THE ADMIRABLE CRICHTON
From The Plays Of J. M. Barrie
By J. M. Barrie
ACT I. AT LOAM HOUSE, MAYFAIR
A moment before the curtain rises, the Hon. Ernest Woolley drives up to the door of Loam House in Mayfair. There is a happy smile on his pleasant, insignificant face, and this presumably means that he is thinking of himself. He is too busy over nothing, this man about town, to be always thinking of himself, but, on the other hand, he almost never thinks of any other person. Probably Ernest's great moment is when he wakes of a morning and realises that he really is Ernest, for we must all wish to be that which is our ideal. We can conceive him springing out of bed light-heartedly and waiting for his man to do the rest. He is dressed in excellent taste, with just the little bit more which shows that he is not without a sense of humour: the dandiacal are often saved by carrying a smile at the whole thing in their spats, let us say. Ernest left Cambridge the other day, a member of The Athenaeum (which he would be sorry to have you confound with a club in London of the same name). He is a bachelor, but not of arts, no mean epigrammatist (as you shall see), and a favourite of the ladies. He is almost a celebrity in restaurants, where he dines frequently, returning to sup; and during this last year he has probably paid as much in them for the privilege of handing his hat to an attendant as the rent of a working-man's flat. He complains brightly that he is hard up, and that if somebody or other at Westminster does not look out the country will go to the dogs. He is no fool. He has the shrewdness to float with the current because it is a labour-saving process, but he has sufficient pluck to fight, if fight he must (a brief contest, for he would soon be toppled over). He has a light nature, which would enable him to bob up cheerily in new conditions and return unaltered to the old ones. His selfishness is his most endearing quality. If he has his way he will spend his life like a cat in pushing his betters out of the soft places, and until he is old he will be fondled in the process.
He gives his hat to one footman and his cane to another, and mounts the great staircase unassisted and undirected. As a nephew of the house he need show no credentials even to Crichton, who is guarding a door above.
It would not be good taste to describe Crichton, who is only a servant; if to the scandal of all good houses he is to stand out as a figure in the play, he must do it on his own, as they say in the pantry and the boudoir.
We are not going to help him. We have had misgivings ever since we found his name in the title, and we shall keep him out of his rights as long as we can. Even though we softened to him he would not be a hero in these clothes of servitude; and he loves his clothes. How to get him out of them? It would require a cataclysm. To be an indoor servant at all is to Crichton a badge of honour; to be a butler at thirty is the realisation of his proudest ambitions. He is devotedly attached to his master, who, in his opinion, has but one fault, he is not sufficiently contemptuous of his inferiors. We are immediately to be introduced to this solitary failing of a great English peer.
This perfect butler, then, opens a door, and ushers Ernest into a certain room. At the same moment the curtain rises on this room, and the play begins.
It is one of several reception-rooms in Loam House, not the most magnificent but quite the softest; and of a warm afternoon all that those who are anybody crave for is the softest. The larger rooms are magnificent and bare, carpetless, so that it is an accomplishment to keep one's feet on them; they are sometimes lent for charitable purposes; they are also all in use on the night of a dinner-party, when you may find yourself alone in one, having taken a wrong turning; or alone, save for two others who are within hailing distance.
This room, however, is comparatively small and very soft. There are so many cushions in it that you wonder why, if you are an outsider and don't know that, it needs six cushions to make one fair head comfy. The couches themselves are cushions as large as beds, and there is an art of sinking into them and of waiting to be helped out of them. There are several famous paintings on the walls, of which you may say 'Jolly thing that,' without losing caste as knowing too much; and in cases there are glorious miniatures, but the daughters of the house cannot tell you of whom; 'there is a catalogue somewhere.' There are a thousand or so of roses in basins, several library novels, and a row of weekly illustrated newspapers lying against each other like fallen soldiers. If any one disturbs this row Crichton seems to know of it from afar and appears noiselessly and replaces the wanderer. One thing unexpected in such a room is a great array of tea things. Ernest spots them with a twinkle, and has his epigram at once unsheathed. He dallies, however, before delivering the thrust.
ERNEST. I perceive, from the tea cups, Crichton, that the great function is to take place here.
CRICHTON (with a respectful sigh). Yes, sir.
ERNEST (chuckling heartlessly). The servants' hall coming up to have tea in the drawing-room! (With terrible sarcasm.) No wonder you look happy, Crichton.
CRICHTON (under the knife). No, sir.
ERNEST. Do you know, Crichton, I think that with an effort you might look even happier. (CRICHTON smiles wanly.) You don't approve of his lordship's compelling his servants to be his equals—once a month?
CRICHTON. It is not for me, sir, to disapprove of his lordship's radical views.
ERNEST. Certainly not. And, after all, it is only once a month that he is affable to you.
CRICHTON. On all other days of the month, sir, his lordship's treatment of us is everything that could be desired.
ERNEST. (This is the epigram.) Tea cups! Life, Crichton, is like a cup of tea; the more heartily we drink, the sooner we reach the dregs.
CRICHTON (obediently). Thank you, sir.
ERNEST (becoming confidential, as we do when we have need of an ally). Crichton, in case I should be asked to say a few words to the servants, I have strung together a little speech. (His hand strays to his pocket.) I was wondering where I should stand.
(He tries various places and postures, and comes to rest leaning over a high chair, whence, in dumb show, he addresses a gathering. CRICHTON, with the best intentions, gives him a footstool to stand on, and departs, happily unconscious that ERNEST in some dudgeon has kicked the footstool across the room.)
ERNEST (addressing an imaginary audience, and desirous of startling them at once). Suppose you were all little fishes at the bottom of the sea—
(He is not quite satisfied with his position, though sure that the fault must lie with the chair for being too high, not with him for being too short. CRICHTON'S suggestion was not perhaps a bad one after all. He lifts the stool, but hastily conceals it behind him on the entrance of the LADIES CATHERINE and AGATHA, two daughters of the house. CATHERINE is twenty, and AGATHA two years younger. They are very fashionable young women indeed, who might wake up for a dance, but they are very lazy, CATHERINE being two years lazier than AGATHA.)
ERNEST (uneasily jocular, because he is concealing the footstool). And how are my little friends to-day?
AGATHA (contriving to reach a settee). Don't be silly, Ernest. If you want to know how we are, we are dead. Even to think of entertaining the servants is so exhausting.
CATHERINE (subsiding nearer the door). Besides which, we have had to decide what frocks to take with us on the yacht, and that is such a mental strain.
ERNEST. You poor over-worked things. (Evidently AGATHA is his favourite, for he helps her to put her feet on the settee, while CATHERINE has to dispose of her own feet.) Rest your weary limbs.
CATHERINE (perhaps in revenge). But why have you a footstool in your hand?
ERNEST. Why? (Brilliantly; but to be sure he has had time to think it out.) You see, as the servants are to be the guests I must be butler. I was practising. This is a tray, observe.
(Holding the footstool as a tray, he minces across the room like an accomplished footman. The gods favour him, for just here LADY MARY enters, and he holds out the footstool to her.)
Tea, my lady?
(LADY MARY is a beautiful creature of twenty-two, and is of a natural hauteur which is at once the fury and the envy of her sisters. If she chooses she can make you seem so insignificant that you feel you might be swept away with the crumb-brush. She seldom chooses, because of the trouble of preening herself as she does it; she is usually content to show that you merely tire her eyes. She often seems to be about to go to sleep in the middle of a remark: there is quite a long and anxious pause, and then she continues, like a clock that hesitates, bored in the middle of its strike.)
LADY MARY (arching her brows). It is only you, Ernest; I thought there was some one here (and she also bestows herself on cushions).
ERNEST (a little piqued, and deserting the footstool). Had a very tiring day also, Mary?
LADY MARY (yawning). Dreadfully. Been trying on engagement-rings all the morning.
ERNEST (who is as fond of gossip as the oldest club member). What's that? (To AGATHA.) Is it Brocklehurst?
(The energetic AGATHA nods.)
You have given your warm young heart to Brocky?
(LADY MARY is impervious to his humour, but he continues bravely.)
I don't wish to fatigue you, Mary, by insisting on a verbal answer, but if, without straining yourself, you can signify Yes or No, won't you make the effort?
(She indolently flashes a ring on her most important finger, and he starts back melodramatically.)
The ring! Then I am too late, too late! (Fixing LADY MARY sternly, like a prosecuting counsel.) May I ask, Mary, does Brocky know? Of course, it was that terrible mother of his who pulled this through. Mother does everything for Brocky. Still, in the eyes of the law you will be, not her wife, but his, and, therefore, I hold that Brocky ought to be informed. Now—
(He discovers that their languorous eyes have closed.)
If you girls are shamming sleep in the expectation that I shall awaken you in the manner beloved of ladies, abandon all such hopes.
(CATHERINE and AGATHA look up without speaking.)
LADY MARY (speaking without looking up). You impertinent boy.
ERNEST (eagerly plucking another epigram from his quiver). I knew that was it, though I don't know everything. Agatha, I'm not young enough to know everything.
(He looks hopefully from one to another, but though they try to grasp this, his brilliance baffles them.)
AGATHA (his secret admirer). Young enough?
ERNEST (encouragingly). Don't you see? I'm not young enough to know everything.
AGATHA. I'm sure it's awfully clever, but it's so puzzling.
(Here CRICHTON ushers in an athletic, pleasant-faced young clergyman, MR. TREHERNE, who greets the company.)
CATHERINE. Ernest, say it to Mr. Treherne.
ERNEST. Look here, Treherne, I'm not young enough to know everything.
TREHERNE. How do you mean, Ernest?
ERNEST. (a little nettled). I mean what I say.
LADY MARY. Say it again; say it more slowly.
TREHERNE. I see. What you really mean, my boy, is that you are not old enough to know everything.
ERNEST. No, I don't.
TREHERNE. I assure you that's it.
LADY MARY. Of course it is.
CATHERINE. Yes, Ernest, that's it.
(ERNEST, in desperation, appeals to CRICHTON.)
ERNEST. I am not young enough, Crichton, to know everything.
