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The Sword of Welleran and Other Stories
by Lord Dunsany
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THE SWORD OF WELLERAN AND OTHER STORIES

By Lord Dunsany

Author of "Time and the Gods," etc.



DEDICATED

with deep gratitude to those few, known to me or unknown, who have cared for either of my former books, "The Gods of Pegana," "Time and the Gods."



The Sword of Welleran

Where the great plain of Tarphet runs up, as the sea in estuaries, among the Cyresian mountains, there stood long since the city of Merimna well-nigh among the shadows of the crags. I have never seen a city in the world so beautiful as Merimna seemed to me when first I dreamed of it. It was a marvel of spires and figures of bronze, and marble fountains, and trophies of fabulous wars, and broad streets given over wholly to the Beautiful. Right through the centre of the city there went an avenue fifty strides in width, and along each side of it stood likenesses in bronze of the Kings of all the countries that the people of Merimna had ever known. At the end of that avenue was a colossal chariot with three bronze horses driven by the winged figure of Fame, and behind her in the chariot the huge form of Welleran, Merimna's ancient hero, standing with extended sword. So urgent was the mien and attitude of Fame, and so swift the pose of the horses, that you had sworn that the chariot was instantly upon you, and that its dust already veiled the faces of the Kings. And in the city was a mighty hall wherein were stored the trophies of Merimna's heroes. Sculptured it was and domed, the glory of the art of masons a long while dead, and on the summit of the dome the image of Rollory sat gazing across the Cyresian mountains towards the wide lands beyond, the lands that knew his sword. And beside Rollory, like an old nurse, the figure of Victory sat, hammering into a golden wreath of laurels for his head the crowns of fallen Kings.

Such was Merimna, a city of sculptured Victories and warriors of bronze. Yet in the time of which I write the art of war had been forgotten in Merimna, and the people almost slept. To and fro and up and down they would walk through the marble streets, gazing at memorials of the things achieved by their country's swords in the hands of those that long ago had loved Merimna well. Almost they slept, and dreamed of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. Of the lands beyond the mountains that lay all round about them they knew nothing, save that they were the theatre of the terrible deeds of Welleran, that he had done with his sword. Long since these lands had fallen back into the possession of the nations that had been scourged by Merimna's armies. Nothing now remained to Merimna's men save their inviolate city and the glory of the remembrance of their ancient fame. At night they would place sentinels far out in the desert, but these always slept at their posts dreaming of Rollory, and three times every night a guard would march around the city clad in purple, bearing lights and singing songs of Welleran. Always the guard went unarmed, but as the sound of their song went echoing across the plain towards the looming mountains, the desert robbers would hear the name of Welleran and steal away to their haunts. Often dawn would come across the plain, shimmering marvellously upon Merimna's spires, abashing all the stars, and find the guard still singing songs of Welleran, and would change the colour of their purple robes and pale the lights they bore. But the guard would go back leaving the ramparts safe, and one by one the sentinels in the plain would awake from dreaming of Rollory and shuffle back into the city quite cold. Then something of the menace would pass away from the faces of the Cyresian mountains, that from the north and the west and the south lowered upon Merimna, and clear in the morning the statues and the pillars would arise in the old inviolate city. You would wonder that an unarmed guard and sentinels that slept could defend a city that was stored with all the glories of art, that was rich in gold and bronze, a haughty city that had erst oppressed its neighbours, whose people had forgotten the art of war. Now this is the reason that, though all her other lands had long been taken from her, Merimna's city was safe. A strange thing was believed or feared by the fierce tribes beyond the mountains, and it was credited among them that at certain stations round Merimna's ramparts there still rode Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. Yet it was close on a hundred years since Iraine, the youngest of Merimna's heroes, fought his last battle with the tribes.

Sometimes indeed there arose among the tribes young men who doubted and said: 'How may a man for ever escape death?'

But graver men answered them: 'Hear us, ye whose wisdom has discerned so much, and discern for us how a man may escape death when two score horsemen assail him with their swords, all of them sworn to kill him, and all of them sworn upon their country's gods; as often Welleran hath. Or discern for us how two men alone may enter a walled city by night, and bring away from it that city's king, as did Soorenard and Mommolek. Surely men that have escaped so many swords and so many sleety arrows shall escape the years and Time.'

And the young men were humbled and became silent. Still, the suspicion grew. And often when the sun set on the Cyresian mountains, men in Merimna discerned the forms of savage tribesmen black against the light, peering towards the city.

All knew in Merimna that the figures round the ramparts were only statues of stone, yet even there a hope lingered among a few that some day their old heroes would come again, for certainly none had ever seen them die. Now it had been the wont of these six warriors of old, as each received his last wound and knew it to be mortal, to ride away to a certain deep ravine and cast his body in, as somewhere I have read great elephants do, hiding their bones away from lesser beasts. It was a ravine steep and narrow even at the ends, a great cleft into which no man could come by any path. There rode Welleran alone, panting hard; and there later rode Soorenard and Mommolek, Mommolek with a mortal wound upon him not to return, but Soorenard was unwounded and rode back alone from leaving his dear friend resting among the mighty bones of Welleran. And there rode Soorenard, when his day was come, with Rollory and Akanax, and Rollory rode in the middle and Soorenard and Akanax on either side. And the long ride was a hard and weary thing for Soorenard and Akanax, for they both had mortal wounds; but the long ride was easy for Rollory, for he was dead. So the bones of these five heroes whitened in an enemy's land, and very still they were, though they had troubled cities, and none knew where they lay saving only Iraine, the young captain, who was but twenty-five when Mommolek, Rollory, and Akanax rode away. And among them were strewn their saddles and their bridles, and all the accoutrements of their horses, lest any man should ever find them afterwards and say in some foreign city: 'Lo! the bridles or the saddles of Merimna's captains, taken in war,' but their beloved trusty horses they turned free.

Forty years afterwards, in the hour of a great victory, his last wound came upon Iraine, and the wound was terrible and would not close. And Iraine was the last of the captains, and rode away alone. It was a long way to the dark ravine, and Iraine feared that he would never come to the resting-place of the old heroes, and he urged his horse on swiftly, and clung to the saddle with his hands. And often as he rode he fell asleep, and dreamed of earlier days, and of the times when he first rode forth to the great wars of Welleran, and of the time when Welleran first spake to him, and of the faces of Welleran's comrades when they led charges in the battle. And ever as he awoke a great longing arose in his soul as it hovered on his body's brink, a longing to lie among the bones of the old heroes. At last when he saw the dark ravine making a scar across the plain, the soul of Iraine slipped out through his great wound and spread its wings, and pain departed from the poor hacked body, and, still urging his horse forward, Iraine died. But the old true horse cantered on till suddenly he saw before him the dark ravine and put his forefeet out on the very edge of it and stopped. Then the body of Iraine came toppling forward over the right shoulder of the horse, and his bones mingle and rest as the years go by with the bones of Merimna's heroes.

Now there was a little boy in Merimna named Rold. I saw him first, I, the dreamer, that sit before my fire asleep, I saw him first as his mother led him through the great hall where stand the trophies of Merimna's heroes. He was five years old, and they stood before the great glass casket wherein lay the sword of Welleran, and his mother said: 'The sword of Welleran.' And Rold said: 'What should a man do with the sword of Welleran?' And his mother answered: 'Men look at the sword and remember Welleran.' And they went on and stood before the great red cloak of Welleran, and the child said: 'Why did Welleran wear this great red cloak?' And his mother answered: 'It was the way of Welleran.'

When Rold was a little older he stole out of his mother's house quite in the middle of the night when all the world was still, and Merimna asleep dreaming of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. And he went down to the ramparts to hear the purple guard go by singing of Welleran. And the purple guard came by with lights, all singing in the stillness, and dark shapes out in the desert turned and fled. And Rold went back again to his mother's house with a great yearning towards the name of Welleran, such as men feel for very holy things.

And in time Rold grew to know the pathway all round the ramparts, and the six equestrian statues that were there guarding Merimna still. These statues were not like other statues, they were so cunningly wrought of many-coloured marbles that none might be quite sure until very close that they were not living men. There was a horse of dappled marble, the horse of Akanax. The horse of Rollory was of alabaster, pure white, his armour was wrought out of a stone that shone, and his horseman's cloak was made of a blue stone, very precious. He looked northwards.

But the marble horse of Welleran was pure black, and there sat Welleran upon him looking solemnly westwards. His horse it was whose cold neck Rold most loved to stroke, and it was Welleran whom the watchers at sunset on the mountains the most clearly saw as they peered towards the city. And Rold loved the red nostrils of the great black horse and his rider's jasper cloak.

