder's in the shock!

Then your apples all is getherd, and the ones a feller keeps Is poured around the cellar-floor in red and yeller heaps; And your cider-makin's over, and your wimmern-folks is through With their mince and apple-butter, and theyr souse and saussage, too!... I don't know how to tell it—but ef sich a thing could be As the Angels wantin' boardin', and they'd call around on ME— I'd want to 'commodate 'em—all the whole-indurin' flock— When the frost is on the punkin and the fodder's in the shock!



WHEN THE GREEN GITS BACK IN THE TREES

In Spring, when the green gits back in the trees, And the sun comes out and STAYS, And yer boots pulls on with a good tight squeeze, And you think of yer bare-foot days; When you ORT to work and you want to NOT, And you and yer wife agrees It's time to spade up the garden-lot, When the green gits back in the trees Well! work is the least o' MY idees When the green, you know, gits back in the trees!

When the green gits back in the trees, and bees Is a-buzzin' aroun' ag'in In that kind of a lazy go-as-you-please Old gait they bum roun' in; When the groun's all bald whare the hay-rick stood, And the crick's riz, and the breeze Coaxes the bloom in the old dogwood, And the green gits back in the trees,— I like, as I say, in sich scenes as these, The time when the green gits back in the trees!

When the whole tail-feathers o' Wintertime Is all pulled out and gone! And the sap it thaws and begins to climb, And the swet it starts out on A feller's forred, a-gittin' down At the old spring on his knees— I kindo' like jest a-loaferin' roun' When the green gits back in the trees— Jest a-potterin' roun' as I—durn—please- When the green, you know, gits back in the trees!



WET-WEATHER TALK

It hain't no use to grumble and complane; It's jest as cheap and easy to rejoice.— When God sorts out the weather and sends rain, W'y, rain's my choice.

Men ginerly, to all intents— Although they're apt to grumble some— Puts most theyr trust in Providence, And takes things as they come— That is, the commonality Of men that's lived as long as me Has watched the world enugh to learn They're not the boss of this concern.

With SOME, of course, it's different— I've saw YOUNG men that knowed it all, And didn't like the way things went On this terrestchul ball;— But all the same, the rain, some way, Rained jest as hard on picnic day; Er, when they railly WANTED it, It mayby wouldn't rain a bit!

In this existunce, dry and wet Will overtake the best of men— Some little skift o' clouds'll shet The sun off now and then.— And mayby, whilse you're wundern who You've fool-like lent your umbrell' to, And WANT it—out'll pop the sun, And you'll be glad you hain't got none!

It aggervates the farmers, too— They's too much wet, er too much sun, Er work, er waitin' round to do Before the plowin' 's done: And mayby, like as not, the wheat, Jest as it's lookin' hard to beat, Will ketch the storm—and jest about The time the corn's a-jintin' out.

These-here CY-CLONES a-foolin' round— And back'ard crops!—and wind and rain!— And yit the corn that's wallerd down May elbow up again!— They hain't no sense, as I can see, Fer mortuls, sich as us, to be A-faultin' Natchur's wise intents, And lockin' horns with Providence!

It hain't no use to grumble and complane; It's jest as cheap and easy to rejoice.— When God sorts out the weather and sends rain, W'y, rain's my choice.



THE BROOK-SONG

Little brook! Little brook! You have such a happy look— Such a very merry manner, as you swerve and curve and crook— And your ripples, one and one, Reach each other's hands and run Like laughing little children in the sun!

Little brook, sing to me: Sing about a bumblebee That tumbled from a lily-bell and grumbled mumblingly, Because he wet the film Of his wings, and had to swim, While the water-bugs raced round and laughed at him!

Little brook-sing a song Of a leaf that sailed along Down the golden-braided centre of your current swift and strong, And a dragon-fly that lit On the tilting rim of it, And rode away and wasn't scared a bit.

And sing—how oft in glee Came a truant boy like me, Who loved to lean and listen to your lilting melody, Till the gurgle and refrain Of your music in his brain Wrought a happiness as keen to him as pain.

Little brook-laugh and leap! Do not let the dreamer weep: Sing him all the songs of summer till he sink in softest sleep; And then sing soft and low Through his dreams of long ago— Sing back to him the rest he used to know!



THOUGHTS FER THE DISCURAGED FARMER

The summer winds is sniffin' round the bloomin' locus' trees; And the clover in the pastur is a big day fer the bees, And they been a-swiggin' honey, above board and on the sly, Tel they stutter in theyr buzzin' and stagger as they fly. The flicker on the fence-rail 'pears to jest spit on his wings And roll up his feathers, by the sassy way he sings; And the hoss-fly is a-whettin'-up his forelegs fer biz, And the off-mare is a-switchin' all of her tale they is.

You can hear the blackbirds jawin' as they foller up the plow— Oh, theyr bound to git theyr brekfast, and theyr not a-carin' how; So they quarrel in the furries, and they quarrel on the wing— But theyr peaceabler in pot-pies than any other thing: And it's when I git my shotgun drawed up in stiddy rest, She's as full of tribbelation as a yeller-jacket's nest; And a few shots before dinner, when the sun's a-shinin' right, Seems to kindo'-sorto' sharpen up a feller's appetite!

They's been a heap o' rain, but the sun's out to-day, And the clouds of the wet spell is all cleared away, And the woods is all the greener, and the grass is greener still; It may rain again to-morry, but I don't think it will. Some says the crops is ruined, and the corn's drownded out, And propha-sy the wheat will be a failure, without doubt; But the kind Providence that has never failed us yet, Will be on hands onc't more at the 'leventh hour, I bet!

