The Valley of the Moon
by Jack London
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By Jack London



"You hear me, Saxon? Come on along. What if it is the Bricklayers? I'll have gentlemen friends there, and so'll you. The Al Vista band'll be along, an' you know it plays heavenly. An' you just love dancin'—-"

Twenty feet away, a stout, elderly woman interrupted the girl's persuasions. The elderly woman's back was turned, and the back-loose, bulging, and misshapen—began a convulsive heaving.

"Gawd!" she cried out. "O Gawd!"

She flung wild glances, like those of an entrapped animal, up and down the big whitewashed room that panted with heat and that was thickly humid with the steam that sizzled from the damp cloth under the irons of the many ironers. From the girls and women near her, all swinging irons steadily but at high pace, came quick glances, and labor efficiency suffered to the extent of a score of suspended or inadequate movements. The elderly woman's cry had caused a tremor of money-loss to pass among the piece-work ironers of fancy starch.

She gripped herself and her iron with a visible effort, and dabbed futilely at the frail, frilled garment on the board under her hand.

"I thought she'd got'em again—didn't you?" the girl said.

"It's a shame, a women of her age, and... condition," Saxon answered, as she frilled a lace ruffle with a hot fluting-iron. Her movements were delicate, safe, and swift, and though her face was wan with fatigue and exhausting heat, there was no slackening in her pace.

"An' her with seven, an' two of 'em in reform school," the girl at the next board sniffed sympathetic agreement. "But you just got to come to Weasel Park to-morrow, Saxon. The Bricklayers' is always lively—tugs-of-war, fat-man races, real Irish jiggin', an'... an' everything. An' The floor of the pavilion's swell."

But the elderly woman brought another interruption. She dropped her iron on the shirtwaist, clutched at the board, fumbled it, caved in at the knees and hips, and like a half-empty sack collapsed on the floor, her long shriek rising in the pent room to the acrid smell of scorching cloth. The women at the boards near to her scrambled, first, to the hot iron to save the cloth, and then to her, while the forewoman hurried belligerently down the aisle. The women farther away continued unsteadily at their work, losing movements to the extent of a minute's set-back to the totality of the efficiency of the fancy-starch room.

"Enough to kill a dog," the girl muttered, thumping her iron down on its rest with reckless determination. "Workin' girls' life ain't what it's cracked up. Me to quit—that's what I'm comin' to."

"Mary!" Saxon uttered the other's name with a reproach so profound that she was compelled to rest her own iron for emphasis and so lose a dozen movements.

Mary flashed a half-frightened look across.

"I didn't mean it, Saxon," she whimpered. "Honest, I didn't. I wouldn't never go that way. But I leave it to you, if a day like this don't get on anybody's nerves. Listen to that!"

The stricken woman, on her back, drumming her heels on the floor, was shrieking persistently and monotonously, like a mechanical siren. Two women, clutching her under the arms, were dragging her down the aisle. She drummed and shrieked the length of it. The door opened, and a vast, muffled roar of machinery burst in; and in the roar of it the drumming and the shrieking were drowned ere the door swung shut. Remained of the episode only the scorch of cloth drifting ominously through the air.

"It's sickenin'," said Mary.

And thereafter, for a long time, the many irons rose and fell, the pace of the room in no wise diminished; while the forewoman strode the aisles with a threatening eye for incipient breakdown and hysteria. Occasionally an ironer lost the stride for an instant, gasped or sighed, then caught it up again with weary determination. The long summer day waned, but not the heat, and under the raw flare of electric light the work went on.

By nine o'clock the first women began to go home. The mountain of fancy starch had been demolished—all save the few remnants, here and there, on the boards, where the ironers still labored.

Saxon finished ahead of Mary, at whose board she paused on the way out.

"Saturday night an' another week gone," Mary said mournfully, her young cheeks pallid and hollowed, her black eyes blue-shadowed and tired. "What d'you think you've made, Saxon?"

"Twelve and a quarter," was the answer, just touched with pride "And I'd a-made more if it wasn't for that fake bunch of starchers."

"My! I got to pass it to you," Mary congratulated. "You're a sure fierce hustler—just eat it up. Me—I've only ten an' a half, an' for a hard week... See you on the nine-forty. Sure now. We can just fool around until the dancin' begins. A lot of my gentlemen friends'll be there in the afternoon."

Two blocks from the laundry, where an arc-light showed a gang of toughs on the corner, Saxon quickened her pace. Unconsciously her face set and hardened as she passed. She did not catch the words of the muttered comment, but the rough laughter it raised made her guess and warmed her checks with resentful blood. Three blocks more, turning once to left and once to right, she walked on through the night that was already growing cool. On either side were workingmen's houses, of weathered wood, the ancient paint grimed with the dust of years, conspicuous only for cheapness and ugliness.

Dark it was, but she made no mistake, the familiar sag and screeching reproach of the front gate welcome under her hand. She went along the narrow walk to the rear, avoided the missing step without thinking about it, and entered the kitchen, where a solitary gas-jet flickered. She turned it up to the best of its flame. It was a small room, not disorderly, because of lack of furnishings to disorder it. The plaster, discolored by the steam of many wash-days, was crisscrossed with cracks from the big earthquake of the previous spring. The floor was ridged, wide-cracked, and uneven, and in front of the stove it was worn through and repaired with a five-gallon oil-can hammered flat and double. A sink, a dirty roller-towel, several chairs, and a wooden table completed the picture.

An apple-core crunched under her foot as she drew a chair to the table. On the frayed oilcloth, a supper waited. She attempted the cold beans, thick with grease, but gave them up, and buttered a slice of bread.

The rickety house shook to a heavy, prideless tread, and through the inner door came Sarah, middle-aged, lop-breasted, hair-tousled, her face lined with care and fat petulance.

"Huh, it's you," she grunted a greeting. "I just couldn't keep things warm. Such a day! I near died of the heat. An' little Henry cut his lip awful. The doctor had to put four stitches in it."

Sarah came over and stood mountainously by the table.

"What's the matter with them beans?" she challenged.

"Nothing, only..." Saxon caught her breath and avoided the threatened outburst. "Only I'm not hungry. It's been so hot all day. It was terrible in the laundry."

Recklessly she took a mouthful of the cold tea that had been steeped so long that it was like acid in her mouth, and recklessly, under the eye of her sister-in-law, she swallowed it and the rest of the cupful. She wiped her mouth on her handkerchief and got up.

"I guess I'll go to bed."

"Wonder you ain't out to a dance," Sarah sniffed. "Funny, ain't it, you come home so dead tired every night, an' yet any night in the week you can get out an' dance unearthly hours."

Saxon started to speak, suppressed herself with tightened lips, then lost control and blazed out. "Wasn't you ever young?"

Without waiting for reply, she turned to her bedroom, which opened directly off the kitchen. It was a small room, eight by twelve, and the earthquake had left its marks upon the plaster. A bed and chair of cheap pine and a very ancient chest of drawers constituted the furniture. Saxon had known this chest of drawers all her life. The vision of it was woven into her earliest recollections. She knew it had crossed the plains with her people in a prairie schooner. It was of solid mahogany. One end was cracked and dented from the capsize of the wagon in Rock Canyon. A bullet-hole, plugged, in the face of the top drawer, told of the fight with the Indians at Little Meadow. Of these happenings her mother had told her; also had she told that the chest had come with the family originally from England in a day even earlier than the day on which George Washington was born.

Above the chest of drawers, on the wall, hung a small looking-glass. Thrust under the molding were photographs of young men and women, and of picnic groups wherein the young men, with hats rakishly on the backs of their heads, encircled the girls with their arms. Farther along on the wall were a colored calendar and numerous colored advertisements and sketches torn out of magazines. Most of these sketches were of horses. From the gas-fixture hung a tangled bunch of well-scribbled dance programs.

Saxon started to take off her hat, but suddenly sat down on the bed. She sobbed softly, with considered repression, but the weak-latched door swung noiselessly open, and she was startled by her sister-in-law's voice.

"NOW what's the matter with you? If you didn't like them beans—"

"No, no," Saxon explained hurriedly. "I'm just tired, that's all, and my feet hurt. I wasn't hungry, Sarah. I'm just beat out."

"If you took care of this house," came the retort, "an' cooked an' baked, an' washed, an' put up with what I put up, you'd have something to be beat out about. You've got a snap, you have. But just wait." Sarah broke off to cackle gloatingly. "Just wait, that's all, an' you'll be fool enough to get married some day, like me, an' then you'll get yours—an' it'll be brats, an' brats, an' brats, an' no more dancin', an' silk stockin's, an' three pairs of shoes at one time. You've got a cinch-nobody to think of but your own precious self—an' a lot of young hoodlums makin' eyes at you an' tellin' you how beautiful your eyes are. Huh! Some fine day you'll tie up to one of 'em, an' then, mebbe, on occasion, you'll wear black eyes for a change."

"Don't say that, Sarah," Saxon protested. "My brother never laid hands on you. You know that."

