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The Spirit of the Age - Contemporary Portraits
by William Hazlitt
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THE

SPIRIT OF THE AGE:

OR

CONTEMPORARY PORTRAITS.



"To know another well were to know one's self."



CONTENTS.

JEREMY BENTHAM

WILLIAM GODWIN

MR. COLERIDGE

REV. MR. IRVING

THE LATE MR. HORNE TOOKE

SIR WALTER SCOTT

LORD BYRON

MR. CAMPBELL—MR. CRABBE

SIR JAMES MACKINTOSH

MR. WORDSWORTH

MR. MALTHUS

MR. GIFFORD

MR. JEFFREY

MR. BROUGHAM—SIR F. BURDETT

LORD ELDON—MR. WILBERFORCE

MR. SOUTHEY

MR. T. MOORE—MR. LEIGH HUNT

ELIA—GEOFFREY CRAYON



THE

SPIRIT OF THE AGE.



* * * * *



JEREMY BENTHAM.



Mr. Bentham is one of those persons who verify the old adage, that "A prophet has no honour, except out of his own country." His reputation lies at the circumference; and the lights of his understanding are reflected, with increasing lustre, on the other side of the globe. His name is little known in England, better in Europe, best of all in the plains of Chili and the mines of Mexico. He has offered constitutions for the New World, and legislated for future times. The people of Westminster, where he lives, hardly know of such a person; but the Siberian savage has received cold comfort from his lunar aspect, and may say to him with Caliban—"I know thee, and thy dog and thy bush!" The tawny Indian may hold out the hand of fellowship to him across the GREAT PACIFIC. We believe that the Empress Catherine corresponded with him; and we know that the Emperor Alexander called upon him, and presented him with his miniature in a gold snuff-box, which the philosopher, to his eternal honour, returned. Mr. Hobhouse is a greater man at the hustings, Lord Rolle at Plymouth Dock; but Mr. Bentham would carry it hollow, on the score of popularity, at Paris or Pegu. The reason is, that our author's influence is purely intellectual. He has devoted his life to the pursuit of abstract and general truths, and to those studies—

"That waft a thought from Indus to the Pole"—

and has never mixed himself up with personal intrigues or party politics. He once, indeed, stuck up a hand-bill to say that he (Jeremy Bentham) being of sound mind, was of opinion that Sir Samuel Romilly was the most proper person to represent Westminster; but this was the whim of the moment. Otherwise, his reasonings, if true at all, are true everywhere alike: his speculations concern humanity at large, and are not confined to the hundred or the bills of mortality. It is in moral as in physical magnitude. The little is seen best near: the great appears in its proper dimensions, only from a more commanding point of view, and gains strength with time, and elevation from distance!

Mr. Bentham is very much among philosophers what La Fontaine was among poets:—in general habits and in all but his professional pursuits, he is a mere child. He has lived for the last forty years in a house in Westminster, overlooking the Park, like an anchoret in his cell, reducing law to a system, and the mind of man to a machine. He scarcely ever goes out, and sees very little company. The favoured few, who have the privilege of the entree, are always admitted one by one. He does not like to have witnesses to his conversation. He talks a great deal, and listens to nothing but facts. When any one calls upon him, he invites them to take a turn round his garden with him (Mr. Bentham is an economist of his time, and sets apart this portion of it to air and exercise)—and there you may see the lively old man, his mind still buoyant with thought and with the prospect of futurity, in eager conversation with some Opposition Member, some expatriated Patriot, or Transatlantic Adventurer, urging the extinction of Close Boroughs, or planning a code of laws for some "lone island in the watery waste," his walk almost amounting to a run, his tongue keeping pace with it in shrill, cluttering accents, negligent of his person, his dress, and his manner, intent only on his grand theme of UTILITY—or pausing, perhaps, for want of breath and with lack-lustre eye to point out to the stranger a stone in the wall at the end of his garden (overarched by two beautiful cotton-trees) Inscribed to the Prince of Poets, which marks the house where Milton formerly lived. To shew how little the refinements of taste or fancy enter into our author's system, he proposed at one time to cut down these beautiful trees, to convert the garden where he had breathed the air of Truth and Heaven for near half a century into a paltry Chreistomathic School, and to make Milton's house (the cradle of Paradise Lost) a thoroughfare, like a three-stalled stable, for the idle rabble of Westminster to pass backwards and forwards to it with their cloven hoofs. Let us not, however, be getting on too fast—Milton himself taught school! There is something not altogether dissimilar between Mr. Bentham's appearance, and the portraits of Milton, the same silvery tone, a few dishevelled hairs, a peevish, yet puritanical expression, an irritable temperament corrected by habit and discipline. Or in modern times, he is something between Franklin and Charles Fox, with the comfortable double-chin and sleek thriving look of the one, and the quivering lip, the restless eye, and animated acuteness of the other. His eye is quick and lively; but it glances not from object to object, but from thought to thought. He is evidently a man occupied with some train of fine and inward association. He regards the people about him no more than the flies of a summer. He meditates the coming age. He hears and sees only what suits his purpose, or some "foregone conclusion;" and looks out for facts and passing occurrences in order to put them into his logical machinery and grind them into the dust and powder of some subtle theory, as the miller looks out for grist to his mill! Add to this physiognomical sketch the minor points of costume, the open shirt-collar, the single-breasted coat, the old-fashioned half-boots and ribbed stockings; and you will find in Mr. Bentham's general appearance a singular mixture of boyish simplicity and of the venerableness of age. In a word, our celebrated jurist presents a striking illustration of the difference between the philosophical and the regal look; that is, between the merely abstracted and the merely personal. There is a lackadaisical bonhommie about his whole aspect, none of the fierceness of pride or power; an unconscious neglect of his own person, instead of a stately assumption of superiority; a good-humoured, placid intelligence, instead of a lynx-eyed watchfulness, as if it wished to make others its prey, or was afraid they might turn and rend him; he is a beneficent spirit, prying into the universe, not lording it over it; a thoughtful spectator of the scenes of life, or ruminator on the fate of mankind, not a painted pageant, a stupid idol set up on its pedestal of pride for men to fall down and worship with idiot fear and wonder at the thing themselves have made, and which, without that fear and wonder, would in itself be nothing!

Mr. Bentham, perhaps, over-rates the importance of his own theories. He has been heard to say (without any appearance of pride or affectation) that "he should like to live the remaining years of his life, a year at a time at the end of the next six or eight centuries, to see the effect which his writings would by that time have had upon the world." Alas! his name will hardly live so long! Nor do we think, in point of fact, that Mr. Bentham has given any new or decided impulse to the human mind. He cannot be looked upon in the light of a discoverer in legislation or morals. He has not struck out any great leading principle or parent-truth, from which a number of others might be deduced; nor has he enriched the common and established stock of intelligence with original observations, like pearls thrown into wine. One truth discovered is immortal, and entitles its author to be so: for, like a new substance in nature, it cannot be destroyed. But Mr. Bentham's forte is arrangement; and the form of truth, though not its essence, varies with time and circumstance. He has methodised, collated, and condensed all the materials prepared to his hand on the subjects of which he treats, in a masterly and scientific manner; but we should find a difficulty in adducing from his different works (however elaborate or closely reasoned) any new element of thought, or even a new fact or illustration. His writings are, therefore, chiefly valuable as books of reference, as bringing down the account of intellectual inquiry to the present period, and disposing the results in a compendious, connected, and tangible shape; but books of reference are chiefly serviceable for facilitating the acquisition of knowledge, and are constantly liable to be superseded and to grow out of fashion with its progress, as the scaffolding is thrown down as soon as the building is completed. Mr. Bentham is not the first writer (by a great many) who has assumed the principle of UTILITY as the foundation of just laws, and of all moral and political reasoning:—his merit is, that he has applied this principle more closely and literally; that he has brought all the objections and arguments, more distinctly labelled and ticketted, under this one head, and made a more constant and explicit reference to it at every step of his progress, than any other writer. Perhaps the weak side of his conclusions also is, that he has carried this single view of his subject too far, and not made sufficient allowance for the varieties of human nature, and the caprices and irregularities of the human will. "He has not allowed for the wind." It is not that you can be said to see his favourite doctrine of Utility glittering everywhere through his system, like a vein of rich, shining ore (that is not the nature of the material)—but it might be plausibly objected that he had struck the whole mass of fancy, prejudice, passion, sense, whim, with his petrific, leaden mace, that he had "bound volatile Hermes," and reduced the theory and practice of human life to a caput mortuum of reason, and dull, plodding, technical calculation. The gentleman is himself a capital logician; and he has been led by this circumstance to consider man as a logical animal. We fear this view of the matter will hardly hold water. If we attend to the moral man, the constitution of his mind will scarcely be found to be built up of pure reason and a regard to consequences: if we consider the criminal man (with whom the legislator has chiefly to do) it will be found to be still less so.