Now beyond the Cyresians the suspicion grew that Merimna's heroes were dead, and a plan was devised that a man should go by night and come close to the figures upon the ramparts and see whether they were Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. And all were agreed upon the plan, and many names were mentioned of those who should go, and the plan matured for many years. It was during these years that watchers clustered often at sunset upon the mountains but came no nearer. Finally, a better plan was made, and it was decided that two men who had been by chance condemned to death should be given a pardon if they went down into the plain by night and discovered whether or not Merimna's heroes lived. At first the two prisoners dared not go, but after a while one of them, Seejar, said to his companion, Sajar-Ho: 'See now, when the King's axeman smites a man upon the neck that man dies.'

And the other said that this was so. Then said Seejar: 'And even though Welleran smite a man with his sword no more befalleth him than death.'

Then Sajar-Ho thought for a while. Presently he said: 'Yet the eye of the King's axeman might err at the moment of his stroke or his arm fail him, and the eye of Welleran hath never erred nor his arm failed. It were better to bide here.'

Then said Seejar: 'Maybe that Welleran is dead and that some other holds his place upon the ramparts, or even a statue of stone.'

But Sajar-Ho made answer: 'How can Welleran be dead when he even escaped from two score horsemen with swords that were sworn to slay him, and all sworn upon our country's gods?'

And Seejar said: 'This story his father told my grandfather concerning Welleran. On the day that the fight was lost on the plains of Kurlistan he saw a dying horse near to the river, and the horse looked piteously towards the water but could not reach it. And the father of my grandfather saw Welleran go down to the river's brink and bring water from it with his own hand and give it to the horse. Now we are in as sore a plight as was that horse, and as near to death; it may be that Welleran will pity us, while the King's axeman cannot because of the commands of the King.'

Then said Sajar-Ho: 'Thou wast ever a cunning arguer. Thou broughtest us into this trouble with thy cunning and thy devices, we will see if thou canst bring us out of it. We will go.'

So news was brought to the King that the two prisoners would go down to Merimna.

That evening the watchers led them to the mountain's edge, and Seejar and Sajar-Ho went down towards the plain by the way of a deep ravine, and the watchers watched them go. Presently their figures were wholly hid in the dusk. Then night came up, huge and holy, out of waste marshes to the eastwards and low lands and the sea; and the angels that watched over all men through the day closed their great eyes and slept, and the angels that watched over all men through the night awoke and ruffled their deep blue feathers and stood up and watched. But the plain became a thing of mystery filled with fears. So the two spies went down the deep ravine, and coming to the plain sped stealthily across it. Soon they came to the line of sentinels asleep upon the sand, and one stirred in his sleep calling on Rollory, and a great dread seized upon the spies and they whispered 'Rollory lives,' but they remembered the King's axeman and went on. And next they came to the great bronze statue of Fear, carved by some sculptor of the old glorious years in the attitude of flight towards the mountains, calling to her children as she fled. And the children of Fear were carved in the likeness of the armies of all the trans-Cyresian tribes with their backs towards Merimna, flocking after Fear. And from where he sat on his horse behind the ramparts the sword of Welleran was stretched out over their heads as ever it was wont. And the two spies kneeled down in the sand and kissed the huge bronze foot of the statue of Fear, saying: 'O Fear, Fear.' And as they knelt they saw lights far off along the ramparts coming nearer and nearer, and heard men singing of Welleran. And the purple guard came nearer and went by with their lights, and passed on into the distance round the ramparts still singing of Welleran. And all the while the two spies clung to the foot of the statue, muttering: 'O Fear, Fear.' But when they could hear the name of Welleran no more they arose and came to the ramparts and climbed over them and came at once upon the figure of Welleran, and they bowed low to the ground, and Seejar said: 'O Welleran, we came to see whether thou didst yet live.' And for a long while they waited with their faces to the earth. At last Seejar looked up towards Welleran's terrible sword, and it was still stretched out pointing to the carved armies that followed after Fear. And Seejar bowed to the ground again and touched the horse's hoof, and it seemed cold to him. And he moved his hand higher and touched the leg of the horse, and it seemed quite cold. At last he touched Welleran's foot, and the armour on it seemed hard and stiff. Then as Welleran moved not and spake not, Seejar climbed up at last and touched his hand, the terrible hand of Welleran, and it was marble. Then Seejar laughed aloud, and he and Sajar-Ho sped down the empty pathway and found Rollory, and he was marble too. Then they climbed down over the ramparts and went back across the plain, walking contemptuously past the figure of Fear, and heard the guard returning round the ramparts for the third time, singing of Welleran; and Seejar said: 'Ay, you may sing of Welleran, but Welleran is dead and a doom is on your city.'

And they passed on and found the sentinel still restless in the night and calling on Rollory. And Sajar-Ho muttered: 'Ay, you may call on Rollory, but Rollory is dead and naught can save your city.'

And the two spies went back alive to their mountains again, and as they reached them the first ray of the sun came up red over the desert behind Merimna and lit Merimna's spires. It was the hour when the purple guard were wont to go back into the city with their tapers pale and their robes a brighter colour, when the cold sentinels came shuffling in from dreaming in the desert; it was the hour when the desert robbers hid themselves away, going back to their mountain caves; it was the hour when gauze-winged insects are born that only live for a day; it was the hour when men die that are condemned to death; and in this hour a great peril, new and terrible, arose for Merimna and Merimna knew it not.

Then Seejar turning said: 'See how red the dawn is and how red the spires of Merimna. They are angry with Merimna in Paradise and they bode its doom.'

So the two spies went back and brought the news to their King, and for a few days the Kings of those countries were gathering their armies together; and one evening the armies of four Kings were massed together at the top of the deep ravine, all crouching below the summit waiting for the sun to set. All wore resolute and fearless faces, yet inwardly every man was praying to his gods, unto each one in turn.

Then the sun set, and it was the hour when the bats and the dark creatures are abroad and the lions come down from their lairs, and the desert robbers go into the plains again, and fevers rise up winged and hot out of chill marshes, and it was the hour when safety leaves the thrones of Kings, the hour when dynasties change. But in the desert the purple guard came swinging out of Merimna with their lights to sing of Welleran, and the sentinels lay down to sleep.

Now into Paradise no sorrow may ever come, but may only beat like rain against its crystal walls, yet the souls of Merimna's heroes were half aware of some sorrow far away as some sleeper feels that some one is chilled and cold yet knows not in his sleep that it is he. And they fretted a little in their starry home. Then unseen there drifted earthward across the setting sun the souls of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. Already when they reached Merimna's ramparts it was just dark, already the armies of the four Kings had begun to move, jingling, down the deep ravine. But when the six warriors saw their city again, so little changed after so many years, they looked towards her with a longing that was nearer to tears than any that their souls had known before, crying to her:

'O Merimna, our city: Merimna, our walled city.

'How beautiful thou art with all thy spires, Merimna. For thee we left the earth, its kingdoms and little flowers, for thee we have come away for awhile from Paradise.

'It is very difficult to draw away from the face of God—it is like a warm fire, it is like dear sleep, it is like a great anthem, yet there is a stillness all about it, a stillness full of lights.

'We have left Paradise for awhile for thee, Merimna.

'Many women have we loved, Merimna, but only one city.

'Behold now all the people dream, all our loved people. How beautiful are dreams! In dreams the dead may live, even the long dead and the very silent. Thy lights are all sunk low, they have all gone out, no sound is in thy streets. Hush! Thou art like a maiden that shutteth up her eyes and is asleep, that draweth her breath softly and is quite still, being at ease and untroubled.

'Behold now the battlements, the old battlements. Do men defend them still as we defended them? They are worn a little, the battlements,' and drifting nearer they peered anxiously. 'It is not by the hand of man that they are worn, our battlements. Only the years have done it and indomitable Time. Thy battlements are like the girdle of a maiden, a girdle that is round about her. See now the dew upon them, they are like a jewelled girdle.

'Thou art in great danger, Merimna, because thou art so beautiful. Must thou perish tonight because we no more defend thee, because we cry out and none hear us, as the bruised lilies cry out and none have known their voices?'

Thus spake those strong-voiced, battle-ordering captains, calling to their dear city, and their voices came no louder than the whispers of little bats that drift across the twilight in the evening. Then the purple guard came near, going round the ramparts for the first time in the night, and the old warriors called to them, 'Merimna is in danger! Already her enemies gather in the darkness.' But their voices were never heard because they were only wandering ghosts. And the guard went by and passed unheeding away, still singing of Welleran.