"No more he didn't. He never had the gumption. Just the same, he's better stock than that tough crowd you run with, if he can't make a livin' an' keep his wife in three pairs of shoes. Just the same he's oodles better'n your bunch of hoodlums that no decent woman'd wipe her one pair of shoes on. How you've missed trouble this long is beyond me. Mebbe the younger generation is wiser in such thins—I don't know. But I do know that a young woman that has three pairs of shoes ain't thinkin' of anything but her own enjoyment, an' she's goin' to get hers, I can tell her that much. When I was a girl there wasn't such doin's. My mother'd taken the hide off me if I done the things you do. An' she was right, just as everything in the world is wrong now. Look at your brother, a-runnin' around to socialist meetin's, an' chewin' hot air, an' diggin' up extra strike dues to the union that means so much bread out of the mouths of his children, instead of makin' good with his bosses. Why, the dues he pays would keep me in seventeen pairs of shoes if I was nannygoat enough to want 'em. Some day, mark my words, he'll get his time, an' then what'll we do? What'll I do, with five mouths to feed an' nothin' comin' in?"

She stopped, out of breath but seething with the tirade yet to come.

"Oh, Sarah, please won't you shut the door?" Saxon pleaded.

The door slammed violently, and Saxon, ere she fell to crying again, could hear her sister-in-law lumbering about the kitchen and talking loudly to herself.


Each bought her own ticket at the entrance to Weasel Park. And each, as she laid her half-dollar down, was distinctly aware of how many pieces of fancy starch were represented by the coin. It was too early for the crowd, but bricklayers and their families, laden with huge lunch-baskets and armfuls of babies, were already going in—a healthy, husky race of workmen, well-paid and robustly fed. And with them, here and there, undisguised by their decent American clothing, smaller in bulk and stature, weazened not alone by age but by the pinch of lean years and early hardship, were grandfathers and mothers who had patently first seen the light of day on old Irish soil. Their faces showed content and pride as they limped along with this lusty progeny of theirs that had fed on better food.

Not with these did Mary and Saxon belong. They knew them not, had no acquaintances among them. It did not matter whether the festival were Irish, German, or Slavonian; whether the picnic was the Bricklayers', the Brewers', or the Butchers'. They, the girls, were of the dancing crowd that swelled by a certain constant percentage the gate receipts of all the picnics.

They strolled about among the booths where peanuts were grinding and popcorn was roasting in preparation for the day, and went on and inspected the dance floor of the pavilion. Saxon, clinging to an imaginary partner, essayed a few steps of the dip-waltz. Mary clapped her hands.

"My!" she cried. "You're just swell! An' them stockin's is peaches."

Saxon smiled with appreciation, pointed out her foot, velvet-slippered with high Cuban heels, and slightly lifted the tight black skirt, exposing a trim ankle and delicate swell of calf, the white flesh gleaming through the thinnest and flimsiest of fifty-cent black silk stockings. She was slender, not tall, yet the due round lines of womanhood were hers. On her white shirtwaist was a pleated jabot of cheap lace, caught with a large novelty pin of imitation coral. Over the shirtwaist was a natty jacket, elbow-sleeved, and to the elbows she wore gloves of imitation suede. The one essentially natural touch about her appearance was the few curls, strangers to curling-irons, that escaped from under the little naughty hat of black velvet pulled low over the eyes.

Mary's dark eyes flashed with joy at the sight, and with a swift little run she caught the other girl in her arms and kissed her in a breast-crushing embrace. She released her, blushing at her own extravagance.

"You look good to me," she cried, in extenuation. "If I was a man I couldn't keep my hands off you. I'd eat you, I sure would."

They went out of the pavilion hand in hand, and on through the sunshine they strolled, swinging hands gaily, reacting exuberantly from the week of deadening toil. They hung over the railing of the bear-pit, shivering at the huge and lonely denizen, and passed quickly on to ten minutes of laughter at the monkey cage. Crossing the grounds, they looked down into the little race track on the bed of a natural amphitheater where the early afternoon games were to take place. After that they explored the woods, threaded by countless paths, ever opening out in new surprises of green-painted rustic tables and benches in leafy nooks, many of which were already pre-empted by family parties. On a grassy slope, tree-surrounded, they spread a newspaper and sat down on the short grass already tawny-dry under the California sun. Half were they minded to do this because of the grateful indolence after six days of insistent motion, half in conservation for the hours of dancing to come.

"Bert Wanhope'll be sure to come," Mary chattered. "An' he said he was going to bring Billy Roberts—'Big Bill,' all the fellows call him. He's just a big boy, but he's awfully tough. He's a prizefighter, an' all the girls run after him. I'm afraid of him. He ain't quick in talkin'. He's more like that big bear we saw. Brr-rf! Brr-rf!—bite your head off, just like that. He ain't really a prize-fighter. He's a teamster—belongs to the union. Drives for Coberly and Morrison. But sometimes he fights in the clubs. Most of the fellows are scared of him. He's got a bad temper, an' he'd just as soon hit a fellow as eat, just like that. You won't like him, but he's a swell dancer. He's heavy, you know, an' he just slides and glides around. You wanta have a dance with'm anyway. He's a good spender, too. Never pinches. But my!—he's got one temper."

The talk wandered on, a monologue on Mary's part, that centered always on Bert Wanhope.

"You and he are pretty thick," Saxon ventured.

"I'd marry'm to-morrow," Mary flashed out impulsively. Then her face went bleakly forlorn, hard almost in its helpless pathos. "Only, he never asks me. He's..." Her pause was broken by sudden passion. "You watch out for him, Saxon, if he ever comes foolin' around you. He's no good. Just the same, I'd marry him to-morrow. He'll never get me any other way." Her mouth opened, but instead of speaking she drew a long sigh. "It's a funny world, ain't it?" she added. "More like a scream. And all the stars are worlds, too. I wonder where God hides. Bert Wanhope says there ain't no God. But he's just terrible. He says the most terrible things. I believe in God. Don't you? What do you think about God, Saxon?"

Saxon shrugged her shoulders and laughed.

"But if we do wrong we get ours, don't we?" Mary persisted. "That's what they all say, except Bert. He says he don't care what he does, he'll never get his, because when he dies he's dead, an' when he's dead he'd like to see any one put anything across on him that'd wake him up. Ain't he terrible, though? But it's all so funny. Sometimes I get scared when I think God's keepin' an eye on me all the time. Do you think he knows what I'm sayin' now? What do you think he looks like, anyway?"

"I don't know," Saxon answered. "He's just a funny proposition."

"Oh!" the other gasped.

"He IS, just the same, from what all people say of him," Saxon went on stoutly. "My brother thinks he looks like Abraham Lincoln. Sarah thinks he has whiskers."

"An' I never think of him with his hair parted," Mary confessed, daring the thought and shivering with apprehension. "He just couldn't have his hair parted. THAT'D be funny."

"You know that little, wrinkly Mexican that sells wire puzzles?" Saxon queried. "Well, God somehow always reminds me of him."

Mary laughed outright.

"Now that IS funny. I never thought of him like that How do you make it out?"

"Well, just like the little Mexican, he seems to spend his time peddling puzzles. He passes a puzzle out to everybody, and they spend all their lives tryin' to work it out They all get stuck. I can't work mine out. I don't know where to start. And look at the puzzle he passed Sarah. And she's part of Tom's puzzle, and she only makes his worse. And they all, an' everybody I know—you, too—are part of my puzzle."

"Mebbe the puzzles is all right," Mary considered. "But God don't look like that yellow little Greaser. THAT I won't fall for. God don't look like anybody. Don't you remember on the wall at the Salvation Army it says 'God is a spirit'?"

"That's another one of his puzzles, I guess, because nobody knows what a spirit looks like."

"That's right, too." Mary shuddered with reminiscent fear. "Whenever I try to think of God as a spirit, I can see Hen Miller all wrapped up in a sheet an' runnin' us girls. We didn't know, an' it scared the life out of us. Little Maggie Murphy fainted dead away, and Beatrice Peralta fell an' scratched her face horrible. When I think of a spirit all I can see is a white sheet runnin' in the dark. Just the same, God don't look like a Mexican, an' he don't wear his hair parted."

A strain of music from the dancing pavilion brought both girls scrambling to their feet.

"We can get a couple of dances in before we eat," Mary proposed. "An' then it'll be afternoon an' all the fellows 'll be here. Most of them are pinchers—that's why they don't come early, so as to get out of taking the girls to dinner. But Bert's free with his money, an' so is Billy. If we can beat the other girls to it, they'll take us to the restaurant. Come on, hurry, Saxon."

There were few couples on the floor when they arrived at the pavilion, and the two girls essayed the first waltz together.

"There's Bert now," Saxon whispered, as they came around the second time.

"Don't take any notice of them," Mary whispered back. "We'll just keep on goin'. They needn't think we're chasin' after them."

But Saxon noted the heightened color in the other's cheek, and felt her quicker breathing.

"Did you see that other one?" Mary asked, as she backed Saxon in a long slide across the far end of the pavilion. "That was Billy Roberts. Bert said he'd come. He'll take you to dinner, and Bert'll take me. It's goin' to be a swell day, you'll see. My! I only wish the music'll hold out till we can get back to the other end."

Down the floor they danced, on man-trapping and dinner-getting intent, two fresh young things that undeniably danced well and that were delightfully surprised when the music stranded them perilously near to their desire.

Bert and Mary addressed each other by their given names, but to Saxon Bert was "Mr. Wanhope," though he called her by her first name. The only introduction was of Saxon and Billy Roberts. Mary carried it off with a flurry of nervous carelessness.

"Mr. Robert—Miss Brown. She's my best friend. Her first name's Saxon. Ain't it a scream of a name?"

