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Twice Told Tales
by Nathaniel Hawthorne
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TWICE-TOLD TALES.

BY

NATHANIEL HAWTHORNE.

PHILADELPHIA: DAVID McKAY, PUBLISHER, 23 SOUTH NINTH STREET.

1889.



CONTENTS.

PAGE

THE GRAY CHAMPION 5

SUNDAY AT HOME 15

THE WEDDING-KNELL 23

THE MINISTER'S BLACK VEIL 33

THE MAYPOLE OF MERRY MOUNT 49

THE GENTLE BOY 63

MR. HIGGINBOTHAM'S CATASTROPHE 99

LITTLE ANNIE'S RAMBLE 113

WAKEFIELD 123

A RILL FROM THE TOWN PUMP 133

THE GREAT CARBUNCLE 141

THE PROPHETIC PICTURES 159

DAVID SWAN 175

SIGHTS FROM A STEEPLE 183

THE HOLLOW OF THE THREE HILLS 191

THE TOLL-GATHERER'S DAY 197

THE VISION OF THE FOUNTAIN 204

FANCY'S SHOW-BOX 211

DR. HEIDEGGER'S EXPERIMENT 218

LEGENDS OF THE PROVINCE HOUSE: I.—HOWE'S MASQUERADE 233 II.—EDWARD RANDOLPH'S PORTRAIT 249 III.—LADY ELEANORE'S MANTLE 263 IV.—OLD ESTHER DUDLEY 281

THE HAUNTED MIND 294

THE VILLAGE UNCLE 300

THE AMBITIOUS GUEST 313

THE SISTER-YEARS 323

SNOWFLAKES 332

THE SEVEN VAGABONDS 338

THE WHITE OLD MAID 358

PETER GOLDTHWAITE'S TREASURE 370

CHIPPINGS WITH A CHISEL 393

THE SHAKER BRIDAL 405

NIGHT-SKETCHES 412

ENDICOTT AND THE RED CROSS 419

THE LILY'S QUEST 427

FOOTPRINTS ON THE SEASHORE 435

EDWARD FANE'S ROSEBUD 447

THE THREEFOLD DESTINY 455



TWICE-TOLD TALES.



THE GRAY CHAMPION.

There was once a time when New England groaned under the actual pressure of heavier wrongs than those threatened ones which brought on the Revolution. James II., the bigoted successor of Charles the Voluptuous, had annulled the charters of all the colonies and sent a harsh and unprincipled soldier to take away our liberties and endanger our religion. The administration of Sir Edmund Andros lacked scarcely a single characteristic of tyranny—a governor and council holding office from the king and wholly independent of the country; laws made and taxes levied without concurrence of the people, immediate or by their representatives; the rights of private citizens violated and the titles of all landed property declared void; the voice of complaint stifled by restrictions on the press; and finally, disaffection overawed by the first band of mercenary troops that ever marched on our free soil. For two years our ancestors were kept in sullen submission by that filial love which had invariably secured their allegiance to the mother-country, whether its head chanced to be a Parliament, Protector or popish monarch. Till these evil times, however, such allegiance had been merely nominal, and the colonists had ruled themselves, enjoying far more freedom than is even yet the privilege of the native subjects of Great Britain.

At length a rumor reached our shores that the prince of Orange had ventured on an enterprise the success of which would be the triumph of civil and religious rights and the salvation of New England. It was but a doubtful whisper; it might be false or the attempt might fail, and in either case the man that stirred against King James would lose his head. Still, the intelligence produced a marked effect. The people smiled mysteriously in the streets and threw bold glances at their oppressors, while far and wide there was a subdued and silent agitation, as if the slightest signal would rouse the whole land from its sluggish despondency. Aware of their danger, the rulers resolved to avert it by an imposing display of strength, and perhaps to confirm their despotism by yet harsher measures.

One afternoon in April, 1689, Sir Edmund Andros and his favorite councillors, being warm with wine, assembled the red-coats of the governor's guard and made their appearance in the streets of Boston. The sun was near setting when the march commenced. The roll of the drum at that unquiet crisis seemed to go through the streets less as the martial music of the soldiers than as a muster-call to the inhabitants themselves. A multitude by various avenues assembled in King street, which was destined to be the scene, nearly a century afterward, of another encounter between the troops of Britain and a people struggling against her tyranny.

