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The Touchstone
by Edith Wharton
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THE TOUCHSTONE

By Edith Wharton



I

Professor Joslin, who, as our readers are doubtless aware, is engaged in writing the life of Mrs. Aubyn, asks us to state that he will be greatly indebted to any of the famous novelist's friends who will furnish him with information concerning the period previous to her coming to England. Mrs. Aubyn had so few intimate friends, and consequently so few regular correspondents, that letters will be of special value. Professor Joslin's address is 10 Augusta Gardens, Kensington, and he begs us to say that he "will promptly return any documents entrusted to him."

Glennard dropped the Spectator and sat looking into the fire. The club was filling up, but he still had to himself the small inner room, with its darkening outlook down the rain-streaked prospect of Fifth Avenue. It was all dull and dismal enough, yet a moment earlier his boredom had been perversely tinged by a sense of resentment at the thought that, as things were going, he might in time have to surrender even the despised privilege of boring himself within those particular four walls. It was not that he cared much for the club, but that the remote contingency of having to give it up stood to him, just then, perhaps by very reason of its insignificance and remoteness, for the symbol of his increasing abnegations; of that perpetual paring-off that was gradually reducing existence to the naked business of keeping himself alive. It was the futility of his multiplied shifts and privations that made them seem unworthy of a high attitude; the sense that, however rapidly he eliminated the superfluous, his cleared horizon was likely to offer no nearer view of the one prospect toward which he strained. To give up things in order to marry the woman one loves is easier than to give them up without being brought appreciably nearer to such a conclusion.

Through the open door he saw young Hollingsworth rise with a yawn from the ineffectual solace of a brandy-and-soda and transport his purposeless person to the window. Glennard measured his course with a contemptuous eye. It was so like Hollingsworth to get up and look out of the window just as it was growing too dark to see anything! There was a man rich enough to do what he pleased—had he been capable of being pleased—yet barred from all conceivable achievement by his own impervious dulness; while, a few feet off, Glennard, who wanted only enough to keep a decent coat on his back and a roof over the head of the woman he loved, Glennard, who had sweated, toiled, denied himself for the scant measure of opportunity that his zeal would have converted into a kingdom—sat wretchedly calculating that, even when he had resigned from the club, and knocked off his cigars, and given up his Sundays out of town, he would still be no nearer attainment.

The Spectator had slipped to his feet and as he picked it up his eye fell again on the paragraph addressed to the friends of Mrs. Aubyn. He had read it for the first time with a scarcely perceptible quickening of attention: her name had so long been public property that his eye passed it unseeingly, as the crowd in the street hurries without a glance by some familiar monument.

"Information concerning the period previous to her coming to England...." The words were an evocation. He saw her again as she had looked at their first meeting, the poor woman of genius with her long pale face and short-sighted eyes, softened a little by the grace of youth and inexperience, but so incapable even then of any hold upon the pulses. When she spoke, indeed, she was wonderful, more wonderful, perhaps, than when later, to Glennard's fancy at least, the conscious of memorable things uttered seemed to take from even her most intimate speech the perfect bloom of privacy. It was in those earliest days, if ever, that he had come near loving her; though even then his sentiment had lived only in the intervals of its expression. Later, when to be loved by her had been a state to touch any man's imagination, the physical reluctance had, inexplicably, so overborne the intellectual attraction, that the last years had been, to both of them, an agony of conflicting impulses. Even now, if, in turning over old papers, his hand lit on her letters, the touch filled him with inarticulate misery....

"She had so few intimate friends... that letters will be of special value." So few intimate friends! For years she had had but one; one who in the last years had requited her wonderful pages, her tragic outpourings of love, humility, and pardon, with the scant phrases by which a man evades the vulgarest of sentimental importunities. He had been a brute in spite of himself, and sometimes, now that the remembrance of her face had faded, and only her voice and words remained with him, he chafed at his own inadequacy, his stupid inability to rise to the height of her passion. His egoism was not of a kind to mirror its complacency in the adventure. To have been loved by the most brilliant woman of her day, and to have been incapable of loving her, seemed to him, in looking back, the most derisive evidence of his limitations; and his remorseful tenderness for her memory was complicated with a sense of irritation against her for having given him once for all the measure of his emotional capacity. It was not often, however, that he thus probed the past. The public, in taking possession of Mrs. Aubyn, had eased his shoulders of their burden. There was something fatuous in an attitude of sentimental apology toward a memory already classic: to reproach one's self for not having loved Margaret Aubyn was a good deal like being disturbed by an inability to admire the Venus of Milo. From her cold niche of fame she looked down ironically enough on his self-flagellations.... It was only when he came on something that belonged to her that he felt a sudden renewal of the old feeling, the strange dual impulse that drew him to her voice but drove him from her hand, so that even now, at sight of anything she had touched, his heart contracted painfully. It happened seldom nowadays. Her little presents, one by one, had disappeared from his rooms, and her letters, kept from some unacknowledged puerile vanity in the possession of such treasures, seldom came beneath his hand....

"Her letters will be of special value—" Her letters! Why, he must have hundreds of them—enough to fill a volume. Sometimes it used to seem to him that they came with every post—he used to avoid looking in his letter-box when he came home to his rooms—but her writing seemed to spring out at him as he put his key in the door—.

He stood up and strolled into the other room. Hollingsworth, lounging away from the window, had joined himself to a languidly convivial group of men to whom, in phrases as halting as though they struggled to define an ultimate idea, he was expounding the cursed nuisance of living in a hole with such a damned climate that one had to get out of it by February, with the contingent difficulty of there being no place to take one's yacht to in winter but that other played-out hole, the Riviera. From the outskirts of this group Glennard wandered to another, where a voice as different as possible from Hollingsworth's colorless organ dominated another circle of languid listeners.

"Come and hear Dinslow talk about his patent: admission free," one of the men sang out in a tone of mock resignation.

Dinslow turned to Glennard the confident pugnacity of his smile. "Give it another six months and it'll be talking about itself," he declared. "It's pretty nearly articulate now."

"Can it say papa?" someone else inquired.

Dinslow's smile broadened. "You'll be deuced glad to say papa to IT a year from now," he retorted. "It'll be able to support even you in affluence. Look here, now, just let me explain to you—"

Glennard moved away impatiently. The men at the club—all but those who were "in it"—were proverbially "tired" of Dinslow's patent, and none more so than Glennard, whose knowledge of its merits made it loom large in the depressing catalogue of lost opportunities. The relations between the two men had always been friendly, and Dinslow's urgent offers to "take him in on the ground floor" had of late intensified Glennard's sense of his own inability to meet good luck half way. Some of the men who had paused to listen were already in evening clothes, others on their way home to dress; and Glennard, with an accustomed twinge of humiliation, said to himself that if he lingered among them it was in the miserable hope that one of the number might ask him to dine. Miss Trent had told him that she was to go to the opera that evening with her rich aunt; and if he should have the luck to pick up a dinner-invitation he might join her there without extra outlay.

He moved about the room, lingering here and there in a tentative affectation of interest; but though the men greeted him pleasantly no one asked him to dine. Doubtless they were all engaged, these men who could afford to pay for their dinners, who did not have to hunt for invitations as a beggar rummages for a crust in an ash-barrel! But no—as Hollingsworth left the lessening circle about the table an admiring youth called out—"Holly, stop and dine!"

Hollingsworth turned on him the crude countenance that looked like the wrong side of a more finished face. "Sorry I can't. I'm in for a beastly banquet."

Glennard threw himself into an arm-chair. Why go home in the rain to dress? It was folly to take a cab to the opera, it was worse folly to go there at all. His perpetual meetings with Alexa Trent were as unfair to the girl as they were unnerving to himself. Since he couldn't marry her, it was time to stand aside and give a better man the chance—and his thought admitted the ironical implication that in the terms of expediency the phrase might stand for Hollingsworth.



II

He dined alone and walked home to his rooms in the rain. As he turned into Fifth Avenue he caught the wet gleam of carriages on their way to the opera, and he took the first side street, in a moment of irritation against the petty restrictions that thwarted every impulse. It was ridiculous to give up the opera, not because one might possibly be bored there, but because one must pay for the experiment.