"Sounds good to me," Billy retorted, hat off and hand extended. "Pleased to meet you, Miss Brown."

As their hands clasped and she felt the teamster callouses on his palm, her quick eyes saw a score of things. About all that he saw was her eyes, and then it was with a vague impression that they were blue. Not till later in the day did he realize that they were gray. She, on the contrary, saw his eyes as they really were—deep blue, wide, and handsome in a sullen-boyish way. She saw that they were straight-looking, and she liked them, as she had liked the glimpse she had caught of his hand, and as she liked the contact of his hand itself. Then, too, but not sharply, she had perceived the short, square-set nose, the rosiness of cheek, and the firm, short upper lip, ere delight centered her flash of gaze on the well-modeled, large clean mouth where red lips smiled clear of the white, enviable teeth. A BOY, A GREAT BIG MAN-BOY, was her thought; and, as they smiled at each other and their hands slipped apart, she was startled by a glimpse of his hair—short and crisp and sandy, hinting almost of palest gold save that it was too flaxen to hint of gold at all.

So blond was he that she was reminded of stage-types she had seen, such as Ole Olson and Yon Yonson; but there resemblance ceased. It was a matter of color only, for the eyes were dark-lashed and -browed, and were cloudy with temperament rather than staring a child-gaze of wonder, and the suit of smooth brown cloth had been made by a tailor. Saxon appraised the suit on the instant, and her secret judgment was NOT A CENT LESS THAN FIFTY DOLLARS. Further, he had none of the awkwardness of the Scandinavian immigrant. On the contrary, he was one of those rare individuals that radiate muscular grace through the ungraceful man-garments of civilization. Every movement was supple, slow, and apparently considered. This she did not see nor analyze. She saw only a clothed man with grace of carriage and movement. She felt, rather than perceived, the calm and certitude of all the muscular play of him, and she felt, too, the promise of easement and rest that was especially grateful and craved-for by one who had incessantly, for six days and at top-speed, ironed fancy starch. As the touch of his hand had been good, so, to her, this subtler feel of all of him, body and mind, was good.

As he took her program and skirmished and joked after the way of young men, she realized the immediacy of delight she had taken in him. Never in her life had she been so affected by any man. She wondered to herself: IS THIS THE MAN?

He danced beautifully. The joy was hers that good dancers take when they have found a good dancer for a partner. The grace of those slow-moving, certain muscles of his accorded perfectly with the rhythm of the music. There was never doubt, never a betrayal of indecision. She glanced at Bert, dancing "tough" with Mary, caroming down the long floor with more than one collision with the increasing couples. Graceful himself in his slender, tall, lean-stomached way, Bert was accounted a good dancer; yet Saxon did not remember ever having danced with him with keen pleasure. Just a hit of a jerk spoiled his dancing—a jerk that did not occur, usually, but that always impended. There was something spasmodic in his mind. He was too quick, or he continually threatened to be too quick. He always seemed just on the verge of overrunning the time. It was disquieting. He made for unrest.

"You're a dream of a dancer," Billy Roberts was saying. "I've heard lots of the fellows talk about your dancing."

"I love it," she answered.

But from the way she said it he sensed her reluctance to speak, and danced on in silence, while she warmed with the appreciation of a woman for gentle consideration. Gentle consideration was a thing rarely encountered in the life she lived. IS THIS THE MAN? She remembered Mary's "I'd marry him to-morrow," and caught herself speculating on marrying Billy Roberts by the next day—if he asked her.

With eyes that dreamily desired to close, she moved on in the arms of this masterful, guiding pressure. A PRIZE-FIGHTER! She experienced a thrill of wickedness as she thought of what Sarah would say could she see her now. Only he wasn't a prizefighter, but a teamster.

Came an abrupt lengthening of step, the guiding pressure grew more compelling, and she was caught up and carried along, though her velvet-shod feet never left the floor. Then came the sudden control down to the shorter step again, and she felt herself being held slightly from him so that he might look into her face and laugh with her in joy at the exploit. At the end, as the band slowed in the last bars, they, too, slowed, their dance fading with the music in a lengthening glide that ceased with the last lingering tone.

"We're sure cut out for each other when it comes to dancin'," he said, as they made their way to rejoin the other couple.

"It was a dream," she replied.

So low was her voice that he bent to hear, and saw the flush in her cheeks that seemed communicated to her eyes, which were softly warm and sensuous. He took the program from her and gravely and gigantically wrote his name across all the length of it.

"An' now it's no good," he dared. "Ain't no need for it."

He tore it across and tossed it aside.

"Me for you, Saxon, for the next," was Bert's greeting, as they came up. "You take Mary for the next whirl, Bill."

"Nothin' doin', Bo," was the retort. "Me an' Saxon's framed up to last the day."

"Watch out for him, Saxon," Mary warned facetiously. "He's liable to get a crush on you."

"I guess I know a good thing when I see it," Billy responded gallantly.

"And so do I," Saxon aided and abetted.

"I'd 'a' known you if I'd seen you in the dark," Billy added.

Mary regarded them with mock alarm, and Bert said good-naturedly:

"All I got to say is you ain't wastin' any time gettin' together. Just the same, if' you can spare a few minutes from each other after a couple more whirls, Mary an' me'd be complimented to have your presence at dinner."

"Just like that," chimed Mary.

"Quit your kiddin'," Billy laughed back, turning his head to look into Saxon's eyes. "Don't listen to 'em. They're grouched because they got to dance together. Bert's a rotten dancer, and Mary ain't so much. Come on, there she goes. See you after two more dances."


They had dinner in the open-air, tree-walled dining-room, and Saxon noted that it was Billy who paid the reckoning for the four. They knew many of the young men and women at the other tables, and greetings and fun flew back and forth. Bert was very possessive with Mary, almost roughly so, resting his hand on hers, catching and holding it, and, once, forcibly slipping off her two rings and refusing to return them for a long while. At times, when he put his arm around her waist, Mary promptly disengaged it; and at other times, with elaborate obliviousness that deceived no one, she allowed it to remain.

And Saxon, talking little but studying Billy Roberts very intently, was satisfied that there would be an utter difference in the way he would do such things... if ever he would do them. Anyway, he'd never paw a girl as Bert and lots of the other fellows did. She measured the breadth of Billy's heavy shoulders.

"Why do they call you 'Big' Bill?" she asked. "You're not so very tall."

"Nope," he agreed. "I'm only five feet eight an' three-quarters. I guess it must be my weight."

"He fights at a hundred an' eighty," Bert interjected.

"Oh, out it," Billy said quickly, a cloud-rift of displeasure showing in his eyes. "I ain't a fighter. I ain't fought in six months. I've quit it. It don't pay."

"Yon got two hundred the night you put the Frisco Slasher to the bad," Bert urged proudly.

"Cut it. Cut it now.—Say, Saxon, you ain't so big yourself, are you? But you're built just right if anybody should ask you. You're round an' slender at the same time. I bet I can guess your weight."

"Everybody guesses over it," she warned, while inwardly she was puzzled that she should at the same time be glad and regretful that he did not fight any more.

"Not me," he was saying. "I'm a wooz at weight-guessin'. Just you watch me." He regarded her critically, and it was patent that warm approval played its little rivalry with the judgment of his gaze. "Wait a minute."

He reached over to her and felt her arm at the biceps. The pressure of the encircling fingers was firm and honest, and Saxon thrilled to it. There was magic in this man-boy. She would have known only irritation had Bert or any other man felt her arm. But this man! IS HE THE MAN? she was questioning, when he voiced his conclusion.

"Your clothes don't weigh more'n seven pounds. And seven from—hum—say one hundred an' twenty-three—one hundred an' sixteen is your stripped weight."

But at the penultimate word, Mary cried out with sharp reproof:

"Why, Billy Roberts, people don't talk about such things."

He looked at her with slow-growing, uncomprehending surprise.

"What things?" he demanded finally.

"There you go again! You ought to be ashamed of yourself. Look! You've got Saxon blushing!"

"I am not," Saxon denied indignantly.

"An' if you keep on, Mary, you'll have me blushing," Billy growled. "I guess I know what's right an' what ain't. It ain't what a guy says, but what he thinks. An' I'm thinkin' right, an' Saxon knows it. An' she an' I ain't thinkin' what you're thinkin' at all."

"Oh! Oh!" Mary cried. "You're gettin' worse an' worse. I never think such things."

"Whoa, Mary! Backup!" Bert checked her peremptorily. "You're in the wrong stall. Billy never makes mistakes like that."

"But he needn't be so raw," she persisted.

"Come on, Mary, an' be good, an' cut that stuff," was Billy's dismissal of her, as he turned to Saxon. "How near did I come to it?"

"One hundred and twenty-two," she answered, looking deliberately at Mary. "One twenty two with my clothes."

Billy burst into hearty laughter, in which Bert joined.

"I don't care," Mary protested, "You're terrible, both of you—an' you, too, Saxon. I'd never a-thought it of you."

"Listen to me, kid," Bert began soothingly, as his arm slipped around her waist.

But in the false excitement she had worked herself into, Mary rudely repulsed the arm, and then, fearing that she had wounded her lover's feelings, she took advantage of the teasing and banter to recover her good humor. His arm was permitted to return, and with heads bent together, they talked in whispers.

Billy discreetly began to make conversation with Saxon.