(It is an anxious moment, but a smile is at length extorted from CRICHTON as with a corkscrew.)
CRICHTON. Thank you, sir. (He goes.)
ERNEST (relieved). Ah, if you had that fellow's head, Treherne, you would find something better to do with it than play cricket. I hear you bowl with your head.
TREHERNE (with proper humility). I'm afraid cricket is all I'm good for, Ernest.
CATHERINE (who thinks he has a heavenly nose). Indeed, it isn't. You are sure to get on, Mr. Treherne.
TREHERNE. Thank you, Lady Catherine.
CATHERINE. But it was the bishop who told me so. He said a clergyman who breaks both ways is sure to get on in England.
TREHERNE. I'm jolly glad.
(The master of the house comes in, accompanied by LORD BROCKLEHURST. The EARL OF LOAM is a widower, a philanthropist, and a peer of advanced ideas. As a widower he is at least able to interfere in the domestic concerns of his house—to rummage in the drawers, so to speak, for which he has felt an itching all his blameless life; his philanthropy has opened quite a number of other drawers to him; and his advanced ideas have blown out his figure. He takes in all the weightiest monthly reviews, and prefers those that are uncut, because he perhaps never looks better than when cutting them; but he does not read them, and save for the cutting it would suit him as well merely to take in the covers. He writes letters to the papers, which are printed in a type to scale with himself, and he is very jealous of those other correspondents who get his type. Let laws and learning, art and commerce die, but leave the big type to an intellectual aristocracy. He is really the reformed House of Lords which will come some day.
Young LORD BROCKLEHURST is nothing save for his rank. You could pick him up by the handful any day in Piccadilly or Holborn, buying socks—or selling them.)
LORD LOAM (expansively). You are here, Ernest. Feeling fit for the voyage, Treherne?
TREHERNE. Looking forward to it enormously.
LORD LOAM. That's right. (He chases his children about as if they were chickens.) Now then, Mary, up and doing, up and doing. Time we had the servants in. They enjoy it so much.
LADY MARY. They hate it.
LORD LOAM. Mary, to your duties. (And he points severely to the tea-table.)
ERNEST (twinkling). Congratulations, Brocky.
LORD BROCKLEHURST (who detests humour). Thanks.
ERNEST. Mother pleased?
LORD BROCKLEHURST (with dignity). Mother is very pleased.
ERNEST. That's good. Do you go on the yacht with us?
LORD BROCKLEHURST. Sorry I can't. And look here, Ernest, I will not be called Brocky.
ERNEST. Mother don't like it?
LORD BROCKLEHURST. She does not. (He leaves ERNEST, who forgives him and begins to think about his speech. CRICHTON enters.)
LORD LOAM (speaking as one man to another). We are quite ready, Crichton. (CRICHTON is distressed.)
LADY MARY (sarcastically). How Crichton enjoys it!
LORD LOAM (frowning). He is the only one who doesn't; pitiful creature.
CRICHTON (shuddering under his lord's displeasure). I can't help being a Conservative, my lord.
LORD LOAM. Be a man, Crichton. You are the same flesh and blood as myself.
CRICHTON (in pain). Oh, my lord!
LORD LOAM (sharply). Show them in; and, by the way, they were not all here last time.
CRICHTON. All, my lord, except the merest trifles.
LORD LOAM. It must be every one. (Lowering.) And remember this, Crichton, for the time being you are my equal. (Testily.) I shall soon show you whether you are not my equal. Do as you are told.
(CRICHTON departs to obey, and his lordship is now a general. He has no pity for his daughters, and uses a terrible threat.)
And girls, remember, no condescension. The first who condescends recites. (This sends them skurrying to their labours.)
By the way, Brocklehurst, can you do anything?
LORD BROCKLEHURST. How do you mean?
LORD LOAM. Can you do anything—with a penny or a handkerchief, make them disappear, for instance?
LORD BROCKLEHURST. Good heavens, no.
LORD LOAM. It's a pity. Every one in our position ought to be able to do something. Ernest, I shall probably ask you to say a few words; something bright and sparkling.
ERNEST. But, my dear uncle, I have prepared nothing.
LORD LOAM. Anything impromptu will do.
ERNEST. Oh—well—if anything strikes me on the spur of the moment.
(He unostentatiously gets the footstool into position behind the chair. CRICHTON reappears to announce the guests, of whom the first is the housekeeper.)
CRICHTON (reluctantly). Mrs. Perkins.
LORD LOAM (shaking hands). Very delighted, Mrs. Perkins. Mary, our friend, Mrs. Perkins.
LADY MARY. How do you do, Mrs. Perkins? Won't you sit here?
LORD LOAM (threateningly). Agatha!
AGATHA (hastily). How do you do? Won't you sit down?
LORD LOAM (introducing). Lord Brocklehurst—my valued friend, Mrs. Perkins.
(LORD BROCKLEHURST bows and escapes. He has to fall back on ERNEST.)
LORD BROCKLEHURST. For heaven's sake, Ernest, don't leave me for a moment; this sort of thing is utterly opposed to all my principles.
ERNEST (airily). You stick to me, Brocky, and I'll pull you through.
CRICHTON. Monsieur Fleury.
ERNEST. The chef.
LORD LOAM (shaking hands with the chef). Very charmed to see you, Monsieur Fleury.
FLEURY. Thank you very much.
(FLEURY bows to AGATHA, who is not effusive.)
LORD LOAM (warningly). Agatha—recitation!
(She tosses her head, but immediately finds a seat and tea for M. FLEURY. TREHERNE and ERNEST move about, making themselves amiable. LADY MARY is presiding at the tea-tray.)
CRICHTON. Mr. Rolleston.
LORD LOAM (shaking hands with his valet). How do you do, Rolleston?
(CATHERINE looks after the wants of ROLLESTON.)
CRICHTON. Mr. Tompsett.
(TOMPSETT, the coachman, is received with honours, from which he shrinks.)
CRICHTON. Miss Fisher.
(This superb creature is no less than LADY MARY'S maid, and even LORD LOAM is a little nervous.)
LORD LOAM. This is a pleasure, Miss Fisher.
ERNEST (unabashed). If I might venture, Miss Fisher (and he takes her unto himself).
CRICHTON. Miss Simmons.
LORD LOAM (to CATHERINE'S maid). You are always welcome, Miss Simmons.
ERNEST (perhaps to kindle jealousy in Miss FISHER). At last we meet. Won't you sit down?
CRICHTON. Mademoiselle Jeanne.
LORD LOAM. Charmed to see you, Mademoiselle Jeanne.
(A place is found for AGATHA'S maid, and the scene is now an animated one; but still our host thinks his girls are not sufficiently sociable. He frowns on LADY MARY.)
LADY MARY (in alarm). Mr. Treherne, this is Fisher, my maid.
LORD LOAM (sharply). Your what, Mary?
LADY MARY. My friend.
LORD LOAM. How do you do, Thomas?
(The first footman gives him a reluctant hand.)
LORD LOAM. How do you do, John?
(ERNEST signs to LORD BROCKLEHURST, who hastens to him.)
ERNEST (introducing). Brocklehurst, this is John. I think you have already met on the door-step.
(She comes, wrapping her hands miserably in her apron.)
LORD LOAM (doggedly). Give me your hand, Jane.
ERNEST. How do you do, Gladys. You know my uncle?
LORD LOAM. Your hand, Gladys.
(He bestows her on AGATHA.)
(She is a very humble and frightened kitchenmaid, of whom we are to see more.)
LORD LOAM. So happy to see you.
FISHER. John, I saw you talking to Lord Brocklehurst just now; introduce me.
LORD BROCKLEHURST (at the same moment to ERNEST). That's an uncommon pretty girl; if I must feed one of them, Ernest, that's the one.
(But ERNEST tries to part him and FISHER as they are about to shake hands.)
ERNEST. No you don't, it won't do, Brocky. (To Miss FISHER.) You are too pretty, my dear. Mother wouldn't like it. (Discovering TWEENY.) Here's something safer. Charming girl, Brocky, dying to know you; let me introduce you. Tweeny, Lord Brocklehurst—Lord Brocklehurst, Tweeny.
(BROCKLEHURST accepts his fate; but he still has an eye for FISHER, and something may come of this.)
LORD LOAM (severely). They are not all here, Crichton.
CRICHTON (with a sigh). Odds and ends.
(A STABLE-BOY and a PAGE are shown in, and for a moment no daughter of the house advances to them.)
LORD LOAM (with a roving eye on his children). Which is to recite?
(The last of the company are, so to say, embraced.)
LORD LOAM (to TOMPSETT, as they partake of tea together). And how are all at home?
TOMPSETT. Fairish, my lord, if 'tis the horses you are inquiring for?
LORD LOAM. No, no, the family. How's the baby?
TOMPSETT. Blooming, your lordship.
LORD LOAM. A very fine boy. I remember saying so when I saw him; nice little fellow.
TOMPSETT (not quite knowing whether to let it pass). Beg pardon, my lord, it's a girl.
LORD LOAM. A girl? Aha! ha! ha! exactly what I said. I distinctly remember saying, If it's spared it will be a girl.
(CRICHTON now comes down.)
LORD LOAM. Very delighted to see you, Crichton.
(CRICHTON has to shake hands.)
Mary, you know Mr. Crichton?
(He wanders off in search of other prey.)
LADY MARY. Milk and sugar, Crichton?
CRICHTON. I'm ashamed to be seen talking to you, my lady.
LADY MARY. To such a perfect servant as you all this must be most distasteful. (CRICHTON is too respectful to answer.) Oh, please do speak, or I shall have to recite. You do hate it, don't you?
CRICHTON. It pains me, your ladyship. It disturbs the etiquette of the servants' hall. After last month's meeting the pageboy, in a burst of equality, called me Crichton. He was dismissed.
LADY MARY. I wonder—I really do—how you can remain with us.
CRICHTON. I should have felt compelled to give notice, my lady, if the master had not had a seat in the Upper House. I cling to that.