In his sitting-room, the tacit connivance of the inanimate had centred the lamp-light on a photograph of Alexa Trent, placed, in the obligatory silver frame, just where, as memory officiously reminded him, Margaret Aubyn's picture had long throned in its stead. Miss Trent's features cruelly justified the usurpation. She had the kind of beauty that comes of a happy accord of face and spirit. It is not given to many to have the lips and eyes of their rarest mood, and some women go through life behind a mask expressing only their anxiety about the butcher's bill or their inability to see a joke. With Miss Trent, face and mind had the same high serious contour. She looked like a throned Justice by some grave Florentine painter; and it seemed to Glennard that her most salient attribute, or that at least to which her conduct gave most consistent expression, was a kind of passionate justice—the intuitive feminine justness that is so much rarer than a reasoned impartiality. Circumstances had tragically combined to develop this instinct into a conscious habit. She had seen more than most girls of the shabby side of life, of the perpetual tendency of want to cramp the noblest attitude. Poverty and misfortune had overhung her childhood and she had none of the pretty delusions about life that are supposed to be the crowning grace of girlhood. This very competence, which gave her a touching reasonableness, made Glennard's situation more difficult than if he had aspired to a princess bred in the purple. Between them they asked so little—they knew so well how to make that little do—but they understood also, and she especially did not for a moment let him forget, that without that little the future they dreamed of was impossible.

The sight of her photograph quickened Glennard's exasperation. He was sick and ashamed of the part he was playing. He had loved her now for two years, with the tranquil tenderness that gathers depth and volume as it nears fulfilment; he knew that she would wait for him—but the certitude was an added pang. There are times when the constancy of the woman one cannot marry is almost as trying as that of the woman one does not want to.

Glennard turned up his reading-lamp and stirred the fire. He had a long evening before him and he wanted to crowd out thought with action. He had brought some papers from his office and he spread them out on his table and squared himself to the task....

It must have been an hour later that he found himself automatically fitting a key into a locked drawer. He had no more notion than a somnambulist of the mental process that had led up to this action. He was just dimly aware of having pushed aside the papers and the heavy calf volumes that a moment before had bounded his horizon, and of laying in their place, without a trace of conscious volition, the parcel he had taken from the drawer.

The letters were tied in packets of thirty or forty. There were a great many packets. On some of the envelopes the ink was fading; on others, which bore the English post-mark, it was still fresh. She had been dead hardly three years, and she had written, at lengthening intervals, to the last....

He undid one of the earlier packets—little notes written during their first acquaintance at Hillbridge. Glennard, on leaving college, had begun life in his uncle's law office in the old university town. It was there that, at the house of her father, Professor Forth, he had first met the young lady then chiefly distinguished for having, after two years of a conspicuously unhappy marriage, returned to the protection of the paternal roof.

Mrs. Aubyn was at that time an eager and somewhat tragic young woman, of complex mind and undeveloped manners, whom her crude experience of matrimony had fitted out with a stock of generalizations that exploded like bombs in the academic air of Hillbridge. In her choice of a husband she had been fortunate enough, if the paradox be permitted, to light on one so signally gifted with the faculty of putting himself in the wrong that her leaving him had the dignity of a manifesto—made her, as it were, the spokeswoman of outraged wifehood. In this light she was cherished by that dominant portion of Hillbridge society which was least indulgent to conjugal differences, and which found a proportionate pleasure in being for once able to feast openly on a dish liberally seasoned with the outrageous. So much did this endear Mrs. Aubyn to the university ladies that they were disposed from the first to allow her more latitude of speech and action than the ill-used wife was generally accorded in Hillbridge, where misfortune was still regarded as a visitation designed to put people in their proper place and make them feel the superiority of their neighbors. The young woman so privileged combined with a kind of personal shyness an intellectual audacity that was like a deflected impulse of coquetry: one felt that if she had been prettier she would have had emotions instead of ideas. She was in fact even then what she had always remained: a genius capable of the acutest generalizations, but curiously undiscerning where her personal susceptibilities were concerned. Her psychology failed her just where it serves most women and one felt that her brains would never be a guide to her heart. Of all this, however, Glennard thought little in the first year of their acquaintance. He was at an age when all the gifts and graces are but so much undiscriminated food to the ravening egoism of youth. In seeking Mrs. Aubyn's company he was prompted by an intuitive taste for the best as a pledge of his own superiority. The sympathy of the cleverest woman in Hillbridge was balm to his craving for distinction: it was public confirmation of his secret sense that he was cut out for a bigger place. It must not be understood that Glennard was vain. Vanity contents itself with the coarsest diet; there is no palate so fastidious as that of self-distrust. To a youth of Glennard's aspirations the encouragement of a clever woman stood for the symbol of all success. Later, when he had begun to feel his way, to gain a foothold, he would not need such support; but it served to carry him lightly and easily over what is often a period of insecurity and discouragement.

It would be unjust, however, to represent his interest in Mrs. Aubyn as a matter of calculation. It was as instinctive as love, and it missed being love by just such a hair-breadth deflection from the line of beauty as had determined the curve of Mrs. Aubyn's lips. When they met she had just published her first novel, and Glennard, who afterward had an ambitious man's impatience of distinguished women, was young enough to be dazzled by the semi-publicity it gave her. It was the kind of book that makes elderly ladies lower their voices and call each other "my dear" when they furtively discuss it; and Glennard exulted in the superior knowledge of the world that enabled him to take as a matter of course sentiments over which the university shook its head. Still more delightful was it to hear Mrs. Aubyn waken the echoes of academic drawing-rooms with audacities surpassing those of her printed page. Her intellectual independence gave a touch of comradeship to their intimacy, prolonging the illusion of college friendships based on a joyous interchange of heresies. Mrs. Aubyn and Glennard represented to each other the augur's wink behind the Hillbridge idol: they walked together in that light of young omniscience from which fate so curiously excludes one's elders.

Husbands who are notoriously inopportune, may even die inopportunely, and this was the revenge that Mr. Aubyn, some two years after her return to Hillbridge, took upon his injured wife. He died precisely at the moment when Glennard was beginning to criticise her. It was not that she bored him; she did what was infinitely worse—she made him feel his inferiority. The sense of mental equality had been gratifying to his raw ambition; but as his self-knowledge defined itself, his understanding of her also increased; and if man is at times indirectly flattered by the moral superiority of woman, her mental ascendency is extenuated by no such oblique tribute to his powers. The attitude of looking up is a strain on the muscles; and it was becoming more and more Glennard's opinion that brains, in a woman, should be merely the obverse of beauty. To beauty Mrs. Aubyn could lay no claim; and while she had enough prettiness to exasperate him by her incapacity to make use of it, she seemed invincibly ignorant of any of the little artifices whereby women contrive to palliate their defects and even to turn them into graces. Her dress never seemed a part of her; all her clothes had an impersonal air, as though they had belonged to someone else and been borrowed in an emergency that had somehow become chronic. She was conscious enough of her deficiencies to try to amend them by rash imitations of the most approved models; but no woman who does not dress well intuitively will ever do so by the light of reason, and Mrs. Aubyn's plagiarisms, to borrow a metaphor of her trade, somehow never seemed to be incorporated with the text.

Genius is of small use to a woman who does not know how to do her hair. The fame that came to Mrs. Aubyn with her second book left Glennard's imagination untouched, or had at most the negative effect of removing her still farther from the circle of his contracting sympathies. We are all the sport of time; and fate had so perversely ordered the chronology of Margaret Aubyn's romance that when her husband died Glennard felt as though he had lost a friend.

It was not in his nature to be needlessly unkind; and though he was in the impregnable position of the man who has given a woman no more definable claim on him than that of letting her fancy that he loves her, he would not for the world have accentuated his advantage by any betrayal of indifference. During the first year of her widowhood their friendship dragged on with halting renewals of sentiment, becoming more and more a banquet of empty dishes from which the covers were never removed; then Glennard went to New York to live and exchanged the faded pleasures of intercourse for the comparative novelty of correspondence. Her letters, oddly enough, seemed at first to bring her nearer than her presence. She had adopted, and she successfully maintained, a note as affectionately impersonal as his own; she wrote ardently of her work, she questioned him about his, she even bantered him on the inevitable pretty girl who was certain before long to divert the current of his confidences. To Glennard, who was almost a stranger in New York, the sight of Mrs. Aubyn's writing was like a voice of reassurance in surroundings as yet insufficiently aware of him. His vanity found a retrospective enjoyment in the sentiment his heart had rejected, and this factitious emotion drove him once or twice to Hillbridge, whence, after scenes of evasive tenderness, he returned dissatisfied with himself and her. As he made room for himself in New York and peopled the space he had cleared with the sympathies at the disposal of agreeable and self-confident young men, it seemed to him natural to infer that Mrs. Aubyn had refurnished in the same manner the void he was not unwilling his departure should have left. But in the dissolution of sentimental partnerships it is seldom that both associates are able to withdraw their funds at the same time; and Glennard gradually learned that he stood for the venture on which Mrs. Aubyn had irretrievably staked her all. It was not the kind of figure he cared to cut. He had no fancy for leaving havoc in his wake and would have preferred to sow a quick growth of oblivion in the spaces wasted by his unconsidered inroads; but if he supplied the seed it was clearly Mrs. Aubyn's business to see to the raising of the crop. Her attitude seemed indeed to throw his own reasonableness into distincter relief: so that they might have stood for thrift and improvidence in an allegory of the affections.