"Say, you know, your name is a funny one. I never heard it tagged on anybody before. But it's all right. I like it."

"My mother gave it to me. She was educated, and knew all kinds of words. She was always reading books, almost until she died. And she wrote lots and lots. I've got some of her poetry published in a San Jose newspaper long ago. The Saxons were a race of people—she told me all about them when I was a little girl. They were wild, like Indians, only they were white. And they had blue eyes, and yellow hair, and they were awful fighters."

As she talked, Billy followed her solemnly, his eyes steadily turned on hers.

"Never heard of them," he confessed. "Did they live anywhere around here?"

She laughed.

"No. They lived in England. They were the first English, and you know the Americans came from the English. We're Saxons, you an' me, an' Mary, an' Bert, and all the Americans that are real Americans, you know, and not Dagoes and Japs and such."

"My folks lived in America a long time," Billy said slowly, digesting the information she had given and relating himself to it. "Anyway, my mother's folks did. They crossed to Maine hundreds of years ago."

"My father was 'State of Maine," she broke in, with a little gurgle of joy. "And my mother was horn in Ohio, or where Ohio is now. She used to call it the Great Western Reserve. What was your father?"

"Don't know." Billy shrugged his shoulders. "He didn't know himself. Nobody ever knew, though he was American, all right, all right."

"His name's regular old American," Saxon suggested. "There's a big English general right now whose name is Roberts. I've read it in the papers."

"But Roberts wasn't my father's name. He never knew what his name was. Roberts was the name of a gold-miner who adopted him. You see, it was this way. When they was Indian-fightin' up there with the Modoc Indians, a lot of the miners an' settlers took a hand. Roberts was captain of one outfit, and once, after a fight, they took a lot of prisoners—squaws, an' kids an' babies. An' one of the kids was my father. They figured he was about five years old. He didn't know nothin' but Indian."

Saxon clapped her hands, and her eyes sparkled: "He'd been captured on an Indian raid!"

"That's the way they figured it," Billy nodded. "They recollected a wagon-train of Oregon settlers that'd been killed by the Modocs four years before. Roberts adopted him, and that's why I don't know his real name. But you can bank on it, he crossed the plains just the same."

"So did my father," Saxon said proudly.

"An' my mother, too," Billy added, pride touching his own voice. "Anyway, she came pretty close to crossin' the plains, because she was born in a wagon on the River Platte on the way out."

"My mother, too," said Saxon. "She was eight years old, an' she walked most of the way after the oxen began to give out."

Billy thrust out his hand.

"Put her there, kid," he said. "We're just like old friends, what with the same kind of folks behind us."

With shining eyes, Saxon extended her hand to his, and gravely they shook.

"Isn't it wonderful?" she murmured. "We're both old American stock. And if you aren't a Saxon there never was one—your hair, your eyes, your skin, everything. And you're a fighter, too."

"I guess all our old folks was fighters when it comes to that. It come natural to 'em, an' dog-gone it, they just had to fight or they'd never come through."

"What are you two talkin' about?" Mary broke in upon them.

"They're thicker'n mush in no time," Bert girded. "You'd think they'd known each other a week already."

"Oh, we knew each other longer than that," Saxon returned. "Before ever we were born our folks were walkin' across the plains together."

"When your folks was waitin' for the railroad to be built an' all the Indians killed off before they dasted to start for California," was Billy's way of proclaiming the new alliance. "We're the real goods, Saxon an'n me, if anybody should ride up on a buzz-wagon an' ask you."

"Oh, I don't know," Mary boasted with quiet petulance. "My father stayed behind to fight in the Civil War. He was a drummer-boy. That's why he didn't come to California until afterward."

"And my father went back to fight in the Civil War," Saxon said.

"And mine, too," said Billy.

They looked at each other gleefully. Again they had found a new contact.

"Well, they're all dead, ain't they?" was Bert's saturnine comment. "There ain't no difference dyin' in battle or in the poorhouse. The thing is they're deado. I wouldn't care a rap if my father'd been hanged. It's all the same in a thousand years. This braggin' about folks makes me tired. Besides, my father couldn't a-fought. He wasn't born till two years after the war. Just the same, two of my uncles were killed at Gettysburg. Guess we done our share."

"Just like that," Mary applauded.

Bert's arm went around her waist again.

"We're here, ain't we?" he said. "An' that's what counts. The dead are dead, an' you can bet your sweet life they just keep on stayin' dead."

Mary put her hand over his mouth and began to chide him for his awfulness, whereupon he kissed the palm of her hand and put his head closer to hers.

The merry clatter of dishes was increasing as the dining-room filled up. Here and there voices were raised in snatches of song. There were shrill squeals and screams and bursts of heavier male laughter as the everlasting skirmishing between the young men and girls played on. Among some of the men the signs of drink were already manifest. At a near table girls were calling out to Billy. And Saxon, the sense of temporary possession already strong on her, noted with jealous eyes that he was a favorite and desired object to them.

"Ain't they awful?" Mary voiced her disapproval. "They got a nerve. I know who they are. No respectable girl 'd have a thing to do with them. Listen to that!"

"Oh, you Bill, you," one of them, a buxom young brunette, was calling. "Hope you ain't forgotten me, Bill."

"Oh, you chicken," he called back gallantly.

Saxon flattered herself that he showed vexation, and she conceived an immense dislike for the brunette.

"Goin' to dance?" the latter called.

"Mebbe," he answered, and turned abruptly to Saxon. "Say, we old Americans oughta stick together, don't you think? They ain't many of us left. The country's fillin' up with all kinds of foreigners."

He talked on steadily, in a low, confidential voice, head close to hers, as advertisement to the other girl that he was occupied.

From the next table on the opposite side, a young man had singled out Saxon. His dress was tough. His companions, male and female, were tough. His face was inflamed, his eyes touched with wildness.

"Hey, you!" he called. "You with the velvet slippers. Me for you."

The girl beside him put her arm around his neck and tried to hush him, and through the mufflement of her embrace they could hear him gurgling:

"I tell you she's some goods. Watch me go across an' win her from them cheap skates."

"Butchertown hoodlums," Mary sniffed.

Saxon's eyes encountered the eyes of the girl, who glared hatred across at her. And in Billy's eyes she saw moody anger smouldering. The eyes were more sullen, more handsome than ever, and clouds and veils and lights and shadowe shifted and deepened in the blue of them until they gave her a sense of unfathomable depth. He had stopped talking, and he made no effort to talk.

"Don't start a rough house, Bill," Bert cautioned. "They're from across the hay an' they don't know you, that's all."

Bert stood up suddenly, stepped over to the other table, whispered briefly, and came back. Every face at the table was turned on Billy. The offender arose brokenly, shook off the detaining hand of his girl, and came over. He was a large man, with a hard, malignant face and bitter eyes. Also, he was a subdued man.

"You're Big Bill Roberts," he said thickly, clinging to the table as he reeled. "I take my hat off to you. I apologize. I admire your taste in skirts, an' take it from me that's a compliment; but I did'nt know who you was. If I'd knowed you was Bill Roberts there wouldn't been a peep from my fly-trap. D'ye get me? I apologize. Will you shake hands?"

Gruffly, Billy said, "It's all right—forget it, sport;" and sullenly he shook hands and with a slow, massive movement thrust the other back toward his own table.

Saxon was glowing. Here was a man, a protector, something to lean against, of whom even the Butchertown toughs were afraid as soon as his name was mentioned.


After dinner there were two dances in the pavilion, and then the band led the way to the race track for the games. The dancers followed, and all through the grounds the picnic parties left their tables to join in. Five thousand packed the grassy slopes of the amphitheater and swarmed inside the race track. Here, first of the events, the men were lining up for a tug of war. The contest was between the Oakland Bricklayers and the San Francisco Bricklayers, and the picked braves, huge and heavy, were taking their positions along the rope. They kicked heel-holds in the soft earth, rubbed their hands with the soil from underfoot, and laughed and joked with the crowd that surged about them.

The judges and watchers struggled vainly to keep back this crowd of relatives and friends. The Celtic blood was up, and the Celtic faction spirit ran high. The air was filled with cries of cheer, advice, warning, and threat. Many elected to leave the side of their own team and go to the side of the other team with the intention of circumventing foul play. There were as many women as men among the jostling supporters. The dust from the trampling, scuffling feet rose in the air, and Mary gasped and coughed and begged Bert to take her away. But he, the imp in him elated with the prospect of trouble, insisted on urging in closer. Saxon clung to Billy, who slowly and methodically elbowed and shouldered a way for her.

"No place for a girl," he grumbled, looking down at her with a masked expression of absent-mindedness, while his elbow powerfully crushed on the ribs of a big Irishman who gave room. "Things'll break loose when they start pullin'. They's been too much drink, an' you know what the Micks are for a rough house."

Saxon was very much out of place among these large-bodied men and women. She seemed very small and childlike, delicate and fragile, a creature from another race. Only Billy's skilled bulk and muscle saved her. He was continually glancing from face to face of the women and always returning to study her face, nor was she unaware of the contrast he was making.

Some excitement occurred a score of feet away from them, and to the sound of exclamations and blows a surge ran through the crowd. A large man, wedged sidewise in the jam, was shoved against Saxon, crushing her closely against Billy, who reached across to the man's shoulder with a massive thrust that was not so slow as usual. An involuntary grunt came from the victim, who turned his head, showing sun-reddened blond skin and unmistakable angry Irish eyes.