LADY MARY. Do go on speaking. Tell me, what did Mr. Ernest mean by saying he was not young enough to know everything?
CRICHTON. I have no idea, my lady.
LADY MARY. But you laughed.
CRICHTON. My lady, he is the second son of a peer.
LADY MARY. Very proper sentiments. You are a good soul, Crichton.
LORD BROCKLEHURST (desperately to TWEENY). And now tell me, have you been to the Opera? What sort of weather have you been having in the kitchen? (TWEENY gurgles.) For Heaven's sake, woman, be articulate.
CRICHTON (still talking to LADY MARY). No, my lady; his lordship may compel us to be equal upstairs, but there will never be equality in the servants' hall.
LORD LOAM (overhearing this). What's that? No equality? Can't you see, Crichton, that our divisions into classes are artificial, that if we were to return to nature, which is the aspiration of my life, all would be equal?
CRICHTON. If I may make so bold as to contradict your lordship—
LORD LOAM (with an effort). Go on.
CRICHTON. The divisions into classes, my lord, are not artificial. They are the natural outcome of a civilised society. (To LADY MARY.) There must always be a master and servants in all civilised communities, my lady, for it is natural, and whatever is natural is right.
LORD LOAM (wincing). It is very unnatural for me to stand here and allow you to talk such nonsense.
CRICHTON (eagerly). Yes, my lord, it is. That is what I have been striving to point out to your lordship.
AGATHA (to CATHERINE). What is the matter with Fisher? She is looking daggers.
CATHERINE. The tedious creature; some question of etiquette, I suppose.
(She sails across to FISHER.)
How are you, Fisher?
FISHER (with a toss of her head). I am nothing, my lady, I am nothing at all.
AGATHA. Oh dear, who says so?
FISHER (affronted). His lordship has asked that kitchen wench to have a second cup of tea.
CATHERINE. But why not?
FISHER. If it pleases his lordship to offer it to her before offering it to me—
AGATHA. So that is it. Do you want another cup of tea, Fisher?
FISHER. No, my lady—but my position—I should have been asked first.
AGATHA. Oh dear.
(All this has taken some time, and by now the feeble appetites of the uncomfortable guests have been satiated. But they know there is still another ordeal to face—his lordship's monthly speech. Every one awaits it with misgiving—the servants lest they should applaud, as last time, in the wrong place, and the daughters because he may be personal about them, as the time before. ERNEST is annoyed that there should be this speech at all when there is such a much better one coming, and BROCKLEHURST foresees the degradation of the peerage. All are thinking of themselves alone save CRICHTON, who knows his master's weakness, and fears he may stick in the middle. LORD LOAM, however, advances cheerfully to his doom. He sees ERNEST'S stool, and artfully stands on it, to his nephew's natural indignation. The three ladies knit their lips, the servants look down their noses, and the address begins.)
LORD LOAM. My friends, I am glad to see you all looking so happy. It used to be predicted by the scoffer that these meetings would prove distasteful to you. Are they distasteful? I hear you laughing at the question.
(He has not heard them, but he hears them now, the watchful CRICHTON giving them a lead.)
No harm in saying that among us to-day is one who was formerly hostile to the movement, but who to-day has been won over. I refer to Lord Brocklehurst, who, I am sure, will presently say to me that if the charming lady now by his side has derived as much pleasure from his company as he has derived from hers, he will be more than satisfied.
(All look at TWEENY, who trembles.)
For the time being the artificial and unnatural—I say unnatural (glaring at CRICHTON, who bows slightly)—barriers of society are swept away. Would that they could be swept away for ever.
(The PAGEBOY cheers, and has the one moment of prominence in his life. He grows up, marries and has children, but is never really heard of again.)
But that is entirely and utterly out of the question. And now for a few months we are to be separated. As you know, my daughters and Mr. Ernest and Mr. Treherne are to accompany me on my yacht, on a voyage to distant parts of the earth. In less than forty-eight hours we shall be under weigh.
(But for CRICHTON'S eye the reckless PAGEBOY would repeat his success.)
Do not think our life on the yacht is to be one long idle holiday. My views on the excessive luxury of the day are well known, and what I preach I am resolved to practise. I have therefore decided that my daughters, instead of having one maid each as at present, shall on this voyage have but one maid between them.
(Three maids rise; also three mistresses.)
CRICHTON. My lord!
LORD LOAM. My mind is made up.
ERNEST. I cordially agree.
LORD LOAM. And now, my friends, I should like to think that there is some piece of advice I might give you, some thought, some noble saying over which you might ponder in my absence. In this connection I remember a proverb, which has had a great effect on my own life. I first heard it many years ago. I have never forgotten it. It constantly cheers and guides me. That proverb is—that proverb was—the proverb I speak of—
(He grows pale and taps his forehead.)
LADY MARY. Oh dear, I believe he has forgotten it.
LORD LOAM (desperately). The proverb—that proverb to which I refer—
(Alas, it has gone. The distress is general. He has not even the sense to sit down. He gropes for the proverb in the air. They try applause, but it is no help.)
I have it now—(not he).
LADY MARY (with confidence). Crichton.
(He does not fail her. As quietly as if he were in goloshes, mind as well as feet, he dismisses the domestics; they go according to precedence as they entered, yet, in a moment, they are gone. Then he signs to MR. TREHERNE, and they conduct LORD LOAM with dignity from the room. His hands are still catching flies; he still mutters, 'The proverb—that proverb'; but he continues, owing to CRICHTON'S skilful treatment, to look every inch a peer. The ladies have now an opportunity to air their indignation.)
LADY MARY. One maid among three grown women!
LORD BROCKLEHURST. Mary, I think I had better go. That dreadful kitchenmaid—
LADY MARY. I can't blame you, George.
(He salutes her.)
LORD BROCKLEHURST. Your father's views are shocking to me, and I am glad I am not to be one of the party on the yacht. My respect for myself, Mary, my natural anxiety as to what mother will say. I shall see you, darling, before you sail.
(He bows to the others and goes.)
ERNEST. Selfish brute, only thinking of himself. What about my speech?
LADY MARY. One maid among three of us. What's to be done?
ERNEST. Pooh! You must do for yourselves, that's all.
LADY MARY. Do for ourselves. How can we know where our things are kept?
AGATHA. Are you aware that dresses button up the back?
CATHERINE. How are we to get into our shoes and be prepared for the carriage?
LADY MARY. Who is to put us to bed, and who is to get us up, and how shall we ever know it's morning if there is no one to pull up the blinds?
(CRICHTON crosses on his way out.)
ERNEST. How is his lordship now?
CRICHTON. A little easier, sir.
LADY MARY. Crichton, send Fisher to me.
ERNEST. I have no pity for you girls, I—
LADY MARY. Ernest, go away, and don't insult the broken-hearted.
ERNEST. And uncommon glad I am to go. Ta-ta, all of you. He asked me to say a few words. I came here to say a few words, and I'm not at all sure that I couldn't bring an action against him.
(He departs, feeling that he has left a dart behind him. The girls are alone with their tragic thoughts.)
LADY MARY (becomes a mother to the younger ones at last). My poor sisters, come here. (They go to her doubtfully.) We must make this draw us closer together. I shall do my best to help you in every way. Just now I cannot think of myself at all.
AGATHA. But how unlike you, Mary.
LADY MARY. It is my duty to protect my sisters.
CATHERINE. I never knew her so sweet before, Agatha. (Cautiously.) What do you propose to do, Mary?
LADY MARY. I propose when we are on the yacht to lend Fisher to you when I don't need her myself.
LADY MARY (who has the most character of the three). Of course, as the eldest, I have decided that it is my maid we shall take with us.
CATHERINE (speaking also for AGATHA). Mary, you toad.
AGATHA. Nothing on earth would induce Fisher to lift her hand for either me or Catherine.
LADY MARY. I was afraid of it, Agatha. That is why I am so sorry for you.
(The further exchange of pleasantries is interrupted by the arrival of FISHER.)
LADY MARY. Fisher, you heard what his lordship said?
FISHER. Yes, my lady.
LADY MARY (coldly, though the others would have tried blandishment). You have given me some satisfaction of late, Fisher, and to mark my approval I have decided that you shall be the maid who accompanies us.
FISHER (acidly). I thank you, my lady.
LADY MARY. That is all; you may go.
FISHER (rapping it out). If you please, my lady, I wish to give notice.
(CATHERINE and AGATHA gleam, but LADY MARY is of sterner stuff.)
LADY MARY (taking up a book). Oh, certainly—you may go.
CATHERINE. But why, Fisher?
FISHER. I could not undertake, my lady, to wait upon three. We don't do it. (In an indignant outburst to LADY MARY.) Oh, my lady, to think that this affront—
LADY MARY (looking up). I thought I told you to go, Fisher.
(FISHER stands for a moment irresolute; then goes. As soon as she has gone LADY MARY puts down her book and weeps. She is a pretty woman, but this is the only pretty thing we have seen her do yet.)
AGATHA (succinctly). Serves you right.
CATHERINE. It will be Simmons after all. Send Simmons to me.
CRICHTON (after hesitating). My lady, might I venture to speak?
CATHERINE. What is it?
CRICHTON. I happen to know, your ladyship, that Simmons desires to give notice for the same reason as Fisher.
AGATHA (triumphant). Then, Catherine, we take Jeanne.
CRICHTON. And Jeanne also, my lady.
(LADY MARY is reading, indifferent though the heavens fall, but her sisters are not ashamed to show their despair to CRICHTON.)
AGATHA. We can't blame them. Could any maid who respected herself be got to wait upon three?
LADY MARY (with languid interest). I suppose there are such persons, Crichton?
CRICHTON (guardedly). I have heard, my lady, that there are such.
LADY MARY (a little desperate). Crichton, what's to be done? We sail in two days; could one be discovered in the time?
AGATHA (frankly a supplicant). Surely you can think of some one?
CRICHTON (after hesitating). There is in this establishment, your ladyship, a young woman—
LADY MARY. Yes?
CRICHTON. A young woman, on whom I have for some time cast an eye.