Though more than sixty years had elapsed since the Pilgrims came, this crowd of their descendants still showed the strong and sombre features of their character perhaps more strikingly in such a stern emergency than on happier occasions. There was the sober garb, the general severity of mien, the gloomy but undismayed expression, the scriptural forms of speech and the confidence in Heaven's blessing on a righteous cause which would have marked a band of the original Puritans when threatened by some peril of the wilderness. Indeed, it was not yet time for the old spirit to be extinct, since there were men in the street that day who had worshipped there beneath the trees before a house was reared to the God for whom they had become exiles. Old soldiers of the Parliament were here, too, smiling grimly at the thought that their aged arms might strike another blow against the house of Stuart. Here, also, were the veterans of King Philip's war, who had burned villages and slaughtered young and old with pious fierceness while the godly souls throughout the land were helping them with prayer. Several ministers were scattered among the crowd, which, unlike all other mobs, regarded them with such reverence as if there were sanctity in their very garments. These holy men exerted their influence to quiet the people, but not to disperse them.

Meantime, the purpose of the governor in disturbing the peace of the town at a period when the slightest commotion might throw the country into a ferment was almost the Universal subject of inquiry, and variously explained.

"Satan will strike his master-stroke presently," cried some, "because he knoweth that his time is short. All our godly pastors are to be dragged to prison. We shall see them at a Smithfield fire in King street."

Hereupon the people of each parish gathered closer round their minister, who looked calmly upward and assumed a more apostolic dignity, as well befitted a candidate for the highest honor of his profession—a crown of martyrdom. It was actually fancied at that period that New England might have a John Rogers of her own to take the place of that worthy in the Primer.

"The pope of Rome has given orders for a new St. Bartholomew," cried others. "We are to be massacred, man and male-child."

Neither was this rumor wholly discredited; although the wiser class believed the governor's object somewhat less atrocious. His predecessor under the old charter, Bradstreet, a venerable companion of the first settlers, was known to be in town. There were grounds for conjecturing that Sir Edmund Andros intended at once to strike terror by a parade of military force and to confound the opposite faction by possessing himself of their chief.

"Stand firm for the old charter-governor!" shouted the crowd, seizing upon the idea—"the good old Governor Bradstreet!"

While this cry was at the loudest the people were surprised by the well-known figure of Governor Bradstreet himself, a patriarch of nearly ninety, who appeared on the elevated steps of a door and with characteristic mildness besought them to submit to the constituted authorities.

"My children," concluded this venerable person, "do nothing rashly. Cry not aloud, but pray for the welfare of New England and expect patiently what the Lord will do in this matter."

The event was soon to be decided. All this time the roll of the drum had been approaching through Cornhill, louder and deeper, till with reverberations from house to house and the regular tramp of martial footsteps it burst into the street. A double rank of soldiers made their appearance, occupying the whole breadth of the passage, with shouldered matchlocks and matches burning, so as to present a row of fires in the dusk. Their steady march was like the progress of a machine that would roll irresistibly over everything in its way. Next, moving slowly, with a confused clatter of hoofs on the pavement, rode a party of mounted gentlemen, the central figure being Sir Edmund Andros, elderly, but erect and soldier-like. Those around him were his favorite councillors and the bitterest foes of New England. At his right hand rode Edward Randolph, our arch-enemy, that "blasted wretch," as Cotton Mather calls him, who achieved the downfall of our ancient government and was followed with a sensible curse-through life and to his grave. On the other side was Bullivant, scattering jests and mockery as he rode along. Dudley came behind with a downcast look, dreading, as well he might, to meet the indignant gaze of the people, who beheld him, their only countryman by birth, among the oppressors of his native land. The captain of a frigate in the harbor and two or three civil officers under the Crown were also there. But the figure which most attracted the public eye and stirred up the deepest feeling was the Episcopal clergyman of King's Chapel riding haughtily among the magistrates in his priestly vestments, the fitting representative of prelacy and persecution, the union of Church and State, and all those abominations which had driven the Puritans to the wilderness. Another guard of soldiers, in double rank, brought up the rear.

The whole scene was a picture of the condition of New England, and its moral, the deformity of any government that does not grow out of the nature of things and the character of the people—on one side the religious multitude with their sad visages and dark attire, and on the other the group of despotic rulers with the high churchman in the midst and here and there a crucifix at their bosoms, all magnificently clad, flushed with wine, proud of unjust authority and scoffing at the universal groan. And the mercenary soldiers, waiting but the word to deluge the street with blood, showed the only means by which obedience could be secured.

"O Lord of hosts," cried a voice among the crowd, "provide a champion for thy people!"

This ejaculation was loudly uttered, and served as a herald's cry to introduce a remarkable personage. The crowd had rolled back, and were now huddled together nearly at the extremity of the street, while the soldiers had advanced no more than a third of its length. The intervening space was empty—a paved solitude between lofty edifices which threw almost a twilight shadow over it. Suddenly there was seen the figure of an ancient man who seemed to have emerged from among the people and was walking by himself along the centre of the street to confront the armed band. He wore the old Puritan dress—a dark cloak and a steeple-crowned hat in the fashion of at least fifty years before, with a heavy sword upon his thigh, but a staff in his hand to assist the tremulous gait of age.