"What's eatin' yeh?" he snarled.

"Get off your foot; you're standin' on it," was Billy's contemptuous reply, emphasized by an increase of thrust.

The Irishman grunted again and made a frantic struggle to twist his body around, but the wedging bodies on either side held him in a vise.

"I'll break yer ugly face for yeh in a minute," he announced in wrath-thick tones.

Then his own face underwent transformation. The snarl left the lips, and the angry eyes grew genial.

"An' sure an' it's yerself," he said. "I didn't know it was yeh a-shovin'. I seen yeh lick the Terrible Swede, if yeh WAS robbed on the decision."

"No, you didn't, Bo," Billy answered pleasantly. "You saw me take a good beatin' that night. The decision was all right."

The Irishman was now beaming. He had endeavored to pay a compliment with a lie, and the prompt repudiation of the lie served only to increase his hero-worship.

"Sure, an' a bad beatin' it was," he acknowledged, "but yeh showed the grit of a bunch of wildcats. Soon as I can get me arm free I'm goin' to shake yeh by the hand an' help yeh aise yer young lady."

Frustrated in the struggle to get the crowd back, the referee fired his revolver in the air, and the tug-of-war was on. Pandemonium broke loose. Saxon, protected by the two big men, was near enough to the front to see much that ensued. The men on the rope pulled and strained till their faces were red with effort and their joints crackled. The rope was new, and, as their hands slipped, their wives and daughters sprang in, scooping up the earth in double handfuls and pouring it on the rope and the hands of their men to give them better grip.

A stout, middle-aged woman, carried beyond herself by the passion of the contest, seized the rope and pulled beside her husband, encouraged him with loud cries. A watcher from the opposing team dragged her screaming away and was dropped like a steer by an ear-blow from a partisan from the woman's team. He, in turn, went down, and brawny women joined with their men in the battle. Vainly the judges and watchers begged, pleaded, yelled, and swung with their fists. Men, as well as women, were springing in to the rope and pulling. No longer was it team against team, but all Oakland against all San Francisco, festooned with a free-for-all fight. Hands overlaid hands two and three deep in the struggle to grasp the rope. And hands that found no holds, doubled into bunches of knuckles that impacted on the jaws of the watchers who strove to tear hand-holds from the rope.

Bert yelped with joy, while Mary clung to him, mad with fear. Close to the rope the fighters were going down and being trampled. The dust arose in clouds, while from beyond, all around, unable to get into the battle, could be heard the shrill and impotent rage-screams and rage-yells of women and men.

"Dirty work, dirty work," Billy muttered over and over; and, though he saw much that occurred, assisted by the friendly Irishman he was coolly and safely working Saxon back out of the melee.

At last the break came. The losing team, accompanied by its host of volunteers, was dragged in a rush over the ground and disappeared under the avalanche of battling forms of the onlookers.

Leaving Saxon under the protection of the Irishman in an outer eddy of calm, Billy plunged back into the mix-up. Several minutes later he emerged with the missing couple—Bert bleeding from a blow on the ear, but hilarious, and Mary rumpled and hysterical.

"This ain't sport," she kept repeating. "It's a shame, a dirty shame."

"We got to get outa this," Billy said. "The fun's only commenced."

"Aw, wait," Bert begged. "It's worth eight dollars. It's cheap at any price. I ain't seen so many black eyes and bloody noses in a month of Sundays."

"Well, go on back an' enjoy yourself," Billy commended. "I'll take the girls up there on the side hill where we can look on. But I won't give much for your good looks if some of them Micks lands on you."

The trouble was over in an amazingly short time, for from the judges' stand beside the track the announcer was bellowing the start of the boys' foot-race; and Bert, disappointed, joined Billy and the two girls on the hillside looking down upon the track.

There were boys' races and girls' races, races of young women and old women, of fat men and fat women, sack races and three-legged races, and the contestants strove around the small track through a Bedlam of cheering supporters. The tug-of-war was already forgotten, and good nature reigned again.

Five young men toed the mark, crouching with fingertips to the ground and waiting the starter's revolver-shot. Three were in their stocking-feet, and the remaining two wore spiked running-shoes.

"Young men's race," Bert read from the program. "An' only one prize—twenty-five dollars. See the red-head with the spikes—the one next to the outside. San Francisco's set on him winning. He's their crack, an' there's a lot of bets up."

"Who's goin' to win?" Mary deferred to Billy's superior athletic knowledge.

"How can I tell!" he answered. "I never saw any of 'em before. But they all look good to me. May the best one win, that's all."

The revolver was fired, and the five runners were off and away. Three were outdistanced at the start. Redhead led, with a black-haired young man at his shoulder, and it was plain that the race lay between these two. Halfway around, the black-haired one took the lead in a spurt that was intended to last to the finish. Ten feet he gained, nor could Red-head cut it down an inch.

"The boy's a streak," Billy commented. "He ain't tryin' his hardest, an' Red-head's just bustin' himself."

Still ten feet in the lead, the black-haired one breasted the tape in a hubbub of cheers. Yet yells of disapproval could be distinguished. Bert hugged himself with joy.

"Mm-mm," he gloated. "Ain't Frisco sore? Watch out for fireworks now. See! He's bein' challenged. The judges ain't payin' him the money. An' he's got a gang behind him. Oh! Oh! Oh! Ain't had so much fun since my old woman broke her leg!"

"Why don't they pay him, Billy?" Saxon asked. "He won."

"The Frisco bunch is challengin' him for a professional," Billy elucidated. "That's what they're all beefin' about. But it ain't right. They all ran for that money, so they're all professional."

The crowd surged and argued and roared in front of the judges' stand. The stand was a rickety, two-story affair, the second story open at the front, and here the judges could be seen debating as heatedly as the crowd beneath them.

"There she starts!" Bert cried. "Oh, you rough-house!"

The black-haired racer, backed by a dozen supporters, was climbing the outside stairs to the judges.

"The purse-holder's his friend," Billy said. "See, he's paid him, an' some of the judges is willin' an' some are beefin'. An' now that other gang's going up—they're Redhead's." He turned to Saxon with a reassuring smile. "We're well out of it this time. There's goin' to be rough stuff down there in a minute."

"The judges are tryin' to make him give the money back," Bert explained. "An' if he don't the other gang'll take it away from him. See! They're reachin' for it now."

High above his head, the winner held the roll of paper containing the twenty-five silver dollars. His gang, around him, was shouldering back those who tried to seize the money. No blows had been struck yet, but the struggle increased until the frail structure shook and swayed. From the crowd beneath the winner was variously addressed: "Give it back, you dog!" "Hang on to it, Tim!" "You won fair, Timmy!" "Give it back, you dirty robber!" Abuse unprintable as well as friendly advice was hurled at him.

The struggle grew more violent. Tim's supporters strove to hold him off the floor so that his hand would still be above the grasping hands that shot up. Once, for an instant, his arm was jerked down. Again it went up. But evidently the paper had broken, and with a last desperate effort, before he went down, Tim flung the coin out in a silvery shower upon the heads of the crowd beneath. Then ensued a weary period of arguing and quarreling.

"I wish they'd finish, so as we could get back to the dancin'," Mary complained. "This ain't no fun."

Slowly and painfully the judges' stand was cleared, and an announcer, stepping to the front of the stand, spread his arms appealing for silence. The angry clamor died down.

"The judges have decided," he shouted, "that this day of good fellowship an' brotherhood—"

"Hear! Hear!" Many of the cooler heads applauded. "That's the stuff!" "No fightin'!" "No hard feelin's!"

"An' therefore," the announcer became audible again, "the judges have decided to put up another purse of twenty-five dollars an' run the race over again!"

"An' Tim?" bellowed scores of throats. "What about Tim?" "He's been robbed!" "The judges is rotten!"

Again the announcer stilled the tumult with his arm appeal.

"The judges have decided, for the sake of good feelin', that Timothy McManus will also run. If he wins, the money's his."

"Now wouldn't that jar you?" Billy grumbled disgustedly. "If Tim's eligible now, he was eligible the first time. An' if he was eligible the first time, then the money was his."

"Red-head'll bust himself wide open this time," Bert jubilated.

"An' so will Tim," Billy rejoined. "You can bet he's mad clean through, and he'll let out the links he was holdin' in last time."

Another quarter of an hour was spent in clearing the track of the excited crowd, and this time only Tim and Red-head toed the mark. The other three young men had abandoned the contest.

The leap of Tim, at the report of the revolver, put him a clean yard in the lead.

"I guess he's professional, all right, all right," Billy remarked. "An' just look at him go!"

Half-way around, Tim led by fifty feet, and, running swiftly, maintaining the same lead, he came down the homestretch an easy winner. When directly beneath the group on the hillside, the incredible and unthinkable happened. Standing close to the inside edge of the track was a dapper young man with a light switch cane. He was distinctly out of place in such a gathering, for upon him was no ear-mark of the working class. Afterward, Bert was of the opinion that he looked like a swell dancing master, while Billy called him "the dude."

So far as Timothy McManus was concerned, the dapper young man was destiny; for as Tim passed him, the young man, with utmost deliberation, thrust his cane between Tim's flying legs. Tim sailed through the air in a headlong pitch, struck spread-eagled on his face, and plowed along in a cloud of dust.