Every pleasure, says Mr. Bentham, is equally a good, and is to be taken into the account as such in a moral estimate, whether it be the pleasure of sense or of conscience, whether it arise from the exercise of virtue or the perpetration of crime. We are afraid the human mind does not readily come into this doctrine, this ultima ratio philosophorum, interpreted according to the letter. Our moral sentiments are made up of sympathies and antipathies, of sense and imagination, of understanding and prejudice. The soul, by reason of its weakness, is an aggregating and an exclusive principle; it clings obstinately to some things, and violently rejects others. And it must do so, in a great measure, or it would act contrary to its own nature. It needs helps and stages in its progress, and "all appliances and means to boot," which can raise it to a partial conformity to truth and good (the utmost it is capable of) and bring it into a tolerable harmony with the universe. By aiming at too much, by dismissing collateral aids, by extending itself to the farthest verge of the conceivable and possible, it loses its elasticity and vigour, its impulse and its direction. The moralist can no more do without the intermediate use of rules and principles, without the 'vantage ground of habit, without the levers of the understanding, than the mechanist can discard the use of wheels and pulleys, and perform every thing by simple motion. If the mind of man were competent to comprehend the whole of truth and good, and act upon it at once, and independently of all other considerations, Mr. Bentham's plan would be a feasible one, and the truth, the whole truth, and nothing but the truth would be the best possible ground to place morality upon. But it is not so. In ascertaining the rules of moral conduct, we must have regard not merely to the nature of the object, but to the capacity of the agent, and to his fitness for apprehending or attaining it. Pleasure is that which is so in itself: good is that which approves itself as such on reflection, or the idea of which is a source of satisfaction. All pleasure is not, therefore (morally speaking) equally a good; for all pleasure does not equally bear reflecting on. There are some tastes that are sweet in the mouth and bitter in the belly; and there is a similar contradiction and anomaly in the mind and heart of man. Again, what would become of the Posthaec meminisse juvabit of the poet, if a principle of fluctuation and reaction is not inherent in the very constitution of our nature, or if all moral truth is a mere literal truism? We are not, then, so much to inquire what certain things are abstractedly or in themselves, as how they affect the mind, and to approve or condemn them accordingly. The same object seen near strikes us more powerfully than at a distance: things thrown into masses give a greater blow to the imagination than when scattered and divided into their component parts. A number of mole-hills do not make a mountain, though a mountain is actually made up of atoms: so moral truth must present itself under a certain aspect and from a certain point of view, in order to produce its full and proper effect upon the mind. The laws of the affections are as necessary as those of optics. A calculation of consequences is no more equivalent to a sentiment, than a seriatim enumeration of square yards or feet touches the fancy like the sight of the Alps or Andes!

To give an instance or two of what we mean. Those who on pure cosmopolite principles, or on the ground of abstract humanity affect an extraordinary regard for the Turks and Tartars, have been accused of neglecting their duties to their friends and next-door neighbours. Well, then, what is the state of the question here? One human being is, no doubt, as much worth in himself, independently of the circumstances of time or place, as another; but he is not of so much value to us and our affections. Could our imagination take wing (with our speculative faculties) to the other side of the globe or to the ends of the universe, could our eyes behold whatever our reason teaches us to be possible, could our hands reach as far as our thoughts or wishes, we might then busy ourselves to advantage with the Hottentots, or hold intimate converse with the inhabitants of the Moon; but being as we are, our feelings evaporate in so large a space—we must draw the circle of our affections and duties somewhat closer—the heart hovers and fixes nearer home. It is true, the bands of private, or of local and natural affection are often, nay in general, too tightly strained, so as frequently to do harm instead of good: but the present question is whether we can, with safety and effect, be wholly emancipated from them? Whether we should shake them off at pleasure and without mercy, as the only bar to the triumph of truth and justice? Or whether benevolence, constructed upon a logical scale, would not be merely nominal, whether duty, raised to too lofty a pitch of refinement, might not sink into callous indifference or hollow selfishness? Again, is it not to exact too high a strain from humanity, to ask us to qualify the degree of abhorrence we feel against a murderer by taking into our cool consideration the pleasure he may have in committing the deed, and in the prospect of gratifying his avarice or his revenge? We are hardly so formed as to sympathise at the same moment with the assassin and his victim. The degree of pleasure the former may feel, instead of extenuating, aggravates his guilt, and shews the depth of his malignity. Now the mind revolts against this by mere natural antipathy, if it is itself well-disposed; or the slow process of reason would afford but a feeble resistance to violence and wrong. The will, which is necessary to give consistency and promptness to our good intentions, cannot extend so much candour and courtesy to the antagonist principle of evil: virtue, to be sincere and practical, cannot be divested entirely of the blindness and impetuosity of passion! It has been made a plea (half jest, half earnest) for the horrors of war, that they promote trade and manufactures. It has been said, as a set-off for the atrocities practised upon the negro slaves in the West Indies, that without their blood and sweat, so many millions of people could not have sugar to sweeten their tea. Fires and murders have been argued to be beneficial, as they serve to fill the newspapers, and for a subject to talk of— this is a sort of sophistry that it might be difficult to disprove on the bare scheme of contingent utility; but on the ground that we have stated, it must pass for a mere irony. What the proportion between the good and the evil will really be found in any of the supposed cases, may be a question to the understanding; but to the imagination and the heart, that is, to the natural feelings of mankind, it admits of none!