Then said Welleran to his comrades: 'Our hands can hold swords no more, our voices cannot be heard, we are stalwart men no longer. We are but dreams, let us go among dreams. Go all of you, and thou too, young Iraine, and trouble the dreams of all the men that sleep, and urge them to take the old swords of their grandsires that hang upon the walls, and to gather at the mouth of the ravine; and I will find a leader and make him take my sword.'

Then they passed up over the ramparts and into their dear city. And the wind blew about, this way and that, as he went, the soul of Welleran who had upon his day withstood the charges of tempestuous armies. And the souls of his comrades, and with them young Iraine, passed up into the city and troubled the dreams of every man who slept, and to every man the souls said in their dreams: 'It is hot and still in the city. Go out now into the desert, into the cool under the mountains, but take with thee the old sword that hangs upon the wall for fear of the desert robbers.'

And the god of that city sent up a fever over it, and the fever brooded over it and the streets were hot; and all that slept awoke from dreaming that it would be cool and pleasant where the breezes came down the ravine out of the mountains; and they took the old swords that their grandsires had, according to their dreams, for fear of the desert robbers. And in and out of dreams passed the souls of Welleran's comrades, and with them young Iraine, in great haste as the night wore on; and one by one they troubled the dreams of all Merimna's men and caused them to arise and go out armed, all save the purple guard who, heedless of danger, sang of Welleran still, for waking men cannot hear the souls of the dead.

But Welleran drifted over the roofs of the city till he came to the form of Rold lying fast asleep. Now Rold was grown strong and was eighteen years of age, and he was fair of hair and tall like Welleran, and the soul of Welleran hovered over him and went into his dreams as a butterfly flits through trellis-work into a garden of flowers, and the soul of Welleran said to Rold in his dreams: 'Thou wouldst go and see again the sword of Welleran, the great curved sword of Welleran. Thou wouldst go and look at it in the night with the moonlight shining upon it.'

And the longing of Rold in his dreams to see the sword caused him to walk still sleeping from his mother's house to the hall wherein were the trophies of the heroes. And the soul of Welleran urging the dreams of Rold caused him to pause before the great red cloak, and there the soul said among the dreams: 'Thou art cold in the night; fling now a cloak around thee.'

And Rold drew round about him the huge red cloak of Welleran. Then Rold's dreams took him to the sword, and the soul said to the dreams: 'Thou hast a longing to hold the sword of Welleran: take up the sword in thy hand.'

But Rold said: 'What should a man do with the sword of Welleran?'

And the soul of the old captain said to the dreams: 'It is a good sword to hold: take up the sword of Welleran.'

And Rold, still sleeping and speaking aloud, said: 'It is not lawful; none may touch the sword.'

And Rold turned to go. Then a great and terrible cry arose in the soul of Welleran, all the more bitter for that he could not utter it, and it went round and round his soul finding no utterance, like a cry evoked long since by some murderous deed in some old haunted chamber that whispers through the ages heard by none.

And the soul of Welleran cried out to the dreams of Rold: 'Thy knees are tied! Thou art fallen in a marsh! Thou canst not move.'

And the dreams of Rold said to him: 'Thy knees are tied, thou art fallen in a marsh,' and Rold stood still before the sword. Then the soul of the warrior wailed among Rold's dreams, as Rold stood before the sword.

'Welleran is crying for his sword, his wonderful curved sword. Poor Welleran, that once fought for Merimna, is crying for his sword in the night. Thou wouldst not keep Welleran without his beautiful sword when he is dead and cannot come for it, poor Welleran who fought for Merimna.'

And Rold broke the glass casket with his hand and took the sword, the great curved sword of Welleran; and the soul of the warrior said among Rold's dreams: 'Welleran is waiting in the deep ravine that runs into the mountains, crying for his sword.'

And Rold went down through the city and climbed over the ramparts, and walked with his eyes wide open but still sleeping over the desert to the mountains.

Already a great multitude of Merimna's citizens were gathered in the desert before the deep ravine with old swords in their hands, and Rold passed through them as he slept holding the sword of Welleran, and the people cried in amaze to one another as he passed: 'Rold hath the sword of Welleran!'

And Rold came to the mouth of the ravine, and there the voices of the people woke him. And Rold knew nothing that he had done in his sleep, and looked in amazement at the sword in his hand and said: 'What art thou, thou beautiful thing? Lights shimmer in thee, thou art restless. It is the sword of Welleran, the curved sword of Welleran!'

And Rold kissed the hilt of it, and it was salt upon his lips with the battle-sweat of Welleran. And Rold said: 'What should a man do with the sword of Welleran?'

And all the people wondered at Rold as he sat there with the sword in his hand muttering, 'What should a man do with the sword of Welleran?'

Presently there came to the ears of Rold the noise of a jingling up in the ravine, and all the people, the people that knew naught of war, heard the jingling coming nearer in the night; for the four armies were moving on Merimna and not yet expecting an enemy. And Rold gripped upon the hilt of the great curved sword, and the sword seemed to lift a little. And a new thought came into the hearts of Merimna's people as they gripped their grandsires' swords. Nearer and nearer came the heedless armies of the four Kings, and old ancestral memories began to arise in the minds of Merimna's people in the desert with their swords in their hands sitting behind Rold. And all the sentinels were awake holding their spears, for Rollory had put their dreams to flight, Rollory that once could put to flight armies and now was but a dream struggling with other dreams.

And now the armies had come very near. Suddenly Rold leaped up, crying: 'Welleran! And the sword of Welleran!' And the savage, lusting sword that had thirsted for a hundred years went up with the hand of Rold and swept through a tribesman's ribs. And with the warm blood all about it there came a joy into the curved soul of that mighty sword, like to the joy of a swimmer coming up dripping out of warm seas after living for long in a dry land. When they saw the red cloak and that terrible sword a cry ran through the tribal armies, 'Welleran lives!' And there arose the sounds of the exulting of victorious men, and the panting of those that fled, and the sword singing softly to itself as it whirled dripping through the air. And the last that I saw of the battle as it poured into the depth and darkness of the ravine was the sword of Welleran sweeping up and falling, gleaming blue in the moonlight whenever it arose and afterwards gleaming red, and so disappearing into the darkness.

But in the dawn Merimna's men came back, and the sun arising to give new life to the world, shone instead upon the hideous things that the sword of Welleran had done. And Rold said: 'O sword, sword! How horrible thou art! Thou art a terrible thing to have come among men. How many eyes shall look upon gardens no more because of thee? How many fields must go empty that might have been fair with cottages, white cottages with children all about them? How many valleys must go desolate that might have nursed warm hamlets, because thou hast slain long since the men that might have built them? I hear the wind crying against thee, thou sword! It comes from the empty valleys. It comes over the bare fields. There are children's voices in it. They were never born. Death brings an end to crying for those that had life once, but these must cry for ever. O sword! sword! why did the gods send thee among men?' And the tears of Rold fell down upon the proud sword but could not wash it clean.

And now that the ardour of battle had passed away, the spirits of Merimna's people began to gloom a little, like their leader's, with their fatigue and with the cold of the morning; and they looked at the sword of Welleran in Rold's hand and said: 'Not any more, not any more for ever will Welleran now return, for his sword is in the hand of another. Now we know indeed that he is dead. O Welleran, thou wast our sun and moon and all our stars. Now is the sun fallen down and the moon broken, and all the stars are scattered as the diamonds of a necklace that is snapped off one who is slain by violence.'

Thus wept the people of Merimna in the hour of their great victory, for men have strange moods, while beside them their old inviolate city slumbered safe. But back from the ramparts and beyond the mountains and over the lands that they had conquered of old, beyond the world and back again to Paradise, went the souls of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine.



The Fall of Babbulkund

I said: 'I will arise now and see Babbulkund, City of Marvel. She is of one age with the earth; the stars are her sisters. Pharaohs of the old time coming conquering from Araby first saw her, a solitary mountain in the desert, and cut the mountain into towers and terraces. They destroyed one of the hills of God, but they made Babbulkund. She is carven, not built; her palaces are one with her terraces, there is neither join nor cleft. Hers is the beauty of the youth of the world. She deemeth herself to be the middle of Earth, and hath four gates facing outward to the Nations. There sits outside her eastern gate a colossal god of stone. His face flushes with the lights of dawn. When the morning sunlight warms his lips they part a little, and he giveth utterance to the words "Oon Oom," and the language is long since dead in which he speaks, and all his worshippers are gathered to their tombs, so that none knoweth what the words portend that he uttereth at dawn. Some say that he greets the sun as one god greets another in the language thereof, and others say that he proclaims the day, and others that he uttereth warning. And at every gate is a marvel not credible until beholden.'