There was an instant of vast and gasping silence. The young man, too, seemed petrified by the ghastliness of his deed. It took an appreciable interval of time for him, as well as for the onlookers, to realize what he had done. They recovered first, and from a thousand throats the wild Irish yell went up. Red-head won the race without a cheer. The storm center had shifted to the young man with the cane. After the yell, he had one moment of indecision; then he turned and darted up the track.

"Go it, sport!" Bert cheered, waving his hat in the air. "You're the goods for me! Who'd a-thought it? Who'd a-thought it? Say!—wouldn't it, now? Just wouldn't it?"

"Phew! He's a streak himself," Billy admired. "But what did he do it for? He's no bricklayer."

Like a frightened rabbit, the mad roar at his heels, the young man tore up the track to an open space on the hillside, up which he clawed and disappeared among the trees. Behind him toiled a hundred vengeful runners.

"It's too bad he's missing the rest of it," Billy said. "Look at 'em goin' to it."

Bert was beside himself. He leaped up and down and cried continuously.

"Look at 'em! Look at 'em! Look at 'em!"

The Oakland faction was outraged. Twice had its favorite runner been jobbed out of the race. This last was only another vile trick of the Frisco faction. So Oakland doubled its brawny fists and swung into San Francisco for blood. And San Francisco, consciously innocent, was no less willing to join issues. To be charged with such a crime was no less monstrous than the crime itself. Besides, for too many tedious hours had the Irish heroically suppressed themselves. Five thousands of them exploded into joyous battle. The women joined with them. The whole amphitheater was filled with the conflict. There were rallies, retreats, charges, and counter-charges. Weaker groups were forced fighting up the hillsides. Other groups, bested, fled among the trees to carry on guerrilla warfare, emerging in sudden dashes to overwhelm isolated enemies. Half a dozen special policemen, hired by the Weasel Park management, received an impartial trouncing from both sides.

"Nobody's the friend of a policeman," Bert chortled, dabbing his handkerchief to his injured ear, which still bled.

The bushes crackled behind him, and he sprang aside to let the locked forms of two men go by, rolling over and over down the hill, each striking when uppermost, and followed by a screaming woman who rained blows on the one who was patently not of her clan.

The judges, in the second story of the stand, valiantly withstood a fierce assault until the frail structure toppled to the ground in splinters.

"What's that woman doing?" Saxon asked, calling attention to an elderly woman beneath them on the track, who had sat down and was pulling from her foot an elastic-sided shoe of generous dimensions.

"Goin' swimming," Bert chuckled, as the stocking followed.

They watched, fascinated. The shoe was pulled on again over the bare foot. Then the woman slipped a rock the size of her fist into the stocking, and, brandishing this ancient and horrible weapon, lumbered into the nearest fray.

"Oh!—Oh!—Oh!" Bert screamed, with every blow she struck "Hey, old flannel-mouth! Watch out! You'll get yours in a second. Oh! Oh! A peach! Did you see it? Hurray for the old lady! Look at her tearin' into 'em! Watch out, old girl!... Ah-h-h."

His voice died away regretfully, as the one with the stocking, whose hair had been clutched from behind by another Amazon, was whirled about in a dizzy semicircle.

Vainly Mary clung to his arm, shaking him back and forth and remonstrating.

"Can't you be sensible?" she cried. "It's awful! I tell you it's awful!"

But Bert was irrepressible.

"Go it, old girl!" he encouraged. "You win! Me for you every time! Now's your chance! Swat! Oh! My! A peach! A peach!"

"It's the biggest rough-house I ever saw," Billy confided to Saxon. "It sure takes the Micks to mix it. But what did that dude wanta do it for? That's what gets me. He wasn't a bricklayer—not even a workingman—just a regular sissy dude that didn't know a livin' soul in the grounds. But if he wanted to raise a rough-house he certainly done it. Look at 'em. They're fightin' everywhere."

He broke into sudden laughter, so hearty that the tears came into his eyes.

"What is it?" Saxon asked, anxious not to miss anything.

"It's that dude," Billy explained between gusts. "What did he wanta do it for? That's what gets my goat. What'd he wanta do it for?"

There was more crashing in the brush, and two women erupted upon the scene, one in flight, the other pursuing. Almost ere they could realize it, the little group found itself merged in the astounding conflict that covered, if not the face of creation, at least all the visible landscape of Weasel Park.

The fleeing woman stumbled in rounding the end of a picnic bench, and would have been caught had she not seized Mary's arm to recover balance, and then flung Mary full into the arms of the woman who pursued. This woman, largely built, middle-aged, and too irate to comprehend, clutched Mary's hair by one hand and lifted the other to smack her. Before the blow could fall, Billy had seized both the woman's wrists.

"Come on, old girl, cut it out," he said appeasingly. "You're in wrong. She ain't done nothin'."

Then the woman did a strange thing. Making no resistance, but maintaining her hold on the girl's hair, she stood still and calmly began to scream. The scream was hideously compounded of fright and fear. Yet in her face was neither fright nor fear. She regarded Billy coolly and appraisingly, as if to see how he took it—her scream merely the cry to the clan for help.

"Aw, shut up, you battleax!" Bert vociferated, trying to drag her off by the shoulders.

The result was that The four rocked back and forth, while the woman calmly went on screaming. The scream became touched with triumph as more crashing was heard in the brush.

Saxon saw Billy's slow eyes glint suddenly to the hardness of steel, and at the same time she saw him put pressure on his wrist-holds. The woman released her grip on Mary and was shoved back and free. Then the first man of the rescue was upon them. He did not pause to inquire into the merits of the affair. It was sufficient that he saw the woman reeling away from Billy and screaming with pain that was largely feigned.

"It's all a mistake," Billy cried hurriedly. "We apologize, sport—"

The Irishman swung ponderously. Billy ducked, cutting his apology short, and as the sledge-like fist passed over his head, he drove his left to the other's jaw. The big Irishman toppled over sidewise and sprawled on the edge of the slope. Half-scrambled back to his feet and out of balance, he was caught by Bert's fist, and this time went clawing down the slope that was slippery with short, dry grass. Bert was redoubtable. "That for you, old girl—my compliments," was his cry, as he shoved the woman over the edge on to the treacherous slope. Three more men were emerging from the brush.

In the meantime, Billy had put Saxon in behind the protection of the picnic table. Mary, who was hysterical, had evinced a desire to cling to him, and he had sent her sliding across the top of the table to Saxon.

"Come on, you flannel-mouths!" Bert yelled at the newcomers, himself swept away by passion, his black eyes flashing wildly, his dark face inflamed by the too-ready blood. "Come on, you cheap skates! Talk about Gettysburg. We'll show you all the Americans ain't dead yet!"

"Shut your trap—we don't want a scrap with the girls here," Billy growled harshly, holding his position in front of the table. He turned to the three rescuers, who were bewildered by the lack of anything visible to rescue. "Go on, sports. We don't want a row. You're in wrong. They ain't nothin' doin' in the fight line. We don't wanta fight—d'ye get me?"

They still hesitated, and Billy might have succeeded in avoiding trouble had not the man who had gone down the bank chosen that unfortunate moment to reappear, crawling groggily on hands and knees and showing a bleeding face. Again Bert reached him and sent him downslope, and the other three, with wild yells, sprang in on Billy, who punched, shifted position, ducked and punched, and shifted again ere he struck the third time. His blows were clean end hard, scientifically delivered, with the weight of his body behind.

Saxon, looking on, saw his eyes and learned more about him. She was frightened, but clear-seeing, and she was startled by the disappearance of all depth of light and shadow in his eyes. They showed surface only—a hard, bright surface, almost glazed, devoid of all expression save deadly seriousness. Bert's eyes showed madness. The eyes of the Irishmen were angry and serious, and yet not all serious. There was a wayward gleam in them, as if they enjoyed the fracas. But in Billy's eyes was no enjoyment. It was as if he had certain work to do and had doggedly settled down to do it.

Scarcely more expression did she note in the face, though there was nothing in common between it and the one she had seen all day. The boyishness had vanished. This face was mature in a terrifying, ageless way. There was no anger in it, nor was it even pitiless. It seemed to have glazed as hard and passionlessly as his eyes. Something came to her of her wonderful mother's tales of the ancient Saxons, and he seemed to her one of those Saxons, and she caught a glimpse, on the well of her consciousness, of a long, dark boat, with a prow like the beak of a bird of prey, and of huge, half-naked men, wing-helmeted, and one of their faces, it seemed to her, was his face. She did not reason this. She felt it, and visioned it as by an unthinkable clairvoyance, and gasped, for the flurry of war was over. It had lasted only seconds, Bert was dancing on the edge of the slippery slope and mocking the vanquished who had slid impotently to the bottom. But Billy took charge.

"Come on, you girls," he commanded. "Get onto yourself, Bert. We got to get onta this. We can't fight an army."

He led the retreat, holding Saxon's arm, and Bert, giggling and jubilant, brought up the rear with an indignant Mary who protested vainly in his unheeding ears.

For a hundred yards they ran and twisted through the trees, and then, no signs of pursuit appearing, they slowed down to a dignified saunter. Bert, the trouble-seeker, pricked his ears to the muffled sound of blows and sobs, and stepped aside to investigate.

"Oh! look what I've found!" he called.