It was not that Mrs. Aubyn permitted herself to be a pensioner on his bounty. He knew she had no wish to keep herself alive on the small change of sentiment; she simply fed on her own funded passion, and the luxuries it allowed her made him, even then, dimly aware that she had the secret of an inexhaustible alchemy.

Their relations remained thus negatively tender till she suddenly wrote him of her decision to go abroad to live. Her father had died, she had no near ties in Hillbridge, and London offered more scope than New York to her expanding personality. She was already famous and her laurels were yet unharvested.

For a moment the news roused Glennard to a jealous sense of lost opportunities. He wanted, at any rate, to reassert his power before she made the final effort of escape. They had not met for over a year, but of course he could not let her sail without seeing her. She came to New York the day before her departure, and they spent its last hours together. Glennard had planned no course of action—he simply meant to let himself drift. They both drifted, for a long time, down the languid current of reminiscence; she seemed to sit passive, letting him push his way back through the overgrown channels of the past. At length she reminded him that they must bring their explorations to an end. He rose to leave, and stood looking at her with the same uncertainty in his heart. He was tired of her already—he was always tired of her—yet he was not sure that he wanted her to go.

"I may never see you again," he said, as though confidently appealing to her compassion.

Her look enveloped him. "And I shall see you always—always!"

"Why go then—?" escaped him.

"To be nearer you," she answered; and the words dismissed him like a closing door.

The door was never to reopen; but through its narrow crack Glennard, as the years went on, became more and more conscious of an inextinguishable light directing its small ray toward the past which consumed so little of his own commemorative oil. The reproach was taken from this thought by Mrs. Aubyn's gradual translation into terms of universality. In becoming a personage she so naturally ceased to be a person that Glennard could almost look back to his explorations of her spirit as on a visit to some famous shrine, immortalized, but in a sense desecrated, by popular veneration.

Her letters, from London, continued to come with the same tender punctuality; but the altered conditions of her life, the vistas of new relationships disclosed by every phrase, made her communications as impersonal as a piece of journalism. It was as though the state, the world, indeed, had taken her off his hands, assuming the maintenance of a temperament that had long exhausted his slender store of reciprocity.

In the retrospective light shed by the letters he was blinded to their specific meaning. He was not a man who concerned himself with literature, and they had been to him, at first, simply the extension of her brilliant talk, later the dreaded vehicle of a tragic importunity. He knew, of course, that they were wonderful; that, unlike the authors who give their essence to the public and keep only a dry rind for their friends, Mrs. Aubyn had stored of her rarest vintage for this hidden sacrament of tenderness. Sometimes, indeed, he had been oppressed, humiliated almost, by the multiplicity of her allusions, the wide scope of her interests, her persistence in forcing her superabundance of thought and emotion into the shallow receptacle of his sympathy; but he had never thought of the letters objectively, as the production of a distinguished woman; had never measured the literary significance of her oppressive prodigality. He was almost frightened now at the wealth in his hands; the obligation of her love had never weighed on him like this gift of her imagination: it was as though he had accepted from her something to which even a reciprocal tenderness could not have justified his claim.

He sat a long time staring at the scattered pages on his desk; and in the sudden realization of what they meant he could almost fancy some alchemistic process changing them to gold as he stared. He had the sense of not being alone in the room, of the presence of another self observing from without the stirring of subconscious impulses that sent flushes of humiliation to his forehead. At length he stood up, and with the gesture of a man who wishes to give outward expression to his purpose—to establish, as it were, a moral alibi—swept the letters into a heap and carried them toward the grate. But it would have taken too long to burn all the packets. He turned back to the table and one by one fitted the pages into their envelopes; then he tied up the letters and put them back into the locked drawer.



III

It was one of the laws of Glennard's intercourse with Miss Trent that he always went to see her the day after he had resolved to give her up. There was a special charm about the moments thus snatched from the jaws of renunciation; and his sense of their significance was on this occasion so keen that he hardly noticed the added gravity of her welcome.

His feeling for her had become so vital a part of him that her nearness had the quality of imperceptibly readjusting his point of view, so that the jumbled phenomena of experience fell at once into a rational perspective. In this redistribution of values the sombre retrospect of the previous evening shrank to a mere cloud on the edge of consciousness. Perhaps the only service an unloved woman can render the man she loves is to enhance and prolong his illusions about her rival. It was the fate of Margaret Aubyn's memory to serve as a foil to Miss Trent's presence, and never had the poor lady thrown her successor into more vivid relief.

Miss Trent had the charm of still waters that are felt to be renewed by rapid currents. Her attention spread a tranquil surface to the demonstrations of others, and it was only in days of storm that one felt the pressure of the tides. This inscrutable composure was perhaps her chief grace in Glennard's eyes. Reserve, in some natures, implies merely the locking of empty rooms or the dissimulation of awkward encumbrances; but Miss Trent's reticence was to Glennard like the closed door to the sanctuary, and his certainty of divining the hidden treasure made him content to remain outside in the happy expectancy of the neophyte.

"You didn't come to the opera last night," she began, in the tone that seemed always rather to record a fact than to offer a reflection on it.

He answered with a discouraged gesture. "What was the use? We couldn't have talked."

"Not as well as here," she assented; adding, after a meditative pause, "As you didn't come I talked to Aunt Virginia instead."

"Ah!" he returned, the fact being hardly striking enough to detach him from the contemplation of her hands, which had fallen, as was their wont, into an attitude full of plastic possibilities. One felt them to be hands that, moving only to some purpose, were capable of intervals of serene inaction.

"We had a long talk," Miss Trent went on; and she waited again before adding, with the increased absence of stress that marked her graver communications, "Aunt Virginia wants me to go abroad with her."

Glennard looked up with a start. "Abroad? When?"

"Now—next month. To be gone two years."

He permitted himself a movement of tender derision. "Does she really? Well, I want you to go abroad with ME—for any number of years. Which offer do you accept?"

"Only one of them seems to require immediate consideration," she returned, with a smile.

Glennard looked at her again. "You're not thinking of it?"

Her gaze dropped and she unclasped her hands. Her movements were so rare that they might have been said to italicize her words. "Aunt Virginia talked to me very seriously. It will be a great relief to mother and the others to have me provided for in that way for two years. I must think of that, you know." She glanced down at her gown which, under a renovated surface, dated back to the first days of Glennard's wooing. "I try not to cost much—but I do."

"Good Lord!" Glennard groaned.

They sat silent till at length she gently took up the argument. "As the eldest, you know, I'm bound to consider these things. Women are such a burden. Jim does what he can for mother, but with his own children to provide for it isn't very much. You see, we're all poor together."

"Your aunt isn't. She might help your mother."

"She does—in her own way."

"Exactly—that's the rich relation all over! You may be miserable in any way you like, but if you're to be happy you've got to be so in her way—and in her old gowns."

"I could be very happy in Aunt Virginia's old gowns," Miss Trent interposed.

"Abroad, you mean?"

"I mean wherever I felt that I was helping. And my going abroad will help."

"Of course—I see that. And I see your considerateness in putting its advantages negatively."

"Negatively?"

"In dwelling simply on what the going will take you from, not on what it will bring you to. It means a lot to a woman, of course, to get away from a life like this." He summed up in a disparaging glance the background of indigent furniture. "The question is how you'll like coming back to it."

She seemed to accept the full consequences of his thought. "I only know I don't like leaving it."

He flung back sombrely, "You don't even put it conditionally then?"

Her gaze deepened. "On what?"

He stood up and walked across the room. Then he came back and paused before her. "On the alternative of marrying me."

The slow color—even her blushes seemed deliberate—rose to her lower lids; her lips stirred, but the words resolved themselves into a smile and she waited.

He took another turn, with the thwarted step of the man whose nervous exasperation escapes through his muscles.

"And to think that in fifteen years I shall have a big practice!"

Her eyes triumphed for him. "In less!"

"The cursed irony of it! What do I care for the man I shall be then? It's slaving one's life away for a stranger!" He took her hands abruptly. "You'll go to Cannes, I suppose, or Monte Carlo? I heard Hollingsworth say to-day that he meant to take his yacht over to the Mediterranean—"

She released herself. "If you think that—"

"I don't. I almost wish I did. It would be easier, I mean." He broke off incoherently. "I believe your Aunt Virginia does, though. She somehow connotes Hollingsworth and the Mediterranean." He caught her hands again. "Alexa—if we could manage a little hole somewhere out of town?"

"Could we?" she sighed, half yielding.

"In one of those places where they make jokes about the mosquitoes," he pressed her. "Could you get on with one servant?"