CATHERINE (eagerly). Do you mean as a possible lady's-maid?
CRICHTON. I had thought of her, my lady, in another connection.
LADY MARY. Ah!
CRICHTON. But I believe she is quite the young person you require. Perhaps if you could see her, my lady—
LADY MARY. I shall certainly see her. Bring her to me. (He goes.) You two needn't wait.
CATHERINE. Needn't we? We see your little game, Mary.
AGATHA. We shall certainly remain and have our two-thirds of her.
(They sit there doggedly until CRICHTON returns with TWEENY, who looks scared.)
CRICHTON. This, my lady, is the young person.
CATHERINE (frankly). Oh dear!
(It is evident that all three consider her quite unsuitable.)
LADY MARY. Come here, girl. Don't be afraid.
(TWEENY looks imploringly at her idol.)
CRICHTON. Her appearance, my lady, is homely, and her manners, as you may have observed, deplorable, but she has a heart of gold.
LADY MARY. What is your position downstairs?
TWEENY (bobbing). I'm a tweeny, your ladyship.
CATHERINE. A what?
CRICHTON. A tweeny; that is to say, my lady, she is not at present, strictly speaking, anything; a between maid; she helps the vegetable maid. It is she, my lady, who conveys the dishes from the one end of the kitchen table, where they are placed by the cook, to the other end, where they enter into the charge of Thomas and John.
LADY MARY. I see. And you and Crichton are—ah—keeping company?
(CRICHTON draws himself up.)
TWEENY (aghast). A butler don't keep company, my lady.
LADY MARY (indifferently). Does he not?
CRICHTON. No, your ladyship, we butlers may—(he makes a gesture with his arms)—but we do not keep company.
AGATHA. I know what it is; you are engaged?
(TWEENY looks longingly at CRICHTON.)
CRICHTON. Certainly not, my lady. The utmost I can say at present is that I have cast a favourable eye.
(Even this is much to TWEENY.)
LADY MARY. As you choose. But I am afraid, Crichton, she will not suit us.
CRICHTON. My lady, beneath this simple exterior are concealed a very sweet nature and rare womanly gifts.
AGATHA. Unfortunately, that is not what we want.
CRICHTON. And it is she, my lady, who dresses the hair of the ladies'-maids for our evening meals.
(The ladies are interested at last.)
LADY MARY. She dresses Fisher's hair?
TWEENY. Yes, my lady, and I does them up when they goes to parties.
CRICHTON (pained, but not scolding). Does!
TWEENY. Doos. And it's me what alters your gowns to fit them.
CRICHTON. What alters!
TWEENY. Which alters.
LADY MARY. I shall certainly have her.
CATHERINE. We shall certainly have her. Tweeny, we have decided to make a lady's-maid of you.
TWEENY. Oh lawks!
AGATHA. We are doing this for you so that your position socially may be more nearly akin to that of Crichton.
CRICHTON (gravely). It will undoubtedly increase the young person's chances.
LADY MARY. Then if I get a good character for you from Mrs. Perkins, she will make the necessary arrangements.
(She resumes reading.)
TWEENY (elated). My lady!
LADY MARY. By the way, I hope you are a good sailor.
TWEENY (startled). You don't mean, my lady, I'm to go on the ship?
LADY MARY. Certainly.
TWEENY. But—(To CRICHTON.) You ain't going, sir?
TWEENY (firm at last). Then neither ain't I.
AGATHA. YOU must.
TWEENY. Leave him! Not me.
LADY MARY. Girl, don't be silly. Crichton will be—considered in your wages.
TWEENY. I ain't going.
CRICHTON. I feared this, my lady.
TWEENY. Nothing'll budge me.
LADY MARY. Leave the room.
(CRICHTON shows TWEENY out with marked politeness.)
AGATHA. Crichton, I think you might have shown more displeasure with her.
CRICHTON (contrite). I was touched, my lady. I see, my lady, that to part from her would be a wrench to me, though I could not well say so in her presence, not having yet decided how far I shall go with her.
(He is about to go when LORD LOAM returns, fuming.)
LORD LOAM. The ingrate! The smug! The fop!
CATHERINE. What is it now, father?
LORD LOAM. That man of mine, Rolleston, refuses to accompany us because you are to have but one maid.
LADY MARY (in better taste). Darling father, rather than you should lose Rolleston, we will consent to take all the three of them.
LORD LOAM. Pooh, nonsense! Crichton, find me a valet who can do without three maids.
CRICHTON. Yes, my lord. (Troubled.) In the time—the more suitable the party, my lord, the less willing will he be to come without the—the usual perquisites.
LORD LOAM. Any one will do.
CRICHTON (shocked). My lord!
LORD LOAM. The ingrate! The puppy!
(AGATHA has an idea, and whispers to LADY MARY.)
LADY MARY. I ask a favour of a servant?—never!
AGATHA. Then I will. Crichton, would it not be very distressing to you to let his lordship go, attended by a valet who might prove unworthy? It is only for three months; don't you think that you—you yourself—you—
(As CRICHTON sees what she wants he pulls himself up with noble, offended dignity, and she is appalled.)
I beg your pardon.
(He bows stiffly.)
CATHERINE (to CRICHTON). But think of the joy to Tweeny.
(CRICHTON is moved, but he shakes his head.)
LADY MARY (so much the cleverest). Crichton, do you think it safe to let the master you love go so far away without you while he has these dangerous views about equality?
(CRICHTON is profoundly stirred. After a struggle he goes to his master, who has been pacing the room.)
CRICHTON. My lord, I have found a man.
LORD LOAM. Already? Who is he?
(CRICHTON presents himself with a gesture.)
CATHERINE. Father, how good of him.
LORD LOAM (pleased, but thinking it a small thing). Uncommon good. Thank you, Crichton. This helps me nicely out of a hole; and how it will annoy Rolleston! Come with me, and we shall tell him. Not that I think you have lowered yourself in any way. Come along.
(He goes, and CRICHTON is to follow him, but is stopped by AGATHA impulsively offering him her hand.)
CRICHTON (who is much shaken). My lady—a valet's hand!
AGATHA. I had no idea you would feel it so deeply; why did you do it?
(CRICHTON is too respectful to reply.)
LADY MARY (regarding him). Crichton, I am curious. I insist upon an answer.
CRICHTON. My lady, I am the son of a butler and a lady's-maid—perhaps the happiest of all combinations, and to me the most beautiful thing in the world is a haughty, aristocratic English house, with every one kept in his place. Though I were equal to your ladyship, where would be the pleasure to me? It would be counterbalanced by the pain of feeling that Thomas and John were equal to me.
CATHERINE. But father says if we were to return to nature—
CRICHTON. If we did, my lady, the first thing we should do would be to elect a head. Circumstances might alter cases; the same person might not be master; the same persons might not be servants. I can't say as to that, nor should we have the deciding of it. Nature would decide for us.
LADY MARY. You seem to have thought it all out carefully, Crichton.
CRICHTON. Yes, my lady.
CATHERINE. And you have done this for us, Crichton, because you thought that—that father needed to be kept in his place?
CRICHTON. I should prefer you to say, my lady, that I have done it for the house.
AGATHA. Thank you, Crichton. Mary, be nicer to him. (But LADY MARY has begun to read again.) If there was any way in which we could show our gratitude.
CRICHTON. If I might venture, my lady, would you kindly show it by becoming more like Lady Mary. That disdain is what we like from our superiors. Even so do we, the upper servants, disdain the lower servants, while they take it out of the odds and ends.
(He goes, and they bury themselves in cushions.)
AGATHA. Oh dear, what a tiring day.
CATHERINE. I feel dead. Tuck in your feet, you selfish thing.
(LADY MARY is lying reading on another couch.)
LADY MARY. I wonder what he meant by circumstances might alter cases.
AGATHA (yawning). Don't talk, Mary, I was nearly asleep.
LADY MARY. I wonder what he meant by the same person might not be master, and the same persons might not be servants.
CATHERINE. Do be quiet, Mary, and leave it to nature; he said nature would decide.
LADY MARY. I wonder—
(But she does not wonder very much. She would wonder more if she knew what was coming. Her book slips unregarded to the floor. The ladies are at rest until it is time to dress.)
End of Act I.
ACT II. THE ISLAND
Two months have elapsed, and the scene is a desert island in the Pacific, on which our adventurers have been wrecked.
The curtain rises on a sea of bamboo, which shuts out all view save the foliage of palm trees and some gaunt rocks. Occasionally Crichton and Treherne come momentarily into sight, hacking and hewing the bamboo, through which they are making a clearing between the ladies and the shore; and by and by, owing to their efforts, we shall have an unrestricted outlook on to a sullen sea that is at present hidden. Then we shall also be able to note a mast standing out of the water—all that is left, saving floating wreckage, of the ill-fated yacht the Bluebell. The beginnings of a hut will also be seen, with Crichton driving its walls into the ground or astride its roof of saplings, for at present he is doing more than one thing at a time. In a red shirt, with the ends of his sailor's breeches thrust into wading-boots, he looks a man for the moment; we suddenly remember some one's saying—perhaps it was ourselves—that a cataclysm would be needed to get him out of his servant's clothes, and apparently it has been forthcoming. It is no longer beneath our dignity to cast an inquiring eye on his appearance. His features are not distinguished, but he has a strong jaw and green eyes, in which a yellow light burns that we have not seen before. His dark hair, hitherto so decorously sleek, has been ruffled this way and that by wind and weather, as if they were part of the cataclysm and wanted to help his chance. His muscles must be soft and flabby still, but though they shriek aloud to him to desist, he rains lusty blows with his axe, like one who has come upon the open for the first time in his life, and likes it. He is as yet far from being an expert woodsman—mark the blood on his hands at places where he has hit them instead of the tree; but note also that he does not waste time in bandaging them—he rubs them in the earth and goes on. His face is still of the discreet pallor that befits a butler, and he carries the smaller logs as if they were a salver; not in a day or a month will he shake off the badge of servitude, but without knowing it he has begun.