When at some distance from the multitude, the old man turned slowly round, displaying a face of antique majesty rendered doubly venerable by the hoary beard that descended on his breast. He made a gesture at once of encouragement and warning, then turned again and resumed his way.

"Who is this gray patriarch?" asked the young men of their sires.

"Who is this venerable brother?" asked the old men among themselves.

But none could make reply. The fathers of the people, those of fourscore years and upward, were disturbed, deeming it strange that they should forget one of such evident authority whom they must have known in their early days, the associate of Winthrop and all the old councillors, giving laws and making prayers and leading them against the savage. The elderly men ought to have remembered him, too, with locks as gray in their youth as their own were now. And the young! How could he have passed so utterly from their memories—that hoary sire, the relic of long-departed times, whose awful benediction had surely been bestowed on their uncovered heads in childhood?

"Whence did he come? What is his purpose? Who can this old man be?" whispered the wondering crowd.

Meanwhile, the venerable stranger, staff in hand, was pursuing his solitary walk along the centre of the street. As he drew near the advancing soldiers, and as the roll of their drum came full upon his ear, the old man raised himself to a loftier mien, while the decrepitude of age seemed to fall from his shoulders, leaving him in gray but unbroken dignity. Now he marched onward with a warrior's step, keeping time to the military music. Thus the aged form advanced on one side and the whole parade of soldiers and magistrates on the other, till, when scarcely twenty yards remained between, the old man grasped his staff by the middle and held it before him like a leader's truncheon.

"Stand!" cried he.

The eye, the face and attitude of command, the solemn yet warlike peal of that voice—fit either to rule a host in the battle-field or be raised to God in prayer—were irresistible. At the old man's word and outstretched arm the roll of the drum was hushed at once and the advancing line stood still. A tremulous enthusiasm seized upon the multitude. That stately form, combining the leader and the saint, so gray, so dimly seen, in such an ancient garb, could only belong to some old champion of the righteous cause whom the oppressor's drum had summoned from his grave. They raised a shout of awe and exultation, and looked for the deliverance of New England.

The governor and the gentlemen of his party, perceiving themselves brought to an unexpected stand, rode hastily forward, as if they would have pressed their snorting and affrighted horses right against the hoary apparition. He, however, blenched not a step, but, glancing his severe eye round the group, which half encompassed him, at last bent it sternly on Sir Edmund Andros. One would have thought that the dark old man was chief ruler there, and that the governor and council with soldiers at their back, representing the whole power and authority of the Crown, had no alternative but obedience.

"What does this old fellow here?" cried Edward Randolph, fiercely.—"On, Sir Edmund! Bid the soldiers forward, and give the dotard the same choice that you give all his countrymen—to stand aside or be trampled on."

"Nay, nay! Let us show respect to the good grandsire," said Bullivant, laughing. "See you not he is some old round-headed dignitary who hath lain asleep these thirty years and knows nothing of the change of times? Doubtless he thinks to put us down with a proclamation in Old Noll's name."

"Are you mad, old man?" demanded Sir Edmund Andros, in loud and harsh tones. "How dare you stay the march of King James's governor?"

"I have stayed the march of a king himself ere now," replied the gray figure, with stern composure. "I am here, Sir Governor, because the cry of an oppressed people hath disturbed me in my secret place, and, beseeching this favor earnestly of the Lord, it was vouchsafed me to appear once again on earth in the good old cause of his saints. And what speak ye of James? There is no longer a popish tyrant on the throne of England, and by to-morrow noon his name shall be a by-word in this very street, where ye would make it a word of terror. Back, thou that wast a governor, back! With this night thy power is ended. To-morrow, the prison! Back, lest I foretell the scaffold!"

The people had been drawing nearer and nearer and drinking in the words of their champion, who spoke in accents long disused, like one unaccustomed to converse except with the dead of many years ago. But his voice stirred their souls. They confronted the soldiers, not wholly without arms and ready to convert the very stones of the street into deadly weapons. Sir Edmund Andros looked at the old man; then he cast his hard and cruel eye over the multitude and beheld them burning with that lurid wrath so difficult to kindle or to quench, and again he fixed his gaze on the aged form which stood obscurely in an open space where neither friend nor foe had thrust himself. What were his thoughts he uttered no word which might discover, but, whether the oppressor were overawed by the Gray Champion's look or perceived his peril in the threatening attitude of the people, it is certain that he gave back and ordered his soldiers to commence a slow and guarded retreat. Before another sunset the governor and all that rode so proudly with him were prisoners, and long ere it was known that James had abdicated King William was proclaimed throughout New England.