Mr. Bentham, in adjusting the provisions of a penal code, lays too little stress on the cooperation of the natural prejudices of mankind, and the habitual feelings of that class of persons for whom they are more particularly designed. Legislators (we mean writers on legislation) are philosophers, and governed by their reason: criminals, for whose controul laws are made, are a set of desperadoes, governed only by their passions. What wonder that so little progress has been made towards a mutual understanding between the two parties! They are quite a different species, and speak a different language, and are sadly at a loss for a common interpreter between them. Perhaps the Ordinary of Newgate bids as fair for this office as any one. What should Mr. Bentham, sitting at ease in his arm-chair, composing his mind before he begins to write by a prelude on the organ, and looking out at a beautiful prospect when he is at a loss for an idea, know of the principles of action of rogues, outlaws, and vagabonds? No more than Montaigne of the motions of his cat! If sanguine and tender-hearted philanthropists have set on foot an inquiry into the barbarity and the defects of penal laws, the practical improvements have been mostly suggested by reformed cut-throats, turnkeys, and thief-takers. What even can the Honourable House, who when the Speaker has pronounced the well-known, wished-for sounds "That this house do now adjourn," retire, after voting a royal crusade or a loan of millions, to lie on down, and feed on plate in spacious palaces, know of what passes in the hearts of wretches in garrets and night-cellars, petty pilferers and marauders, who cut throats and pick pockets with their own hands? The thing is impossible. The laws of the country are, therefore, ineffectual and abortive, because they are made by the rich for the poor, by the wise for the ignorant, by the respectable and exalted in station for the very scum and refuse of the community. If Newgate would resolve itself into a committee of the whole Press-yard, with Jack Ketch at its head, aided by confidential persons from the county prisons or the Hulks, and would make a clear breast, some data might be found out to proceed upon; but as it is, the criminal mind of the country is a book sealed, no one has been able to penetrate to the inside! Mr. Bentham, in his attempts to revise and amend our criminal jurisprudence, proceeds entirely on his favourite principle of Utility. Convince highwaymen and house-breakers that it will be for their interest to reform, and they will reform and lead honest lives; according to Mr. Bentham. He says, "All men act from calculation, even madmen reason." And, in our opinion, he might as well carry this maxim to Bedlam or St. Luke's, and apply it to the inhabitants, as think to coerce or overawe the inmates of a gaol, or those whose practices make them candidates for that distinction, by the mere dry, detailed convictions of the understanding. Criminals are not to be influenced by reason; for it is of the very essence of crime to disregard consequences both to ourselves and others. You may as well preach philosophy to a drunken man, or to the dead, as to those who are under the instigation of any mischievous passion. A man is a drunkard, and you tell him he ought to be sober; he is debauched, and you ask him to reform; he is idle, and you recommend industry to him as his wisest course; he gambles, and you remind him that he may be ruined by this foible; he has lost his character, and you advise him to get into some reputable service or lucrative situation; vice becomes a habit with him, and you request him to rouse himself and shake it off; he is starving, and you warn him that if he breaks the law, he will be hanged. None of this reasoning reaches the mark it aims at. The culprit, who violates and suffers the vengeance of the laws, is not the dupe of ignorance, but the slave of passion, the victim of habit or necessity. To argue with strong passion, with inveterate habit, with desperate circumstances, is to talk to the winds. Clownish ignorance may indeed be dispelled, and taught better; but it is seldom that a criminal is not aware of the consequences of his act, or has not made up his mind to the alternative. They are, in general, too knowing by half. You tell a person of this stamp what is his interest; he says he does not care about his interest, or the world and he differ on that particular. But there is one point on which he must agree with them, namely, what they think of his conduct, and that is the only hold you have of him. A man may be callous and indifferent to what happens to himself; but he is never indifferent to public opinion, or proof against open scorn and infamy. Shame, then, not fear, is the sheet-anchor of the law. He who is not afraid of being pointed at as a thief, will not mind a month's hard labour. He who is prepared to take the life of another, is already reckless of his own. But every one makes a sorry figure in the pillory; and the being launched from the New Drop lowers a man in his own opinion. The lawless and violent spirit, who is hurried by headstrong self-will to break the laws, does not like to have the ground of pride and obstinacy struck from under his feet. This is what gives the swells of the metropolis such a dread of the tread-mill—it makes them ridiculous. It must be confessed, that this very circumstance renders the reform of criminals nearly hopeless. It is the apprehension of being stigmatized by public opinion, the fear of what will be thought and said of them, that deters men from the violation of the laws, while their character remains unimpeached; but honour once lost, all is lost. The man can never be himself again! A citizen is like a soldier, a part of a machine, who submits to certain hardships, privations, and dangers, not for his own ease, pleasure, profit, or even conscience, but—for shame. What is it that keeps the machine together in either case? Not punishment or discipline, but sympathy. The soldier mounts the breach or stands in the trenches, the peasant hedges and ditches, or the mechanic plies his ceaseless task, because the one will not be called a coward, the other a rogue: but let the one turn deserter and the other vagabond, and there is an end of him. The grinding law of necessity, which is no other than a name, a breath, loses its force; he is no longer sustained by the good opinion of others, and he drops out of his place in society, a useless clog! Mr. Bentham takes a culprit, and puts him into what he calls a Panopticon, that is, a sort of circular prison, with open cells, like a glass bee-hive. He sits in the middle, and sees all the other does. He gives him work to do, and lectures him if he does not do it. He takes liquor from him, and society, and liberty; but he feeds and clothes him, and keeps him out of mischief; and when he has convinced him, by force and reason together, that this life is for his good, he turns him out upon the world a reformed man, and as confident of the success of his handy-work, as the shoemaker of that which he has just taken off the last, or the Parisian barber in Sterne, of the buckle of his wig. "Dip it in the ocean," said the perruquier, "and it will stand!" But we doubt the durability of our projector's patchwork. Will our convert to the great principle of Utility work when he is from under Mr. Bentham's eye, because he was forced to work when under it? Will he keep sober, because he has been kept from liquor so long? Will he not return to loose company, because he has had the pleasure of sitting vis-a-vis with a philosopher of late? Will he not steal, now that his hands are untied? Will he not take the road, now that it is free to him? Will he not call his benefactor all the names he can set his tongue to, the moment his back is turned? All this is more than to be feared. The charm of criminal life, like that of savage life, consists in liberty, in hardship, in danger, and in the contempt of death, in one word, in extraordinary excitement; and he who has tasted of it, will no more return to regular habits of life, than a man will take to water after drinking brandy, or than a wild beast will give over hunting its prey. Miracles never cease, to be sure; but they are not to be had wholesale, or to order. Mr. Owen, who is another of these proprietors and patentees of reform, has lately got an American savage with him, whom he carries about in great triumph and complacency, as an antithesis to his New View of Society, and as winding up his reasoning to what it mainly wanted, an epigrammatic point. Does the benevolent visionary of the Lanark cotton-mills really think this natural man will act as a foil to his artificial man? Does he for a moment imagine that his Address to the higher and middle classes, with all its advantages of fiction, makes any thing like so interesting a romance as Hunter's Captivity among the North American Indians? Has he any thing to shew, in all the apparatus of New Lanark and its desolate monotony, to excite the thrill of imagination like the blankets made of wreaths of snow under which the wild wood-rovers bury themselves for weeks in winter? Or the skin of a leopard, which our hardy adventurer slew, and which served him for great coat and bedding? Or the rattle-snake that he found by his side as a bedfellow? Or his rolling himself into a ball to escape from him? Or his suddenly placing himself against a tree to avoid being trampled to death by the herd of wild buffaloes, that came rushing on like the sound of thunder? Or his account of the huge spiders that prey on bluebottles and gilded flies in green pathless forests; or of the great Pacific Ocean, that the natives look upon as the gulf that parts time from eternity, and that is to waft them to the spirits of their fathers? After all this, Mr. Hunter must find Mr. Owen and his parallellograms trite and flat, and will, we suspect, take an opportunity to escape from them!

Mr. Bentham's method of reasoning, though comprehensive and exact, labours under the defect of most systems—it is too topical. It includes every thing; but it includes every thing alike. It is rather like an inventory, than a valuation of different arguments. Every possible suggestion finds a place, so that the mind is distracted as much as enlightened by this perplexing accuracy. The exceptions seem as important as the rule. By attending to the minute, we overlook the great; and in summing up an account, it will not do merely to insist on the number of items without considering their amount. Our author's page presents a very nicely dove-tailed mosaic pavement of legal common-places. We slip and slide over its even surface without being arrested any where. Or his view of the human mind resembles a map, rather than a picture: the outline, the disposition is correct, but it wants colouring and relief. There is a technicality of manner, which renders his writings of more value to the professional inquirer than to the general reader. Again, his style is unpopular, not to say unintelligible. He writes a language of his own, that darkens knowledge. His works have been translated into French—they ought to be translated into English. People wonder that Mr. Bentham has not been prosecuted for the boldness and severity of some of his invectives. He might wrap up high treason in one of his inextricable periods, and it would never find its way into Westminster-Hall. He is a kind of Manuscript author—he writes a cypher-hand, which the vulgar have no key to. The construction of his sentences is a curious framework with pegs and hooks to hang his thoughts upon, for his own use and guidance, but almost out of the reach of every body else. It is a barbarous philosophical jargon, with all the repetitions, parentheses, formalities, uncouth nomenclature and verbiage of law-Latin; and what makes it worse, it is not mere verbiage, but has a great deal of acuteness and meaning in it, which you would be glad to pick out if you could. In short, Mr. Bentham writes as if he was allowed but a single sentence to express his whole view of a subject in, and as if, should he omit a single circumstance or step of the argument, it would be lost to the world for ever, like an estate by a flaw in the title-deeds. This is over-rating the importance of our own discoveries, and mistaking the nature and object of language altogether. Mr. Bentham has acquired this disability—it is not natural to him. His admirable little work On Usury, published forty years ago, is clear, easy, and vigorous. But Mr. Bentham has shut himself up since then "in nook monastic," conversing only with followers of his own, or with "men of Ind," and has endeavoured to overlay his natural humour, sense, spirit, and style with the dust and cobwebs of an obscure solitude. The best of it is, he thinks his present mode of expressing himself perfect, and that whatever may be objected to his law or logic, no one can find the least fault with the purity, simplicity, and perspicuity of his style.

Mr. Bentham, in private life, is an amiable and exemplary character. He is a little romantic, or so; and has dissipated part of a handsome fortune in practical speculations. He lends an ear to plausible projectors, and, if he cannot prove them to be wrong in their premises or their conclusions, thinks himself bound in reason to stake his money on the venture. Strict logicians are licensed visionaries. Mr. Bentham is half-brother to the late Mr. Speaker Abbott[A]—Proh pudor! He was educated at Eton, and still takes our novices to task about a passage in Homer, or a metre in Virgil. He was afterwards at the University, and he has described the scruples of an ingenuous youthful mind about subscribing the articles, in a passage in his Church-of-Englandism, which smacks of truth and honour both, and does one good to read it in an age, when "to be honest" (or not to laugh at the very idea of honesty) "is to be one man picked out of ten thousand!" Mr. Bentham relieves his mind sometimes, after the fatigue of study, by playing on a fine old organ, and has a relish for Hogarth's prints. He turns wooden utensils in a lathe for exercise, and fancies he can turn men in the same manner. He has no great fondness for poetry, and can hardly extract a moral out of Shakespear. His house is warmed and lighted by steam. He is one of those who prefer the artificial to the natural in most things, and think the mind of man omnipotent. He has a great contempt for out-of-door prospects, for green fields and trees, and is for referring every thing to Utility. There is a little narrowness in this; for if all the sources of satisfaction are taken away, what is to become of utility itself? It is, indeed, the great fault of this able and extraordinary man, that he has concentrated his faculties and feelings too entirely on one subject and pursuit, and has not "looked enough abroad into universality."[B]

[Footnote A: Now Lord Colchester.]

[Footnote B: Lord Bacon's Advancement of Learning.]



* * * * *



WILLIAM GODWIN



The Spirit of the Age was never more fully-shewn than in its treatment of this writer—its love of paradox and change, its dastard submission to prejudice and to the fashion of the day. Five-and-twenty years ago he was in the very zenith of a sultry and unwholesome popularity; he blazed as a sun in the firmament of reputation; no one was more talked of, more looked up to, more sought after, and wherever liberty, truth, justice was the theme, his name was not far off:—now he has sunk below the horizon, and enjoys the serene twilight of a doubtful immortality. Mr. Godwin, during his lifetime, has secured to himself the triumphs and the mortifications of an extreme notoriety and of a sort of posthumous fame.