But for the hatchets at work, and an occasional something horrible falling from a tree into the ladies' laps, they hear nothing save the mournful surf breaking on a coral shore.
They sit or recline huddled together against a rock, and they are farther from home, in every sense of the word, than ever before. Thirty-six hours ago, they were given three minutes in which to dress, without a maid, and reach the boats, and they have not made the best of that valuable time. None of them has boots, and had they known this prickly island they would have thought first of boots. They have a sufficiency of garments, but some of them were gifts dropped into the boat—Lady Mary's tarpaulin coat and hat, for instance, and Catherine's blue jersey and red cap, which certify that the two ladies were lately before the mast. Agatha is too gay in Ernest's dressing-gown, and clutches it to her person with both hands as if afraid that it may be claimed by its rightful owner. There are two pairs of bath slippers between the three of them, and their hair cries aloud and in vain for hairpins.
By their side, on an inverted bucket, sits Ernest, clothed neatly in the garments of day and night, but, alas, bare-footed. He is the only cheerful member of this company of four, but his brightness is due less to a manly desire to succour the helpless than to his having been lately in the throes of composition, and to his modest satisfaction with the result. He reads to the ladies, and they listen, each with one scared eye to the things that fall from trees.
ERNEST (who has written on the fly-leaf of the only book saved from the wreck). This is what I have written. 'Wrecked, wrecked, wrecked! on an island in the Tropics, the following: the Hon. Ernest Woolley, the Rev. John Treherne, the Ladies Mary, Catherine, and Agatha Lasenby, with two servants. We are the sole survivors of Lord Loam's steam yacht Bluebell, which encountered a fearful gale in these seas, and soon became a total wreck. The crew behaved gallantly, putting us all into the first boat. What became of them I cannot tell, but we, after dreadful sufferings, and insufficiently clad, in whatever garments we could lay hold of in the dark'—
LADY MARY. Please don't describe our garments.
ERNEST.—'succeeded in reaching this island, with the loss of only one of our party, namely, Lord Loam, who flung away his life in a gallant attempt to save a servant who had fallen overboard.' (The ladies have wept long and sore for their father, but there is something in this last utterance that makes them look up.)
AGATHA. But, Ernest, it was Crichton who jumped overboard trying to save father.
ERNEST (with the candour that is one of his most engaging qualities). Well, you know, it was rather silly of uncle to fling away his life by trying to get into the boat first; and as this document may be printed in the English papers, it struck me, an English peer, you know—
LADY MARY (every inch an English peer's daughter). Ernest, that is very thoughtful of you.
ERNEST (continuing, well pleased).—'By night the cries of wild cats and the hissing of snakes terrify us extremely'—(this does not satisfy him so well, and he makes a correction)—'terrify the ladies extremely. Against these we have no weapons except one cutlass and a hatchet. A bucket washed ashore is at present our only comfortable seat'—
LADY MARY (with some spirit). And Ernest is sitting on it.
ERNEST. H'sh! Oh, do be quiet.—'To add to our horrors, night falls suddenly in these parts, and it is then that savage animals begin to prowl and roar.'
LADY MARY. Have you said that vampire bats suck the blood from our toes as we sleep?
ERNEST. No, that's all. I end up, 'Rescue us or we perish. Rich reward. Signed Ernest Woolley, in command of our little party.' This is written on a leaf taken out of a book of poems that Crichton found in his pocket. Fancy Crichton being a reader of poetry. Now I shall put it into the bottle and fling it into the sea.
(He pushes the precious document into a soda-water bottle, and rams the cork home. At the same moment, and without effort, he gives birth to one of his most characteristic epigrams.)
The tide is going out, we mustn't miss the post.
(They are so unhappy that they fail to grasp it, and a little petulantly he calls for CRICHTON, ever his stand-by in the hour of epigram. CRICHTON breaks through the undergrowth quickly, thinking the ladies are in danger.)
CRICHTON. Anything wrong, sir?
ERNEST (with fine confidence). The tide, Crichton, is a postman who calls at our island twice a day for letters.
CRICHTON (after a pause). Thank you, sir.
(He returns to his labours, however, without giving the smile which is the epigrammatist's right, and ERNEST is a little disappointed in him.)
ERNEST. Poor Crichton! I sometimes think he is losing his sense of humour. Come along, Agatha.
(He helps his favourite up the rocks, and they disappear gingerly from view.)
CATHERINE. How horribly still it is.
LADY MARY (remembering some recent sounds). It is best when it is still.
CATHERINE (drawing closer to her). Mary, I have heard that they are always very still just before they jump.
LADY MARY. Don't. (A distinct chapping is heard, and they are startled.)
LADY MARY (controlling herself). It is only Crichton knocking down trees.
CATHERINE (almost imploringly). Mary, let us go and stand beside him.
LADY MARY (coldly). Let a servant see that I am afraid!
CATHERINE. Don't, then; but remember this, dear, they often drop on one from above.
(She moves away, nearer to the friendly sound of the axe, and LADY MARY is left alone. She is the most courageous of them as well as the haughtiest, but when something she had thought to be a stick glides toward her, she forgets her dignity and screams.)
LADY MARY (calling). Crichton, Crichton!
(It must have been TREHERNE who was tree-felling, for CRICHTON comes to her from the hut, drawing his cutlass.)
CRICHTON (anxious). Did you call, my lady?
LADY MARY (herself again, now that he is there). I! Why should I?
CRICHTON. I made a mistake, your ladyship. (Hesitating.) If you are afraid of being alone, my lady—
LADY MARY. Afraid! Certainly not. (Doggedly.) You may go.
(But she does not complain when he remains within eyesight cutting the bamboo. It is heavy work, and she watches him silently.)
LADY MARY. I wish, Crichton, you could work without getting so hot.
CRICHTON (mopping his face). I wish I could, my lady.
(He continues his labours.)
LADY MARY (taking off her oilskins). It makes me hot to look at you.
CRICHTON. It almost makes me cool to look at your ladyship.
LADY MARY (who perhaps thinks he is presuming). Anything I can do for you in that way, Crichton, I shall do with pleasure.
CRICHTON (quite humbly). Thank you, my lady.
(By this time most of the bamboo has been cut, and the shore and sea are visible, except where they are hidden by the half completed hut. The mast rising solitary from the water adds to the desolation of the scene, and at last tears run down LADY MARY'S face.)
CRICHTON. Don't give way, my lady, things might be worse.
LADY MARY. My poor father.
CRICHTON. If I could have given my life for his.
LADY MARY. You did all a man could do. Indeed I thank you, Crichton. (With some admiration and more wonder.) You are a man.
CRICHTON. Thank you, my lady.
LADY MARY. But it is all so awful. Crichton, is there any hope of a ship coming?
CRICHTON (after hesitation). Of course there is, my lady.
LADY MARY (facing him bravely). Don't treat me as a child. I have got to know the worst, and to face it. Crichton, the truth.
CRICHTON (reluctantly). We were driven out of our course, my lady; I fear far from the track of commerce.
LADY MARY. Thank you; I understand.
(For a moment, however, she breaks down. Then she clenches her hands and stands erect.)
CRICHTON (watching her, and forgetting perhaps for the moment that they are not just a man and woman). You're a good pluckt 'un, my lady.
LADY MARY (falling into the same error). I shall try to be. (Extricating herself.) Crichton, how dare you?
CRICHTON. I beg your ladyship's pardon; but you are.
(She smiles, as if it were a comfort to be told this even by CRICHTON.)
And until a ship comes we are three men who are going to do our best for you ladies.
LADY MARY (with a curl of the lip). Mr. Ernest does no work.
CRICHTON (cheerily). But he will, my lady.
LADY MARY. I doubt it.
CRICHTON (confidently, but perhaps thoughtlessly). No work—no dinner—will make a great change in Mr. Ernest.
LADY MARY. No work—no dinner. When did you invent that rule, Crichton?
CRICHTON (loaded with bamboo). I didn't invent it, my lady. I seem to see it growing all over the island.
LADY MARY (disquieted). Crichton, your manner strikes me as curious.
CRICHTON (pained). I hope not, your ladyship.
LADY MARY (determined to have it out with him). You are not implying anything so unnatural, I presume, as that if I and my sisters don't work there will be no dinner for us?
CRICHTON (brightly). If it is unnatural, my lady, that is the end of it.
LADY MARY. If? Now I understand. The perfect servant at home holds that we are all equal now. I see.
CRICHTON (wounded to the quick). My lady, can you think me so inconsistent?
LADY MARY. That is it.
CRICHTON (earnestly). My lady, I disbelieved in equality at home because it was against nature, and for that same reason I as utterly disbelieve in it on an island.
LADY MARY (relieved by his obvious sincerity). I apologise.
CRICHTON (continuing unfortunately). There must always, my lady, be one to command and others to obey.
LADY MARY (satisfied). One to command, others to obey. Yes. (Then suddenly she realises that there may be a dire meaning in his confident words.) Crichton!
CRICHTON (who has intended no dire meaning). What is it, my lady?
(But she only stares into his face and then hurries from him. Left alone he is puzzled, but being a practical man he busies himself gathering firewood, until TWEENY appears excitedly carrying cocoa-nuts in her skirt. She has made better use than the ladies of her three minutes' grace for dressing.)
TWEENY (who can be happy even on an island if CRICHTON is with her). Look what I found.
CRICHTON. Cocoa-nuts. Bravo!
TWEENY. They grows on trees.
CRICHTON. Where did you think they grew?
TWEENY. I thought as how they grew in rows on top of little sticks.
CRICHTON (wrinkling his brows). Oh Tweeny, Tweeny!
TWEENY (anxiously). Have I offended of your feelings again, sir?
CRICHTON. A little.
TWEENY (in a despairing outburst). I'm full o' vulgar words and ways; and though I may keep them in their holes when you are by, as soon as I'm by myself out they comes in a rush like beetles when the house is dark. I says them gloating-like, in my head—'Blooming' I says, and 'All my eye,' and 'Ginger,' and 'Nothink'; and all the time we was being wrecked I was praying to myself, 'Please the Lord it may be an island as it's natural to be vulgar on.'