"Could you get on without varnished boots?"

"Promise me you won't go, then!"

"What are you thinking of, Stephen?"

"I don't know," he stammered, the question giving unexpected form to his intention. "It's all in the air yet, of course; but I picked up a tip the other day—"

"You're not speculating?" she cried, with a kind of superstitious terror.

"Lord, no. This is a sure thing—I almost wish it wasn't; I mean if I can work it—" He had a sudden vision of the comprehensiveness of the temptation. If only he had been less sure of Dinslow! His assurance gave the situation the base element of safety.

"I don't understand you," she faltered.

"Trust me, instead!" he adjured her, with sudden energy; and turning on her abruptly, "If you go, you know, you go free," he concluded.

She drew back, paling a little. "Why do you make it harder for me?"

"To make it easier for myself," he retorted.



IV

Glennard, the next afternoon, leaving his office earlier than usual, turned, on his way home, into one of the public libraries.

He had the place to himself at that closing hour, and the librarian was able to give an undivided attention to his tentative request for letters—collections of letters. The librarian suggested Walpole.

"I meant women—women's letters."

The librarian proffered Hannah More and Miss Martineau.

Glennard cursed his own inarticulateness. "I mean letters to—to some one person—a man; their husband—or—"

"Ah," said the inspired librarian, "Eloise and Abailard."

"Well—something a little nearer, perhaps," said Glennard, with lightness. "Didn't Merimee—"

"The lady's letters, in that case, were not published."

"Of course not," said Glennard, vexed at his blunder.

"There are George Sand's letters to Flaubert."

"Ah!" Glennard hesitated. "Was she—were they—?" He chafed at his own ignorance of the sentimental by-paths of literature.

"If you want love-letters, perhaps some of the French eighteenth century correspondences might suit you better—Mlle. Aisse or Madame de Sabran—"

But Glennard insisted. "I want something modern—English or American. I want to look something up," he lamely concluded.

The librarian could only suggest George Eliot.

"Well, give me some of the French things, then—and I'll have Merimee's letters. It was the woman who published them, wasn't it?"

He caught up his armful, transferring it, on the doorstep, to a cab which carried him to his rooms. He dined alone, hurriedly, at a small restaurant near by, and returned at once to his books.

Late that night, as he undressed, he wondered what contemptible impulse had forced from him his last words to Alexa Trent. It was bad enough to interfere with the girl's chances by hanging about her to the obvious exclusion of other men, but it was worse to seem to justify his weakness by dressing up the future in delusive ambiguities. He saw himself sinking from depth to depth of sentimental cowardice in his reluctance to renounce his hold on her; and it filled him with self-disgust to think that the highest feeling of which he supposed himself capable was blent with such base elements.

His awakening was hardly cheered by the sight of her writing. He tore her note open and took in the few lines—she seldom exceeded the first page—with the lucidity of apprehension that is the forerunner of evil.

"My aunt sails on Saturday and I must give her my answer the day after to-morrow. Please don't come till then—I want to think the question over by myself. I know I ought to go. Won't you help me to be reasonable?"

It was settled, then. Well, he would be reasonable; he wouldn't stand in her way; he would let her go. For two years he had been living some other, luckier man's life; the time had come when he must drop back into his own. He no longer tried to look ahead, to grope his way through the endless labyrinth of his material difficulties; a sense of dull resignation closed in on him like a fog.

"Hullo, Glennard!" a voice said, as an electric-car, late that afternoon, dropped him at an uptown corner.

He looked up and met the interrogative smile of Barton Flamel, who stood on the curbstone watching the retreating car with the eye of a man philosophic enough to remember that it will be followed by another.

Glennard felt his usual impulse of pleasure at meeting Flamel; but it was not in this case curtailed by the reaction of contempt that habitually succeeded it. Probably even the few men who had known Flamel since his youth could have given no good reason for the vague mistrust that he inspired. Some people are judged by their actions, others by their ideas; and perhaps the shortest way of defining Flamel is to say that his well-known leniency of view was vaguely divined to include himself. Simple minds may have resented the discovery that his opinions were based on his perceptions; but there was certainly no more definite charge against him than that implied in the doubt as to how he would behave in an emergency, and his company was looked upon as one of those mildly unwholesome dissipations to which the prudent may occasionally yield. It now offered itself to Glennard as an easy escape from the obsession of moral problems, which somehow could no more be worn in Flamel's presence than a surplice in the street.

"Where are you going? To the club?" Flamel asked; adding, as the younger man assented, "Why not come to my studio instead? You'll see one bore instead of twenty."

The apartment which Flamel described as his studio showed, as its one claim to the designation, a perennially empty easel; the rest of its space being filled with the evidences of a comprehensive dilettanteism. Against this background, which seemed the visible expression of its owner's intellectual tolerance, rows of fine books detached themselves with a prominence, showing them to be Flamel's chief care.

Glennard glanced with the eye of untrained curiosity at the lines of warm-toned morocco, while his host busied himself with the uncorking of Apollinaris.

"You've got a splendid lot of books," he said.

"They're fairly decent," the other assented, in the curt tone of the collector who will not talk of his passion for fear of talking of nothing else; then, as Glennard, his hands in his pockets, began to stroll perfunctorily down the long line of bookcases—"Some men," Flamel irresistibly added, "think of books merely as tools, others as tooling. I'm between the two; there are days when I use them as scenery, other days when I want them as society; so that, as you see, my library represents a makeshift compromise between looks and brains, and the collectors look down on me almost as much as the students."

Glennard, without answering, was mechanically taking one book after another from the shelves. His hands slipped curiously over the smooth covers and the noiseless subsidence of opening pages. Suddenly he came on a thin volume of faded manuscript.

"What's this?" he asked, with a listless sense of wonder.

"Ah, you're at my manuscript shelf. I've been going in for that sort of thing lately." Flamel came up and looked over his shoulders. "That's a bit of Stendhal—one of the Italian stories—and here are some letters of Balzac to Madame Commanville."

Glennard took the book with sudden eagerness. "Who was Madame Commanville?"

"His sister." He was conscious that Flamel was looking at him with the smile that was like an interrogation point. "I didn't know you cared for this kind of thing."

"I don't—at least I've never had the chance. Have you many collections of letters?"

"Lord, no—very few. I'm just beginning, and most of the interesting ones are out of my reach. Here's a queer little collection, though—the rarest thing I've got—half a dozen of Shelley's letters to Harriet Westbrook. I had a devil of a time getting them—a lot of collectors were after them."

Glennard, taking the volume from his hand, glanced with a kind of repugnance at the interleaving of yellow cris-crossed sheets. "She was the one who drowned herself, wasn't she?"

Flamel nodded. "I suppose that little episode adds about fifty per cent. to their value," he said, meditatively.

Glennard laid the book down. He wondered why he had joined Flamel. He was in no humor to be amused by the older man's talk, and a recrudescence of personal misery rose about him like an icy tide.

"I believe I must take myself off," he said. "I'd forgotten an engagement."

He turned to go; but almost at the same moment he was conscious of a duality of intention wherein his apparent wish to leave revealed itself as a last effort of the will against the overmastering desire to stay and unbosom himself to Flamel.

The older man, as though divining the conflict, laid a detaining pressure on his arm.

"Won't the engagement keep? Sit down and try one of these cigars. I don't often have the luck of seeing you here."

"I'm rather driven just now," said Glennard, vaguely. He found himself seated again, and Flamel had pushed to his side a low stand holding a bottle of Apollinaris and a decanter of cognac.

Flamel, thrown back in his capacious arm-chair, surveyed him through a cloud of smoke with the comfortable tolerance of the man to whom no inconsistencies need be explained. Connivance was implicit in the air. It was the kind of atmosphere in which the outrageous loses its edge. Glennard felt a gradual relaxing of his nerves.

"I suppose one has to pay a lot for letters like that?" he heard himself asking, with a glance in the direction of the volume he had laid aside.

"Oh, so-do—depends on circumstances." Flamel viewed him thoughtfully. "Are you thinking of collecting?"

Glennard laughed. "Lord, no. The other way round."

"Selling?"

"Oh, I hardly know. I was thinking of a poor chap—"

Flamel filled the pause with a nod of interest.

"A poor chap I used to know—who died—he died last year—and who left me a lot of letters, letters he thought a great deal of—he was fond of me and left 'em to me outright, with the idea, I suppose, that they might benefit me somehow—I don't know—I'm not much up on such things—" he reached his hand to the tall glass his host had filled.

"A collection of autograph letters, eh? Any big names?"

"Oh, only one name. They're all letters written to him—by one person, you understand; a woman, in fact—"

"Oh, a woman," said Flamel, negligently.