But where was the Gray Champion? Some reported that when the troops had gone from King street and the people were thronging tumultuously in their rear, Bradstreet, the aged governor, was seen to embrace a form more aged than his own. Others soberly affirmed that while they marvelled at the venerable grandeur of his aspect the old man had faded from their eyes, melting slowly into the hues of twilight, till where he stood there was an empty space. But all agreed that the hoary shape was gone. The men of that generation watched for his reappearance in sunshine and in twilight, but never saw him more, nor knew when his funeral passed nor where his gravestone was.

And who was the Gray Champion? Perhaps his name might be found in the records of that stern court of justice which passed a sentence too mighty for the age, but glorious in all after-times for its humbling lesson to the monarch and its high example to the subject. I have heard that whenever the descendants of the Puritans are to show the spirit of their sires the old man appears again. When eighty years had passed, he walked once more in King street. Five years later, in the twilight of an April morning, he stood on the green beside the meeting-house at Lexington where now the obelisk of granite with a slab of slate inlaid commemorates the first-fallen of the Revolution. And when our fathers were toiling at the breastwork on Bunker's Hill, all through that night the old warrior walked his rounds. Long, long may it be ere he comes again! His hour is one of darkness and adversity and peril. But should domestic tyranny oppress us or the invader's step pollute our soil, still may the Gray Champion come! for he is the type of New England's hereditary spirit, and his shadowy march on the eve of danger must ever be the pledge that New England's sons will vindicate their ancestry.



SUNDAY AT HOME.

Every Sabbath morning in the summer-time I thrust back the curtain to watch the sunrise stealing down a steeple which stands opposite my chamber window. First the weathercock begins to flash; then a fainter lustre gives the spire an airy aspect; next it encroaches on the tower and causes the index of the dial to glisten like gold as it points to the gilded figure of the hour. Now the loftiest window gleams, and now the lower. The carved framework of the portal is marked strongly out. At length the morning glory in its descent from heaven comes down the stone steps one by one, and there stands the steeple glowing with fresh radiance, while the shades of twilight still hide themselves among the nooks of the adjacent buildings. Methinks though the same sun brightens it every fair morning, yet the steeple has a peculiar robe of brightness for the Sabbath.

By dwelling near a church a person soon contracts an attachment for the edifice. We naturally personify it, and conceive its massy walls and its dim emptiness to be instinct with a calm and meditative and somewhat melancholy spirit. But the steeple stands foremost in our thoughts, as well as locally. It impresses us as a giant with a mind comprehensive and discriminating enough to care for the great and small concerns of all the town. Hourly, while it speaks a moral to the few that think, it reminds thousands of busy individuals of their separate and most secret affairs. It is the steeple, too, that flings abroad the hurried and irregular accents of general alarm; neither have gladness and festivity found a better utterance than by its tongue; and when the dead are slowly passing to their home, the steeple has a melancholy voice to bid them welcome. Yet, in spite of this connection with human interests, what a moral loneliness on week-days broods round about its stately height! It has no kindred with the houses above which it towers; it looks down into the narrow thoroughfare—the lonelier because the crowd are elbowing their passage at its base. A glance at the body of the church deepens this impression. Within, by the light of distant windows, amid refracted shadows we discern the vacant pews and empty galleries, the silent organ, the voiceless pulpit and the clock which tells to solitude how time is passing. Time—where man lives not—what is it but eternity? And in the church, we might suppose, are garnered up throughout the week all thoughts and feelings that have reference to eternity, until the holy day comes round again to let them forth. Might not, then, its more appropriate site be in the outskirts of the town, with space for old trees to wave around it and throw their solemn shadows over a quiet green? We will say more of this hereafter.

But on the Sabbath I watch the earliest sunshine and fancy that a holier brightness marks the day when there shall be no buzz of voices on the Exchange nor traffic in the shops, nor crowd nor business anywhere but at church. Many have fancied so. For my own part, whether I see it scattered down among tangled woods, or beaming broad across the fields, or hemmed in between brick buildings, or tracing out the figure of the casement on my chamber floor, still I recognize the Sabbath sunshine. And ever let me recognize it! Some illusions—and this among them—are the shadows of great truths. Doubts may flit around me or seem to close their evil wings and settle down, but so long as I imagine that the earth is hallowed and the light of heaven retains its sanctity on the Sabbath—while that blessed sunshine lives within me—never can my soul have lost the instinct of its faith. If it have gone astray, it will return again.