(A shudder passes through CRICHTON, and she is abject.)
That's the kind I am, sir. I'm 'opeless. You'd better give me up.
(She is a pathetic, forlorn creature, and his manhood is stirred.)
CRICHTON (wondering a little at himself for saying it). I won't give you up. It is strange that one so common should attract one so fastidious; but so it is. (Thoughtfully.) There is something about you, Tweeny, there is a je ne sais quoi about you.
TWEENY (knowing only that he has found something in her to commend). Is there, is there? Oh, I am glad.
CRICHTON (putting his hand on her shoulder like a protector). We shall fight your vulgarity together. (All this time he has been arranging sticks for his fire.) Now get some dry grass. (She brings him grass, and he puts it under the sticks. He produces an odd lens from his pocket, and tries to focus the sun's rays.)
TWEENY. Why, what's that?
CRICHTON (the ingenious creature). That's the glass from my watch and one from Mr. Treherne's, with a little water between them. I'm hoping to kindle a fire with it.
TWEENY (properly impressed). Oh sir!
(After one failure the grass takes fire, and they are blowing on it when excited cries near by bring them sharply to their feet. AGATHA runs to them, white of face, followed by ERNEST.)
ERNEST. Danger! Crichton, a tiger-cat!
CRICHTON (getting his cutlass). Where?
AGATHA. It is at our heels.
ERNEST. Look out, Crichton.
(TREHERNE comes to his assistance, while LADY MARY and CATHERINE join AGATHA in the hut.) ERNEST. It will be on us in a moment. (He seizes the hatchet and guards the hut. It is pleasing to see that ERNEST is no coward.)
ERNEST. The grass is moving. It's coming.
(It comes. But it is no tiger-cat; it is LORD LOAM crawling on his hands and knees, a very exhausted and dishevelled peer, wondrously attired in rags. The girls see him, and with glad cries rush into his arms.)
LADY MARY. Father.
LORD LOAM. Mary—Catherine—Agatha. Oh dear, my dears, my dears, oh dear!
LADY MARY. Darling.
TREHERNE. Glad to see you, sir.
ERNEST. Uncle, uncle, dear old uncle.
(For a time such happy cries fill the air, but presently TREHERNE is thoughtless.)
TREHERNE. Ernest thought you were a tiger-cat.
LORD LOAM (stung somehow to the quick). Oh, did you? I knew you at once, Ernest; I knew you by the way you ran.
(ERNEST smiles forgivingly.)
CRICHTON (venturing forward at last). My lord, I am glad.
ERNEST (with upraised finger). But you are also idling, Crichton. (Making himself comfortable on the ground.) We mustn't waste time. To work, to work.
CRICHTON (after contemplating him without rancour). Yes, sir.
(He gets a pot from the hut and hangs it on a tripod over the fire, which is now burning brightly.)
TREHERNE. Ernest, you be a little more civil. Crichton, let me help.
(He is soon busy helping CRICHTON to add to the strength of the hut.)
LORD LOAM (gazing at the pot as ladies are said to gaze on precious stones). Is that—but I suppose I'm dreaming again. (Timidly.) It isn't by any chance a pot on top of a fire, is it?
LADY MARY. Indeed, it is, dearest. It is our supper.
LORD LOAM. I have been dreaming of a pot on a fire for two days. (Quivering.) There 's nothing in it, is there?
ERNEST. Sniff, uncle. (LORD LOAM sniffs.)
LORD LOAM (reverently). It smells of onions!
(There is a sudden diversion.)
CATHERINE. Father, you have boots!
LADY MARY. So he has.
LORD LOAM. Of course I have.
ERNEST (with greedy cunning). You are actually wearing boots, uncle. It's very unsafe, you know, in this climate.
LORD LOAM. Is it?
ERNEST. We have all abandoned them, you observe. The blood, the arteries, you know.
LORD LOAM. I hadn't a notion.
(He holds out his feet, and ERNEST kneels.)
ERNEST. O Lord, yes.
(In another moment those boots will be his.)
LADY MARY (quickly). Father, he is trying to get your boots from you. There is nothing in the world we wouldn't give for boots.
ERNEST (rising haughtily, a proud spirit misunderstood). I only wanted the loan of them.
AGATHA (running her fingers along them lovingly). If you lend them to any one, it will be to us, won't it, father.
LORD LOAM. Certainly, my child.
ERNEST. Oh, very well. (He is leaving these selfish ones.) I don't want your old boots. (He gives his uncle a last chance.) You don't think you could spare me one boot?
LORD LOAM (tartly). I do not.
ERNEST. Quite so. Well, all I can say is I'm sorry for you.
(He departs to recline elsewhere.)
LADY MARY. Father, we thought we should never see you again.
LORD LOAM. I was washed ashore, my dear, clinging to a hencoop. How awful that first night was.
LADY MARY. Poor father.
LORD LOAM. When I woke, I wept. Then I began to feel extremely hungry. There was a large turtle on the beach. I remembered from the Swiss Family Robinson that if you turn a turtle over he is helpless. My dears, I crawled towards him, I flung myself upon him—(here he pauses to rub his leg)—the nasty, spiteful brute.
LADY MARY. You didn't turn him over?
LORD LOAM (vindictively, though he is a kindly man). Mary, the senseless thing wouldn't wait; I found that none of them would wait.
CATHERINE. We should have been as badly off if Crichton hadn't—
LADY MARY (quickly). Don't praise Crichton.
LORD LOAM. And then those beastly monkeys, I always understood that if you flung stones at them they would retaliate by flinging cocoa-nuts at you. Would you believe it, I flung a hundred stones, and not one monkey had sufficient intelligence to grasp my meaning. How I longed for Crichton.
LADY MARY (wincing). For us also, father?
LORD LOAM. For you also. I tried for hours to make a fire. The authors say that when wrecked on an island you can obtain a light by rubbing two pieces of stick together. (With feeling.) The liars!
LADY MARY. And all this time you thought there was no one on the island but yourself?
LORD LOAM. I thought so until this morning. I was searching the pools for little fishes, which I caught in my hat, when suddenly I saw before me—on the sand—
LORD LOAM. A hairpin.
LADY MARY. A hairpin! It must be one of ours. Give it me, father.
AGATHA. No, it's mine.
LORD LOAM. I didn't keep it.
LADY MARY (speaking for all three). Didn't keep it? Found a hairpin on an island, and didn't keep it?
LORD LOAM (humbly). My dears.
AGATHA (scarcely to be placated). Oh father, we have returned to nature more than you bargained for.
LADY MARY. For shame, Agatha. (She has something on her mind.) Father, there is something I want you to do at once—I mean to assert your position as the chief person on the island.
(They are all surprised.)
LORD LOAM. But who would presume to question it?
CATHERINE. She must mean Ernest.
LADY MARY. Must I?
AGATHA. It's cruel to say anything against Ernest.
LORD LOAM (firmly). If any one presumes to challenge my position, I shall make short work of him.
AGATHA. Here comes Ernest; now see if you can say these horrid things to his face.
LORD LOAM. I shall teach him his place at once.
LADY MARY (anxiously). But how?
LORD LOAM (chuckling). I have just thought of an extremely amusing way of doing it. (As ERNEST approaches.) Ernest.
ERNEST (loftily). Excuse me, uncle, I'm thinking. I'm planning out the building of this hut.
LORD LOAM. I also have been thinking.
ERNEST. That don't matter.
LORD LOAM. Eh?
ERNEST. Please, please, this is important.
LORD LOAM. I have been thinking that I ought to give you my boots.
LADY MARY. Father.
LORD LOAM (genially). Take them, my boy. (With a rapidity we had not thought him capable of, ERNEST becomes the wearer of the boots.) And now I dare say you want to know why I give them to you, Ernest?
ERNEST (moving up and down in them deliciously). Not at all. The great thing is, 'I've got 'em, I've got 'em.'
LORD LOAM (majestically, but with a knowing look at his daughters). My reason is that, as head of our little party, you, Ernest, shall be our hunter, you shall clear the forests of those savage beasts that make them so dangerous. (Pleasantly.) And now you know, my dear nephew, why I have given you my boots.
ERNEST. This is my answer.
(He kicks off the boots.)
LADY MARY (still anxious). Father, assert yourself.
LORD LOAM. I shall now assert myself. (But how to do it? He has a happy thought.) Call Crichton.
LADY MARY. Oh father.
(CRICHTON comes in answer to a summons, and is followed by TREHERNE.)
ERNEST (wondering a little at LADY MARY'S grave face). Crichton, look here.
LORD LOAM (sturdily). Silence! Crichton, I want your advice as to what I ought to do with Mr. Ernest. He has defied me.
CRICHTON (after considering). May I speak openly, my lord?
LADY MARY (keeping her eyes fixed on him). That is what we desire.
CRICHTON (quite humbly). Then I may say, your lordship, that I have been considering Mr. Ernest's case at odd moments ever since we were wrecked.
ERNEST. My case?
LORD LOAM (sternly). Hush.
CRICHTON. Since we landed on the island, my lord, it seems to me that Mr. Ernest's epigrams have been particularly brilliant.
ERNEST (gratified). Thank you, Crichton.
CRICHTON. But I find—I seem to find it growing wild, my lord, in the woods, that sayings which would be justly admired in England are not much use on an island. I would therefore most respectfully propose that henceforth every time Mr. Ernest favours us with an epigram his head should be immersed in a bucket of cold spring water.
(There is a terrible silence.)
LORD LOAM (uneasily). Serve him right.
ERNEST. I should like to see you try to do it, uncle.
CRICHTON (ever ready to come to the succour of his lordship). My feeling, my lord, is that at the next offence I should convey him to a retired spot, where I shall carry out the undertaking in as respectful a manner as is consistent with a thorough immersion.
(Though his manner is most respectful, he is firm; he evidently means what he says.)
LADY MARY (a ramrod). Father, you must not permit this; Ernest is your nephew.