Glennard was nettled by his obvious loss of interest. "I rather think they'd attract a good deal of notice if they were published."

Flamel still looked uninterested. "Love-letters, I suppose?"

"Oh, just—the letters a woman would write to a man she knew well. They were tremendous friends, he and she."

"And she wrote a clever letter?"

"Clever? It was Margaret Aubyn."

A great silence filled the room. It seemed to Glennard that the words had burst from him as blood gushes from a wound.

"Great Scott!" said Flamel, sitting up. "A collection of Margaret Aubyn's letters? Did you say YOU had them?"

"They were left me—by my friend."

"I see. Was he—well, no matter. You're to be congratulated, at any rate. What are you going to do with them?"

Glennard stood up with a sense of weariness in all his bones. "Oh, I don't know. I haven't thought much about it. I just happened to see that some fellow was writing her life—"

"Joslin; yes. You didn't think of giving them to him?"

Glennard had lounged across the room and stood staring up at a bronze Bacchus who drooped his garlanded head above the pediment of an Italian cabinet. "What ought I to do? You're just the fellow to advise me." He felt the blood in his cheek as he spoke.

Flamel sat with meditative eye. "What do you WANT to do with them?" he asked.

"I want to publish them," said Glennard, swinging round with sudden energy—"If I can—"

"If you can? They're yours, you say?"

"They're mine fast enough. There's no one to prevent—I mean there are no restrictions—" he was arrested by the sense that these accumulated proofs of impunity might precisely stand as the strongest check on his action.

"And Mrs. Aubyn had no family, I believe?"

"No."

"Then I don't see who's to interfere," said Flamel, studying his cigar-tip.

Glennard had turned his unseeing stare on an ecstatic Saint Catherine framed in tarnished gilding.

"It's just this way," he began again, with an effort. "When letters are as personal as—as these of my friend's.... Well, I don't mind telling you that the cash would make a heap of difference to me; such a lot that it rather obscures my judgment—the fact is if I could lay my hand on a few thousands now I could get into a big thing, and without appreciable risk; and I'd like to know whether you think I'd be justified—under the circumstances...." He paused, with a dry throat. It seemed to him at the moment that it would be impossible for him ever to sink lower in his own estimation. He was in truth less ashamed of weighing the temptation than of submitting his scruples to a man like Flamel, and affecting to appeal to sentiments of delicacy on the absence of which he had consciously reckoned. But he had reached a point where each word seemed to compel another, as each wave in a stream is forced forward by the pressure behind it; and before Flamel could speak he had faltered out—"You don't think people could say... could criticise the man...."

"But the man's dead, isn't he?"

"He's dead—yes; but can I assume the responsibility without—"

Flamel hesitated; and almost immediately Glennard's scruples gave way to irritation. If at this hour Flamel were to affect an inopportune reluctance—!

The older man's answer reassured him. "Why need you assume any responsibility? Your name won't appear, of course; and as to your friend's, I don't see why his should, either. He wasn't a celebrity himself, I suppose?"

"No, no."

"Then the letters can be addressed to Mr. Blank. Doesn't that make it all right?"

Glennard's hesitation revived. "For the public, yes. But I don't see that it alters the case for me. The question is, ought I to publish them at all?"

"Of course you ought to." Flamel spoke with invigorating emphasis. "I doubt if you'd be justified in keeping them back. Anything of Margaret Aubyn's is more or less public property by this time. She's too great for any one of us. I was only wondering how you could use them to the best advantage—to yourself, I mean. How many are there?"

"Oh, a lot; perhaps a hundred—I haven't counted. There may be more...."

"Gad! What a haul! When were they written?"

"I don't know—that is—they corresponded for years. What's the odds?" He moved toward his hat with a vague impulse of flight.

"It all counts," said Flamel, imperturbably. "A long correspondence—one, I mean, that covers a great deal of time—is obviously worth more than if the same number of letters had been written within a year. At any rate, you won't give them to Joslin? They'd fill a book, wouldn't they?"

"I suppose so. I don't know how much it takes to fill a book."

"Not love-letters, you say?"

"Why?" flashed from Glennard.

"Oh, nothing—only the big public is sentimental, and if they WERE—why, you could get any money for Margaret Aubyn's love-letters."

Glennard was silent.

"Are the letters interesting in themselves? I mean apart from the association with her name?"

"I'm no judge." Glennard took up his hat and thrust himself into his overcoat. "I dare say I sha'n't do anything about it. And, Flamel—you won't mention this to anyone?"

"Lord, no. Well, I congratulate you. You've got a big thing." Flamel was smiling at him from the hearth.

Glennard, on the threshold, forced a response to the smile, while he questioned with loitering indifference—"Financially, eh?"

"Rather; I should say so."

Glennard's hand lingered on the knob. "How much—should you say? You know about such things."

"Oh, I should have to see the letters; but I should say—well, if you've got enough to fill a book and they're fairly readable, and the book is brought out at the right time—say ten thousand down from the publisher, and possibly one or two more in royalties. If you got the publishers bidding against each other you might do even better; but of course I'm talking in the dark."

"Of course," said Glennard, with sudden dizziness. His hand had slipped from the knob and he stood staring down at the exotic spirals of the Persian rug beneath his feet.

"I'd have to see the letters," Flamel repeated.

"Of course—you'd have to see them...." Glennard stammered; and, without turning, he flung over his shoulder an inarticulate "Good-by...."



V

The little house, as Glennard strolled up to it between the trees, seemed no more than a gay tent pitched against the sunshine. It had the crispness of a freshly starched summer gown, and the geraniums on the veranda bloomed as simultaneously as the flowers in a bonnet. The garden was prospering absurdly. Seed they had sown at random—amid laughing counter-charges of incompetence—had shot up in fragrant defiance of their blunders. He smiled to see the clematis unfolding its punctual wings about the porch. The tiny lawn was smooth as a shaven cheek, and a crimson rambler mounted to the nursery-window of a baby who never cried. A breeze shook the awning above the tea-table, and his wife, as he drew near, could be seen bending above a kettle that was just about to boil. So vividly did the whole scene suggest the painted bliss of a stage setting, that it would have been hardly surprising to see her step forward among the flowers and trill out her virtuous happiness from the veranda-rail.

The stale heat of the long day in town, the dusty promiscuity of the suburban train were now but the requisite foil to an evening of scented breezes and tranquil talk. They had been married more than a year, and each home-coming still reflected the freshness of their first day together. If, indeed, their happiness had a flaw, it was in resembling too closely the bright impermanence of their surroundings. Their love as yet was but the gay tent of holiday-makers.

His wife looked up with a smile. The country life suited her, and her beauty had gained depth from a stillness in which certain faces might have grown opaque.

"Are you very tired?" she asked, pouring his tea.

"Just enough to enjoy this." He rose from the chair in which he had thrown himself and bent over the tray for his cream. "You've had a visitor?" he commented, noticing a half-empty cup beside her own.

"Only Mr. Flamel," she said, indifferently.

"Flamel? Again?"

She answered without show of surprise. "He left just now. His yacht is down at Laurel Bay and he borrowed a trap of the Dreshams to drive over here."

Glennard made no comment, and she went on, leaning her head back against the cushions of her bamboo-seat, "He wants us to go for a sail with him next Sunday."

Glennard meditatively stirred his tea. He was trying to think of the most natural and unartificial thing to say, and his voice seemed to come from the outside, as though he were speaking behind a marionette. "Do you want to?"

"Just as you please," she said, compliantly. No affectation of indifference could have been as baffling as her compliance. Glennard, of late, was beginning to feel that the surface which, a year ago, he had taken for a sheet of clear glass, might, after all, be a mirror reflecting merely his own conception of what lay behind it.

"Do you like Flamel?" he suddenly asked; to which, still engaged with her tea, she returned the feminine answer—"I thought you did."

"I do, of course," he agreed, vexed at his own incorrigible tendency to magnify Flamel's importance by hovering about the topic. "A sail would be rather jolly; let's go."

She made no reply and he drew forth the rolled-up evening papers which he had thrust into his pocket on leaving the train. As he smoothed them out his own countenance seemed to undergo the same process. He ran his eye down the list of stocks and Flamel's importunate personality receded behind the rows of figures pushing forward into notice like so many bearers of good news. Glennard's investments were flowering like his garden: the dryest shares blossomed into dividends, and a golden harvest awaited his sickle.

He glanced at his wife with the tranquil air of the man who digests good luck as naturally as the dry ground absorbs a shower. "Things are looking uncommonly well. I believe we shall be able to go to town for two or three months next winter if we can find something cheap."

She smiled luxuriously: it was pleasant to be able to say, with an air of balancing relative advantages, "Really, on the baby's account I shall be almost sorry; but if we do go, there's Kate Erskine's house... she'll let us have it for almost nothing...."