I love to spend such pleasant Sabbaths from morning till night behind the curtain of my open window. Are they spent amiss? Every spot so near the church as to be visited by the circling shadow of the steeple should be deemed consecrated ground to-day. With stronger truth be it said that a devout heart may consecrate a den of thieves, as an evil one may convert a temple to the same. My heart, perhaps, has no such holy, nor, I would fain trust, such impious, potency. It must suffice that, though my form be absent, my inner man goes constantly to church, while many whose bodily presence fills the accustomed seats have left their souls at home. But I am there even before my friend the sexton. At length he comes—a man of kindly but sombre aspect, in dark gray clothes, and hair of the same mixture. He comes and applies his key to the wide portal. Now my thoughts may go in among the dusty pews or ascend the pulpit without sacrilege, but soon come forth again to enjoy the music of the bell. How glad, yet solemn too! All the steeples in town are talking together aloft in the sunny air and rejoicing among themselves while their spires point heavenward. Meantime, here are the children assembling to the Sabbath-school, which is kept somewhere within the church. Often, while looking at the arched portal, I have been gladdened by the sight of a score of these little girls and boys in pink, blue, yellow and crimson frocks bursting suddenly forth into the sunshine like a swarm of gay butterflies that had been shut up in the solemn gloom. Or I might compare them to cherubs haunting that holy place.

About a quarter of an hour before the second ringing of the bell individuals of the congregation begin to appear. The earliest is invariably an old woman in black whose bent frame and rounded shoulders are evidently laden with some heavy affliction which she is eager to rest upon the altar. Would that the Sabbath came twice as often, for the sake of that sorrowful old soul! There is an elderly man, also, who arrives in good season and leans against the corner of the tower, just within the line of its shadow, looking downward with a darksome brow. I sometimes fancy that the old woman is the happier of the two. After these, others drop in singly and by twos and threes, either disappearing through the doorway or taking their stand in its vicinity. At last, and always with an unexpected sensation, the bell turns in the steeple overhead and throws out an irregular clangor, jarring the tower to its foundation. As if there were magic in the sound, the sidewalks of the street, both up and down along, are immediately thronged with two long lines of people, all converging hitherward and streaming into the church. Perhaps the far-off roar of a coach draws nearer—a deeper thunder by its contrast with the surrounding stillness—until it sets down the wealthy worshippers at the portal among their humblest brethren. Beyond that entrance—in theory, at least—there are no distinctions of earthly rank; nor, indeed, by the goodly apparel which is flaunting in the sun would there seem to be such on the hither side. Those pretty girls! Why will they disturb my pious meditations? Of all days in the week, they should strive to look least fascinating on the Sabbath, instead of heightening their mortal loveliness, as if to rival the blessed angels and keep our thoughts from heaven. Were I the minister himself, I must needs look. One girl is white muslin from the waist upward and black silk downward to her slippers; a second blushes from top-knot to shoe-tie, one universal scarlet; another shines of a pervading yellow, as if she had made a garment of the sunshine. The greater part, however, have adopted a milder cheerfulness of hue. Their veils, especially when the wind raises them, give a lightness to the general effect and make them appear like airy phantoms as they flit up the steps and vanish into the sombre doorway. Nearly all—though it is very strange that I should know it—wear white stockings, white as snow, and neat slippers laced crosswise with black ribbon pretty high above the ankles. A white stocking is infinitely more effective than a black one.

Here comes the clergyman, slow and solemn, in severe simplicity, needing no black silk gown to denote his office. His aspect claims my reverence, but cannot win my love. Were I to picture Saint Peter keeping fast the gate of Heaven and frowning, more stern than pitiful, on the wretched applicants, that face should be my study. By middle age, or sooner, the creed has generally wrought upon the heart or been attempered by it. As the minister passes into the church the bell holds its iron tongue and all the low murmur of the congregation dies away. The gray sexton looks up and down the street and then at my window-curtain, where through the small peephole I half fancy that he has caught my eye. Now every loiterer has gone in and the street lies asleep in the quiet sun, while a feeling of loneliness comes over me, and brings also an uneasy sense of neglected privileges and duties. Oh, I ought to have gone to church! The bustle of the rising congregation reaches my ears. They are standing up to pray. Could I bring my heart into unison with those who are praying in yonder church and lift it heavenward with a fervor of supplication, but no distinct request, would not that be the safest kind of prayer?—"Lord, look down upon me in mercy!" With that sentiment gushing from my soul, might I not leave all the rest to him?