His bark, after being tossed in the revolutionary tempest, now raised to heaven by all the fury of popular breath, now almost dashed in pieces, and buried in the quicksands of ignorance, or scorched with the lightning of momentary indignation, at length floats on the calm wave that is to bear it down the stream of time. Mr. Godwin's person is not known, he is not pointed out in the street, his conversation is not courted, his opinions are not asked, he is at the head of no cabal, he belongs to no party in the State, he has no train of admirers, no one thinks it worth his while even to traduce and vilify him, he has scarcely friend or foe, the world make a point (as Goldsmith used to say) of taking no more notice of him than if such an individual had never existed; he is to all ordinary intents and purposes dead and buried; but the author of Political Justice and of Caleb Williams can never die, his name is an abstraction in letters, his works are standard in the history of intellect. He is thought of now like any eminent writer a hundred-and-fifty years ago, or just as he will be a hundred-and-fifty years hence. He knows this, and smiles in silent mockery of himself, reposing on the monument of his fame—

"Sedet, in eternumque sedebit infelix Theseus."

No work in our time gave such a blow to the philosophical mind of the country as the celebrated Enquiry concerning Political Justice. Tom Paine was considered for the time as a Tom Fool to him; Paley an old woman; Edmund Burke a flashy sophist. Truth, moral truth, it was supposed, had here taken up its abode; and these were the oracles of thought. "Throw aside your books of chemistry," said Wordsworth to a young man, a student in the Temple, "and read Godwin on Necessity." Sad necessity! Fatal reverse! Is truth then so variable? Is it one thing at twenty, and another at forty? Is it at a burning heat in 1793, and below zero in 1814? Not so, in the name of manhood and of common sense! Let us pause here a little.—Mr. Godwin indulged in extreme opinions, and carried with him all the most sanguine and fearless understandings of the time. What then? Because those opinions were overcharged, were they therefore altogether groundless? Is the very God of our idolatry all of a sudden to become an abomination and an anathema? Could so many young men of talent, of education, and of principle have been hurried away by what had neither truth, nor nature, not one particle of honest feeling nor the least shew of reason in it? Is the Modern Philosophy (as it has been called) at one moment a youthful bride, and the next a withered beldame, like the false Duessa in Spenser? Or is the vaunted edifice of Reason, like his House of Pride, gorgeous in front, and dazzling to approach, while "its hinder parts are ruinous, decayed, and old?" Has the main prop, which supported the mighty fabric, been shaken and given way under the strong grasp of some Samson; or has it not rather been undermined by rats and vermin? At one time, it almost seemed, that "if this failed,

"The pillar'd firmament was rottenness, And earth's base built of stubble:"

now scarce a shadow of it remains, it is crumbled to dust, nor is it even talked of! "What then, went ye forth for to see, a reed shaken with the wind?" Was it for this that our young gownsmen of the greatest expectation and promise, versed in classic lore, steeped in dialectics, armed at all points for the foe, well read, well nurtured, well provided for, left the University and the prospect of lawn sleeves, tearing asunder the shackles of the free born spirit, and the cobwebs of school-divinity, to throw themselves at the feet of the new Gamaliel, and learn wisdom from him? Was it for this, that students at the bar, acute, inquisitive, sceptical (here only wild enthusiasts) neglected for a while the paths of preferment and the law as too narrow, tortuous, and unseemly to bear the pure and broad light of reason? Was it for this, that students in medicine missed their way to Lecturerships and the top of their profession, deeming lightly of the health of the body, and dreaming only of the renovation of society and the march of mind? Was it to this that Mr. Southey's Inscriptions pointed? to this that Mr. Coleridge's Religious Musings tended? Was it for this, that Mr. Godwin himself sat with arms folded, and, "like Cato, gave his little senate laws?" Or rather, like another Prospero, uttered syllables that with their enchanted breath were to change the world, and might almost stop the stars in their courses? Oh! and is all forgot? Is this sun of intellect blotted from the sky? Or has it suffered total eclipse? Or is it we who make the fancied gloom, by looking at it through the paltry, broken, stained fragments of our own interests and prejudices? Were we fools then, or are we dishonest now? Or was the impulse of the mind less likely to be true and sound when it arose from high thought and warm feeling, than afterwards, when it was warped and debased by the example, the vices, and follies of the world?

The fault, then, of Mr. Godwin's philosophy, in one word, was too much ambition—"by that sin fell the angels!" He conceived too nobly of his fellows (the most unpardonable crime against them, for there is nothing that annoys our self-love so much as being complimented on imaginary achievements, to which we are wholly unequal)—he raised the standard of morality above the reach of humanity, and by directing virtue to the most airy and romantic heights, made her path dangerous, solitary, and impracticable. The author of the Political Justice took abstract reason for the rule of conduct, and abstract good for its end. He places the human mind on an elevation, from which it commands a view of the whole line of moral consequences; and requires it to conform its acts to the larger and more enlightened conscience which it has thus acquired. He absolves man from the gross and narrow ties of sense, custom, authority, private and local attachment, in order that he may devote himself to the boundless pursuit of universal benevolence. Mr. Godwin gives no quarter to the amiable weaknesses of our nature, nor does he stoop to avail himself of the supplementary aids of an imperfect virtue. Gratitude, promises, friendship, family affection give way, not that they may be merged in the opposite vices or in want of principle; but that the void may be filled up by the disinterested love of good, and the dictates of inflexible justice, which is "the law of laws, and sovereign of sovereigns." All minor considerations yield, in his system, to the stern sense of duty, as they do, in the ordinary and established ones, to the voice of necessity. Mr. Godwin's theory and that of more approved reasoners differ only in this, that what are with them the exceptions, the extreme cases, he makes the every-day rule. No one denies that on great occasions, in moments of fearful excitement, or when a mighty object is at stake, the lesser and merely instrumental points of duty are to be sacrificed without remorse at the shrine of patriotism, of honour, and of conscience. But the disciple of the New School (no wonder it found so many impugners, even in its own bosom!) is to be always the hero of duty; the law to which he has bound himself never swerves nor relaxes; his feeling of what is right is to be at all times wrought up to a pitch of enthusiastic self-devotion; he must become the unshrinking martyr and confessor of the public good. If it be said that this scheme is chimerical and impracticable on ordinary occasions, and to the generality of mankind, well and good; but those who accuse the author of having trampled on the common feelings and prejudices of mankind in wantonness or insult, or without wishing to substitute something better (and only unattainable, because it is better) in their stead, accuse him wrongfully. We may not be able to launch the bark of our affections on the ocean-tide of humanity, we may be forced to paddle along its shores, or shelter in its creeks and rivulets: but we have no right to reproach the bold and adventurous pilot, who dared us to tempt the uncertain abyss, with our own want of courage or of skill, or with the jealousies and impatience, which deter us from undertaking, or might prevent us from accomplishing the voyage!

The Enquiry concerning Political Justice (it was urged by its favourers and defenders at the time, and may still be so, without either profaneness or levity) is a metaphysical and logical commentary on some of the most beautiful and striking texts of Scripture. Mr. Godwin is a mixture of the Stoic and of the Christian philosopher. To break the force of the vulgar objections and outcry that have been raised against the Modern Philosophy, as if it were a new and monstrous birth in morals, it may be worth noticing, that volumes of sermons have been written to excuse the founder of Christianity for not including friendship and private affection among its golden rules, but rather excluding them.[A] Moreover, the answer to the question, "Who is thy neighbour?" added to the divine precept, "Thou shalt love thy neighbour as thyself," is the same as in the exploded pages of our author,—"He to whom we can do most good." In determining this point, we were not to be influenced by any extrinsic or collateral considerations, by our own predilections, or the expectations of others, by our obligations to them or any services they might be able to render us, by the climate they were born in, by the house they lived in, by rank or religion, or party, or personal ties, but by the abstract merits, the pure and unbiassed justice of the case. The artificial helps and checks to moral conduct were set aside as spurious and unnecessary, and we came at once to the grand and simple question—"In what manner we could best contribute to the greatest possible good?" This was the paramount obligation in all cases whatever, from which we had no right to free ourselves upon any idle or formal pretext, and of which each person was to judge for himself, under the infallible authority of his own opinion and the inviolable sanction of his self-approbation. "There was the rub that made philosophy of so short life!" Mr. Godwin's definition of morals was the same as the admired one of law, reason without passion; but with the unlimited scope of private opinion, and in a boundless field of speculation (for nothing less would satisfy the pretensions of the New School), there was danger that the unseasoned novice might substitute some pragmatical conceit of his own for the rule of right reason, and mistake a heartless indifference for a superiority to more natural and generous feelings. Our ardent and dauntless reformer followed out the moral of the parable of the Good Samaritan into its most rigid and repulsive consequences with a pen of steel, and let fall his "trenchant blade" on every vulnerable point of human infirmity; but there is a want in his system of the mild and persuasive tone of the Gospel, where "all is conscience and tender heart." Man was indeed screwed up, by mood and figure, into a logical machine, that was to forward the public good with the utmost punctuality and effect, and it might go very well on smooth ground and under favourable circumstances; but would it work up-hill or against the grain? It was to be feared that the proud Temple of Reason, which at a distance and in stately supposition shone like the palaces of the New Jerusalem, might (when placed on actual ground) be broken up into the sordid styes of sensuality, and the petty huckster's shops of self-interest! Every man (it was proposed—"so ran the tenour of the bond") was to be a Regulus, a Codrus, a Cato, or a Brutus—every woman a Mother of the Gracchi.