"Well, write her about it," he recommended, his eyes travelling on in search of the weather report. He had turned to the wrong page; and suddenly a line of black characters leapt out at him as from an ambush.

"'Margaret Aubyn's Letters.' Two volumes. Out to-day. First edition of five thousand sold out before leaving the press. Second edition ready next week. THE BOOK OF THE YEAR...."

He looked up stupidly. His wife still sat with her head thrown back, her pure profile detached against the cushions. She was smiling a little over the prospect his last words had opened. Behind her head shivers of sun and shade ran across the striped awning. A row of maples and a privet hedge hid their neighbor's gables, giving them undivided possession of their leafy half-acre; and life, a moment before, had been like their plot of ground, shut off, hedged in from importunities, impenetrably his and hers. Now it seemed to him that every maple-leaf, every privet-bud, was a relentless human gaze, pressing close upon their privacy. It was as though they sat in a brightly lit room, uncurtained from a darkness full of hostile watchers.... His wife still smiled; and her unconsciousness of danger seemed, in some horrible way, to put her beyond the reach of rescue....

He had not known that it would be like this. After the first odious weeks, spent in preparing the letters for publication, in submitting them to Flamel, and in negotiating with the publishers, the transaction had dropped out of his consciousness into that unvisited limbo to which we relegate the deeds we would rather not have done but have no notion of undoing. From the moment he had obtained Miss Trent's promise not to sail with her aunt he had tried to imagine himself irrevocably committed. After that, he argued, his first duty was to her—she had become his conscience. The sum obtained from the publishers by Flamel's adroit manipulations and opportunely transferred to Dinslow's successful venture, already yielded a return which, combined with Glennard's professional earnings, took the edge of compulsion from their way of living, making it appear the expression of a graceful preference for simplicity. It was the mitigated poverty which can subscribe to a review or two and have a few flowers on the dinner-table. And already in a small way Glennard was beginning to feel the magnetic quality of prosperity. Clients who had passed his door in the hungry days sought it out now that it bore the name of a successful man. It was understood that a small inheritance, cleverly invested, was the source of his fortune; and there was a feeling that a man who could do so well for himself was likely to know how to turn over other people's money.

But it was in the more intimate reward of his wife's happiness that Glennard tasted the full flavor of success. Coming out of conditions so narrow that those he offered her seemed spacious, she fitted into her new life without any of those manifest efforts at adjustment that are as sore to a husband's pride as the critical rearrangement of the bridal furniture. She had given him, instead, the delicate pleasure of watching her expand like a sea-creature restored to its element, stretching out the atrophied tentacles of girlish vanity and enjoyment to the rising tide of opportunity. And somehow—in the windowless inner cell of his consciousness where self-criticism cowered—Glennard's course seemed justified by its merely material success. How could such a crop of innocent blessedness have sprung from tainted soil?



Now he had the injured sense of a man entrapped into a disadvantageous bargain. He had not known it would be like this; and a dull anger gathered at his heart. Anger against whom? Against his wife, for not knowing what he suffered? Against Flamel, for being the unconscious instrument of his wrong-doing? Or against that mute memory to which his own act had suddenly given a voice of accusation? Yes, that was it; and his punishment henceforth would be the presence, the unescapable presence, of the woman he had so persistently evaded. She would always be there now. It was as though he had married her instead of the other. It was what she had always wanted—to be with him—and she had gained her point at last....

He sprang up, as though in an impulse of flight.... The sudden movement lifted his wife's lids, and she asked, in the incurious voice of the woman whose life is enclosed in a magic circle of prosperity—"Any news?"

"No—none—" he said, roused to a sense of immediate peril. The papers lay scattered at his feet—what if she were to see them? He stretched his arm to gather them up, but his next thought showed him the futility of such concealment. The same advertisement would appear every day, for weeks to come, in every newspaper; how could he prevent her seeing it? He could not always be hiding the papers from her.... Well, and what if she did see it? It would signify nothing to her, the chances were that she would never even read the book.... As she ceased to be an element of fear in his calculations the distance between them seemed to lessen and he took her again, as it were, into the circle of his conjugal protection.... Yet a moment before he had almost hated her!... He laughed aloud at his senseless terrors.... He was off his balance, decidedly.

"What are you laughing at?" she asked.

He explained, elaborately, that he was laughing at the recollection of an old woman in the train, an old woman with a lot of bundles, who couldn't find her ticket.... But somehow, in the telling, the humor of the story seemed to evaporate, and he felt the conventionality of her smile. He glanced at his watch, "Isn't it time to dress?"

She rose with serene reluctance. "It's a pity to go in. The garden looks so lovely."

They lingered side by side, surveying their domain. There was not space in it, at this hour, for the shadow of the elm-tree in the angle of the hedge; it crossed the lawn, cut the flower-border in two, and ran up the side of the house to the nursery window. She bent to flick a caterpillar from the honey-suckle; then, as they turned indoors, "If we mean to go on the yacht next Sunday," she suggested, "oughtn't you to let Mr. Flamel know?"

Glennard's exasperation deflected suddenly. "Of course I shall let him know. You always seem to imply that I'm going to do something rude to Flamel."

The words reverberated through her silence; she had a way of thus leaving one space in which to contemplate one's folly at arm's length. Glennard turned on his heel and went upstairs. As he dropped into a chair before his dressing-table he said to himself that in the last hour he had sounded the depths of his humiliation and that the lowest dregs of it, the very bottom-slime, was the hateful necessity of having always, as long as the two men lived, to be civil to Barton Flamel.



VI

THE week in town had been sultry, and the men, in the Sunday emancipation of white flannel and duck, filled the deck-chairs of the yacht with their outstretched apathy, following, through a mist of cigarette-smoke, the flitting inconsequences of the women. The part was a small one—Flamel had few intimate friends—but composed of more heterogeneous atoms than the little pools into which society usually runs. The reaction from the chief episode of his earlier life had bred in Glennard an uneasy distaste for any kind of personal saliency. Cleverness was useful in business; but in society it seemed to him as futile as the sham cascades formed by a stream that might have been used to drive a mill. He liked the collective point of view that goes with the civilized uniformity of dress-clothes, and his wife's attitude implied the same preference; yet they found themselves slipping more and more into Flamel's intimacy. Alexa had once or twice said that she enjoyed meeting clever people; but her enjoyment took the negative form of a smiling receptivity; and Glennard felt a growing preference for the kind of people who have their thinking done for them by the community.

Still, the deck of the yacht was a pleasant refuge from the heat on shore, and his wife's profile, serenely projected against the changing blue, lay on his retina like a cool hand on the nerves. He had never been more impressed by the kind of absoluteness that lifted her beauty above the transient effects of other women, making the most harmonious face seem an accidental collocation of features.

The ladies who directly suggested this comparison were of a kind accustomed to take similar risks with more gratifying results. Mrs. Armiger had in fact long been the triumphant alternative of those who couldn't "see" Alexa Glennard's looks; and Mrs. Touchett's claims to consideration were founded on that distribution of effects which is the wonder of those who admire a highly cultivated country. The third lady of the trio which Glennard's fancy had put to such unflattering uses, was bound by circumstances to support the claims of the other two. This was Mrs. Dresham, the wife of the editor of the Radiator. Mrs. Dresham was a lady who had rescued herself from social obscurity by assuming the role of her husband's exponent and interpreter; and Dresham's leisure being devoted to the cultivation of remarkable women, his wife's attitude committed her to the public celebration of their remarkableness. For the conceivable tedium of this duty, Mrs. Dresham was repaid by the fact that there were people who took HER for a remarkable woman; and who in turn probably purchased similar distinction with the small change of her reflected importance. As to the other ladies of the party, they were simply the wives of some of the men—the kind of women who expect to be talked to collectively and to have their questions left unanswered.

Mrs. Armiger, the latest embodiment of Dresham's instinct for the remarkable, was an innocent beauty who for years had distilled dulness among a set of people now self-condemned by their inability to appreciate her. Under Dresham's tutelage she had developed into a "thoughtful woman," who read his leaders in the Radiator and bought the books he recommended. When a new novel appeared, people wanted to know what Mrs. Armiger thought of it; and a young gentleman who had made a trip in Touraine had recently inscribed to her the wide-margined result of his explorations.

Glennard, leaning back with his head against the rail and a slit of fugitive blue between his half-closed lids, vaguely wished she wouldn't spoil the afternoon by making people talk; though he reduced his annoyance to the minimum by not listening to what was said, there remained a latent irritation against the general futility of words.

His wife's gift of silence seemed to him the most vivid commentary on the clumsiness of speech as a means of intercourse, and his eyes had turned to her in renewed appreciation of this finer faculty when Mrs. Armiger's voice abruptly brought home to him the underrated potentialities of language.