LORD LOAM (with his hand to his brow). After all, he is my nephew, Crichton; and, as I am sure, he now sees that I am a strong man—
ERNEST (foolishly in the circumstances). A strong man. You mean a stout man. You are one of mind to two of matter. (He looks round in the old way for approval. No one has smiled, and to his consternation he sees that CRICHTON is quietly turning up his sleeves. ERNEST makes an appealing gesture to his uncle; then he turns defiantly to CRICHTON.)
CRICHTON. Is it to be before the ladies, Mr. Ernest, or in the privacy of the wood? (He fixes ERNEST with his eye. ERNEST is cowed.) Come.
ERNEST (affecting bravado). Oh, all right.
CRICHTON (succinctly). Bring the bucket.
(ERNEST hesitates. He then lifts the bucket and follows CRICHTON to the nearest spring.)
LORD LOAM (rather white). I'm sorry for him, but I had to be firm.
LADY MARY. Oh father, it wasn't you who was firm. Crichton did it himself.
LORD LOAM. Bless me, so he did.
LADY MARY. Father, be strong.
LORD LOAM (bewildered). You can't mean that my faithful Crichton—
LADY MARY. Yes, I do.
TREHERNE. Lady Mary, I stake my word that Crichton is incapable of acting dishonourably.
LADY MARY. I know that; I know it as well as you. Don't you see that that is what makes him so dangerous?
TREHERNE. By Jove, I—I believe I catch your meaning.
CATHERINE. He is coming back.
LORD LOAM (who has always known himself to be a man of ideas). Let us all go into the hut, just to show him at once that it is our hut.
LADY MARY (as they go). Father, I implore you, assert yourself now and for ever.
LORD LOAM. I will.
LADY MARY. And, please, don't ask him how you are to do it.
(CRICHTON returns with sticks to mend the fire.)
LORD LOAM (loftily, from the door of the hut). Have you carried out my instructions, Crichton?
CRICHTON (deferentially). Yes, my lord.
(ERNEST appears, mopping his hair, which has become very wet since we last saw him. He is not bearing malice, he is too busy drying, but AGATHA is specially his champion.)
AGATHA. It's infamous, infamous.
LORD LOAM: (strongly). My orders, Agatha.
LADY MARY. Now, father, please.
LORD LOAM (striking an attitude). Before I give you any further orders, Crichton—
CRICHTON. Yes, my lord.
LORD LOAM. (delighted) Pooh! It's all right.
LADY MARY. No. Please go on.
LORD LOAM. Well, well. This question of the leadership; what do you think now, Crichton?
CRICHTON. My lord, I feel it is a matter with which I have nothing to do.
LORD LOAM. Excellent. Ha, Mary? That settles it, I think.
LADY MARY. It seems to, but—I'm not sure.
CRICHTON. It will settle itself naturally, my lord, without any interference from us.
(The reference to nature gives general dissatisfaction.)
LADY MARY. Father.
LORD LOAM (a little severely). It settled itself long ago, Crichton, when I was born a peer, and you, for instance, were born a servant.
CRICHTON (acquiescing). Yes, my lord, that was how it all came about quite naturally in England. We had nothing to do with it there, and we shall have as little to do with it here.
TREHERNE (relieved). That's all right.
LADY MARY (determined to clinch the matter). One moment. In short, Crichton, his lordship will continue to be our natural head.
CRICHTON. I dare say, my lady, I dare say.
CATHERINE. But you must know.
CRICHTON. Asking your pardon, my lady, one can't be sure—on an island.
(They look at each other uneasily.)
LORD LOAM (warningly). Crichton, I don't like this.
CRICHTON (harassed). The more I think of it, your lordship, the more uneasy I become myself. When I heard, my lord, that you had left that hairpin behind—(He is pained.)
LORD LOAM (feebly). One hairpin among so many would only have caused dissension.
CRICHTON (very sorry to have to contradict him). Not so, my lord. From that hairpin we could have made a needle; with that needle we could, out of skins, have sewn trousers of which your lordship is in need; indeed, we are all in need of them.
LADY MARY (suddenly self-conscious). All?
CRICHTON. On an island, my lady.
LADY MARY. Father.
CRICHTON (really more distressed by the prospect than she). My lady, if nature does not think them necessary, you may be sure she will not ask you to wear them. (Shaking his head.) But among all this undergrowth—
LADY MARY. Now you see this man in his true colours.
LORD LOAM (violently). Crichton, you will either this moment say, 'Down with nature,'.
CRICHTON (scandalised). My Lord!
LORD LOAM (loftily). Then this is my last word to you; take a month's notice.
(If the hut had a door he would now shut it to indicate that the interview is closed.)
CRICHTON (in great distress). Your lordship, the disgrace—
LORD LOAM (swelling). Not another word: you may go.
LADY MARY (adamant). And don't come to me, Crichton, for a character.
ERNEST (whose immersion has cleared his brain). Aren't you all forgetting that this is an island?
(This brings them to earth with a bump. LORD LOAM looks to his eldest daughter for the fitting response.)
LADY MARY (equal to the occasion). It makes only this difference—that you may go at once, Crichton, to some other part of the island.
(The faithful servant has been true to his superiors ever since he was created, and never more true than at this moment; but his fidelity is founded on trust in nature, and to be untrue to it would be to be untrue to them. He lets the wood he has been gathering slip to the ground, and bows his sorrowful head. He turns to obey. Then affection for these great ones wells up in him.)
CRICHTON. My lady, let me work for you.
LADY MARY. Go.
CRICHTON. You need me so sorely; I can't desert you; I won't.
LADY MARY (in alarm, lest the others may yield). Then, father, there is but one alternative, we must leave him.
(LORD LOAM is looking yearningly at CRICHTON.)
TREHERNE. It seems a pity.
CATHERINE (forlornly). You will work for us?
TREHERNE. Most willingly. But I must warn you all that, so far, Crichton has done nine-tenths of the scoring.
LADY MARY. The question is, are we to leave this man?
LORD LOAM (wrapping himself in his dignity). Come, my dears.
CRICHTON. My lord!
LORD LOAM. Treherne—Ernest—get our things.
ERNEST. We don't have any, uncle. They all belong to Crichton.
TREHERNE. Everything we have he brought from the wreck—he went back to it before it sank. He risked his life.
CRICHTON. My lord, anything you would care to take is yours.
LADY MARY (quickly). Nothing.
ERNEST. Rot! If I could have your socks, Crichton—
LADY MARY. Come, father; we are ready.
(Followed by the others, she and LORD LOAM pick their way up the rocks. In their indignation they scarcely notice that daylight is coming to a sudden end.)
CRICHTON. My lord, I implore you—I am not desirous of being head. Do you have a try at it, my lord.
LORD LOAM (outraged). A try at it!
CRICHTON (eagerly). It may be that you will prove to be the best man.
LORD LOAM. May be! My children, come.
(They disappear proudly in single file.)
TREHERNE. Crichton, I'm sorry; but of course I must go with them.
CRICHTON. Certainly, sir.
(He calls to TWEENY, and she comes from behind the hut, where she has been watching breathlessly.)
Will you be so kind, sir, as to take her to the others?
TWEENY. But what do it all mean?
CRICHTON. Does, Tweeny, does. (He passes her up the rocks to TREHERNE.) We shall meet again soon, Tweeny. Good night, sir.
TREHERNE. Good night. I dare say they are not far away.
CRICHTON (thoughtfully). They went westward, sir, and the wind is blowing in that direction. That may mean, sir, that nature is already taking the matter into her own hands. They are all hungry, sir, and the pot has come a-boil. (He takes off the lid.) The smell will be borne westward. That pot is full of nature, Mr. Treherne. Good night, sir.
TREHERNE. Good night.
(He mounts the rocks with TWEENY, and they are heard for a little time after their figures are swallowed up in the fast growing darkness. CRICHTON stands motionless, the lid in his hand, though he has forgotten it, and his reason for taking it off the pot. He is deeply stirred, but presently is ashamed of his dejection, for it is as if he doubted his principles. Bravely true to his faith that nature will decide now as ever before, he proceeds manfully with his preparations for the night. He lights a ship's lantern, one of several treasures he has brought ashore, and is filling his pipe with crumbs of tobacco from various pockets, when the stealthy movements of some animal in the grass startles him. With the lantern in one hand and his cutlass in the other, he searches the ground around the hut. He returns, lights his pipe, and sits down by the fire, which casts weird moving shadows. There is a red gleam on his face; in the darkness he is a strong and perhaps rather sinister figure. In the great stillness that has fallen over the land, the wash of the surf seems to have increased in volume. The sound is indescribably mournful. Except where the fire is, desolation has fallen on the island like a pall.
Once or twice, as nature dictates, CRICHTON leans forward to stir the pot, and the smell is borne westward. He then resumes his silent vigil.
Shadows other than those cast by the fire begin to descend the rocks. They are the adventurers returning. One by one they steal nearer to the pot until they are squatted round it, with their hands out to the blaze. LADY MARY only is absent. Presently she comes within sight of the others, then stands against a tree with her teeth clenched. One wonders, perhaps, what nature is to make of her.)
End of Act II.
ACT III. THE HAPPY HOME
The scene is the hall of their island home two years later. This sturdy log-house is no mere extension of the hut we have seen in process of erection, but has been built a mile or less to the west of it, on higher ground and near a stream. When the master chose this site, the others thought that all he expected from the stream was a sufficiency of drinking water. They know better now every time they go down to the mill or turn on the electric light.
This hall is the living-room of the house, and walls and roof are of stout logs. Across the joists supporting the roof are laid many home-made implements, such as spades, saws, fishing-rods, and from hooks in the joists are suspended cured foods, of which hams are specially in evidence. Deep recesses half way up the walls contain various provender in barrels and sacks. There are some skins, trophies of the chase, on the floor, which is otherwise bare. The chairs and tables are in some cases hewn out of the solid wood, and in others the result of rough but efficient carpentering. Various pieces of wreckage from the yacht have been turned to novel uses: thus the steering-wheel now hangs from the centre of the roof, with electric lights attached to it encased in bladders. A lifebuoy has become the back of a chair. Two barrels have been halved and turn coyly from each other as a settee.