"——————It was well said, And 'tis a kind of good deed to say well."

But heroes on paper might degenerate into vagabonds in practice, Corinnas into courtezans. Thus a refined and permanent individual attachment is intended to supply the place and avoid the inconveniences of marriage; but vows of eternal constancy, without church security, are found to be fragile. A member of the ideal and perfect commonwealth of letters lends another a hundred pounds for immediate and pressing use; and when he applies for it again, the borrower has still more need of it than he, and retains it for his own especial, which is tantamount to the public good. The Exchequer of pure reason, like that of the State, never refunds. The political as well as the religious fanatic appeals from the over-weening opinion and claims of others to the highest and most impartial tribunal, namely, his own breast. Two persons agree to live together in Chambers on principles of pure equality and mutual assistance—but when it comes to the push, one of them finds that the other always insists on his fetching water from the pump in Hare-court, and cleaning his shoes for him. A modest assurance was not the least indispensable virtue in the new perfectibility code; and it was hence discovered to be a scheme, like other schemes where there are all prizes and no blanks, for the accommodation of the enterprizing and cunning, at the expence of the credulous and honest. This broke up the system, and left no good odour behind it! Reason has become a sort of bye-word, and philosophy has "fallen first into a fasting, then into a sadness, then into a decline, and last, into the dissolution of which we all complain!" This is a worse error than the former: we may be said to have "lost the immortal part of ourselves, and what remains is beastly!" The point of view from which this matter may be fairly considered, is two-fold, and may be stated thus:—In the first place, it by no means follows, because reason is found not to be the only infallible or safe rule of conduct, that it is no rule at all; or that we are to discard it altogether with derision and ignominy. On the contrary, if not the sole, it is the principal ground of action; it is "the guide, the stay and anchor of our purest thoughts, and soul of all our moral being." In proportion as we strengthen and expand this principle, and bring our affections and subordinate, but perhaps more powerful motives of action into harmony with it, it will not admit of a doubt that we advance to the goal of perfection, and answer the ends of our creation, those ends which not only morality enjoins, but which religion sanctions. If with the utmost stretch of reason, man cannot (as some seemed inclined to suppose) soar up to the God, and quit the ground of human frailty, yet, stripped wholly of it, he sinks at once into the brute. If it cannot stand alone, in its naked simplicity, but requires other props to buttress it up, or ornaments to set it off; yet without it the moral structure would fall flat and dishonoured to the ground. Private reason is that which raises the individual above his mere animal instincts, appetites and passions: public reason in its gradual progress separates the savage from the civilized state. Without the one, men would resemble wild beasts in their dens; without the other, they would be speedily converted into hordes of barbarians or banditti. Sir Walter Scott, in his zeal to restore the spirit of loyalty, of passive obedience and non-resistance as an acknowledgment for his having been created a Baronet by a Prince of the House of Brunswick, may think it a fine thing to return in imagination to the good old times, "when in Auvergne alone, there were three hundred nobles whose most ordinary actions were robbery, rape, and murder," when the castle of each Norman baron was a strong hold from which the lordly proprietor issued to oppress and plunder the neighbouring districts, and when the Saxon peasantry were treated by their gay and gallant tyrants as a herd of loathsome swine—but for our own parts we beg to be excused; we had rather live in the same age with the author of Waverley and Blackwood's Magazine. Reason is the meter and alnager in civil intercourse, by which each person's upstart and contradictory pretensions are weighed and approved or found wanting, and without which it could not subsist, any more than traffic or the exchange of commodities could be carried on without weights and measures. It is the medium of knowledge, and the polisher of manners, by creating common interests and ideas. Or in the words of a contemporary writer, "Reason is the queen of the moral world, the soul of the universe, the lamp of human life, the pillar of society, the foundation of law, the beacon of nations, the golden chain let down from heaven, which links all accountable and all intelligent natures in one common system—and in the vain strife between fanatic innovation and fanatic prejudice, we are exhorted to dethrone this queen of the world, to blot out this light of the mind, to deface this fair column, to break in pieces this golden chain! We are to discard and throw from us with loud taunts and bitter execrations that reason, which has been the lofty theme of the philosopher, the poet, the moralist, and the divine, whose name was not first named to be abused by the enthusiasts of the French Revolution, or to be blasphemed by the madder enthusiasts, the advocates of Divine Right, but which is coeval with, and inseparable from the nature and faculties of man—is the image of his Maker stamped upon him at his birth, the understanding breathed into him with the breath of life, and in the participation and improvement of which alone he is raised above the brute creation and his own physical nature!"—The overstrained and ridiculous pretensions of monks and ascetics were never thought to justify a return to unbridled licence of manners, or the throwing aside of all decency. The hypocrisy, cruelty, and fanaticism, often attendant on peculiar professions of sanctity, have not banished the name of religion from the world. Neither can "the unreasonableness of the reason" of some modern sciolists "so unreason our reason," as to debar us of the benefit of this principle in future, or to disfranchise us of the highest privilege of our nature. In the second place, if it is admitted that Reason alone is not the sole and self-sufficient ground of morals, it is to Mr. Godwin that we are indebted for having settled the point. No one denied or distrusted this principle (before his time) as the absolute judge and interpreter in all questions of difficulty; and if this is no longer the case, it is because he has taken this principle, and followed it into its remotest consequences with more keenness of eye and steadiness of hand than any other expounder of ethics. His grand work is (at least) an experimentum crucis to shew the weak sides and imperfections of human reason as the sole law of human action. By overshooting the mark, or by "flying an eagle flight, forth and right on," he has pointed out the limit or line of separation, between what is practicable and what is barely conceivable—by imposing impossible tasks on the naked strength of the will, he has discovered how far it is or is not in our power to dispense with the illusions of sense, to resist the calls of affection, to emancipate ourselves from the force of habit; and thus, though he has not said it himself, has enabled others to say to the towering aspirations after good, and to the over-bearing pride of human intellect—"Thus far shalt thou come, and no farther!" Captain Parry would be thought to have rendered a service to navigation and his country, no less by proving that there is no North-West Passage, than if he had ascertained that there is one: so Mr. Godwin has rendered an essential service to moral science, by attempting (in vain) to pass the Arctic Circle and Frozen Regions, where the understanding is no longer warmed by the affections, nor fanned by the breeze of fancy! This is the effect of all bold, original, and powerful thinking, that it either discovers the truth, or detects where error lies; and the only crime with which Mr. Godwin can be charged as a political and moral reasoner is, that he has displayed a more ardent spirit, and a more independent activity of thought than others, in establishing the fallacy (if fallacy it be) of an old popular prejudice that the Just and True were one, by "championing it to the Outrance," and in the final result placing the Gothic structure of human virtue on an humbler, but a wider and safer foundation than it had hitherto occupied in the volumes and systems of the learned. Mr. Godwin is an inventor in the regions of romance, as well as a skilful and hardy explorer of those of moral truth. Caleb Williams and St. Leon are two of the most splendid and impressive works of the imagination that have appeared in our times. It is not merely that these novels are very well for a philosopher to have produced—they are admirable and complete in themselves, and would not lead you to suppose that the author, who is so entirely at home in human character and dramatic situation, had ever dabbled in logic or metaphysics. The first of these, particularly, is a master-piece, both as to invention and execution. The romantic and chivalrous principle of the love of personal fame is embodied in the finest possible manner in the character of Falkland;[B] as in Caleb Williams (who is not the first, but the second character in the piece) we see the very demon of curiosity personified. Perhaps the art with which these two characters are contrived to relieve and set off each other, has never been surpassed in any work of fiction, with the exception of the immortal satire of Cervantes. The restless and inquisitive spirit of Caleb Williams, in search and in possession of his patron's fatal secret, haunts the latter like a second conscience, plants stings in his tortured mind, fans the flame of his jealous ambition, struggling with agonized remorse; and the hapless but noble-minded Falkland at length falls a martyr to the persecution of that morbid and overpowering interest, of which his mingled virtues and vices have rendered him the object. We conceive no one ever began Caleb Williams that did not read it through: no one that ever read it could possibly forget it, or speak of it after any length of time, but with an impression as if the events and feelings had been personal to himself. This is the case also with the story of St. Leon, which, with less dramatic interest and intensity of purpose, is set off by a more gorgeous and flowing eloquence, and by a crown of preternatural imagery, that waves over it like a palm-tree! It is the beauty and the charm of Mr. Godwin's descriptions that the reader identifies himself with the author; and the secret of this is, that the author has identified himself with his personages. Indeed, he has created them. They are the proper issue of his brain, lawfully begot, not foundlings, nor the "bastards of his art." He is not an indifferent, callous spectator of the scenes which he himself pourtrays, but without seeming to feel them. There is no look of patch-work and plagiarism, the beggarly copiousness of borrowed wealth; no tracery-work from worm-eaten manuscripts, from forgotten chronicles, nor piecing out of vague traditions with fragments and snatches of old ballads, so that the result resembles a gaudy, staring transparency, in which you cannot distinguish the daubing of the painter from the light that shines through the flimsy colours and gives them brilliancy. Here all is clearly made out with strokes of the pencil, by fair, not by factitious means. Our author takes a given subject from nature or from books, and then fills it up with the ardent workings of his own mind, with the teeming and audible pulses of his own heart. The effect is entire and satisfactory in proportion. The work (so to speak) and the author are one. We are not puzzled to decide upon their respective pretensions. In reading Mr. Godwin's novels, we know what share of merit the author has in them. In reading the Scotch Novels, we are perpetually embarrassed in asking ourselves this question; and perhaps it is not altogether a false modesty that prevents the editor from putting his name in the title-page—he is (for any thing we know to the contrary) only a more voluminous sort of Allen-a-Dale. At least, we may claim this advantage for the English author, that the chains with which he rivets our attention are forged out of his own thoughts, link by link, blow for blow, with glowing enthusiasm: we see the genuine ore melted in the furnace of fervid feeling, and moulded into stately and ideal forms; and this is so far better than peeping into an old iron shop, or pilfering from a dealer in marine stores! There is one drawback, however, attending this mode of proceeding, which attaches generally, indeed, to all originality of composition; namely, that it has a tendency to a certain degree of monotony. He who draws upon his own resources, easily comes to an end of his wealth. Mr. Godwin, in all his writings, dwells upon one idea or exclusive view of a subject, aggrandises a sentiment, exaggerates a character, or pushes an argument to extremes, and makes up by the force of style and continuity of feeling for what he wants in variety of incident or ease of manner. This necessary defect is observable in his best works, and is still more so in Fleetwood and Mandeville; the one of which, compared with his more admired performances, is mawkish, and the other morbid. Mr. Godwin is also an essayist, an historian—in short, what is he not, that belongs to the character of an indefatigable and accomplished author? His Life of Chaucer would have given celebrity to any man of letters possessed of three thousand a year, with leisure to write quartos: as the legal acuteness displayed in his Remarks on Judge Eyre's Charge to the Jury would have raised any briefless barrister to the height of his profession. This temporary effusion did more—it gave a turn to the trials for high treason in the year 1794, and possibly saved the lives of twelve innocent individuals, marked out as political victims to the Moloch of Legitimacy, which then skulked behind a British throne, and had not yet dared to stalk forth (as it has done since) from its lurking-place, in the face of day, to brave the opinion of the world. If it had then glutted its maw with its intended prey (the sharpness of Mr. Godwin's pen cut the legal cords with which it was attempted to bind them), it might have done so sooner, and with more lasting effect. The world do not know (and we are not sure but the intelligence may startle Mr. Godwin himself), that he is the author of a volume of Sermons, and of a Life of Chatham.[C]