And I gathered three friends and said to them: 'We are what we have seen and known. Let us journey now and behold Babbulkund, that our minds may be beautified with it and our spirits made holier.'

So we took ship and travelled over the lifting sea, and remembered not things done in the towns we knew, but laid away the thoughts of them like soiled linen and put them by, and dreamed of Babbulkund.

But when we came to the land of which Babbulkund is the abiding glory, we hired a caravan of camels and Arab guides, and passed southwards in the afternoon on the three days' journey through the desert that should bring us to the white walls of Babbulkund. And the heat of the sun shone upon us out of the bright grey sky, and the heat of the desert beat up at us from below.

About sunset we halted and tethered our horses, while the Arabs unloaded the provisions from the camels and prepared a fire out of the dry scrub, for at sunset the heat of the desert departs from it suddenly, like a bird. Then we saw a traveller approaching us on a camel coming from the south. When he was come near we said to him:

'Come and encamp among us, for in the desert all men are brothers, and we will give thee meat to eat and wine, or, if thou art bound by thy faith, we will give thee some other drink that is not accursed by the prophet.'

The traveller seated himself beside us on the sand, and crossed his legs and answered:

'Hearken, and I will tell you of Babbulkund, City of Marvel. Babbulkund stands just below the meeting of the rivers, where Oonrana, River of Myth, flows into the Waters of Fable, even the old stream Plegathanees. These, together, enter her northern gate rejoicing. Of old they flowed in the dark through the Hill that Nehemoth, the first of Pharaohs, carved into the City of Marvel. Sterile and desolate they float far through the desert, each in the appointed cleft, with life upon neither bank, but give birth in Babbulkund to the sacred purple garden whereof all nations sing. Thither all the bees come on a pilgrimage at evening by a secret way of the air. Once, from his twilit kingdom, which he rules equally with the sun, the moon saw and loved Babbulkund, clad with her purple garden; and the moon wooed Babbulkund, and she sent him weeping away, for she is more beautiful than all her sisters the stars. Her sisters come to her at night into her maiden chamber. Even the gods speak sometimes of Babbulkund, clad with her purple garden. Listen, for I perceive by your eyes that ye have not seen Babbulkund; there is a restlessness in them and an unappeased wonder. Listen. In the garden whereof I spoke there is a lake that hath no twin or fellow in the world; there is no companion for it among all the lakes. The shores of it are of glass, and the bottom of it. In it are great fish having golden and scarlet scales, and they swim to and fro. Here it is the wont of the eighty-second Nehemoth (who rules in the city today) to come, after the dusk has fallen, and sit by the lake alone, and at this hour eight hundred slaves go down by steps through caverns into vaults beneath the lake. Four hundred of them carrying purple lights march one behind the other, from east to west, and four hundred carrying green lights march one behind the other, from west to east. The two lines cross and re-cross each other in and out as the slaves go round and round, and the fearful fish flash up and down and to and fro.'

But upon that traveller speaking night descended, solemn and cold, and we wrapped ourselves in our blankets and lay down upon the sand in the sight of the astral sisters of Babbulkund. And all that night the desert said many things, softly and in a whisper, but I knew not what he said. Only the sand knew and arose and was troubled and lay down again, and the wind knew. Then, as the hours of the night went by, these two discovered the foot-tracks wherewith we had disturbed the holy desert, and they troubled over them and covered them up; and then the wind lay down and the sand rested. Then the wind arose again and the sand danced. This they did many times. And all the while the desert whispered what I shall not know.

Then I slept awhile and awoke just before sunrise, very cold. Suddenly the sun leapt up and flamed upon our faces; we all threw off our blankets and stood up. Then we took food, and afterwards started southwards, and in the heat of the day rested, and afterwards pushed on again. And all the while the desert remained the same, like a dream that will not cease to trouble a tired sleeper.

And often travellers passed us in the desert, coming from the City of Marvel, and there was a light and a glory in their eyes from having seen Babbulkund.

That evening, at sunset, another traveller neared us, and we hailed him, saying:

'Wilt thou eat and drink with us, seeing that all men are brothers in the desert?'

And he descended from his camel and sat by us and said:

'When morning shines on the colossus Neb and Neb speaks, at once the musicians of King Nehemoth in Babbulkund awake.

'At first their fingers wander over their golden harps, or they stroke idly their violins. Clearer and clearer the note of each instrument ascends like larks arising from the dew, till suddenly they all blend together and a new melody is born. Thus, every morning, the musicians of King Nehemoth make a new marvel in the City of Marvel; for these are no common musicians, but masters of melody, raided by conquest long since, and carried away in ships from the Isles of Song. And, at the sound of the music, Nehemoth awakes in the eastern chamber of his palace, which is carved in the form of a great crescent, four miles long, on the northern side of the city. Full in the windows of its eastern chamber the sun rises, and full in the windows of its western chamber the sun sets.

'When Nehemoth awakes he summons slaves who bring a palanquin with bells, which the King enters, having lightly robed. Then the slaves run and bear him to the onyx Chamber of the Bath, with the sound of small bells ringing as they run. And when Nehemoth emerges thence, bathed and anointed, the slaves run on with their ringing palanquin and bear him to the Orient Chamber of Banquets, where the King takes the first meal of the day. Thence, through the great white corridor whose windows all face sunwards, Nehemoth, in his palanquin, passes on to the Audience Chamber of Embassies from the North, which is all decked with Northern wares.

'All about it are ornaments of amber from the North and carven chalices of the dark brown Northern crystal, and on its floors lie furs from Baltic shores.

'In adjoining chambers are stored the wonted food of the hardy Northern men, and the strong wine of the North, pale but terrible. Therein the King receives barbarian princes from the frigid lands. Thence the slaves bear him swiftly to the Audience Chamber of Embassies from the East, where the walls are of turquoise, studded with the rubies of Ceylon, where the gods are the gods of the East, where all the hangings have been devised in the gorgeous heart of Ind, and where all the carvings have been wrought with the cunning of the isles. Here, if a caravan hath chanced to have come in from Ind or from Cathay, it is the King's wont to converse awhile with Moguls or Mandarins, for from the East come the arts and knowledge of the world, and the converse of their people is polite. Thus Nehemoth passes on through the other Audience Chambers and receives, perhaps, some Sheikhs of the Arab folk who have crossed the great desert from the West, or receives an embassy sent to do him homage from the shy jungle people to the South. And all the while the slaves with the ringing palanquin run westwards, following the sun, and ever the sun shines straight into the chamber where Nehemoth sits, and all the while the music from one or other of his bands of musicians comes tinkling to his ears. But when the middle of the day draws near, the slaves run to the cool groves that lie along the verandahs on the northern side of the palace, forsaking the sun, and as the heat overcomes the genius of the musicians, one by one their hands fall from their instruments, till at last all melody ceases. At this moment Nehemoth falls asleep, and the slaves put the palanquin down and lie down beside it. At this hour the city becomes quite still, and the palace of Nehemoth and the tombs of the Pharaohs of old face to the sunlight, all alike in silence. Even the jewellers in the market-place, selling gems to princes, cease from their bargaining and cease to sing; for in Babbulkund the vendor of rubies sings the song of the ruby, and the vendor of sapphires sings the song of the sapphire, and each stone hath its song, so that a man, by his song, proclaims and makes known his wares.

'But all these sounds cease at the meridian hour, the jewellers in the market-place lie down in what shadow they can find, and the princes go back to the cool places in their palaces, and a great hush in the gleaming air hangs over Babbulkund. But in the cool of the late afternoon, one of the King's musicians will awake from dreaming of his home and will pass his fingers, perhaps, over the strings of his harp and, with the music, some memory may arise of the wind in the glens of the mountains that stand in the Isles of Song. Then the musician will wrench great cries out of the soul of his harp for the sake of the old memory, and his fellows will awake and all make a song of home, woven of sayings told in the harbour when the ships came in, and of tales in the cottages about the people of old time. One by one the other bands of musicians will take up the song, and Babbulkund, City of Marvel, will throb with this marvel anew. Just now Nehemoth awakes, the slaves leap to their feet and bear the palanquin to the outer side of the great crescent palace between the south and the west, to behold the sun again. The palanquin, with its ringing bells, goes round once more; the voices of the jewellers sing again, in the market-place, the song of the emerald, the song of the sapphire; men talk on the housetops, beggars wail in the streets, the musicians bend to their work, all the sounds blend together into one murmur, the voice of Babbulkund speaking at evening. Lower and lower sinks the sun, till Nehemoth, following it, comes with his panting slaves to the great purple garden of which surely thine own country has its songs, from wherever thou art come.