The farther end of the room is more strictly the kitchen, and is a great recess, which can be shut off from the hall by folding doors. There is a large open fire in it. The chimney is half of one of the boats of the yacht. On the walls of the kitchen proper are many plate-racks, containing shells; there are rows of these of one size and shape, which mark them off as dinner plates or bowls; others are as obviously tureens. They are arranged primly as in a well-conducted kitchen; indeed, neatness and cleanliness are the note struck everywhere, yet the effect of the whole is romantic and barbaric.
The outer door into this hall is a little peculiar on an island. It is covered with skins and is in four leaves, like the swing doors of fashionable restaurants, which allow you to enter without allowing the hot air to escape. During the winter season our castaways have found the contrivance useful, but Crichton's brain was perhaps a little lordly when he conceived it. Another door leads by a passage to the sleeping-rooms of the house, which are all on the ground-floor, and to Crichton's work-room, where he is at this moment, and whither we should like to follow him, but in a play we may not, as it is out of sight. There is a large window space without a window, which, however, can be shuttered, and through this we have a view of cattle-sheds, fowl-pens, and a field of grain. It is a fine summer evening.
Tweeny is sitting there, very busy plucking the feathers off a bird and dropping them on a sheet placed for that purpose on the floor. She is trilling to herself in the lightness of her heart. We may remember that Tweeny, alone among the women, had dressed wisely for an island when they fled the yacht, and her going-away gown still adheres to her, though in fragments. A score of pieces have been added here and there as necessity compelled, and these have been patched and repatched in incongruous colours; but, when all is said and done, it can still be maintained that Tweeny wears a skirt. She is deservedly proud of her skirt, and sometimes lends it on important occasions when approached in the proper spirit.
Some one outside has been whistling to Tweeny; the guarded whistle which, on a less savage island, is sometimes assumed to be an indication to cook that the constable is willing, if the coast be clear. Tweeny, however, is engrossed, or perhaps she is not in the mood for a follower, so he climbs in at the window undaunted, to take her willy nilly. He is a jolly-looking labouring man, who answers to the name of Daddy, and—But though that may be his island name, we recognise him at once. He is Lord Loam, settled down to the new conditions, and enjoying life heartily as handy-man about the happy home. He is comfortably attired in skins. He is still stout, but all the flabbiness has dropped from him; gone too is his pomposity; his eye is clear, brown his skin; he could leap a gate.
In his hands he carries an island-made concertina, and such is the exuberance of his spirits that, as he lights on the floor, he bursts into music and song, something about his being a chickety chickety chick chick, and will Tweeny please to tell him whose chickety chick is she. Retribution follows sharp. We hear a whir, as if from insufficiently oiled machinery, and over the passage door appears a placard showing the one word 'Silence.' His lordship stops, and steals to Tweeny on his tiptoes.
LORD LOAM. I thought the Gov. was out.
TWEENY. Well, you see he ain't. And if he were to catch you here idling—
(LORD LOAM pales. He lays aside his musical instrument and hurriedly dons an apron. TWEENY gives him the bird to pluck, and busies herself laying the table for dinner.)
LORD LOAM (softly). What is he doing now?
TWEENY. I think he's working out that plan for laying on hot and cold.
LORD LOAM (proud of his master). And he'll manage it too. The man who could build a blacksmith's forge without tools—
TWEENY (not less proud). He made the tools.
LORD LOAM. Out of half a dozen rusty nails. The saw-mill, Tweeny; the speaking-tube; the electric lighting; and look at the use he has made of the bits of the yacht that were washed ashore. And all in two years. He's a master I'm proud to pluck for.
(He chirps happily at his work, and she regards him curiously.)
TWEENY. Daddy, you're of little use, but you're a bright, cheerful creature to have about the house. (He beams at this commendation.) Do you ever think of old times now? We was a bit different.
LORD LOAM (pausing). Circumstances alter cases. (He resumes his plucking contentedly.)
TWEENY. But, Daddy, if the chance was to come of getting back?
LORD LOAM. I have given up bothering about it.
TWEENY. You bothered that day long ago when we saw a ship passing the island. How we all ran like crazy folk into the water, Daddy, and screamed and held out our arms. (They are both a little agitated.) But it sailed away, and we've never seen another.
LORD LOAM. If we had had the electrical contrivance we have now we could have attracted that ship's notice. (Their eyes rest on a mysterious apparatus that fills a corner of the hall.) A touch on that lever, Tweeny, and in a few moments bonfires would be blazing all round the shore.
TWEENY (backing from the lever as if it might spring at her). It's the most wonderful thing he has done.
LORD LOAM (in a reverie). And then—England—home!
TWEENY (also seeing visions). London of a Saturday night!
LORD LOAM. My lords, in rising once more to address this historic chamber—
TWEENY. There was a little ham and beef shop off the Edgware Road—(The visions fade; they return to the practical.)
LORD LOAM. Tweeny, do you think I could have an egg to my tea? (At this moment a wiry, athletic figure in skins darkens the window. He is carrying two pails, which are suspended from a pole on his shoulder, and he is ERNEST. We should say that he is ERNEST completely changed if we were of those who hold that people change. As he enters by the window he has heard LORD LOAM's appeal, and is perhaps justifiably indignant.)
ERNEST. What is that about an egg? Why should you have an egg?
LORD LOAM (with hauteur). That is my affair, sir. (With a Parthian shot as he withdraws stiffly from the room.) The Gov. has never put my head in a bucket.
ERNEST (coming to rest on one of his buckets, and speaking with excusable pride. To TWEENY). Nor mine for nearly three months. It was only last week, Tweeny, that he said to me, 'Ernest, the water cure has worked marvels in you, and I question whether I shall require to dip you any more.' (Complacently.) Of course that sort of thing encourages a fellow.
TWEENY (who has now arranged the dinner table to her satisfaction). I will say, Erny, I never seen a young chap more improved.
ERNEST (gratified). Thank you, Tweeny, that's very precious to me.
(She retires to the fire to work the great bellows with her foot, and ERNEST turns to TREHERNE, who has come in looking more like a cow-boy than a clergyman. He has a small box in his hand which he tries to conceal.) What have you got there, John?
TREHERNE. Don't tell anybody. It is a little present for the Gov.; a set of razors. One for each day in the week.
ERNEST (opening the box and examining its contents.) Shells! He'll like that. He likes sets of things.
TREHERNE (in a guarded voice). Have you noticed that?
TREHERNE. He's becoming a bit magnificent in his ideas.
ERNEST (huskily). John, it sometimes gives me the creeps.
TREHERNE (making sure that TWEENY is out of hearing). What do you think of that brilliant robe he got the girls to make for him.
ERNEST (uncomfortably). I think he looks too regal in it.
TREHERNE. Regal! I sometimes fancy that that's why he's so fond of wearing it. (Practically.) Well, I must take these down to the grindstone and put an edge on them.
ERNEST (button-holing him). I say, John, I want a word with you.
ERNEST (become suddenly diffident). Dash it all, you know, you're a clergyman.
TREHERNE. One of the best things the Gov. has done is to insist that none of you forget it.
ERNEST (taking his courage in his hands). Then—would you, John?
ERNEST (wistfully). Officiate at a marriage ceremony, John?
TREHERNE (slowly). Now, that's really odd.
ERNEST. Odd? Seems to me it's natural. And whatever is natural, John, is right.
TREHERNE. I mean that same question has been put to me today already.
ERNEST (eagerly). By one of the women?
TREHERNE. Oh no; they all put it to me long ago. This was by the Gov. himself.
ERNEST. By Jove! (Admiringly.) I say, John, what an observant beggar he is.
TREHERNE. Ah! You fancy he was thinking of you?
ERNEST. I do not hesitate to affirm, John, that he has seen the love-light in my eyes. You answered—
TREHERNE. I said Yes, I thought it would be my duty to officiate if called upon.
ERNEST. You're a brick.
TREHERNE (still pondering). But I wonder whether he was thinking of you?
ERNEST. Make your mind easy about that.
TREHERNE. Well, my best wishes. Agatha is a very fine girl.
ERNEST. Agatha? What made you think it was Agatha?
TREHERNE. Man alive, you told me all about it soon after we were wrecked.
ERNEST. Pooh! Agatha's all very well in her way, John, but I'm flying at bigger game.
TREHERNE. Ernest, which is it?
ERNEST. Tweeny, of course.
TREHERNE. Tweeny? (Reprovingly.) Ernest, I hope her cooking has nothing to do with this.
ERNEST (with dignity). Her cooking has very little to do with it.
TREHERNE. But does she return your affection.
ERNEST (simply). Yes, John, I believe I may say so. I am unworthy of her, but I think I have touched her heart.
TREHERNE (with a sigh). Some people seem to have all the luck. As you know, Catherine won't look at me.
ERNEST. I'm sorry, John.
TREHERNE. It's my deserts; I'm a second eleven sort of chap. Well, my heartiest good wishes, Ernest.
ERNEST. Thank you, John. How's the little black pig to-day?
TREHERNE (departing). He has begun to eat again.
(After a moment's reflection ERNEST calls to TWEENY.)
ERNEST. Are you very busy, Tweeny?
TWEENY (coming to him good-naturedly). There's always work to do; but if you want me, Ernest—
ERNEST. There's something I should like to say to you if you could spare me a moment.
TWEENY. Willingly. What is it?
ERNEST. What an ass I used to be, Tweeny.
TWEENY (tolerantly). Oh, let bygones be bygones.
ERNEST (sincerely, and at his very best). I'm no great shakes even now. But listen to this, Tweeny; I have known many women, but until I knew you I never knew any woman.
TWEENY (to whose uneducated ears this sounds dangerously like an epigram). Take care—the bucket.
ERNEST (hurriedly). I didn't mean it in that way. (He goes chivalrously on his knees.) Ah, Tweeny, I don't undervalue the bucket, but what I want to say now is that the sweet refinement of a dear girl has done more for me than any bucket could do.