Mr. Fawcett (an old friend and fellow-student of our author, and who always spoke of his writings with admiration, tinctured with wonder) used to mention a circumstance with respect to the last-mentioned work, which may throw some light on the history and progress of Mr. Godwin's mind. He was anxious to make his biographical account as complete as he could, and applied for this purpose to many of his acquaintance to furnish him with anecdotes or to suggest criticisms. Amongst others Mr. Fawcett repeated to him what he thought a striking passage in a speech on General Warrants delivered by Lord Chatham, at which he (Mr. Fawcett) had been present. "Every man's house" (said this emphatic thinker and speaker) "has been called his castle. And why is it called his castle? Is it because it is defended by a wall, because it is surrounded with a moat? No, it may be nothing more than a straw-built shed. It may be open to all the elements: the wind may enter in, the rain may enter in—but the king cannot enter in!" His friend thought that the point was here palpable enough: but when he came to read the printed volume, he found it thus transposed: "Every man's house is his castle. And why is it called so? Is it because it is defended by a wall, because it is surrounded with a moat? No, it may be nothing more than a straw-built shed. It may be exposed to all the elements: the rain may enter into it, all the winds of Heaven may whistle round it, but the king cannot, &c." This was what Fawcett called a defect of natural imagination. He at the same time admitted that Mr. Godwin had improved his native sterility in this respect; or atoned for it by incessant activity of mind and by accumulated stores of thought and powers of language. In fact, his forte is not the spontaneous, but the voluntary exercise of talent. He fixes his ambition on a high point of excellence, and spares no pains or time in attaining it. He has less of the appearance of a man of genius, than any one who has given such decided and ample proofs of it. He is ready only on reflection: dangerous only at the rebound. He gathers himself up, and strains every nerve and faculty with deliberate aim to some heroic and dazzling atchievement of intellect: but he must make a career before he flings himself, armed, upon the enemy, or he is sure to be unhorsed. Or he resembles an eight-day clock that must be wound up long before it can strike. Therefore, his powers of conversation are but limited. He has neither acuteness of remark, nor a flow of language, both which might be expected from his writings, as these are no less distinguished by a sustained and impassioned tone of declamation than by novelty of opinion or brilliant tracks of invention. In company, Horne Tooke used to make a mere child of him—or of any man! Mr. Godwin liked this treatment[D], and indeed it is his foible to fawn on those who use him cavalierly, and to be cavalier to those who express an undue or unqualified admiration of him. He looks up with unfeigned respect to acknowledged reputation (but then it must be very well ascertained before he admits it)—and has a favourite hypothesis that Understanding and Virtue are the same thing. Mr. Godwin possesses a high degree of philosophical candour, and studiously paid the homage of his pen and person to Mr. Malthus, Sir James Macintosh, and Dr. Parr, for their unsparing attacks on him; but woe to any poor devil who had the hardihood to defend him against them! In private, the author of Political Justice at one time reminded those who knew him of the metaphysician engrafted on the Dissenting Minister. There was a dictatorial, captious, quibbling pettiness of manner. He lost this with the first blush and awkwardness of popularity, which surprised him in the retirement of his study; and he has since, with the wear and tear of society, from being too pragmatical, become somewhat too careless. He is, at present, as easy as an old glove. Perhaps there is a little attention to effect in this, and he wishes to appear a foil to himself. His best moments are with an intimate acquaintance or two, when he gossips in a fine vein about old authors, Clarendon's History of the Rebellion, or Burnet's History of his own Times; and you perceive by your host's talk, as by the taste of seasoned wine, that he has a cellarage in his understanding! Mr. Godwin also has a correct acquired taste in poetry and the drama. He relishes Donne and Ben Jonson, and recites a passage from either with an agreeable mixture of pedantry and bonhommie. He is not one of those who do not grow wiser with opportunity and reflection: he changes his opinions, and changes them for the better. The alteration of his taste in poetry, from an exclusive admiration of the age of Queen Anne to an almost equally exclusive one of that of Elizabeth, is, we suspect, owing to Mr. Coleridge, who some twenty years ago, threw a great stone into the standing pool of criticism, which splashed some persons with the mud, but which gave a motion to the surface and a reverberation to the neighbouring echoes, which has not since subsided. In common company, Mr. Godwin either goes to sleep himself, or sets others to sleep. He is at present engaged in a History of the Commonwealth of England.—Esto perpetua! In size Mr. Godwin is below the common stature, nor is his deportment graceful or animated. His face is, however, fine, with an expression of placid temper and recondite thought. He is not unlike the common portraits of Locke. There is a very admirable likeness of him by Mr. Northcote, which with a more heroic and dignified air, only does justice to the profound sagacity and benevolent aspirations of our author's mind. Mr. Godwin has kept the best company of his time, but he has survived most of the celebrated persons with whom he lived in habits of intimacy. He speaks of them with enthusiasm and with discrimination; and sometimes dwells with peculiar delight on a day passed at John Kemble's in company with Mr. Sheridan, Mr. Curran, Mrs. Wolstonecraft and Mrs. Inchbald, when the conversation took a most animated turn and the subject was of Love. Of all these our author is the only one remaining. Frail tenure, on which human life and genius are lent us for a while to improve or to enjoy!

[Footnote A: Shaftesbury made this an objection to Christianity, which was answered by Foster, Leland, and other eminent divines, on the ground that Christianity had a higher object in view, namely, general philanthropy.]

[Footnote B: Mr. Fuseli used to object to this striking delineation a want of historical correctness, inasmuch as the animating principle of the true chivalrous character was the sense of honour, not the mere regard to, or saving of, appearances. This, we think, must be an hypercriticism, from all we remember of books of chivalry and heroes of romance.]

[Footnote C: We had forgotten the tragedies of Antonio and Ferdinand. Peace be with their manes!]

[Footnote D: To be sure, it was redeemed by a high respect, and by some magnificent compliments. Once in particular, at his own table, after a good deal of badinage and cross-questioning about his being the author of the Reply to Judge Eyre's Charge, on Mr. Godwin's acknowledging that he was, Mr. Tooke said, "Come here then,"—and when his guest went round to his chair, he took his hand, and pressed it to his lips, saying—"I can do no less for the hand that saved my life!"]