Does the medder-lark complane, as he swims high and dry Through the waves of the wind and the blue of the sky? Does the quail set up and whissel in a disappinted way, Er hang his head in silunce, and sorrow all the day? Is the chipmuck's health a-failin'?—Does he walk, er does he run? Don't the buzzards ooze around up thare just like they've allus done? Is they anything the matter with the rooster's lungs er voice? Ort a mortul be complainin' when dumb animals rejoice?

Then let us, one and all, be contentud with our lot; The June is here this morning, and the sun is shining hot. Oh! let us fill our harts up with the glory of the day, And banish ev'ry doubt and care and sorrow fur away! Whatever be our station, with Providence fer guide, Sich fine circumstances ort to make us satisfied; Fer the world is full of roses, and the roses full of dew, And the dew is full of heavenly love that drips fer me and you.



"MYLO JONES'S WIFE"

"Mylo Jones's wife" was all I heerd, mighty near, last Fall— Visitun relations down T'other side of Morgantown! Mylo Jones's wife she does This and that, and "those" and "thus"!— Can't 'bide babies in her sight— Ner no childern, day and night, Whoopin' round the premises— NER NO NOTHIN' ELSE, I guess!

Mylo Jones's wife she 'lows She's the boss of her own house!— Mylo—consequences is— Stays whare things seem SOME like HIS,— Uses, mostly, with the stock— Coaxin' "Old Kate" not to balk, Ner kick hoss-flies' branes out, ner Act, I s'pose, so much like HER! Yit the wimmern-folks tells you She's PERFECTION.—Yes they do!

Mylo's wife she says she's found Home hain't home with MEN-FOLKS round When they's work like HERN to do— Picklin' pears and BUTCHERN, too, And a-rendern lard, and then Cookin' fer a pack of men To come trackin' up the flore SHE'S scrubbed TEL she'll scrub no MORE!— Yit she'd keep things clean ef they Made her scrub tel Jedgmunt Day!

Mylo Jones's wife she sews Carpet-rags and patches clothes Jest year IN and OUT!—and yit Whare's the livin' use of it? She asts Mylo that.—And he Gits back whare he'd ruther be, With his team;—jest PLOWS—and don't Never sware—like some folks won't! Think ef HE'D CUT LOOSE, I gum! 'D he'p his heavenly chances some!

Mylo's wife don't see no use, Ner no reason ner excuse Fer his pore relations to Hang round like they allus do! Thare 'bout onc't a year—and SHE— She jest GA'NTS 'em, folks tells me, On spiced pears!—Pass Mylo one, He says "No, he don't chuse none!" Workin'men like Mylo they 'D ort to have MEAT ev'ry day!

Dad-burn Mylo Jones's wife! Ruther rake a blame caseknife 'Crost my wizzen than to see Sich a womern rulin' ME!— Ruther take and turn in and Raise a fool mule-colt by hand' MYLO, though—od-rot the man!— Jest keeps ca'm—like some folks CAN— And 'lows sich as her, I s'pose, Is MAN'S HE'PMEET'—Mercy knows!



HOW JOHN QUIT THE FARM

Nobody on the old farm here but Mother, me and John, Except, of course, the extry he'p when harvest-time comes on,— And THEN, I want to say to you, we NEEDED he'p about, As you'd admit, ef you'd a-seen the way the crops turned out!

A better quarter-section ner a richer soil warn't found Than this-here old-home place o' ourn fer fifty miles around!— The house was small—but plenty-big we found it from the day That John—our only livin' son—packed up and went away.

You see, we tuk sich pride in John—his mother more'n me— That's natchurul; but BOTH of us was proud as proud could be; Fer the boy, from a little chap, was most oncommon bright, And seemed in work as well as play to take the same delight.

He allus went a-whistlin' round the place, as glad at heart As robins up at five o'clock to git an airly start; And many a time 'fore daylight Mother's waked me up to say— "Jest listen, David!—listen!—Johnny's beat the birds to-day!"

High-sperited from boyhood, with a most inquirin' turn,— He wanted to learn ever'thing on earth they was to learn: He'd ast more plaguy questions in a mortal-minute here Than his grandpap in Paradise could answer in a year!

And READ! w'y, his own mother learnt him how to read and spell; And "The Childern of the Abbey"—w'y, he knowed that book as well At fifteen as his parents!—and "The Pilgrim's Progress," too— Jest knuckled down, the shaver did, and read 'em through and through.

At eighteen, Mother 'lowed the boy must have a better chance- That we ort to educate him, under any circumstance; And John he j'ined his mother, and they ding-donged and kep' on, Tel I sent him off to school in town, half glad that he was gone.

But—I missed him—w'y, of course I did!—The Fall and Winter through I never built the kitchen-fire, er split a stick in two, Er fed the stock, er butchered, er swung up a gambrel-pin, But what I thought o' John, and wished that he was home ag'in.

He'd come, sometimes—on Sund'ys most—and stay the Sund'y out; And on Thanksgivin'-Day he 'peared to like to be about: But a change was workin' on him—he was stiller than before, And didn't joke, ner laugh, ner sing and whistle any more.

And his talk was all so proper; and I noticed, with a sigh, He was tryin' to raise side-whiskers, and had on a striped tie, And a standin'-collar, ironed up as stiff and slick as bone; And a breast-pin, and a watch and chain and plug-hat of his own.

But when Spring-weather opened out, and John was to come home And he'p me through the season, I was glad to see him come, But my happiness, that evening, with the settin' sun went down, When he bragged of "a position" that was offered him in town.