'There he alights from his palanquin and goes up to a throne of ivory set in the garden's midst, facing full westwards, and sits there alone, long regarding the sunlight until it is quite gone. At this hour trouble comes into the face of Nehemoth. Men have heard him muttering at the time of sunset: "Even I too, even I too." Thus do King Nehemoth and the sun make their glorious ambits about Babbulkund.

'A little later, when the stars come out to envy the beauty of the City of Marvel, the King walks to another part of the garden and sits in an alcove of opal all alone by the marge of the sacred lake. This is the lake whose shores and floors are of glass, which is lit from beneath by slaves with purple lights and with green lights intermingling, and is one of the seven wonders of Babbulkund. Three of the wonders are in the city's midst and four are at her gates. There is the lake, of which I tell thee, and the purple garden of which I have told thee and which is a wonder even to the stars, and there is Ong Zwarba, of which I shall tell thee also. And the wonders at the gates are these. At the eastern gate Neb. And at the northern gate the wonder of the river and the arches, for the River of Myth, which becomes one with the Waters of Fable in the desert outside the city, floats under a gate of pure gold, rejoicing, and under many arches fantastically carven that are one with either bank. The marvel at the western gate is the marvel of Annolith and the dog Voth. Annolith sits outside the western gate facing towards the city. He is higher than any of the towers or palaces, for his head was carved from the summit of the old hill; he hath two eyes of sapphire wherewith he regards Babbulkund, and the wonder of the eyes is that they are today in the same sockets wherein they glowed when first the world began, only the marble that covered them has been carven away and the light of day let in and the sight of the envious stars. Larger than a lion is the dog Voth beside him; every hair is carven upon the back of Voth, his war hackles are erected and his teeth are bared. All the Nehemoths have worshipped the god Annolith, but all their people pray to the dog Voth, for the law of the land is that none but a Nehemoth may worship the god Annolith. The marvel at the southern gate is the marvel of the jungle, for he comes with all his wild untravelled sea of darkness and trees and tigers and sunward-aspiring orchids right through a marble gate in the city wall and enters the city, and there widens and holds a space in its midst of many miles across. Moreover, he is older than the City of Marvel, for he dwelt long since in one of the valleys of the mountain which Nehemoth, first of Pharaohs, carved into Babbulkund.

'Now the opal alcove in which the King sits at evening by the lake stands at the edge of the jungle, and the climbing orchids of the jungle have long since crept from their homes through clefts of the opal alcove, lured by the lights of the lake, and now bloom there exultingly. Near to this alcove are the hareems of Nehemoth.

'The King hath four hareems—one for the stalwart women from the mountains to the north, one for the dark and furtive jungle women, one for the desert women that have wandering souls and pine in Babbulkund, and one for the princesses of his own kith, whose brown cheeks blush with the blood of ancient Pharaohs and who exult with Babbulkund in her surpassing beauty, and who know nought of the desert or the jungle or the bleak hills to the north. Quite unadorned and clad in simple garments go all the kith of Nehemoth, for they know well that he grows weary of pomp. Unadorned all save one, the Princess Linderith, who weareth Ong Zwarba and the three lesser gems of the sea. Such a stone is Ong Zwarba that there are none like it even in the turban of Nehemoth nor in all the sanctuaries of the sea. The same god that made Linderith made long ago Ong Zwarba; she and Ong Zwarba shine together with one light, and beside this marvellous stone gleam the three lesser ones of the sea.

'Now when the King sitteth in his opal alcove by the sacred lake with the orchids blooming around him all sounds are become still. The sound of the tramping of the weary slaves as they go round and round never comes to the surface. Long since the musicians sleep, and their hands have fallen dumb upon their instruments, and the voices in the city have died away. Perhaps a sigh of one of the desert women has become half a song, or on a hot night in summer one of the women of the hills sings softly a song of snow; all night long in the midst of the purple garden sings one nightingale; all else is still; the stars that look on Babbulkund arise and set, the cold unhappy moon drifts lonely through them, the night wears on; at last the dark figure of Nehemoth, eighty-second of his line, rises and moves stealthily away.'

The traveller ceased to speak. For a long time the clear stars, sisters of Babbulkund, had shone upon him speaking, the desert wind had arisen and whispered to the sand, and the sand had long gone secretly to and fro; none of us had moved, none of us had fallen asleep, not so much from wonder at his tale as from the thought that we ourselves in two days' time should see that wondrous city. Then we wrapped our blankets around us and lay down with our feet towards the embers of our fire and instantly were asleep, and in our dreams we multiplied the fame of the City of Marvel.

The sun arose and flamed upon our faces, and all the desert glinted with its light. Then we stood up and prepared the morning meal, and, when we had eaten, the traveller departed. And we commended his soul to the god of the land whereto he went, of the land of his home to the northward, and he commended our souls to the God of the people of the land wherefrom we had come. Then a traveller overtook us going on foot; he wore a brown cloak that was all in rags and he seemed to have been walking all night, and he walked hurriedly but appeared weary, so we offered him food and drink, of which he partook thankfully. When we asked him where he was going, he answered 'Babbulkund.' Then we offered him a camel upon which to ride, for we said, 'We also go to Babbulkund.' But he answered strangely:

'Nay, pass on before me, for it is a sore thing never to have seen Babbulkund, having lived while yet she stood. Pass on before me and behold her, and then flee away at once, returning northwards.'

Then, though we understood him not, we left him, for he was insistent, and passed on our journey southwards through the desert, and we came before the middle of the day to an oasis of palm trees standing by a well and there we gave water to the haughty camels and replenished our water-bottles and soothed our eyes with the sight of green things and tarried for many hours in the shade. Some of the men slept, but of those that remained awake each man sang softly the songs of his own country, telling of Babbulkund. When the afternoon was far spent we travelled a little way southwards, and went on through the cool evening until the sun fell low and we encamped, and as we sat in our encampment the man in rags overtook us, having travelled all the day, and we gave him food and drink again, and in the twilight he spoke, saying:

'I am the servant of the Lord the God of my people, and I go to do his work on Babbulkund. She is the most beautiful city in the world; there hath been none like her, even the stars of God go envious of her beauty. She is all white, yet with streaks of pink that pass through her streets and houses like flames in the white mind of a sculptor, like desire in Paradise. She hath been carved of old out of a holy hill, no slaves wrought the City of Marvel, but artists toiling at the work they loved. They took no pattern from the houses of men, but each man wrought what his inner eye had seen and carved in marble the visions of his dream. All over the roof of one of the palace chambers winged lions flit like bats, the size of every one is the size of the lions of God, and the wings are larger than any wing created; they are one above the other more than a man can number, they are all carven out of one block of marble, the chamber itself is hollowed from it, and it is borne aloft upon the carven branches of a grove of clustered tree-ferns wrought by the hand of some jungle mason that loved the tall fern well. Over the River of Myth, which is one with the Waters of Fable, go bridges, fashioned like the wisteria tree and like the drooping laburnum, and a hundred others of wonderful devices, the desire of the souls of masons a long while dead. Oh! very beautiful is white Babbulkund, very beautiful she is, but proud; and the Lord the God of my people hath seen her in her pride, and looking towards her hath seen the prayers of Nehemoth going up to the abomination Annolith and all the people following after Voth. She is very beautiful, Babbulkund; alas that I may not bless her. I could live always on one of her inner terraces looking on the mysterious jungle in her midst and the heavenward faces of the orchids that, clambering from the darkness, behold the sun. I could love Babbulkund with a great love, yet am I the servant of the Lord the God of my people, and the King hath sinned unto the abomination Annolith, and the people lust exceedingly for Voth. Alas for thee, Babbulkund, alas that I may not even now turn back, for tomorrow I must prophesy against thee and cry out against thee, Babbulkund. But ye travellers that have entreated me hospitably, rise and pass on with your camels, for I can tarry no longer, and I go to do the work on Babbulkund of the Lord the God of my people. Go now and see the beauty of Babbulkund before I cry out against her, and then flee swiftly northwards.'

A smouldering fragment fell in upon our camp fire and sent a strange light into the eyes of the man in rags. He rose at once, and his tattered cloak swirled up with him like a great wing; he said no more, but turned round from us instantly southwards, and strode away into the darkness towards Babbulkund. Then a hush fell upon our encampment, and the smell of the tobacco of those lands arose. When the last flame died down in our camp fire I fell asleep, but my rest was troubled by shifting dreams of doom.

Morning came, and our guides told us that we should come to the city ere nightfall. Again we passed southwards through the changeless desert; sometimes we met travellers coming from Babbulkund, with the beauty of its marvels still fresh in their eyes.