* * * * *



MR. COLERIDGE.



The present is an age of talkers, and not of doers; and the reason is, that the world is growing old. We are so far advanced in the Arts and Sciences, that we live in retrospect, and doat on past atchievements. The accumulation of knowledge has been so great, that we are lost in wonder at the height it has reached, instead of attempting to climb or add to it; while the variety of objects distracts and dazzles the looker-on. What niche remains unoccupied? What path untried? What is the use of doing anything, unless we could do better than all those who have gone before us? What hope is there of this? We are like those who have been to see some noble monument of art, who are content to admire without thinking of rivalling it; or like guests after a feast, who praise the hospitality of the donor "and thank the bounteous Pan"—perhaps carrying away some trifling fragments; or like the spectators of a mighty battle, who still hear its sound afar off, and the clashing of armour and the neighing of the war-horse and the shout of victory is in their ears, like the rushing of innumerable waters!

Mr. Coleridge has "a mind reflecting ages past:" his voice is like the echo of the congregated roar of the "dark rearward and abyss" of thought. He who has seen a mouldering tower by the side of a chrystal lake, hid by the mist, but glittering in the wave below, may conceive the dim, gleaming, uncertain intelligence of his eye: he who has marked the evening clouds uprolled (a world of vapours), has seen the picture of his mind, unearthly, unsubstantial, with gorgeous tints and ever-varying forms—

"That which was now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water."

Our author's mind is (as he himself might express it) tangential. There is no subject on which he has not touched, none on which he has rested. With an understanding fertile, subtle, expansive, "quick, forgetive, apprehensive," beyond all living precedent, few traces of it will perhaps remain. He lends himself to all impressions alike; he gives up his mind and liberty of thought to none. He is a general lover of art and science, and wedded to no one in particular. He pursues knowledge as a mistress, with outstretched hands and winged speed; but as he is about to embrace her, his Daphne turns—alas! not to a laurel! Hardly a speculation has been left on record from the earliest time, but it is loosely folded up in Mr. Coleridge's memory, like a rich, but somewhat tattered piece of tapestry; we might add (with more seeming than real extravagance), that scarce a thought can pass through the mind of man, but its sound has at some time or other passed over his head with rustling pinions. On whatever question or author you speak, he is prepared to take up the theme with advantage—from Peter Abelard down to Thomas Moore, from the subtlest metaphysics to the politics of the Courier. There is no man of genius, in whose praise he descants, but the critic seems to stand above the author, and "what in him is weak, to strengthen, what is low, to raise and support:" nor is there any work of genius that does not come out of his hands like an Illuminated Missal, sparkling even in its defects. If Mr. Coleridge had not been the most impressive talker of his age, he would probably have been the finest writer; but he lays down his pen to make sure of an auditor, and mortgages the admiration of posterity for the stare of an idler. If he had not been a poet, he would have been a powerful logician; if he had not dipped his wing in the Unitarian controversy, he might have soared to the very summit of fancy. But in writing verse, he is trying to subject the Muse to transcendental theories: in his abstract reasoning, he misses his way by strewing it with flowers. All that he has done of moment, he had done twenty years ago: since then, he may be said to have lived on the sound of his own voice. Mr. Coleridge is too rich in intellectual wealth, to need to task himself to any drudgery: he has only to draw the sliders of his imagination, and a thousand subjects expand before him, startling him with their brilliancy, or losing themselves in endless obscurity—

"And by the force of blear illusion, They draw him on to his confusion."

What is the little he could add to the stock, compared with the countless stores that lie about him, that he should stoop to pick up a name, or to polish an idle fancy? He walks abroad in the majesty of an universal understanding, eyeing the "rich strond," or golden sky above him, and "goes sounding on his way," in eloquent accents, uncompelled and free!

Persons of the greatest capacity are often those, who for this reason do the least; for surveying themselves from the highest point of view, amidst the infinite variety of the universe, their own share in it seems trifling, and scarce worth a thought, and they prefer the contemplation of all that is, or has been, or can be, to the making a coil about doing what, when done, is no better than vanity. It is hard to concentrate all our attention and efforts on one pursuit, except from ignorance of others; and without this concentration of our faculties, no great progress can be made in any one thing. It is not merely that the mind is not capable of the effort; it does not think the effort worth making. Action is one; but thought is manifold. He whose restless eye glances through the wide compass of nature and art, will not consent to have "his own nothings monstered:" but he must do this, before he can give his whole soul to them. The mind, after "letting contemplation have its fill," or

"Sailing with supreme dominion Through the azure deep of air,"

sinks down on the ground, breathless, exhausted, powerless, inactive; or if it must have some vent to its feelings, seeks the most easy and obvious; is soothed by friendly flattery, lulled by the murmur of immediate applause, thinks as it were aloud, and babbles in its dreams! A scholar (so to speak) is a more disinterested and abstracted character than a mere author. The first looks at the numberless volumes of a library, and says, "All these are mine:" the other points to a single volume (perhaps it may be an immortal one) and says, "My name is written on the back of it." This is a puny and groveling ambition, beneath the lofty amplitude of Mr. Coleridge's mind. No, he revolves in his wayward soul, or utters to the passing wind, or discourses to his own shadow, things mightier and more various!—Let us draw the curtain, and unlock the shrine. Learning rocked him in his cradle, and, while yet a child,

"He lisped in numbers, for the numbers came."

At sixteen he wrote his Ode on Chatterton, and he still reverts to that period with delight, not so much as it relates to himself (for that string of his own early promise of fame rather jars than otherwise) but as exemplifying the youth of a poet. Mr. Coleridge talks of himself, without being an egotist, for in him the individual is always merged in the abstract and general. He distinguished himself at school and at the University by his knowledge of the classics, and gained several prizes for Greek epigrams. How many men are there (great scholars, celebrated names in literature) who having done the same thing in their youth, have no other idea all the rest of their lives but of this achievement, of a fellowship and dinner, and who, installed in academic honours, would look down on our author as a mere strolling bard! At Christ's Hospital, where he was brought up, he was the idol of those among his schoolfellows, who mingled with their bookish studies the music of thought and of humanity; and he was usually attended round the cloisters by a group of these (inspiring and inspired) whose hearts, even then, burnt within them as he talked, and where the sounds yet linger to mock ELIA on his way, still turning pensive to the past! One of the finest and rarest parts of Mr. Coleridge's conversation, is when he expatiates on the Greek tragedians (not that he is not well acquainted, when he pleases, with the epic poets, or the philosophers, or orators, or historians of antiquity)—on the subtle reasonings and melting pathos of Euripides, on the harmonious gracefulness of Sophocles, tuning his love-laboured song, like sweetest warblings from a sacred grove; on the high-wrought trumpet-tongued eloquence of Aeschylus, whose Prometheus, above all, is like an Ode to Fate, and a pleading with Providence, his thoughts being let loose as his body is chained on his solitary rock, and his afflicted will (the emblem of mortality)

"Struggling in vain with ruthless destiny."

As the impassioned critic speaks and rises in his theme, you would think you heard the voice of the Man hated by the Gods, contending with the wild winds as they roar, and his eye glitters with the spirit of Antiquity!

Next, he was engaged with Hartley's tribes of mind, "etherial braid, thought-woven,"—and he busied himself for a year or two with vibrations and vibratiuncles and the great law of association that binds all things in its mystic chain, and the doctrine of Necessity (the mild teacher of Charity) and the Millennium, anticipative of a life to come—and he plunged deep into the controversy on Matter and Spirit, and, as an escape from Dr. Priestley's Materialism, where he felt himself imprisoned by the logician's spell, like Ariel in the cloven pine-tree, he became suddenly enamoured of Bishop Berkeley's fairy-world,[A] and used in all companies to build the universe, like a brave poetical fiction, of fine words—and he was deep-read in Malebranche, and in Cudworth's Intellectual System (a huge pile of learning, unwieldy, enormous) and in Lord Brook's hieroglyphic theories, and in Bishop Butler's Sermons, and in the Duchess of Newcastle's fantastic folios, and in Clarke and South and Tillotson, and all the fine thinkers and masculine reasoners of that age—and Leibnitz's Pre-established Harmony reared its arch above his head, like the rainbow in the cloud, covenanting with the hopes of man—and then he fell plump, ten thousand fathoms down (but his wings saved him harmless) into the hortus siccus of Dissent, where he pared religion down to the standard of reason and stripped faith of mystery, and preached Christ crucified and the Unity of the Godhead, and so dwelt for a while in the spirit with John Huss and Jerome of Prague and Socinus and old John Zisca, and ran through Neal's History of the Puritans, and Calamy's Non-Conformists' Memorial, having like thoughts and passions with them—but then Spinoza became his God, and he took up the vast chain of being in his hand, and the round world became the centre and the soul of all things in some shadowy sense, forlorn of meaning, and around him he beheld the living traces and the sky-pointing proportions of the mighty Pan—but poetry redeemed him from this spectral philosophy, and he bathed his heart in beauty, and gazed at the golden light of heaven, and drank of the spirit of the universe, and wandered at eve by fairy-stream or fountain,