"But," says I, "you'll not accept it?" "W'y, of course I will," says he.— "This drudgin' on a farm," he says, "is not the life fer me; I've set my stakes up higher," he continued, light and gay, "And town's the place fer ME, and I'm a-goin' right away!"

And go he did!—his mother clingin' to him at the gate, A-pleadin' and a-cryin'; but it hadn't any weight. I was tranquiller, and told her 'twarn't no use to worry so, And onclasped her arms from round his neck round mine —and let him go!

I felt a little bitter feelin' foolin' round about The aidges of my conscience; but I didn't let it out;— I simply retch out, trimbly-like, and tuk the boy's hand, And though I didn't say a word, I knowed he'd under- stand.

And—well!—sence then the old home here was mighty lonesome, shore! With me a-workin' in the field, and Mother at the door, Her face ferever to'rds the town, and fadin' more and more— Her only son nine miles away, a-clerkin' in a store!

The weeks and months dragged by us; and sometimes the boy would write A letter to his mother, sayin' that his work was light, And not to feel oneasy about his health a bit— Though his business was confinin', he was gittin' used to it.

And sometimes he would write and ast how I was gittin' on, And ef I had to pay out much fer he'p sence he was gone; And how the hogs was doin', and the balance of the stock, And talk on fer a page er two jest like he used to talk.

And he wrote, along 'fore harvest, that he guessed he would git home, Fer business would, of course, be dull in town.—But DIDN'T come:— We got a postal later, sayin' when they had no trade They filled the time "invoicin' goods," and that was why he stayed.

And then he quit a-writin' altogether: Not a word— Exceptin' what the neighbers brung who'd been to town and heard What store John was clerkin' in, and went round to in- quire If they could buy their goods there less and sell their produce higher.

And so the Summer faded out, and Autumn wore away, And a keener Winter never fetched around Thanksgivin'- Day! The night before that day of thanks I'll never quite fergit, The wind a-howlin' round the house-it makes me creepy yit!

And there set me and Mother—me a-twistin' at the prongs Of a green scrub-ellum forestick with a vicious pair of tongs, And Mother sayin', "DAVID! DAVID!" in a' undertone, As though she thought that I was thinkin' bad-words unbeknown.

"I've dressed the turkey, David, fer to-morrow," Mother said, A-tryin' to wedge some pleasant subject in my stubborn head,— "And the mince-meat I'm a-mixin' is perfection mighty nigh; And the pound-cake is delicious-rich—" "Who'll eat 'em?" I—says—I.

"The cramberries is drippin'-sweet," says Mother, runnin' on, P'tendin' not to hear me;—"and somehow I thought of John All the time they was a-jellin'—fer you know they allus was His favorITE—he likes 'em so!" Says I "Well, s'pose he does?"

"Oh, nothin' much!" says Mother, with a quiet sort o' smile— "This gentleman behind my cheer may tell you after while!" And as I turnt and looked around, some one riz up and leant And putt his arms round Mother's neck, and laughed in low content.

"It's ME," he says—"your fool-boy John, come back to shake your hand; Set down with you, and talk with you, and make you un- derstand How dearer yit than all the world is this old home that we Will spend Thanksgivin' in fer life—jest Mother, you and me!"

Nobody on the old farm here but Mother, me and John, Except, of course, the extry he'p when harvest-time comes on; And then, I want to say to you, we NEED sich he'p about, As you'd admit, ef you could see the way the crops turn out!



A CANARY AT THE FARM

Folks has be'n to town, and Sahry Fetched 'er home a pet canary,— And of all the blame', contrary, Aggervatin' things alive! I love music—that's I love it When it's free—and plenty of it;— But I kindo' git above it, At a dollar-eighty-five!

Reason's plain as I'm a—sayin',— Jes' the idy, now, o' layin' Out yer money, and a-payin' Fer a wilder-cage and bird, When the medder-larks is wingin' Round you, and the woods is ringin' With the beautifullest singin' That a mortal ever heard!

Sahry's sot, tho'.—So I tell her He's a purty little feller, With his wings o' creamy-yeller, And his eyes keen as a cat; And the twitter o' the critter Tears to absolutely glitter! Guess I'll haf to go and git her A high-priceter cage 'n that!



WHERE THE CHILDREN USED TO PLAY

The old farm-home is Mother's yet and mine, And filled it is with plenty and to spare,— But we are lonely here in life's decline, Though fortune smiles around us everywhere: We look across the gold Of the harvests, as of old— The corn, the fragrant clover, and the hay But most we turn our gaze, As with eyes of other days, To the orchard where the children used to play.

O from our life's full measure And rich hoard of worldly treasure We often turn our weary eyes away, And hand in hand we wander Down the old path winding yonder To the orchard where the children used to play

Our sloping pasture-lands are filled with herds; The barn and granary-bins are bulging o'er: The grove's a paradise of singing birds- The woodland brook leaps laughing by the door Yet lonely, lonely still, Let us prosper as we will, Our old hearts seem so empty everyway— We can only through a mist See the faces we have kissed In the orchard where the children used to play.

O from our life's full measure And rich hoard of worldly treasure We often turn our weary eyes away, And hand in hand we wander Down the old path winding yonder To the orchard where the children used to play.



GRIGGSBY'S STATION

Pap's got his pattent-right, and rich as all creation; But where's the peace and comfort that we all had before? Le's go a-visitin' back to Griggsby's Station— Back where we ust to be so happy and so pore!

The likes of us a-livin' here! It's jest a mortal pity To see us in this great big house, with cyarpets on the stairs, And the pump right in the kitchen! And the city! city! city!— And nothin' but the city all around us ever'wheres!