Hark! the hymn! This, at least, is a portion of the service which I can enjoy better than if I sat within the walls, where the full choir and the massive melody of the organ would fall with a weight upon me. At this distance it thrills through my frame and plays upon my heart-strings with a pleasure both of the sense and spirit. Heaven be praised! I know nothing of music as a science, and the most elaborate harmonies, if they please me, please as simply as a nurse's lullaby. The strain has ceased, but prolongs itself in my mind with fanciful echoes till I start from my reverie and find that the sermon has commenced. It is my misfortune seldom to fructify in a regular way by any but printed sermons. The first strong idea which the preacher utters gives birth to a train of thought and leads me onward step by step quite out of hearing of the good man's voice unless he be indeed a son of thunder. At my open window, catching now and then a sentence of the "parson's saw," I am as well situated as at the foot of the pulpit stairs. The broken and scattered fragments of this one discourse will be the texts of many sermons preached by those colleague pastors—colleagues, but often disputants—my Mind and Heart. The former pretends to be a scholar and perplexes me with doctrinal points; the latter takes me on the score of feeling; and both, like several other preachers, spend their strength to very little purpose. I, their sole auditor, cannot always understand them.

Suppose that a few hours have passed, and behold me still behind my curtain just before the close of the afternoon service. The hour-hand on the dial has passed beyond four o'clock. The declining sun is hidden behind the steeple and throws its shadow straight across the street; so that my chamber is darkened as with a cloud. Around the church door all is solitude, and an impenetrable obscurity beyond the threshold. A commotion is heard. The seats are slammed down and the pew doors thrown back; a multitude of feet are trampling along the unseen aisles, and the congregation bursts suddenly through the portal. Foremost scampers a rabble of boys, behind whom moves a dense and dark phalanx of grown men, and lastly a crowd of females with young children and a few scattered husbands. This instantaneous outbreak of life into loneliness is one of the pleasantest scenes of the day. Some of the good people are rubbing their eyes, thereby intimating that they have been wrapped, as it were, in a sort of holy trance by the fervor of their devotion. There is a young man, a third-rate coxcomb, whose first care is always to flourish a white handkerchief and brush the seat of a tight pair of black silk pantaloons which shine as if varnished. They must have been made of the stuff called "everlasting," or perhaps of the same piece as Christian's garments in the Pilgrim's Progress, for he put them on two summers ago and has not yet worn the gloss off. I have taken a great liking to those black silk pantaloons. But now, with nods and greetings among friends, each matron takes her husband's arm and paces gravely homeward, while the girls also flutter away after arranging sunset walks with their favored bachelors. The Sabbath eve is the eve of love. At length the whole congregation is dispersed. No; here, with faces as glossy as black satin, come two sable ladies and a sable gentleman, and close in their rear the minister, who softens his severe visage and bestows a kind word on each. Poor souls! To them the most captivating picture of bliss in heaven is "There we shall be white!"

All is solitude again. But hark! A broken warbling of voices, and now, attuning its grandeur to their sweetness, a stately peal of the organ. Who are the choristers? Let me dream that the angels who came down from heaven this blessed morn to blend themselves with the worship of the truly good are playing and singing their farewell to the earth. On the wings of that rich melody they were borne upward.

This, gentle reader, is merely a flight of poetry. A few of the singing-men and singing-women had lingered behind their fellows and raised their voices fitfully and blew a careless note upon the organ. Yet it lifted my soul higher than all their former strains. They are gone—the sons and daughters of Music—and the gray sexton is just closing the portal. For six days more there will be no face of man in the pews and aisles and galleries, nor a voice in the pulpit, nor music in the choir. Was it worth while to rear this massive edifice to be a desert in the heart of the town and populous only for a few hours of each seventh day? Oh, but the church is a symbol of religion. May its site, which was consecrated on the day when the first tree was felled, be kept holy for ever, a spot of solitude and peace amid the trouble and vanity of our week-day world! There is a moral, and a religion too, even in the silent walls. And may the steeple still point heavenward and be decked with the hallowed sunshine of the Sabbath morn!



THE WEDDING-KNELL.

There is a certain church, in the city of New York which I have always regarded with peculiar interest on account of a marriage there solemnized under very singular circumstances in my grandmother's girlhood. That venerable lady chanced to be a spectator of the scene, and ever after made it her favorite narrative. Whether the edifice now standing on the same site be the identical one to which she referred I am not antiquarian enough to know, nor would it be worth while to correct myself, perhaps, of an agreeable error by reading the date of its erection on the tablet over the door. It is a stately church surrounded by an enclosure of the loveliest green, within which appear urns, pillars, obelisks, and other forms of monumental marble, the tributes of private affection or more splendid memorials of historic dust. With such a place, though the tumult of the city rolls beneath its tower, one would be willing to connect some legendary interest.