When we encamped near the middle of the day we saw a great number of people on foot coming towards us running, from the southwards. These we hailed when they were come near, saying, 'What of Babbulkund?'

They answered: 'We are not of the race of the people of Babbulkund, but were captured in youth and taken away from the hills that are to the northward. Now we have all seen in visions of the stillness the Lord the God of our people calling to us from His hills, and therefore we all flee northwards. But in Babbulkund King Nehemoth hath been troubled in the nights by unkingly dreams of doom, and none may interpret what the dreams portend. Now this is the dream that King Nehemoth dreamed on the first night of his dreaming. He saw move through the stillness a bird all black, and beneath the beatings of his wings Babbulkund gloomed and darkened; and after him flew a bird all white, beneath the beatings of whose wings Babbulkund gleamed and shone; and there flew by four more birds alternately black and white. And, as the black ones passed Babbulkund darkened, and when the white ones appeared her streets and houses shone. But after the sixth bird there came no more, and Babbulkund vanished from her place, and there was only the empty desert where she had stood, and the rivers Oonrana and Plegathanees mourning alone. Next morning all the prophets of the King gathered before their abominations and questioned them of the dream, and the abominations spake not. But when the second night stepped down from the halls of God, dowered with many stars, King Nehemoth dreamed again; and in this dream King Nehemoth saw four birds only, black and white alternately as before. And Babbulkund darkened again as the black ones passed, and shone when the white came by; only after the four birds came no more, and Babbulkund vanished from her place, leaving only the forgetful desert and the mourning rivers.

'Still the abominations spake not, and none could interpret the dream. And when the third night came forth from the divine halls of her home dowered like her sisters, again King Nehemoth dreamed. And he saw a bird all black go by again, beneath whom Babbulkund darkened, and then a white bird and Babbulkund shone; and after them came no more, and Babbulkund passed away. And the golden day appeared, dispelling dreams, and still the abominations were silent, and the King's prophets answered not to portend the omen of the dream. One prophet only spake before the King, saying: "The sable birds, O King, are the nights, and the white birds are the days. . ." This thing the King had feared, and he arose and smote the prophet with his sword, whose soul went crying away and had to do no more with nights and days.

'It was last night that the King dreamed his third dream, and this morning we fled away from Babbulkund. A great heat lies over it, and the orchids of the jungle droop their heads. All night long the women in the hareem of the North have wailed horribly for their hills. A fear hath fallen upon the city, and a boding. Twice hath Nehemoth gone to worship Annolith, and all the people have prostrated themselves before Voth. Thrice the horologers have looked into the great crystal globe wherein are foretold all happenings to be, and thrice the globe was blank. Yea, though they went a fourth time yet was no vision revealed; and the people's voice is hushed in Babbulkund.'

Soon the travellers arose and pushed on northwards again, leaving us wondering. Through the heat of the day we rested as well as we might, but the air was motionless and sultry and the camels ill at ease. The Arabs said that it boded a desert storm, and that a great wind would arise full of sand. So we arose in the afternoon, and travelled swiftly, hoping to come to shelter before the storm. And the air burned in the stillness between the baked desert and the glaring sky.

Suddenly a wind arose out of the South, blowing from Babbulkund, and the sand lifted and went by in great shapes, all whispering. And the wind blew violently, and wailed as it blew, and hundreds of sandy shapes went towering by, and there were little cries among them and the sounds of a passing away. Soon the wind sank quite suddenly, and its cries died, and the panic ceased among the driven sands. And when the storm departed the air was cool, and the terrible sultriness and the boding were passed away, and the camels had ease among them. And the Arabs said that the storm which was to be had been, as was willed of old by God.

The sun set and the gloaming came, and we neared the junction of Oonrana and Plegathanees, but in the darkness discerned not Babbulkund. We pushed on hurriedly to reach the city ere nightfall, and came to the junction of the River of Myth where he meets with the Waters of Fable, and still saw not Babbulkund. All round us lay the sand and rocks of the unchanging desert, save to the southwards where the jungle stood with its orchids facing skywards. Then we perceived that we had arrived too late, and that her doom had come to Babbulkund; and by the river in the empty desert on the sand the man in rags was seated, with his face hidden in his hands, weeping bitterly.

* * * * * * *

Thus passed away in the hour of her iniquities before Annolith, in the two thousand and thirty-second year of her being, in the six thousand and fiftieth year of the building of the World, Babbulkund, City of Marvel, sometime called by those that hated her City of the Dog, but hourly mourned in Araby and Ind and wide through jungle and desert; leaving no memorial in stone to show that she had been, but remembered with an abiding love, in spite of the anger of God, by all that knew her beauty, whereof still they sing.



The Kith of the Elf Folk

Chapter I

The north wind was blowing, and red and golden the last days of Autumn were streaming hence. Solemn and cold over the marshes arose the evening.

It became very still.

Then the last pigeon went home to the trees on the dry land in the distance, whose shapes already had taken upon themselves a mystery in the haze.

Then all was still again.

As the light faded and the haze deepened, mystery crept nearer from every side.

Then the green plover came in crying, and all alighted.

And again it became still, save when one of the plover arose and flew a little way uttering the cry of the waste. And hushed and silent became the earth, expecting the first star. Then the duck came in, and the widgeon, company by company: and all the light of day faded out of the sky saving one red band of light. Across the light appeared, black and huge, the wings of a flock of geese beating up wind to the marshes. These, too, went down among the rushes.

Then the stars appeared and shone in the stillness, and there was silence in the great spaces of the night.

Suddenly the bells of the cathedral in the marshes broke out, calling to evensong.

Eight centuries ago on the edge of the marsh men had built the huge cathedral, or it may have been seven centuries ago, or perhaps nine—it was all one to the Wild Things.

So evensong was held, and candles lighted, and the lights through the windows shone red and green in the water, and the sound of the organ went roaring over the marshes. But from the deep and perilous places, edged with bright mosses, the Wild Things came leaping up to dance on the reflection of the stars, and over their heads as they danced the marsh-lights rose and fell.

The Wild Things are somewhat human in appearance, only all brown of skin and barely two feet high. Their ears are pointed like the squirrel's, only far larger, and they leap to prodigious heights. They live all day under deep pools in the loneliest marshes, but at night they come up and dance. Each Wild Thing has over its head a marsh-light, which moves as the Wild Thing moves; they have no souls, and cannot die, and are of the kith of the Elf-folk.

All night they dance over the marshes, treading upon the reflection of the stars (for the bare surface of the water will not hold them by itself); but when the stars begin to pale, they sink down one by one into the pools of their home. Or if they tarry longer, sitting upon the rushes, their bodies fade from view as the marsh-fires pale in the light, and by daylight none may see the Wild Things of the kith of the Elf-folk. Neither may any see them even at night unless they were born, as I was, in the hour of dusk, just at the moment when the first star appears.

Now, on the night that I tell of, a little Wild Thing had gone drifting over the waste, till it came right up to the walls of the cathedral and danced upon the images of the coloured saints as they lay in the water among the reflection of the stars. And as it leaped in its fantastic dance, it saw through the painted windows to where the people prayed, and heard the organ roaring over the marshes. The sound of the organ roared over the marshes, but the song and prayers of the people streamed up from the cathedral's highest tower like thin gold chains, and reached to Paradise, and up and down them went the angels from Paradise to the people, and from the people to Paradise again.

Then something akin to discontent troubled the Wild Thing for the first time since the making of the marshes; and the soft grey ooze and the chill of the deep water seemed to be not enough, nor the first arrival from northwards of the tumultuous geese, nor the wild rejoicing of the wings of the wildfowl when every feather sings, nor the wonder of the calm ice that comes when the snipe depart and beards the rushes with frost and clothes the hushed waste with a mysterious haze where the sun goes red and low, nor even the dance of the Wild Things in the marvellous night; and the little Wild Thing longed to have a soul, and to go and worship God.

And when evensong was over and the lights were out, it went back crying to its kith.

But on the next night, as soon as the images of the stars appeared in the water, it went leaping away from star to star to the farthest edge of the marshlands, where a great wood grew where dwelt the Oldest of the Wild Things.

And it found the Oldest of Wild Things sitting under a tree, sheltering itself from the moon.

And the little Wild Thing said: 'I want to have a soul to worship God, and to know the meaning of music, and to see the inner beauty of the marshlands and to imagine Paradise.'

And the Oldest of the Wild Things said to it: 'What have we to do with God? We are only Wild Things, and of the kith of the Elf-folk.'

But it only answered, 'I want to have a soul.'

Then the Oldest of the Wild Things said: 'I have no soul to give you; but if you got a soul, one day you would have to die, and if you knew the meaning of music you would learn the meaning of sorrow, and it is better to be a Wild Thing and not to die.'