"You've read them, of course, Mrs. Glennard?" he heard her ask; and, in reply to Alexa's vague interrogation—"Why, the 'Aubyn Letters'—it's the only book people are talking of this week."

Mrs. Dresham immediately saw her advantage. "You HAVEN'T read them? How very extraordinary! As Mrs. Armiger says, the book's in the air; one breathes it in like the influenza."

Glennard sat motionless, watching his wife.

"Perhaps it hasn't reached the suburbs yet," she said, with her unruffled smile.

"Oh, DO let me come to you, then!" Mrs. Touchett cried; "anything for a change of air! I'm positively sick of the book and I can't put it down. Can't you sail us beyond its reach, Mr. Flamel?"

Flamel shook his head. "Not even with this breeze. Literature travels faster than steam nowadays. And the worst of it is that we can't any of us give up reading; it's as insidious as a vice and as tiresome as a virtue."

"I believe it IS a vice, almost, to read such a book as the 'Letters,'" said Mrs. Touchett. "It's the woman's soul, absolutely torn up by the roots—her whole self laid bare; and to a man who evidently didn't care; who couldn't have cared. I don't mean to read another line; it's too much like listening at a keyhole."

"But if she wanted it published?"

"Wanted it? How do we know she did?"

"Why, I heard she'd left the letters to the man—whoever he is—with directions that they should be published after his death—"

"I don't believe it," Mrs. Touchett declared.

"He's dead then, is he?" one of the men asked.

"Why, you don't suppose if he were alive he could ever hold up his head again, with these letters being read by everybody?" Mrs. Touchett protested. "It must have been horrible enough to know they'd been written to him; but to publish them! No man could have done it and no woman could have told him to—"

"Oh, come, come," Dresham judicially interposed; "after all, they're not love-letters."

"No—that's the worst of it; they're unloved letters," Mrs. Touchett retorted.

"Then, obviously, she needn't have written them; whereas the man, poor devil, could hardly help receiving them."

"Perhaps he counted on the public to save him the trouble of reading them," said young Hartly, who was in the cynical stage.

Mrs. Armiger turned her reproachful loveliness to Dresham. "From the way you defend him, I believe you know who he is."

Everyone looked at Dresham, and his wife smiled with the superior air of the woman who is in her husband's professional secrets. Dresham shrugged his shoulders.

"What have I said to defend him?"

"You called him a poor devil—you pitied him."

"A man who could let Margaret Aubyn write to him in that way? Of course I pity him."

"Then you MUST know who he is," cried Mrs. Armiger, with a triumphant air of penetration.

Hartly and Flamel laughed and Dresham shook his head. "No one knows; not even the publishers; so they tell me at least."

"So they tell you to tell us," Hartly astutely amended; and Mrs. Armiger added, with the appearance of carrying the argument a point farther, "But even if HE'S dead and SHE'S dead, somebody must have given the letters to the publishers."

"A little bird, probably," said Dresham, smiling indulgently on her deduction.

"A little bird of prey then—a vulture, I should say—" another man interpolated.

"Oh, I'm not with you there," said Dresham, easily. "Those letters belonged to the public."

"How can any letters belong to the public that weren't written to the public?" Mrs. Touchett interposed.

"Well, these were, in a sense. A personality as big as Margaret Aubyn's belongs to the world. Such a mind is part of the general fund of thought. It's the penalty of greatness—one becomes a monument historique. Posterity pays the cost of keeping one up, but on condition that one is always open to the public."

"I don't see that that exonerates the man who gives up the keys of the sanctuary, as it were."

"Who WAS he?" another voice inquired.

"Who was he? Oh, nobody, I fancy—the letter-box, the slit in the wall through which the letters passed to posterity...."

"But she never meant them for posterity!"

"A woman shouldn't write such letters if she doesn't mean them to be published...."

"She shouldn't write them to such a man!" Mrs. Touchett scornfully corrected.

"I never keep letters," said Mrs. Armiger, under the obvious impression that she was contributing a valuable point to the discussion.

There was a general laugh, and Flamel, who had not spoken, said, lazily, "You women are too incurably subjective. I venture to say that most men would see in those letters merely their immense literary value, their significance as documents. The personal side doesn't count where there's so much else."

"Oh, we all know you haven't any principles," Mrs. Armiger declared; and Alexa Glennard, lifting an indolent smile, said: "I shall never write you a love-letter, Mr. Flamel."

Glennard moved away impatiently. Such talk was as tedious as the buzzing of gnats. He wondered why his wife had wanted to drag him on such a senseless expedition.... He hated Flamel's crowd—and what business had Flamel himself to interfere in that way, standing up for the publication of the letters as though Glennard needed his defence?...

Glennard turned his head and saw that Flamel had drawn a seat to Alexa's elbow and was speaking to her in a low tone. The other groups had scattered, straying in twos along the deck. It came over Glennard that he should never again be able to see Flamel speaking to his wife without the sense of sick mistrust that now loosened his joints....

Alexa, the next morning, over their early breakfast, surprised her husband by an unexpected request.

"Will you bring me those letters from town?" she asked.

"What letters?" he said, putting down his cup. He felt himself as helplessly vulnerable as a man who is lunged at in the dark.

"Mrs. Aubyn's. The book they were all talking about yesterday."

Glennard, carefully measuring his second cup of tea, said, with deliberation, "I didn't know you cared about that sort of thing."

She was, in fact, not a great reader, and a new book seldom reached her till it was, so to speak, on the home stretch; but she replied, with a gentle tenacity, "I think it would interest me because I read her life last year."

"Her life? Where did you get that?"

"Someone lent it to me when it came out—Mr. Flamel, I think."

His first impulse was to exclaim, "Why the devil do you borrow books of Flamel? I can buy you all you want—" but he felt himself irresistibly forced into an attitude of smiling compliance. "Flamel always has the newest books going, hasn't he? You must be careful, by the way, about returning what he lends you. He's rather crotchety about his library."

"Oh, I'm always very careful," she said, with a touch of competence that struck him; and she added, as he caught up his hat: "Don't forget the letters."

Why had she asked for the book? Was her sudden wish to see it the result of some hint of Flamel's? The thought turned Glennard sick, but he preserved sufficient lucidity to tell himself, a moment later, that his last hope of self-control would be lost if he yielded to the temptation of seeing a hidden purpose in everything she said and did. How much Flamel guessed, he had no means of divining; nor could he predicate, from what he knew of the man, to what use his inferences might be put. The very qualities that had made Flamel a useful adviser made him the most dangerous of accomplices. Glennard felt himself agrope among alien forces that his own act had set in motion....

Alexa was a woman of few requirements; but her wishes, even in trifles, had a definiteness that distinguished them from the fluid impulses of her kind. He knew that, having once asked for the book, she would not forget it; and he put aside, as an ineffectual expedient, his momentary idea of applying for it at the circulating library and telling her that all the copies were out. If the book was to be bought it had better be bought at once. He left his office earlier than usual and turned in at the first book-shop on his way to the train. The show-window was stacked with conspicuously lettered volumes. "Margaret Aubyn" flashed back at him in endless repetition. He plunged into the shop and came on a counter where the name reiterated itself on row after row of bindings. It seemed to have driven the rest of literature to the back shelves. He caught up a copy, tossing the money to an astonished clerk who pursued him to the door with the unheeded offer to wrap up the volumes.

In the street he was seized with a sudden apprehension. What if he were to meet Flamel? The thought was intolerable. He called a cab and drove straight to the station where, amid the palm-leaf fans of a perspiring crowd, he waited a long half-hour for his train to start.

He had thrust a volume in either pocket and in the train he dared not draw them out; but the detested words leaped at him from the folds of the evening paper. The air seemed full of Margaret Aubyn's name. The motion of the train set it dancing up and down on the page of a magazine that a man in front of him was reading....

At the door he was told that Mrs. Glennard was still out, and he went upstairs to his room and dragged the books from his pocket. They lay on the table before him like live things that he feared to touch.... At length he opened the first volume. A familiar letter sprang out at him, each word quickened by its glaring garb of type. The little broken phrases fled across the page like wounded animals in the open.... It was a horrible sight.... A battue of helpless things driven savagely out of shelter. He had not known it would be like this....

He understood now that, at the moment of selling the letters, he had viewed the transaction solely as it affected himself: as an unfortunate blemish on an otherwise presentable record. He had scarcely considered the act in relation to Margaret Aubyn; for death, if it hallows, also makes innocuous. Glennard's God was a god of the living, of the immediate, the actual, the tangible; all his days he had lived in the presence of that god, heedless of the divinities who, below the surface of our deeds and passions, silently forge the fatal weapons of the dead.