The marriage might be considered as the result of an early engagement, though there had been two intermediate weddings on the lady's part and forty years of celibacy on that of the gentleman. At sixty-five Mr. Ellenwood was a shy but not quite a secluded man; selfish, like all men who brood over their own hearts, yet manifesting on rare occasions a vein of generous sentiment; a scholar throughout life, though always an indolent one, because his studies had no definite object either of public advantage or personal ambition; a gentleman, high-bred and fastidiously delicate, yet sometimes requiring a considerable relaxation in his behalf of the common rules of society. In truth, there were so many anomalies in his character, and, though shrinking with diseased sensibility from public notice, it had been his fatality so often to become the topic of the day by some wild eccentricity of conduct, that people searched his lineage for a hereditary taint of insanity. But there was no need of this. His caprices had their origin in a mind that lacked the support of an engrossing purpose, and in feelings that preyed upon themselves for want of other food. If he were mad, it was the consequence, and not the cause, of an aimless and abortive life.

The widow was as complete a contrast to her third bridegroom in everything but age as can well be conceived. Compelled to relinquish her first engagement, she had been united to a man of twice her own years, to whom she became an exemplary wife, and by whose death she was left in possession of a splendid fortune. A Southern gentleman considerably younger than herself succeeded to her hand and carried her to Charleston, where after many uncomfortable years she found herself again a widow. It would have been singular if any uncommon delicacy of feeling had survived through such a life as Mrs. Dabney's; it could not but be crushed and killed by her early disappointment, the cold duty of her first marriage, the dislocation of the heart's principles consequent on a second union, and the unkindness of her Southern husband, which had inevitably driven her to connect the idea of his death with that of her comfort. To be brief, she was that wisest but unloveliest variety of woman, a philosopher, bearing troubles of the heart with equanimity, dispensing with all that should have been her happiness and making the best of what remained. Sage in most matters, the widow was perhaps the more amiable for the one frailty that made her ridiculous. Being childless, she could not remain beautiful by proxy in the person of a daughter; she therefore refused to grow old and ugly on any consideration; she struggled with Time, and held fast her roses in spite of him, till the venerable thief appeared to have relinquished the spoil as not worth the trouble of acquiring it.

The approaching marriage of this woman of the world with such an unworldly man as Mr. Ellenwood was announced soon after Mrs. Dabney's return to her native city. Superficial observers, and deeper ones, seemed to concur in supposing that the lady must have borne no inactive part in arranging the affair; there were considerations of expediency which she would be far more likely to appreciate than Mr. Ellenwood, and there was just the specious phantom of sentiment and romance in this late union of two early lovers which sometimes makes a fool of a woman who has lost her true feelings among the accidents of life. All the wonder was how the gentleman, with his lack of worldly wisdom and agonizing consciousness of ridicule, could have been induced to take a measure at once so prudent and so laughable. But while people talked the wedding-day arrived. The ceremony was to be solemnized according to the Episcopalian forms and in open church, with a degree of publicity that attracted many spectators, who occupied the front seats of the galleries and the pews near the altar and along the broad aisle. It had been arranged, or possibly it was the custom of the day, that the parties should proceed separately to church. By some accident the bridegroom was a little less punctual than the widow and her bridal attendants, with whose arrival, after this tedious but necessary preface, the action of our tale may be said to commence.

The clumsy wheels of several old-fashioned coaches were heard, and the gentlemen and ladies composing the bridal-party came through the church door with the sudden and gladsome effect of a burst of sunshine. The whole group, except the principal figure, was made up of youth and gayety. As they streamed up the broad aisle, while the pews and pillars seemed to brighten on either side, their steps were as buoyant as if they mistook the church for a ball-room and were ready to dance hand in hand to the altar. So brilliant was the spectacle that few took notice of a singular phenomenon that had marked its entrance. At the moment when the bride's foot touched the threshold the bell swung heavily in the tower above her and sent forth its deepest knell. The vibrations died away, and returned with prolonged solemnity as she entered the body of the church.

"Good heavens! What an omen!" whispered a young lady to her lover.

"On my honor," replied the gentleman, "I believe the bell has the good taste to toll of its own accord. What has she to do with weddings? If you, dearest Julia, were approaching the altar, the bell would ring out its merriest peal. It has only a funeral-knell for her."

The bride and most of her company had been too much occupied with the bustle of entrance to hear the first boding stroke of the bell—or, at least, to reflect on the singularity of such a welcome to the altar. They therefore continued to advance with undiminished gayety. The gorgeous dresses of the time—the crimson velvet coats, the gold-laced hats, the hoop-petticoats, the silk, satin, brocade and embroidery, the buckles, canes and swords, all displayed to the best advantage on persons suited to such finery—made the group appear more like a bright-colored picture than anything real. But by what perversity of taste had the artist represented his principal figure as so wrinkled and decayed, while yet he had decked her out in the brightest splendor of attire, as if the loveliest maiden had suddenly withered into age and become a moral to the beautiful around her? On they went, however, and had glittered along about a third of the aisle, when another stroke of the bell seemed to fill the church with a visible gloom, dimming and obscuring the bright-pageant till it shone forth again as from a mist.