Climb clean above the roof and look from the steeple, And never see a robin, nor a beech or ellum tree! And right here in ear-shot of at least a thousan' people, And none that neighbors with us or we want to go and see!

Le's go a-visitin' back to Griggsby's Station— Back where the latch-string's a-hangin' from the door, And ever' neighbor round the place is dear as a relation— Back where we ust to be so happy and so pore!

I want to see the Wiggenses, the whole kit-and-bilin', A-drivin' up from Shallor Ford to stay the Sunday through; And I want to see 'em hitchin' at their son-in-law's and pilin' Out there at 'Lizy Ellen's like they ust to do!

I want to see the piece-quilts the Jones girls is makin'; And I want to pester Laury 'bout their freckled hired hand, And joke her 'bout the widower she come purt' nigh a-takin', Till her Pap got his pension 'lowed in time to save his land.

Le's go a-visitin' back to Griggsby's Station— Back where they's nothin' aggervatin' any more, Shet away safe in the woods around the old location— Back where we ust to be so happy and so pore!

I want to see Marindy and he'p her with her sewin', And hear her talk so lovin' of her man that's dead and gone, And stand up with Emanuel to show me how he's growin', And smile as I have saw her 'fore she putt her mournin' on.

And I want to see the Samples, on the old lower eighty, Where John, our oldest boy, he was tuk and burried —for His own sake and Katy's,—and I want to cry with Katy As she reads all his letters over, writ from The War.

What's in all this grand life and high situation, And nary pink nor hollyhawk a-bloomin' at the door?— Le's go a-visitin' back to Griggsby's Station— Back where we ust to be so happy and so pore!



KNEE-DEEP IN JUNE

I

Tell you what I like the best— 'Long about knee-deep in June, 'Bout the time strawberries melts On the vine,—some afternoon Like to jes' git out and rest, And not work at nothin' else'

II

Orchard's where I'd ruther be— Needn't fence it in fer me!— Jes' the whole sky overhead, And the whole airth underneath— Sorto' so's a man kin breathe Like he ort, and kindo' has Elbow-room to keerlessly Sprawl out len'thways on the grass Where the shadders thick and soft As the kivvers on the bed Mother fixes in the loft Allus, when they's company!

III

Jes' a-sorto' lazin' there— S'lazy, 'at you peek and peer Through the wavin' leaves above, Like a feller 'at's in love And don't know it, ner don't keer! Ever'thing you hear and see Got some sort o' interest— Maybe find a bluebird's nest Tucked up there conveenently Fer the boy 'at's ap' to be Up some other apple-tree! Watch the swallers skootin' past 'Bout as peert as you could ast, Er the Bob-white raise and whiz Where some other's whistle is

IV

Ketch a shadder down below, And look up to find the crow— Er a hawk,—away up there, 'Pearantly FROZE in the air!— Hear the old hen squawk, and squat Over ever' chick she's got, Suddent-like!—and she knows where That-air hawk is, well as you!— You jes' bet yer life she do!— Eyes a-glitterin' like glass, Waitin' till he makes a pass!

V

Pee-wees' singin', to express My opinion, 's second class, Yit you'll hear 'em more er less; Sapsucks gittin' down to biz, Weedin' out the lonesomeness; Mr. Bluejay, full o' sass, In them base-ball clothes o' his, Sportin' round the orchard jes' Like he owned the premises! Sun out in the fields kin sizz, But flat on yer back, I guess, In the shade's where glory is! That's jes' what I'd like to do Stiddy fer a year er two!

VI

Plague! ef they ain't somepin' in Work 'at kindo' goes ag'in' My convictions!—'long about Here in June especially!— Under some old apple-tree, Jes' a-restin' through and through I could git along without Nothin' else at all to do Only jes' a-wishin' you Wuz a-gittin' there like me, And June was eternity!

VII

Lay out there and try to see Jes' how lazy you kin be!— Tumble round and souse yer head In the clover-bloom, er pull Yer straw hat acrost yer eyes And peek through it at the skies, Thinkin' of old chums 'at's dead, Maybe, smilin' back at you In betwixt the beautiful Clouds o' gold and white and blue. Month a man kin railly love June, you know, I'm talkin' of!

VIII

March ain't never nothin' new! Aprile's altogether too Brash fer me! and May—I jes' 'Bominate its promises, Little hints o' sunshine and Green around the timber-land— A few blossoms, and a few Chip-birds, and a sprout er two,— Drap asleep, and it turns in 'Fore daylight and SNOWS ag'in!— But when JUNE comes—Clear my th'oat With wild honey!—Rench my hair In the dew! and hold my coat! Whoop out loud! and th'ow my hat!— June wants me, and I'm to spare! Spread them shadders anywhere, I'll git down and waller there, And obleeged to you at that!



SEPTEMBER DARK

I

The air falls chill; The whippoorwill Pipes lonesomely behind the hill: The dusk grows dense, The silence tense; And lo, the katydids commence.

II

Through shadowy rifts Of woodland, lifts The low, slow moon, and upward drifts, While left and right The fireflies' light Swirls eddying in the skirts of Night.

III

O Cloudland, gray And level, lay Thy mists across the face of Day! At foot and head, Above the dead, O Dews, weep on uncomforted!



THE CLOVER

Some sings of the lily, and daisy, and rose, And the pansies and pinks that the Summertime throws In the green grassy lap of the medder that lays Blinkin' up at the skyes through the sunshiney days; But what is the lily and all of the rest Of the flowers, to a man with a hart in his brest That was dipped brimmin' full of the honey and dew Of the sweet clover-blossoms his babyhood knew? I never set eyes on a clover-field now, Er fool round a stable, er climb in the mow, But my childhood comes back jest as clear and as plane As the smell of the clover I'm sniffin' again; And I wunder away in a bare-footed dream, Whare I tangle my toes in the blossoms that gleam With the dew of the dawn of the morning of love Ere it wept ore the graves that I'm weepin' above.