So it went weeping away.

But they that were kin to the Elf-folk were sorry for the little Wild Thing; and though the Wild Things cannot sorrow long, having no souls to sorrow with, yet they felt for awhile a soreness where their souls should be, when they saw the grief of their comrade.

So the kith of the Elf-folk went abroad by night to make a soul for the little Wild Thing. And they went over the marshes till they came to the high fields among the flowers and grasses. And there they gathered a large piece of gossamer that the spider had laid by twilight; and the dew was on it.

Into this dew had shone all the lights of the long banks of the ribbed sky, as all the colours changed in the restful spaces of evening. And over it the marvellous night had gleamed with all its stars.

Then the Wild Things went with their dew-bespangled gossamer down to the edge of their home. And there they gathered a piece of the grey mist that lies by night over the marshlands. And into it they put the melody of the waste that is borne up and down the marshes in the evening on the wings of the golden plover. And they put into it, too, the mournful song that the reeds are compelled to sing before the presence of the arrogant North Wind. Then each of the Wild Things gave some treasured memory of the old marshes, 'For we can spare it,' they said. And to all this they added a few images of the stars that they gathered out of the water. Still the soul that the kith of the Elf-folk were making had no life.

Then they put into it the low voices of two lovers that went walking in the night, wandering late alone. And after that they waited for the dawn. And the queenly dawn appeared, and the marsh-lights of the Wild Things paled in the glare, and their bodies faded from view; and still they waited by the marsh's edge. And to them waiting came over field and marsh, from the ground and out of the sky, the myriad song of the birds.

This, too, the Wild Things put into the piece of haze that they had gathered in the marshlands, and wrapped it all up in their dew-bespangled gossamer. Then the soul lived.

And there it lay in the hands of the Wild Things no larger than a hedgehog; and wonderful lights were in it, green and blue; and they changed ceaselessly, going round and round, and in the grey midst of it was a purple flare.

And the next night they came to the little Wild Thing and showed her the gleaming soul. And they said to her: 'If you must have a soul and go and worship God, and become a mortal and die, place this to your left breast a little above the heart, and it will enter and you will become a human. But if you take it you can never be rid of it to become immortal again unless you pluck it out and give it to another; and we will not take it, and most of the humans have a soul already. And if you cannot find a human without a soul you will one day die, and your soul cannot go to Paradise, because it was only made in the marshes.'

Far away the little Wild Thing saw the cathedral windows alight for evensong, and the song of the people mounting up to Paradise, and all the angels going up and down. So it bid farewell with tears and thanks to the Wild Things of the kith of Elf-folk, and went leaping away towards the green dry land, holding the soul in its hands.

And the Wild Things were sorry that it had gone, but could not be sorry long, because they had no souls.

At the marsh's edge the little Wild Thing gazed for some moments over the water to where the marsh-fires were leaping up and down, and then pressed the soul against its left breast a little above the heart.

Instantly it became a young and beautiful woman, who was cold and frightened. She clad herself somehow with bundles of reeds, and went towards the lights of a house that stood close by. And she pushed open the door and entered, and found a farmer and a farmer's wife sitting over their supper.

And the farmer's wife took the little Wild Thing with the soul of the marshes up to her room, and clothed her and braided her hair, and brought her down again, and gave her the first food that she had ever eaten. Then the farmer's wife asked many questions.

'Where have you come from?' she said.

'Over the marshes.'

'From what direction?' said the farmer's wife.

'South,' said the little Wild Thing with the new soul.

'But none can come over the marshes from the south,' said the farmer's wife.

'No, they can't do that,' said the farmer.

'I lived in the marshes.'

'Who are you?' asked the farmer's wife.

'I am a Wild Thing, and have found a soul in the marshes, and we are kin to the Elf-folk.'

Talking it over afterwards, the farmer and his wife agreed that she must be a gipsy who had been lost, and that she was queer with hunger and exposure.

So that night the little Wild Thing slept in the farmer's house, but her new soul stayed awake the whole night long dreaming of the beauty of the marshes.

As soon as dawn came over the waste and shone on the farmer's house, she looked from the window towards the glittering waters, and saw the inner beauty of the marsh. For the Wild Things only love the marsh and know its haunts, but now she perceived the mystery of its distances and the glamour of its perilous pools, with their fair and deadly mosses, and felt the marvel of the North Wind who comes dominant out of unknown icy lands, and the wonder of that ebb and flow of life when the wildfowl whirl in at evening to the marshlands and at dawn pass out to sea. And she knew that over her head above the farmer's house stretched wide Paradise, where perhaps God was now imagining a sunrise while angels played low on lutes, and the sun came rising up on the world below to gladden fields and marsh.

And all that heaven thought, the marsh thought too; for the blue of the marsh was as the blue of heaven, and the great cloud shapes in heaven became the shapes in the marsh, and through each ran momentary rivers of purple, errant between banks of gold. And the stalwart army of reeds appeared out of the gloom with all their pennons waving as far as the eye could see. And from another window she saw the vast cathedral gathering its ponderous strength together, and lifting it up in towers out of the marshlands.

She said, 'I will never, never leave the marsh.'

An hour later she dressed with great difficulty and went down to eat the second meal of her life. The farmer and his wife were kindly folk, and taught her how to eat.

'I suppose the gipsies don't have knives and forks,' one said to the other afterwards.

After breakfast the farmer went and saw the Dean, who lived near his cathedral, and presently returned and brought back to the Dean's house the little Wild Thing with the new soul.

'This is the lady,' said the farmer. 'This is Dean Murnith.' Then he went away.

'Ah,' said the Dean, 'I understand you were lost the other night in the marshes. It was a terrible night to be lost in the marshes.'

'I love the marshes,' said the little Wild Thing with the new soul.

'Indeed! How old are you?' said the Dean.

'I don't know,' she answered.

'You must know about how old you are,' he said.

'Oh, about ninety,' she said, 'or more.'

'Ninety years!' exclaimed the Dean.

'No, ninety centuries,' she said; 'I am as old as the marshes.'

Then she told her story—how she had longed to be a human and go and worship God, and have a soul and see the beauty of the world, and how all the Wild Things had made her a soul of gossamer and mist and music and strange memories.

'But if this is true,' said Dean Murnith, 'this is very wrong. God cannot have intended you to have a soul.

'What is your name?'

'I have no name,' she answered.

'We must find a Christian name and a surname for you. What would you like to be called?'

'Song of the Rushes,' she said.

'That won't do at all,' said the Dean.

'Then I would like to be called Terrible North Wind, or Star in the Waters,' she said.

'No, no, no,' said Dean Murnith; 'that is quite impossible. We could call you Miss Rush if you like. How would Mary Rush do? Perhaps you had better have another name—say Mary Jane Rush.'

So the little Wild Thing with the soul of the marshes took the names that were offered her, and became Mary Jane Rush.

'And we must find something for you to do,' said Dean Murnith. 'Meanwhile we can give you a room here.'

'I don't want to do anything,' replied Mary Jane; 'I want to worship God in the cathedral and live beside the marshes.'

Then Mrs. Murnith came in, and for the rest of that day Mary Jane stayed at the house of the Dean.

And there with her new soul she perceived the beauty of the world; for it came grey and level out of misty distances, and widened into grassy fields and ploughlands right up to the edge of an old gabled town; and solitary in the fields far off an ancient windmill stood, and his honest hand-made sails went round and round in the free East Anglian winds. Close by, the gabled houses leaned out over the streets, planted fair upon sturdy timbers that grew in the olden time, all glorying among themselves upon their beauty. And out of them, buttress by buttress, growing and going upwards, aspiring tower by tower, rose the cathedral.

And she saw the people moving in the streets all leisurely and slow, and unseen among them, whispering to each other, unheard by living men and concerned only with bygone things, drifted the ghosts of very long ago. And wherever the streets ran eastwards, wherever were gaps in the houses, always there broke into view the sight of the great marshes, like to some bar of music weird and strange that haunts a melody, arising again and again, played on the violin by one musician only, who plays no other bar, and he is swart and lank about the hair and bearded about the lips, and his moustache droops long and low, and no one knows the land from which he comes.

All these were good things for a new soul to see.

Then the sun set over green fields and ploughland and the night came up. One by one the merry lights of cheery lamp-lit windows took their stations in the solemn night.

Then the bells rang, far up in a cathedral tower, and their melody fell on the roofs of the old houses and poured over their eaves until the streets were full, and then flooded away over green fields and plough, till it came to the sturdy mill and brought the miller trudging to evensong, and far away eastwards and seawards the sound rang out over the remoter marshes. And it was all as yesterday to the old ghosts in the streets.