VII

A knock roused him and looking up he saw his wife. He met her glance in silence, and she faltered out, "Are you ill?"

The words restored his self-possession. "Ill? Of course not. They told me you were out and I came upstairs."

The books lay between them on the table; he wondered when she would see them. She lingered tentatively on the threshold, with the air of leaving his explanation on his hands. She was not the kind of woman who could be counted on to fortify an excuse by appearing to dispute it.

"Where have you been?" Glennard asked, moving forward so that he obstructed her vision of the books.

"I walked over to the Dreshams for tea."

"I can't think what you see in those people," he said with a shrug; adding, uncontrollably—"I suppose Flamel was there?"

"No; he left on the yacht this morning."

An answer so obstructing to the natural escape of his irritation left Glennard with no momentary resource but that of strolling impatiently to the window. As her eyes followed him they lit on the books.

"Ah, you've brought them! I'm so glad," she exclaimed.

He answered over his shoulder, "For a woman who never reads you make the most astounding exceptions!"

Her smile was an exasperating concession to the probability that it had been hot in town or that something had bothered him.

"Do you mean it's not nice to want to read the book?" she asked. "It was not nice to publish it, certainly; but after all, I'm not responsible for that, am I?" She paused, and, as he made no answer, went on, still smiling, "I do read sometimes, you know; and I'm very fond of Margaret Aubyn's books. I was reading 'Pomegranate Seed' when we first met. Don't you remember? It was then you told me all about her."

Glennard had turned back into the room and stood staring at his wife. "All about her?" he repeated, and with the words remembrance came to him. He had found Miss Trent one afternoon with the novel in her hand, and moved by the lover's fatuous impulse to associate himself in some way with whatever fills the mind of the beloved, had broken through his habitual silence about the past. Rewarded by the consciousness of figuring impressively in Miss Trent's imagination he had gone on from one anecdote to another, reviving dormant details of his old Hillbridge life, and pasturing his vanity on the eagerness with which she received his reminiscences of a being already clothed in the impersonality of greatness.

The incident had left no trace in his mind; but it sprang up now like an old enemy, the more dangerous for having been forgotten. The instinct of self-preservation—sometimes the most perilous that man can exercise—made him awkwardly declare—"Oh, I used to see her at people's houses, that was all;" and her silence as usual leaving room for a multiplication of blunders, he added, with increased indifference, "I simply can't see what you can find to interest you in such a book."

She seemed to consider this intently. "You've read it, then?"

"I glanced at it—I never read such things."

"Is it true that she didn't wish the letters to be published?"

Glennard felt the sudden dizziness of the mountaineer on a narrow ledge, and with it the sense that he was lost if he looked more than a step ahead.

"I'm sure I don't know," he said; then, summoning a smile, he passed his hand through her arm. "I didn't have tea at the Dreshams, you know; won't you give me some now?" he suggested.

That evening Glennard, under pretext of work to be done, shut himself into the small study opening off the drawing-room. As he gathered up his papers he said to his wife: "You're not going to sit indoors on such a night as this? I'll join you presently outside."

But she had drawn her armchair to the lamp. "I want to look at my book," she said, taking up the first volume of the "Letters."

Glennard, with a shrug, withdrew into the study. "I'm going to shut the door; I want to be quiet," he explained from the threshold; and she nodded without lifting her eyes from the book.

He sank into a chair, staring aimlessly at the outspread papers. How was he to work, while on the other side of the door she sat with that volume in her hand? The door did not shut her out—he saw her distinctly, felt her close to him in a contact as painful as the pressure on a bruise.

The sensation was part of the general strangeness that made him feel like a man waking from a long sleep to find himself in an unknown country among people of alien tongue. We live in our own souls as in an unmapped region, a few acres of which we have cleared for our habitation; while of the nature of those nearest us we know but the boundaries that march with ours. Of the points in his wife's character not in direct contact with his own, Glennard now discerned his ignorance; and the baffling sense of her remoteness was intensified by the discovery that, in one way, she was closer to him than ever before. As one may live for years in happy unconsciousness of the possession of a sensitive nerve, he had lived beside his wife unaware that her individuality had become a part of the texture of his life, ineradicable as some growth on a vital organ; and he now felt himself at once incapable of forecasting her judgment and powerless to evade its effects.

To escape, the next morning, the confidences of the breakfast-table, he went to town earlier than usual. His wife, who read slowly, was given to talking over what she read, and at present his first object in life was to postpone the inevitable discussion of the letters. This instinct of protection in the afternoon, on his way uptown, guided him to the club in search of a man who might be persuaded to come out to the country to dine. The only man in the club was Flamel.

Glennard, as he heard himself almost involuntarily pressing Flamel to come and dine, felt the full irony of the situation. To use Flamel as a shield against his wife's scrutiny was only a shade less humiliating than to reckon on his wife as a defence against Flamel.

He felt a contradictory movement of annoyance at the latter's ready acceptance, and the two men drove in silence to the station. As they passed the bookstall in the waiting-room Flamel lingered a moment and the eyes of both fell on Margaret Aubyn's name, conspicuously displayed above a counter stacked with the familiar volumes.

"We shall be late, you know," Glennard remonstrated, pulling out his watch.

"Go ahead," said Flamel, imperturbably. "I want to get something—"

Glennard turned on his heel and walked down the platform. Flamel rejoined him with an innocent-looking magazine in his hand; but Glennard dared not even glance at the cover, lest it should show the syllables he feared.

The train was full of people they knew, and they were kept apart till it dropped them at the little suburban station. As they strolled up the shaded hill, Glennard talked volubly, pointing out the improvements in the neighborhood, deploring the threatened approach of an electric railway, and screening himself by a series of reflex adjustments from the imminent risk of any allusion to the "Letters." Flamel suffered his discourse with the bland inattention that we accord to the affairs of someone else's suburb, and they reached the shelter of Alexa's tea-table without a perceptible turn toward the dreaded topic.

The dinner passed off safely. Flamel, always at his best in Alexa's presence, gave her the kind of attention which is like a beaconing light thrown on the speaker's words: his answers seemed to bring out a latent significance in her phrases, as the sculptor draws his statue from the block. Glennard, under his wife's composure, detected a sensibility to this manoeuvre, and the discovery was like the lightning-flash across a nocturnal landscape. Thus far these momentary illuminations had served only to reveal the strangeness of the intervening country: each fresh observation seemed to increase the sum-total of his ignorance. Her simplicity of outline was more puzzling than a complex surface. One may conceivably work one's way through a labyrinth; but Alexa's candor was like a snow-covered plain where, the road once lost, there are no landmarks to travel by.

Dinner over, they returned to the veranda, where a moon, rising behind the old elm, was combining with that complaisant tree a romantic enlargement of their borders. Glennard had forgotten the cigars. He went to his study to fetch them, and in passing through the drawing-room he saw the second volume of the "Letters" lying open on his wife's table. He picked up the book and looked at the date of the letter she had been reading. It was one of the last... he knew the few lines by heart. He dropped the book and leaned against the wall. Why had he included that one among the others? Or was it possible that now they would all seem like that...?

Alexa's voice came suddenly out of the dusk. "May Touchett was right—it IS like listening at a key-hole. I wish I hadn't read it!"

Flamel returned, in the leisurely tone of the man whose phrases are punctuated by a cigarette, "It seems so to us, perhaps; but to another generation the book will be a classic."

"Then it ought not to have been published till it had become a classic. It's horrible, it's degrading almost, to read the secrets of a woman one might have known." She added, in a lower tone, "Stephen DID know her—"

"Did he?" came from Flamel.

"He knew her very well, at Hillbridge, years ago. The book has made him feel dreadfully... he wouldn't read it... he didn't want me to read it. I didn't understand at first, but now I can see how horribly disloyal it must seem to him. It's so much worse to surprise a friend's secrets than a stranger's."

"Oh, Glennard's such a sensitive chap," Flamel said, easily; and Alexa almost rebukingly rejoined, "If you'd known her I'm sure you'd feel as he does...."

Glennard stood motionless, overcome by the singular infelicity with which he had contrived to put Flamel in possession of the two points most damaging to his case: the fact that he had been a friend of Margaret Aubyn's, and that he had concealed from Alexa his share in the publication of the letters. To a man of less than Flamel's astuteness it must now be clear to whom the letters were addressed; and the possibility once suggested, nothing could be easier than to confirm it by discreet research. An impulse of self-accusal drove Glennard to the window. Why not anticipate betrayal by telling his wife the truth in Flamel's presence? If the man had a drop of decent feeling in him, such a course would be the surest means of securing his silence; and above all, it would rid Glennard of the necessity of defending himself against the perpetual criticism of his wife's belief in him....

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