And so I love clover—it seems like a part Of the sacerdest sorrows and joys of my hart; And wharever it blossoms, oh, thare let me bow And thank the good God as I'm thankin' Him now; And I pray to Him still fer the stren'th when I die, To go out in the clover and tell it good-bye, And lovin'ly nestle my face in its bloom While my soul slips away on a breth of purfume



OLD OCTOBER

Old October's purt' nigh gone, And the frosts is comin' on Little HEAVIER every day— Like our hearts is thataway! Leaves is changin' overhead Back from green to gray and red, Brown and yeller, with their stems Loosenin' on the oaks and e'ms; And the balance of the trees Gittin' balder every breeze— Like the heads we're scratchin' on! Old October's purt' nigh gone.

I love Old October so, I can't bear to see her go— Seems to me like losin' some Old-home relative er chum— 'Pears like sorto' settin' by Some old friend 'at sigh by sigh Was a-passin' out o' sight Into everlastin' night! Hickernuts a feller hears Rattlin' down is more like tears Drappin' on the leaves below— I love Old October so!

Can't tell what it is about Old October knocks me out!— I sleep well enough at night— And the blamedest appetite Ever mortal man possessed,— Last thing et, it tastes the best!— Warnuts, butternuts, pawpaws, 'Iles and limbers up my jaws Fer raal service, sich as new Pork, spareribs, and sausage, too.— Yit, fer all, they's somepin' 'bout Old October knocks me out!



OLD-FASHIONED ROSES

They ain't no style about 'em, And they're sorto' pale and faded, Yit the doorway here, without 'em, Would be lonesomer, and shaded With a good 'eal blacker shadder Than the morning-glories makes, And the sunshine would look sadder Fer their good old-fashion' sakes,

I like 'em 'cause they kindo'— Sorto' MAKE a feller like 'em! And I tell you, when I find a Bunch out whur the sun kin strike 'em, It allus sets me thinkin' O' the ones 'at used to grow And peek in thro' the chinkin' O' the cabin, don't you know!

And then I think o' mother, And how she ust to love 'em— When they wuzn't any other, 'Less she found 'em up above 'em! And her eyes, afore she shut 'em, Whispered with a smile and said We must pick a bunch and putt 'em In her hand when she wuz dead.

But, as I wuz a-sayin', They ain't no style about 'em Very gaudy er displaying But I wouldn't be without 'em,— 'Cause I'm happier in these posies, And the hollyhawks and sich, Than the hummin'-bird 'at noses In the roses of the rich.



A COUNTRY PATHWAY

I come upon it suddenly, alone— A little pathway winding in the weeds That fringe the roadside; and with dreams my own, I wander as it leads.

Full wistfully along the slender way, Through summer tan of freckled shade and shine, I take the path that leads me as it may— Its every choice is mine.

A chipmunk, or a sudden-whirring quail, Is startled by my step as on I fare— A garter-snake across the dusty trail Glances and—is not there.

Above the arching jimson-weeds flare twos And twos of sallow-yellow butterflies, Like blooms of lorn primroses blowing loose When autumn winds arise.

The trail dips—dwindles—broadens then, and lifts Itself astride a cross-road dubiously, And, from the fennel marge beyond it, drifts Still onward, beckoning me.

And though it needs must lure me mile on mile Out of the public highway, still I go, My thoughts, far in advance in Indian-file, Allure me even so.

Why, I am as a long-lost boy that went At dusk to bring the cattle to the bars, And was not found again, though Heaven lent His mother all the stars

With which to seek him through that awful night. O years of nights as vain!—Stars never rise But well might miss their glitter in the light Of tears in mother-eyes!

So—on, with quickened breaths, I follow still— My avant-courier must be obeyed! Thus am I led, and thus the path, at will, Invites me to invade

A meadow's precincts, where my daring guide Clambers the steps of an old-fashioned stile, And stumbles down again, the other side, To gambol there awhile

In pranks of hide-and-seek, as on ahead I see it running, while the clover-stalks Shake rosy fists at me, as though they said— "You dog our country—walks

"And mutilate us with your walking-stick!— We will not suffer tamely what you do, And warn you at your peril,—for we'll sic Our bumblebees on you!"

But I smile back, in airy nonchalance,— The more determined on my wayward quest, As some bright memory a moment dawns A morning in my breast—

Sending a thrill that hurries me along In faulty similes of childish skips, Enthused with lithe contortions of a song Performing on my lips.

In wild meanderings o'er pasture wealth— Erratic wanderings through dead'ning-lands, Where sly old brambles, plucking me by stealth, Put berries in my hands:

Or the path climbs a bowlder—wades a slough— Or, rollicking through buttercups and flags, Goes gayly dancing o'er a deep bayou On old tree-trunks and snags:

Or, at the creek, leads o'er a limpid pool Upon a bridge the stream itself has made, With some Spring-freshet for the mighty tool That its foundation laid.

I pause a moment here to bend and muse, With dreamy eyes, on my reflection, where A boat-backed bug drifts on a helpless cruise, Or wildly oars the air,

As, dimly seen, the pirate of the brook— The pike, whose jaunty hulk denotes his speed— Swings pivoting about, with wary look Of low and cunning greed.

Till, filled with other thought, I turn again To where the pathway enters in a realm Of lordly woodland, under sovereign reign Of towering oak and elm.