"———When he saw nought but beauty, When he heard the voice of that Almighty One In every breeze that blew, or wave that murmured"—

and wedded with truth in Plato's shade, and in the writings of Proclus and Plotinus saw the ideas of things in the eternal mind, and unfolded all mysteries with the Schoolmen and fathomed the depths of Duns Scotus and Thomas Aquinas, and entered the third heaven with Jacob Behmen, and walked hand in hand with Swedenborg through the pavilions of the New Jerusalem, and sung his faith in the promise and in the word in his Religious Musings—and lowering himself from that dizzy height, poised himself on Milton's wings, and spread out his thoughts in charity with the glad prose of Jeremy Taylor, and wept over Bowles's Sonnets, and studied Cowper's blankverse, and betook himself to Thomson's Castle of Indolence, and sported with the wits of Charles the Second's days and of Queen Anne, and relished Swift's style and that of the John Bull (Arbuthnot's we mean, not Mr. Croker's) and dallied with the British Essayists and Novelists, and knew all qualities of more modern writers with a learned spirit, Johnson, and Goldsmith, and Junius, and Burke, and Godwin, and the Sorrows of Werter, and Jean Jacques Rousseau, and Voltaire, and Marivaux, and Crebillon, and thousands more—now "laughed with Rabelais in his easy chair" or pointed to Hogarth, or afterwards dwelt on Claude's classic scenes or spoke with rapture of Raphael, and compared the women at Rome to figures that had walked out of his pictures, or visited the Oratory of Pisa, and described the works of Giotto and Ghirlandaio and Massaccio, and gave the moral of the picture of the Triumph of Death, where the beggars and the wretched invoke his dreadful dart, but the rich and mighty of the earth quail and shrink before it; and in that land of siren sights and sounds, saw a dance of peasant girls, and was charmed with lutes and gondolas,—or wandered into Germany and lost himself in the labyrinths of the Hartz Forest and of the Kantean philosophy, and amongst the cabalistic names of Fichte and Schelling and Lessing, and God knows who—this was long after, but all the former while, he had nerved his heart and filled his eyes with tears, as he hailed the rising orb of liberty, since quenched in darkness and in blood, and had kindled his affections at the blaze of the French Revolution, and sang for joy when the towers of the Bastile and the proud places of the insolent and the oppressor fell, and would have floated his bark, freighted with fondest fancies, across the Atlantic wave with Southey and others to seek for peace and freedom—

"In Philarmonia's undivided dale!"

Alas! "Frailty, thy name is Genius!"—What is become of all this mighty heap of hope, of thought, of learning, and humanity? It has ended in swallowing doses of oblivion and in writing paragraphs in the Courier.—Such, and so little is the mind of man!

It was not to be supposed that Mr. Coleridge could keep on at the rate he set off; he could not realize all he knew or thought, and less could not fix his desultory ambition; other stimulants supplied the place, and kept up the intoxicating dream, the fever and the madness of his early impressions. Liberty (the philosopher's and the poet's bride) had fallen a victim, meanwhile, to the murderous practices of the hag, Legitimacy. Proscribed by court-hirelings, too romantic for the herd of vulgar politicians, our enthusiast stood at bay, and at last turned on the pivot of a subtle casuistry to the unclean side: but his discursive reason would not let him trammel himself into a poet-laureate or stamp-distributor, and he stopped, ere he had quite passed that well-known "bourne from whence no traveller returns"—and so has sunk into torpid, uneasy repose, tantalized by useless resources, haunted by vain imaginings, his lips idly moving, but his heart forever still, or, as the shattered chords vibrate of themselves, making melancholy music to the ear of memory! Such is the fate of genius in an age, when in the unequal contest with sovereign wrong, every man is ground to powder who is not either a born slave, or who does not willingly and at once offer up the yearnings of humanity and the dictates of reason as a welcome sacrifice to besotted prejudice and loathsome power.

Of all Mr. Coleridge's productions, the Ancient Mariner is the only one that we could with confidence put into any person's hands, on whom we wished to impress a favourable idea of his extraordinary powers. Let whatever other objections be made to it, it is unquestionably a work of genius—of wild, irregular, overwhelming imagination, and has that rich, varied movement in the verse, which gives a distant idea of the lofty or changeful tones of Mr. Coleridge's voice. In the Christobel, there is one splendid passage on divided friendship. The Translation of Schiller's Wallenstein is also a masterly production in its kind, faithful and spirited. Among his smaller pieces there are occasional bursts of pathos and fancy, equal to what we might expect from him; but these form the exception, and not the rule. Such, for instance, is his affecting Sonnet to the author of the Robbers.

Schiller! that hour I would have wish'd to die, If through the shudd'ring midnight I had sent From the dark dungeon of the tower time-rent, That fearful voice, a famish'd father's cry—

That in no after-moment aught less vast Might stamp me mortal! A triumphant shout Black horror scream'd, and all her goblin rout From the more with'ring scene diminish'd pass'd.

Ah! Bard tremendous in sublimity! Could I behold thee in thy loftier mood, Wand'ring at eve, with finely frenzied eye, Beneath some vast old tempest-swinging wood! Awhile, with mute awe gazing, I would brood, Then weep aloud in a wild ecstasy.

His Tragedy, entitled Remorse, is full of beautiful and striking passages, but it does not place the author in the first rank of dramatic writers. But if Mr. Coleridge's works do not place him in that rank, they injure instead of conveying a just idea of the man, for he himself is certainly in the first class of general intellect.

If our author's poetry is inferior to his conversation, his prose is utterly abortive. Hardly a gleam is to be found in it of the brilliancy and richness of those stores of thought and language that he pours out incessantly, when they are lost like drops of water in the ground. The principal work, in which he has attempted to embody his general views of things, is the FRIEND, of which, though it contains some noble passages and fine trains of thought, prolixity and obscurity are the most frequent characteristics.

No two persons can be conceived more opposite in character or genius than the subject of the present and of the preceding sketch. Mr. Godwin, with less natural capacity, and with fewer acquired advantages, by concentrating his mind on some given object, and doing what he had to do with all his might, has accomplished much, and will leave more than one monument of a powerful intellect behind him; Mr. Coleridge, by dissipating his, and dallying with every subject by turns, has done little or nothing to justify to the world or to posterity, the high opinion which all who have ever heard him converse, or known him intimately, with one accord entertain of him. Mr. Godwin's faculties have kept house, and plied their task in the work-shop of the brain, diligently and effectually: Mr. Coleridge's have gossipped away their time, and gadded about from house to house, as if life's business were to melt the hours in listless talk. Mr. Godwin is intent on a subject, only as it concerns himself and his reputation; he works it out as a matter of duty, and discards from his mind whatever does not forward his main object as impertinent and vain. Mr. Coleridge, on the other hand, delights in nothing but episodes and digressions, neglects whatever he undertakes to perform, and can act only on spontaneous impulses, without object or method. "He cannot be constrained by mastery." While he should be occupied with a given pursuit, he is thinking of a thousand other things; a thousand tastes, a thousand objects tempt him, and distract his mind, which keeps open house, and entertains all comers; and after being fatigued and amused with morning calls from idle visitors, finds the day consumed and its business unconcluded. Mr. Godwin, on the contrary, is somewhat exclusive and unsocial in his habits of mind, entertains no company but what he gives his whole time and attention to, and wisely writes over the doors of his understanding, his fancy, and his senses—"No admittance except on business." He has none of that fastidious refinement and false delicacy, which might lead him to balance between the endless variety of modern attainments. He does not throw away his life (nor a single half-hour of it) in adjusting the claims of different accomplishments, and in choosing between them or making himself master of them all. He sets about his task, (whatever it may be) and goes through it with spirit and fortitude. He has the happiness to think an author the greatest character in the world, and himself the greatest author in it. Mr. Coleridge, in writing an harmonious stanza, would stop to consider whether there was not more grace and beauty in a Pas de trois, and would not proceed till he had resolved this question by a chain of metaphysical reasoning without end. Not so Mr. Godwin. That is best to him, which he can do best. He does not waste himself in vain aspirations and effeminate sympathies. He is blind, deaf, insensible to all but the trump of Fame. Plays, operas, painting, music, ball-rooms, wealth, fashion, titles, lords, ladies, touch him not—all these are no more to him than to the magician in his cell, and he writes on to the end of the chapter, through good report and evil report. Pingo in eternitatem—is his motto. He neither envies nor admires what others are, but is contented to be what he is, and strives to do the utmost he can. Mr. Coleridge has flirted with the Muses as with a set of mistresses: Mr. Godwin has been married twice, to Reason and to Fancy, and has to boast no short-lived progeny by each. So to speak, he has valves belonging to his mind, to regulate the quantity of gas admitted into it, so that like the bare, unsightly, but well-compacted steam-vessel, it cuts its liquid way, and arrives at its promised end: while Mr. Coleridge's bark, "taught with the little nautilus to sail," the sport of every breath, dancing to every wave,

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