They joined him on the edge of a dry ditch and looked down. In the bottom were two men, strays from the fight, grappled together and still fighting. They were weeping out of sheer fatigue and helplessness, and the blows they only occasionally struck were open-handed and ineffectual.

"Hey, you, sport—throw sand in his eyes," Bert counseled. "That's it, blind him an' he's your'n."

"Stop that!" Billy shouted at the man, who was following instructions, "Or I'll come down there an' beat you up myself. It's all over—d'ye get me? It's all over an' everybody's friends. Shake an' make up. The drinks are on both of you. That's right—here, gimme your hand an' I'll pull you out."

They left them shaking hands and brushing each other's clothes.

"It soon will be over," Billy grinned to Saxon. "I know 'em. Fight's fun with them. An' this big scrap's made the days howlin' success. What did I tell you!—look over at that table there."

A group of disheveled men and women, still breathing heavily, were shaking hands all around.

"Come on, let's dance," Mary pleaded, urging them in the direction of the pavilion.

All over the park the warring bricklayers were shaking hands and making up, while the open-air bars were crowded with the drinkers.

Saxon walked very close to Billy. She was proud of him. He could fight, and he could avoid trouble. In all that had occurred he had striven to avoid trouble. And, also, consideration for her and Mary had been uppermost in his mind.

"You are brave," she said to him.

"It's like takin' candy from a baby," he disclaimed. "They only rough-house. They don't know boxin'. They're wide open, an' all you gotta do is hit 'em. It ain't real fightin', you know." With a troubled, boyish look in his eyes, he stared at his bruised knuckles. "An' I'll have to drive team to-morrow with 'em," he lamented. "Which ain't fun, I'm tellin' you, when they stiffen up."


At eight o'clock the Al Vista band played "Home, Sweet Home," and, following the hurried rush through the twilight to the picnic train, the four managed to get double seats facing each other. When the aisles and platforms were packed by the hilarious crowd, the train pulled out for the short run from the suburbs into Oakland. All the car was singing a score of songs at once, and Bert, his head pillowed on Mary's breast with her arms around him, started "On the Banks of the Wabash." And he sang the song through, undeterred by the bedlam of two general fights, one on the adjacent platform, the other at the opposite end of the car, both of which were finally subdued by special policemen to the screams of women and the crash of glass.

Billy sang a lugubrious song of many stanzas about a cowboy, the refrain of which was, "Bury me out on the lone pr-rairie."

"That's one you never heard before; my father used to sing it," he told Saxon, who was glad that it was ended.

She had discovered the first flaw in him. He was tonedeaf. Not once had he been on the key.

"I don't sing often," he added.

"You bet your sweet life he don't," Bert exclaimed. "His friends'd kill him if he did."

"They all make fun of my singin'," he complained to Saxon. "Honest, now, do you find it as rotten as all that?"

"It's... it's maybe flat a bit," she admitted reluctantly.

"It don't sound flat to me," he protested. "It's a regular josh on me. I'll bet Bert put you up to it. You sing something now, Saxon. I bet you sing good. I can tell it from lookin' at you."

She began "When the Harvest Days Are Over." Bert and Mary joined in; but when Billy attempted to add his voice he was dissuaded by a shin-kick from Bert. Saxon sang in a clear, true soprano, thin but sweet, and she was aware that she was singing to Billy.

"Now THAT is singing what is," he proclaimed, when she had finished. "Sing it again. Aw, go on. You do it just right. It's great."

His hand slipped to hers and gathered it in, and as she sang again she felt the tide of his strength flood warmingly through her.

"Look at 'em holdin' hands," Bert jeered. "Just a-holdin' hands like they was afraid. Look at Mary an' me. Come on an' kick in, you cold-feets. Get together. If you don't, it'll look suspicious. I got my suspicions already. You're framin' somethin' up."

There was no mistaking his innuendo, and Saxon felt her cheeks flaming.

"Get onto yourself, Bert," Billy reproved.

"Shut up!" Mary added the weight of her indignation. "You're awfully raw, Bert Wanhope, an' I won't have anything more to do with you—there!"

She withdrew her arms and shoved him away, only to receive him forgivingly half a dozen seconds afterward.

"Come on, the four of us," Bert went on irrepressibly. "The night's young. Let's make a time of it—Pabst's Cafe first, and then some. What you say, Bill? What you say, Saxon? Mary's game."

Saxon waited and wondered, half sick with apprehension of this man beside her whom she had known so short a time.

"Nope," he said slowly. "I gotta get up to a hard day's work to-morrow, and I guess the girls has got to, too."

Saxon forgave him his tone-deafness. Here was the kind of man she always had known existed. It was for some such man that she had waited. She was twenty-two, and her first marriage offer had come when she was sixteen. The last had occurred only the month before, from the foreman of the washing-room, and he had been good and kind, but not young. But this one beside her—he was strong and kind and good, and YOUNG. She was too young herself not to desire youth. There would have been rest from fancy starch with the foreman, but there would have been no warmth. But this man beside her.... She caught herself on the verge involuntarily of pressing his hand that held hers.

"No, Bert, don't tease he's right," Mary was saying. "We've got to get some sleep. It's fancy starch to-morrow, and all day on our feet."

It came to Saxon with a chill pang that she was surely older than Billy. She stole glances at the smoothness of his face, and the essential boyishness of him, so much desired, shocked her. Of course he would marry some girl years younger than himself, than herself. How old was he? Could it be that he was too young for her? As he seemed to grow inaccessible, she was drawn toward him more compellingly. He was so strong, so gentle. She lived over the events of the day. There was no flaw there. He had considered her and Mary, always. And he had torn the program up and danced only with her. Surely he had liked her, or he would not have done it.

She slightly moved her hand in his and felt the harsh contact of his teamster callouses. The sensation was exquisite. He, too, moved his hand, to accommodate the shift of hers, and she waited fearfully. She did not want him to prove like other men, and she could have hated him had he dared to take advantage of that slight movement of her fingers and put his arm around her. He did not, and she flamed toward him. There was fineness in him. He was neither rattle-brained, like Bert, nor coarse like other men she had encountered. For she had had experiences, not nice, and she had been made to suffer by the lack of what was termed chivalry, though she, in turn, lacked that word to describe what she divined and desired.

And he was a prizefighter. The thought of it almost made her gasp. Yet he answered not at all to her conception of a prizefighter. But, then, he wasn't a prizefighter. He had said he was not. She resolved to ask him about it some time if... if he took her out again. Yet there was little doubt of that, for when a man danced with one girl a whole day he did not drop her immediately. Almost she hoped that he was a prizefighter. There was a delicious tickle of wickedness about it. Prizefighters were such terrible and mysterious men. In so far as they were out of the ordinary and were not mere common workingmen such as carpenters and laundrymen, they represented romance. Power also they represented. They did not work for bosses, but spectacularly and magnificently, with their own might, grappled with the great world and wrung splendid living from its reluctant hands. Some of them even owned automobiles and traveled with a retinue of trainers and servants. Perhaps it had been only Billy's modesty that made him say he had quit fighting. And yet, there were the callouses on his hands. That showed he had quit.


They said good-bye at the gate. Billy betrayed awkwardness that was sweet to Saxon. He was not one of the take-it-for-granted young men. There was a pause, while she feigned desire to go into the house, yet waited in secret eagerness for the words she wanted him to say.

"When am I goin' to see you again?" he asked, holding her hand in his.

She laughed consentingly.

"I live 'way up in East Oakland," he explained. "You know there's where the stable is, an' most of our teaming is done in that section, so I don't knock around down this way much. But, say—" His hand tightened on hers. "We just gotta dance together some more. I'll tell you, the Orindore Club has its dance Wednesday. If you haven't a date—have you?"

"No," she said.

"Then Wednesday. What time'll I come for you?"

And when they had arranged the details, and he had agreed that she should dance some of the dances with the other fellows, and said good night again, his hand closed more tightly on hers and drew her toward him. She resisted slightly, but honestly. It was the custom, but she felt she ought not for fear he might misunderstand. And yet she wanted to kiss him as she had never wanted to kiss a man. When it came, her face upturned to his, she realized that on his part it was an honest kiss. There hinted nothing behind it. Rugged and kind as himself, it was virginal almost, and betrayed no long practice in the art of saying good-bye. All men were not brutes after all, was her thought.

"Good night," she murmured; the gate screeched under her hand; and she hurried along the narrow walk that led around to the corner of the house.

"Wednesday," he celled softly.

"Wednesday," she answered.

But in the shadow of the narrow alley between the two houses she stood still and pleasured in the ring of his foot falls down the cement sidewalk. Not until they had quite died away did she go on. She crept up the back stairs and across the kitchen to her room, registering her thanksgiving that Sarah was asleep.

She lighted the gas, and, as she removed the little velvet hat, she felt her lips still tingling with the kiss. Yet it had meant nothing. It was the way of the young men. They all did it. But their good-night kisses had never tingled, while this one tingled in her brain as wall as on her lip. What was it? What did it mean? With a sudden impulse she looked at herself in the glass. The eyes were happy and bright. The color that tinted her cheeks so easily was in them and glowing. It was a pretty reflection, and she smiled, partly in joy, partly in appreciation, and the smile grew at sight of the even rows of strong white teeth. Why shouldn't Billy like that face? was her unvoiced query. Other men had liked it. Other men did like it. Even the other girls admitted she was a good-looker. Charley Long certainly liked it from the way he made life miserable for her.