A puritanic quiet here reviles The almost whispered warble from the hedge. And takes a locust's rasping voice and files The silence to an edge.

In such a solitude my sombre way Strays like a misanthrope within a gloom Of his own shadows—till the perfect day Bursts into sudden bloom,

And crowns a long, declining stretch of space, Where King Corn's armies lie with flags unfurled. And where the valley's dint in Nature's face Dimples a smiling world.

And lo! through mists that may not be dispelled, I see an old farm homestead, as in dreams, Where, like a gem in costly setting held, The old log cabin gleams.

O darling Pathway! lead me bravely on Adown your alley-way, and run before Among the roses crowding up the lawn And thronging at the door,—

And carry up the echo there that shall Arouse the drowsy dog, that he may bay The household out to greet the prodigal That wanders home to-day.



WORTERMELON TIME

Old wortermelon time is a-comin' round again, And they ain't no man a-livin' any tickleder'n me, Fer the way I hanker after wortermelons is a sin— Which is the why and wharefore, as you can plainly see.

Oh! it's in the sandy soil wortermelons does the best, And it's thare they'll lay and waller in the sunshine and the dew Tel they wear all the green streaks clean off of theyr breast; And you bet I ain't a-findin' any fault with them; ain't you?

They ain't no better thing in the vegetable line; And they don't need much 'tendin', as ev'ry farmer knows; And when theyr ripe and ready fer to pluck from the vine, I want to say to you theyr the best fruit that grows.

It's some likes the yeller-core, and some likes the red. And it's some says "The Little Californy" is the best; But the sweetest slice of all I ever wedged in my head, Is the old "Edingburg Mounting-sprout," of the west

You don't want no punkins nigh your wortermelon vines— 'Cause, some-way-another, they'll spile your melons, shore;— I've seed 'em taste like punkins, from the core to the rines, Which may be a fact you have heerd of before

But your melons that's raised right and 'tended to with care, You can walk around amongst 'em with a parent's pride and joy, And thump 'em on the heads with as fatherly a air As ef each one of them was your little girl er boy.

I joy in my hart jest to hear that rippin' sound When you split one down the back and jolt the halves in two, And the friends you love the best is gethered all around— And you says unto your sweethart, "Oh, here's the core fer you!"

And I like to slice 'em up in big pieces fer 'em all, Espeshally the childern, and watch theyr high delight As one by one the rines with theyr pink notches falls, And they holler fer some more, with unquenched appetite.

Boys takes to it natchurl, and I like to see 'em eat— A slice of wortermelon's like a frenchharp in theyr hands, And when they "saw" it through theyr mouth sich music can't be beat— 'Cause it's music both the sperit and the stummick understands.

Oh, they's more in wortermelons than the purty-colored meat, And the overflowin' sweetness of the worter squshed betwixt

The up'ard and the down'ard motions of a feller's teeth, And it's the taste of ripe old age and juicy childhood mixed.

Fer I never taste a melon but my thoughts flies away To the summertime of youth; and again I see the dawn, And the fadin' afternoon of the long summer day, And the dusk and dew a-fallin', and the night a-comin' on.

And thare's the corn around us, and the lispin' leaves and trees, And the stars a-peekin' down on us as still as silver mice, And us boys in the wortermelons on our hands and knees, And the new-moon hangin' ore us like a yeller-cored slice.

Oh! it's wortermelon time is a-comin' round again, And they ain't no man a-livin' any tickleder'n me, Fer the way I hanker after wortermelons is a sin— Which is the why and wharefore, as you can plainly see.



UP AND DOWN OLD BRANDYWINE

Up and down old Brandywine, In the days 'at's past and gone— With a dad-burn hook-and line And a saplin' pole—swawn! I've had more fun, to the square Inch, than ever ANYwhere! Heaven to come can't discount MINE Up and down old Brandywine!

Hain't no sense in WISHIN'—yit Wisht to goodness I COULD jes "Gee" the blame' world round and git Back to that old happiness!— Kindo' drive back in the shade "The old Covered Bridge" there laid 'Crosst the crick, and sorto' soak My soul over, hub and spoke!

Honest, now!—it hain't no DREAM 'At I'm wantin',—but THE FAC'S As they wuz; the same old stream, And the same old times, i jacks!— Gim me back my bare feet—and Stonebruise too!—And scratched and tanned! And let hottest dog-days shine Up and down old Brandywine!

In and on betwixt the trees 'Long the banks, pour down yer noon, Kindo' curdled with the breeze And the yallerhammer's tune; And the smokin', chokin' dust O' the turnpike at its wusst— SATURD'YS, say, when it seems Road's jes jammed with country teams!—

Whilse the old town, fur away 'Crosst the hazy pastur'-land, Dozed-like in the heat o' day Peaceful' as a hired hand. Jolt the gravel th'ough the floor O' the old bridge!—grind and roar With yer blame percession-line— Up and down old Brandywine!

Souse me and my new straw-hat Off the foot-log!—what I care?— Fist shoved in the crown o' that— Like the old Clown ust to wear. Wouldn't swop it fer a' old Gin-u-wine raal crown o' gold!— Keep yer KING ef you'll gim me Jes the boy I ust to be!

Spill my fishin'-worms! er steal My best "goggle-eye!"—but you Can't lay hands on joys I feel Nibblin' like they ust to do! So, in memory, to-day Same old ripple lips away At my "cork" and saggin' line, Up and down old Bradywine!