Then the Dean's wife took Mary Jane to evening service, and she saw three hundred candles filling all the aisle with light. But sturdy pillars stood there in unlit vastnesses; great colonnades going away into the gloom, where evening and morning, year in year out, they did their work in the dark, holding the cathedral roof aloft. And it was stiller than the marshes are still when the ice has come and the wind that brought it has fallen.

Suddenly into this stillness rushed the sound of the organ, roaring, and presently the people prayed and sang.

No longer could Mary Jane see their prayers ascending like thin gold chains, for that was but an elfin fancy, but she imagined clear in her new soul the seraphs passing in the ways of Paradise, and the angels changing guard to watch the World by night.

When the Dean had finished service, a young curate, Mr. Millings, went up into the pulpit.

He spoke of Abana and Pharpar, rivers of Damascus: and Mary Jane was glad that there were rivers having such names, and heard with wonder of Nineveh, that great city, and many things strange and new.

And the light of the candles shone on the curate's fair hair, and his voice went ringing down the aisle, and Mary Jane rejoiced that he was there.

But when his voice stopped she felt a sudden loneliness, such as she had not felt since the making of the marshes; for the Wild Things never are lonely and never unhappy, but dance all night on the reflection of the stars, and having no souls, desire nothing more.

After the collection was made, before anyone moved to go, Mary Jane walked up the aisle to Mr. Millings.

'I love you,' she said.

Chapter II

Nobody sympathised with Mary Jane.

'So unfortunate for Mr. Millings,' every one said; 'such a promising young man.'

Mary Jane was sent away to a great manufacturing city of the Midlands, where work had been found for her in a cloth factory. And there was nothing in that town that was good for a soul to see. For it did not know that beauty was to be desired; so it made many things by machinery, and became hurried in all its ways, and boasted its superiority over other cities and became richer and richer, and there was none to pity it.

In this city Mary Jane had had lodgings found for her near the factory.

At six o'clock on those November mornings, about the time that, far away from the city, the wildfowl rose up out of the calm marshes and passed to the troubled spaces of the sea, at six o'clock the factory uttered a prolonged howl and gathered the workers together, and there they worked, saving two hours for food, the whole of the daylit hours and into the dark till the bells tolled six again.

There Mary Jane worked with other girls in a long dreary room, where giants sat pounding wool into a long thread-like strip with iron, rasping hands. And all day long they roared as they sat at their soulless work. But the work of Mary Jane was not with these, only their roar was ever in her ears as their clattering iron limbs went to and fro.

Her work was to tend a creature smaller, but infinitely more cunning.

It took the strip of wool that the giants had threshed, and whirled it round and round until it had twisted it into hard thin thread. Then it would make a clutch with fingers of steel at the thread that it had gathered, and waddle away about five yards and come back with more.

It had mastered all the subtlety of skilled workers, and had gradually displaced them; one thing only it could not do, it was unable to pick up the ends if a piece of the thread broke, in order to tie them together again. For this a human soul was required, and it was Mary Jane's business to pick up broken ends; and the moment she placed them together the busy soulless creature tied them for itself.

All here was ugly; even the green wool as it whirled round and round was neither the green of the grass nor yet the green of the rushes, but a sorry muddy green that befitted a sullen city under a murky sky.

When she looked out over the roofs of the town, there too was ugliness; and well the houses knew it, for with hideous stucco they aped in grotesque mimicry the pillars and temples of old Greece, pretending to one another to be that which they were not. And emerging from these houses and going in, and seeing the pretence of paint and stucco year after year until it all peeled away, the souls of the poor owners of those houses sought to be other souls until they grew weary of it.

At evening Mary Jane went back to her lodgings. Only then, after the dark had fallen, could the soul of Mary Jane perceive any beauty in that city, when the lamps were lit and here and there a star shone through the smoke. Then she would have gone abroad and beheld the night, but this the old woman to whom she was confided would not let her do. And the days multiplied themselves by seven and became weeks, and the weeks passed by, and all days were the same. And all the while the soul of Mary Jane was crying for beautiful things, and found not one, saving on Sundays, when she went to church, and left it to find the city greyer than before.

One day she decided that it was better to be a wild thing in the lovely marshes, than to have a soul that cried for beautiful things and found not one. From that day she determined to be rid of her soul, so she told her story to one of the factory girls, and said to her:

'The other girls are poorly clad and they do soulless work; surely some of them have no souls and would take mine.'

But the factory girl said to her: 'All the poor have souls. It is all they have.'

Then Mary Jane watched the rich whenever she saw them, and vainly sought for some one without a soul.

One day at the hour when the machines rested and the human beings that tended them rested too, the wind being at that time from the direction of the marshlands, the soul of Mary Jane lamented bitterly. Then, as she stood outside the factory gates, the soul irresistibly compelled her to sing, and a wild song came from her lips, hymning the marshlands. And into her song came crying her yearning for home, and for the sound of the shout of the North Wind, masterful and proud, with his lovely lady the Snow; and she sang of tales that the rushes murmured to one another, tales that the teal knew and the watchful heron. And over the crowded streets her song went crying away, the song of waste places and of wild free lands, full of wonder and magic, for she had in her elf-made soul the song of the birds and the roar of the organ in the marshes.

At this moment Signor Thompsoni, the well-known English tenor, happened to go by with a friend. They stopped and listened; everyone stopped and listened.

'There has been nothing like this in Europe in my time,' said Signor Thompsoni.

So a change came into the life of Mary Jane.

People were written to, and finally it was arranged that she should take a leading part in the Covent Garden Opera in a few weeks.

So she went to London to learn.

London and singing lessons were better than the City of the Midlands and those terrible machines. Yet still Mary Jane was not free to go and live as she liked by the edge of the marshlands, and she was still determined to be rid of her soul, but could find no one that had not a soul of their own.

One day she was told that the English people would not listen to her as Miss Rush, and was asked what more suitable name she would like to be called by.

'I would like to be called Terrible North Wind,' said Mary Jane, 'or Song of the Rushes.'

When she was told that this was impossible and Signorina Maria Russiano was suggested, she acquiesced at once, as she had acquiesced when they took her away from her curate; she knew nothing of the ways of humans.

At last the day of the Opera came round, and it was a cold day of the winter.

And Signorina Russiano appeared on the stage before a crowded house.

And Signorina Russiano sang.

And into the song went all the longing of her soul, the soul that could not go to Paradise, but could only worship God and know the meaning of music, and the longing pervaded that Italian song as the infinite mystery of the hills is borne along the sound of distant sheep-bells. Then in the souls that were in that crowded house arose little memories of a great while since that were quite quite dead, and lived awhile again during that marvellous song.

And a strange chill went into the blood of all that listened, as though they stood on the border of bleak marshes and the North Wind blew.

And some it moved to sorrow and some to regret, and some to an unearthly joy,—then suddenly the song went wailing away like the winds of the winter from the marshlands when Spring appears from the South.

So it ended. And a great silence fell fog-like over all that house, breaking in upon the end of a chatty conversation that Cecilia, Countess of Birmingham, was enjoying with a friend.

In the dead hush Signorina Russiano rushed from the stage; she appeared again running among the audience, and dashed up to Lady Birmingham.

'Take my soul,' she said; 'it is a beautiful soul. It can worship God, and knows the meaning of music and can imagine Paradise. And if you go to the marshlands with it you will see beautiful things; there is an old town there built of lovely timbers, with ghosts in its streets.'

Lady Birmingham stared. Everyone was standing up. 'See,' said Signorina Russiano, 'it is a beautiful soul.'

And she clutched at her left breast a little above the heart, and there was the soul shining in her hand, with the green and blue lights going round and round and the purple flare in the midst.

'Take it,' she said, 'and you will love all that is beautiful, and know the four winds, each one by his name, and the songs of the birds at dawn. I do not want it, because I am not free. Put it to your left breast a little above the heart.'

Still everybody was standing up, and Lady Birmingham felt uncomfortable.

'Please offer it to some one else,' she said.

'But they all have souls already,' said Signorina Russiano.

And everybody went on standing up. And Lady Birmingham took the soul in her hand.

'Perhaps it is lucky,' she said.

She felt that she wanted to pray.

She half-closed her eyes, and said 'Unberufen'. Then she put the soul to her left breast a little above the heart, and hoped that the people would sit down and the singer go away.

Instantly a heap of clothes collapsed before her. For a moment, in the shadow among the seats, those who were born in the dusk hour might have seen a little brown thing leaping free from the clothes, then it sprang into the bright light of the hall, and became invisible to any human eye.

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