She glanced aside to the rim of the looking-glass where his photograph was wedged, shuddered, and made a moue of distaste. There was cruelty in those eyes, and brutishness. He was a brute. For a year, now, he had bullied her. Other fellows were afraid to go with her. He warned them off. She had been forced into almost slavery to his attentions. She remembered the young bookkeeper at the laundry—not a workingman, but a soft-handed, soft-voiced gentleman—whom Charley had beaten up at the corner because he had been bold enough to come to take her to the theater. And she had been helpless. For his own sake she had never dared accept another invitation to go out with him.

And now, Wednesday night, she was going with Billy. Billy! Her heart leaped. There would be trouble, but Billy would save her from him. She'd like to see him try and beat Billy up.

With a quick movement, she jerked the photograph from its niche and threw it face down upon the chest of drawers. It fell beside a small square case of dark and tarnished leather. With a feeling as of profanation she again seized the offending photograph and flung it across the room into a corner. At the same time she picked up the leather case. Springing it open, she gazed at the daguerreotype of a worn little woman with steady gray eyes and a hopeful, pathetic mouth. Opposite, on the velvet lining, done in gold lettering, was, CARLTON FROM DAISY. She read it reverently, for it represented the father she had never known, and the mother she had so little known, though she could never forget that those wise sad eyes were gray.

Despite lack of conventional religion, Saxon's nature was deeply religious. Her thoughts of God were vague and nebulous, and there she was frankly puzzled. She could not vision God. Here, in the daguerreotype, was the concrete; much she had grasped from it, and always there seemed an infinite more to grasp. She did not go to church. This was her high altar and holy of holies. She came to it in trouble, in loneliness, for counsel, divination, end comfort. In so far as she found herself different from the girls of her acquaintance, she quested here to try to identify her characteristics in the pictured face. Her mother had been different from other women, too. This, forsooth, meant to her what God meant to others. To this she strove to be true, and not to hurt nor vex. And how little she really knew of her mother, and of how much was conjecture and surmise, she was unaware; for it was through many years she had erected this mother-myth.

Yet was it all myth? She resented the doubt with quick jealousy, and, opening the bottom drawer of the chest, drew forth a battered portfolio. Out rolled manuscripts, faded and worn, and arose a faint far scent of sweet-kept age. The writing was delicate and curled, with the quaint fineness of half a century before. She read a stanza to herself:

"Sweet as a wind-lute's airy strains Your gentle muse has learned to sing, And California's boundless plains Prolong the soft notes echoing."

She wondered, for the thousandth time, what a windlute was; yet much of beauty, much of beyondness, she sensed of this dimly remembered beautiful mother of hers. She communed a while, then unrolled a second manuscript. "To C. B.," it read. To Carlton Brown, she knew, to her father, a love-poem from her mother. Saxon pondered the opening lines:

"I have stolen away from the crowd in the groves, Where the nude statues stand, and the leaves point and shiver At ivy-crowned Bacchus, the Queen of the Loves, Pandora and Psyche, struck voiceless forever."

This, too, was beyond her. But she breathed the beauty of it. Bacchus, and Pandora and Psyche—talismans to conjure with! But alas! the necromancy was her mother's. Strange, meaningless words that meant so much! Her marvelous mother had known their meaning. Saxon spelled the three words aloud, letter by letter, for she did not dare their pronunciation; and in her consciousness glimmered august connotations, profound and unthinkable. Her mind stumbled and halted on the star-bright and dazzling boundaries of a world beyond her world in which her mother had roamed at will. Again and again, solemnly, she went over the four lines. They were radiance and light to the world, haunted with phantoms of pain and unrest, in which she had her being. There, hidden among those cryptic singing lines, was the clue. If she could only grasp it, all would be made clear. Of this she was sublimely confident. She would understand Sarah's sharp tongue, her unhappy brother, the cruelty of Charley Long, the justness of the bookkeeper's beating, the day-long, month-long, year-long toil at the ironing-board.

She skipped a stanza that she knew was hopelessly beyond her, and tried again:

"The dusk of the greenhouse is luminous yet With quivers of opal and tremors of gold; For the sun is at rest, and the light from the west, Like delicate wine that is mellow and old,

"Flushes faintly the brow of a naiad that stands In the spray of a fountain, whose seed-amethysts Tremble lightly a moment on bosom and hands, Then dip in their basin from bosom and wrists."

"It's beautiful, just beautiful," she sighed. And then, appalled at the length of all the poem, at the volume of the mystery, she rolled the manuscript and put it away. Again she dipped in the drawer, seeking the clue among the cherished fragments of her mother's hidden soul.

This time it was a small package, wrapped in tissue paper and tied with ribbon. She opened it carefully, with the deep gravity and circumstance of a priest before an altar. Appeared a little red-satin Spanish girdle, whale-boned like a tiny corset, pointed, the pioneer finery of a frontier woman who had crossed the plains. It was hand-made after the California-Spanish model of forgotten days. The very whalebone had been home-shaped of the raw material from the whaleships traded for in hides and tallow. The black lace trimming her mother had made. The triple edging of black velvet strips—her mother's hands had sewn the stitches.

Saxon dreamed over it in a maze of incoherent thought. This was concrete. This she understood. This she worshiped as man-created gods have been worshiped on less tangible evidence of their sojourn on earth.

Twenty-two inches it measured around. She knew it out of many verifications. She stood up and put it about her waist. This was part of the ritual. It almost met. In places it did meet. Without her dress it would meet everywhere as it had met on her mother. Closest of all, this survival of old California-Ventura days brought Saxon in touch. Hers was her mother's form. Physically, she was like her mother. Her grit, her ability to turn off work that was such an amazement to others, were her mother's. Just so had her mother been an amazement to her generation—her mother, the toy-like creature, the smallest and the youngest of the strapping pioneer brood, who nevertheless had mothered the brood. Always it had been her wisdom that was sought, even by the brothers and sisters a dozen years her senior. Daisy, it was, who had put her tiny foot down and commanded the removal from the fever flatlands of Colusa to the healthy mountains of Ventura; who had backed the savage old Indian-fighter of a father into a corner and fought the entire family that Vila might marry the man of her choice; who had flown in the face of the family and of community morality and demanded the divorce of Laura from her criminally weak husband; and who on the other hand, had held the branches of the family together when only misunderstanding and weak humanness threatened to drive them apart.

The peacemaker and the warrior! All the old tales trooped before Saxon's eyes. They were sharp with detail, for she had visioned them many times, though their content was of things she had never seen. So far as details were concerned, they were her own creation, for she had never seen an ox, a wild Indian, nor a prairie schooner. Yet, palpitating and real, shimmering in the sun-flashed dust of ten thousand hoofs, she saw pass, from East to West, across a continent, the great hegira of the land-hungry Anglo-Saxon. It was part and fiber of her. She had been nursed on its traditions and its facts from the lips of those who had taken part. Clearly she saw the long wagon-train, the lean, gaunt men who walked before, the youths goading the lowing oxen that fell and were goaded to their feet to fall again. And through it all, a flying shuttle, weaving the golden dazzling thread of personality, moved the form of her little, indomitable mother, eight years old, and nine ere the great traverse was ended, a necromancer and a law-giver, willing her way, and the way and the willing always good and right.

Saxon saw Punch, the little, rough-coated Skye-terrier with the honest eyes (who had plodded for weary months), gone lame and abandoned; she saw Daisy, the chit of a child, hide Punch in the wagon. She saw the savage old worried father discover the added burden of the several pounds to the dying oxen. She saw his wrath, as he held Punch by the scruff of the neck. And she saw Daisy, between the muzzle of the long-barreled rifle and the little dog. And she saw Daisy thereafter, through days of alkali and heat, walking, stumbling, in the dust of the wagons, the little sick dog, like a baby, in her arms.

But most vivid of all, Saxon saw the fight at Little Meadow—and Daisy, dressed as for a gala day, in white, a ribbon sash about her waist, ribbons and a round-comb in her hair, in her hands small water-pails, step forth into the sunshine on the flower-grown open ground from the wagon circle, wheels interlocked, where the wounded screamed their delirium and babbled of flowing fountains, and go on, through the sunshine and the wonder-inhibition of the bullet-dealing Indians, a hundred yards to the waterhole and back again.

Saxon kissed the little, red satin Spanish girdle passionately, and wrapped it up in haste, with dewy eyes, abandoning the mystery and godhead of mother and all the strange enigma of living.

In bed, she projected against her closed eyelids the few rich scenes of her mother that her child-memory retained. It was her favorite way of wooing sleep. She had done it all her life—sunk into the death-blackness of sleep with her mother limned to the last on her fading consciousness. But this mother was not the Daisy of the plains nor of the daguerreotype. They had been before Saxon's time. This that she saw nightly was an older mother, broken with insomnia and brave with sorrow, who crept, always crept, a pale, frail creature, gentle and unfaltering, dying from lack of sleep, living by will, and by will refraining from going mad, who, nevertheless, could not will sleep, and whom not even the whole tribe of doctors could make sleep. Crept—always she crept, about the house, from weary bed to weary chair and back again through long days and weeks of torment, never complaining, though her unfailing smile was twisted with pain, and the wise gray eyes, still wise and gray, were grown unutterably larger and profoundly deep.

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