There the logs is, round the hill, Where "Old Irvin" ust to lift Out sunfish from daylight till Dewfall—'fore he'd leave "The Drift" And give US a chance—and then Kindo' fish back home again, Ketchin' 'em jes left and right Where WE hadn't got "a bite!"

Er, 'way windin' out and in,— Old path th'ough the iurnweeds And dog-fennel to yer chin— Then come suddent, th'ough the reeds And cat-tails, smack into where Them—air woods—hogs ust to scare Us clean 'crosst the County-line, Up and down old Brandywine!

But the dim roar o' the dam It 'ud coax us furder still To'rds the old race, slow and ca'm, Slidin' on to Huston's mill— Where, I'spect, "The Freeport crowd" Never WARMED to us er 'lowed We wuz quite so overly Welcome as we aimed to be.

Still it 'peared like ever'thing— Fur away from home as THERE— Had more RELISH-like, i jing!— Fish in stream, er bird in air! O them rich old bottom-lands, Past where Cowden's Schoolhouse stands! Wortermelons—MASTER-MINE! Up and down old Brandywine!

And sich pop-paws!—Lumps o' raw Gold and green,—jes oozy th'ough With ripe yaller—like you've saw Custard-pie with no crust to: And jes GORGES o' wild plums, Till a feller'd suck his thumbs Clean up to his elbows! MY!— ME SOME MORE ER LEM ME DIE!

Up and down old Brandywine!... Stripe me with pokeberry-juice!— Flick me with a pizenvine And yell "Yip!" and lem me loose! —Old now as I then wuz young, 'F I could sing as I HAVE sung, Song 'ud surely ring DEE-VINE Up and down old Brandywine!



WHEN EARLY MARCH SEEMS MIDDLE MAY

When country roads begin to thaw In mottled spots of damp and dust, And fences by the margin draw Along the frosty crust Their graphic silhouettes, I say, The Spring is coming round this way.

When morning-time is bright with sun And keen with wind, and both confuse The dancing, glancing eyes of one With tears that ooze and ooze— And nose-tips weep as well as they, The Spring is coming round this way.

When suddenly some shadow-bird Goes wavering beneath the gaze, And through the hedge the moan is heard Of kine that fain would graze In grasses new, I smile and say, The Spring is coming round this way.

When knotted horse-tails are untied, And teamsters whistle here and there. And clumsy mitts are laid aside And choppers' hands are bare, And chips are thick where children play, The Spring is coming round this way.

When through the twigs the farmer tramps, And troughs are chunked beneath the trees, And fragrant hints of sugar-camps Astray in every breeze,— When early March seems middle May, The Spring is coming round this way.

When coughs are changed to laughs, and when Our frowns melt into smiles of glee, And all our blood thaws out again In streams of ecstasy, And poets wreak their roundelay, The Spring is coming round this way.



A TALE OF THE AIRLY DAYS

Oh! tell me a tale of the airly days— Of the times as they ust to be; "Piller of Fi-er" and "Shakespeare's Plays" Is a' most too deep fer me! I want plane facts, and I want plane words, Of the good old-fashioned ways, When speech run free as the songs of birds 'Way back in the airly days.

Tell me a tale of the timber-lands— Of the old-time pioneers; Somepin' a pore man understands With his feelins's well as ears. Tell of the old log house,—about The loft, and the puncheon flore— The old fi-er-place, with the crane swung out, And the latch-string thrugh the door.

Tell of the things jest as they was— They don't need no excuse!— Don't tech 'em up like the poets does, Tel theyr all too fine fer use!— Say they was 'leven in the fambily— Two beds, and the chist, below, And the trundle-beds that each helt three, And the clock and the old bureau.

Then blow the horn at the old back-door Tel the echoes all halloo, And the childern gethers home onc't more, Jest as they ust to do: Blow fer Pap tel he hears and comes, With Tomps and Elias, too, A-marchin' home, with the fife and drums And the old Red White and Blue!

Blow and blow tel the sound draps low As the moan of the whipperwill, And wake up Mother, and Ruth and Jo, All sleepin' at Bethel Hill: Blow and call tel the faces all Shine out in the back-log's blaze, And the shadders dance on the old hewed wall As they did in the airly days.



OLD MAN'S NURSERY RHYME

I

In the jolly winters Of the long-ago, It was not so cold as now— O! No! No! Then, as I remember, Snowballs to eat Were as good as apples now. And every bit as sweet!

II

In the jolly winters Of the dead-and-gone, Bub was warm as summer, With his red mitts on,— Just in his little waist- And-pants all together, Who ever hear him growl About cold weather?

III

In the jolly winters Of the long-ago— Was it HALF so cold as now? O! No! No! Who caught his death o' cold, Making prints of men Flat-backed in snow that now's Twice as cold again?

IV

In the jolly winters Of the dead-and-gone, Startin' out rabbit-huntin'— Early as the dawn,— Who ever froze his fingers, Ears, heels, or toes,— Or'd 'a' cared if he had? Nobody knows!

V

Nights by the kitchen-stove, Shellin' white and red Corn in the skillet, and Sleepin' four abed! Ah! the jolly winters Of the long-ago! We were not as old as now— O! No! No!



JUNE

O queenly month of indolent repose! I drink thy breath in sips of rare perfume, As in thy downy lap of clover-bloom I nestle like a drowsy child and doze The lazy hours away. The zephyr throws The shifting shuttle of the Summer's loom And weaves a damask-work of gleam and gloom Before thy listless feet. The lily blows A bugle-call of fragrance o'er the glade; And, wheeling into ranks, with plume and spear, Thy harvest-armies gather on parade; While, faint and far away, yet pure and clear, A voice calls out of alien lands of shade:— All hail the Peerless Goddess of the Year!



THE TREE-TOAD

"'S cur'ous-like," said the tree-toad, "I've twittered fer rain all day; And I got up soon, And hollered tel noon— But the sun, hit blazed away, Tell I jest clumb down in a crawfish-hole, Weary at hart, and sick at soul!

"Dozed away fer an hour, And I tackled the thing agin: And I sung, and sung, Tel I knowed my lung Was jest about give in; And THEN, thinks I, ef hit don't rain NOW, They's nothin' in singin', anyhow!

"Onc't in a while some farmer Would come a-drivin' past; And he'd hear my cry, And stop and sigh— Tel I jest laid back, at last, And I hollered rain tel I thought my th'oat Would bust wide open at ever' note!

"But I FETCHED her!—O I FETCHED her!— 'Cause a little while ago, As I kindo' set, With one eye shet, And a-singin' soft and low, A voice drapped down on my fevered brain, A-sayin',—'EF YOU'LL JEST HUSH I'LL RAIN!'"



A SONG OF LONG AGO

A song of Long Ago: Sing it lightly—sing it low— Sing it softly—like the lisping of the lips we used to know When our baby-laughter spilled From the glad hearts ever filled With music blithe as robin ever trilled!

Let the fragrant summer breeze, And the leaves of locust-trees, And the apple-buds and blossoms, and the wings of honey-bees, All palpitate with glee, Till the happy harmony Brings back each childish joy to you and me.

Let the eyes of fancy turn Where the tumbled pippins burn Like embers in the orchard's lap of tangled grass and fern,— There let the old path wind In and out and on behind The cider-press that chuckles as we grind.

Blend in the song the moan Of the dove that grieves alone, And the wild whir of the locust, and the bumble's drowsy drone; And the low of cows that call Through the pasture-bars when all The landscape fades away at evenfall.

Then, far away and clear, Through the dusky atmosphere, Let the wailing of the killdee be the only sound we hear: O sad and sweet and low As the memory may know Is the glad-pathetic song of Long Ago!



OLD WINTERS ON THE FARM

I have jest about decided It 'ud keep a town-boy hoppin' Fer to work all winter, choppin' Fer a' old fireplace, like I did! Lawz! them old times wuz contrairy!— Blame' backbone o' winter, 'peared-like WOULDN'T break!—and I wuz skeered-like Clean on into FEB'UARY! Nothin' ever made me madder Than fer Pap to stomp in, layin' In a' extra forestick, say'in', "Groun'-hog's out and seed his shadder!"



ROMANCIN'

I' b'en a-kindo' "musin'," as the feller says, and I'm About o' the conclusion that they hain't no better time, When you come to cipher on it, than the times we ust to know When we swore our first "dog-gone-it" sorto' solum-like and low!

You git my idy, do you?—LITTLE tads, you understand— Jest a-wishin' thue and thue you that you on'y wuz a MAN.— Yit here I am, this minit, even sixty, to a day, And fergittin' all that's in it, wishm' jest the other way!

I hain't no hand to lectur' on the times, er dimonstrate Whare the trouble is, er hector and domineer with Fate,— But when I git so flurried, and so pestered-like and blue, And so rail owdacious worried, let me tell you what I do!—

I jest gee-haw the hosses, and onhook the swingle-tree, Whare the hazel-bushes tosses down theyr shadders over me; And I draw my plug o' navy, and I climb the fence, and set Jest a-thinkin' here, i gravy' tel my eyes is wringin'-wet!

Tho' I still kin see the trouble o' the PRESUNT, I kin see— Kindo' like my sight wuz double-all the things that UST to be; And the flutter o' the robin and the teeter o' the wren Sets the willer-branches bobbin' "howdy-do" thum Now to Then!

The deadnin' and the thicket's jest a-bilin' full of June, From the rattle o' the cricket, to the yallar-hammer's tune; And the catbird in the bottom, and the sapsuck on the snag, Seems ef they can't-od-rot 'em!-jest do nothin' else but brag!

They's music in the twitter of the bluebird and the jay, And that sassy little critter jest a-peckin' all the day; They's music in the "flicker," and they's music in the thrush, And they's music in the snicker o' the chipmunk in the brush!

They's music all around me!—And I go back, in a dream Sweeter yit than ever found me fast asleep,—and in the stream That list to split the medder whare the dandylions growed, I stand knee-deep, and redder than the sunset down the road.

Then's when I' b'en a-fishin'!—And they's other fellers, too, With theyr hick'ry-poles a-swishin' out behind 'em; and a few Little "shiners" on our stringers, with theyr tails tip— toein' bloom, As we dance 'em in our fingers all the happy jurney home.

I kin see us, true to Natur', thum the time we started out, With a biscuit and a 'tater in our little "roundabout"!— I kin see our lines a-tanglin', and our elbows in a jam, And our naked legs a-danglin' thum the apern o' the dam.

I kin see the honeysuckle climbin' up around the mill, And kin hear the worter chuckle, and the wheel a-growl- in' still; And thum the bank below it I kin steal the old canoe, And jest git in and row it like the miller ust to do.

W'y, I git my fancy focussed on the past so mortul plane I kin even smell the locus'-blossoms bloomin' in the lane; And I hear the cow-bells clinkin' sweeter tunes 'n "Money-musk"' Fer the lightnin' bugs a-blinkin' and a-dancin' in the dusk.

And when I've kep' on "musin'," as the feller says, tel I'm Firm-fixed in the conclusion that they haint no better time, When you come to cipher on it, than the old times,—I de-clare I kin wake and say "dog-gone-it'" jest as soft as any prayer!

THE END

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