This time the party wavered, stopped and huddled closer together, while a slight scream was heard from some of the ladies and a confused whispering among the gentlemen. Thus tossing to and fro, they might have been fancifully compared to a splendid bunch of flowers suddenly shaken by a puff of wind which threatened to scatter the leaves of an old brown, withered rose on the same stalk with two dewy buds, such being the emblem of the widow between her fair young bridemaids. But her heroism was admirable. She had started with an irrepressible shudder, as if the stroke of the bell had fallen directly on her heart; then, recovering herself, while her attendants were yet in dismay, she took the lead and paced calmly up the aisle. The bell continued to swing, strike and vibrate with the same doleful regularity as when a corpse is on its way to the tomb.

"My young friends here have their nerves a little shaken," said the widow, with a smile, to the clergyman at the altar. "But so many weddings have been ushered in with the merriest peal of the bells, and yet turned out unhappily, that I shall hope for better fortune under such different auspices."

"Madam," answered the rector, in great perplexity, "this strange occurrence brings to my mind a marriage-sermon of the famous Bishop Taylor wherein he mingles so many thoughts of mortality and future woe that, to speak somewhat after his own rich style, he seems to hang the bridal-chamber in black and cut the wedding-garment out of a coffin-pall. And it has been the custom of divers nations to infuse something of sadness into their marriage ceremonies, so to keep death in mind while contracting that engagement which is life's chiefest business. Thus we may draw a sad but profitable moral from this funeral-knell."

But, though the clergyman might have given his moral even a keener point, he did not fail to despatch an attendant to inquire into the mystery and stop those sounds so dismally appropriate to such a marriage. A brief space elapsed, during which the silence was broken only by whispers and a few suppressed titterings among the wedding-party and the spectators, who after the first shock were disposed to draw an ill-natured merriment from the affair. The young have less charity for aged follies than the old for those of youth. The widow's glance was observed to wander for an instant toward a window of the church, as if searching for the time-worn marble that she had dedicated to her first husband; then her eyelids dropped over their faded orbs and her thoughts were drawn irresistibly to another grave. Two buried men with a voice at her ear and a cry afar off were calling her to lie down beside them. Perhaps, with momentary truth of feeling, she thought how much happier had been her fate if, after years of bliss, the bell were now tolling for her funeral and she were followed to the grave by the old affection of her earliest lover, long her husband. But why had she returned to him when their cold hearts shrank from each other's embrace?

Still the death-bell tolled so mournfully that the sunshine seemed to fade in the air. A whisper, communicated from those who stood nearest the windows, now spread through the church: a hearse with a train of several coaches was creeping along the street, conveying some dead man to the churchyard, while the bride awaited a living one at the altar. Immediately after, the footsteps of the bridegroom and his friends were heard at the door. The widow looked down the aisle and clenched the arm of one of her bridemaids in her bony hand with such unconscious violence that the fair girl trembled.

"You frighten me, my dear madam," cried she. "For heaven's sake, what is the matter?"

"Nothing, my dear—nothing," said the widow; then, whispering close to her ear, "There is a foolish fancy that I cannot get rid of. I am expecting my bridegroom to come into the church with my two first husbands for groomsmen."

"Look! look!" screamed the bridemaid. "What is here? The funeral!"

As she spoke a dark procession paced into the church. First came an old man and woman, like chief mourners at a funeral, attired from head to foot in the deepest black, all but their pale features and hoary hair, he leaning on a staff and supporting her decrepit form with his nerveless arm. Behind appeared another and another pair, as aged, as black and mournful as the first. As they drew near the widow recognized in every face some trait of former friends long forgotten, but now returning as if from their old graves to warn her to prepare a shroud, or, with purpose almost as unwelcome, to exhibit their wrinkles and infirmity and claim her as their companion by the tokens of her own decay. Many a merry night had she danced with them in youth, and now in joyless age she felt that some withered partner should request her hand and all unite in a dance of death to the music of the funeral-bell.

While these aged mourners were passing up the aisle it was observed that from pew to pew the spectators shuddered with irrepressible awe as some object hitherto concealed by the intervening figures came full in sight. Many turned away their faces; others kept a fixed and rigid stare, and a young girl giggled hysterically and fainted with the laughter on her lips. When the spectral procession approached the altar, each couple separated and slowly diverged, till in the centre appeared a form that had been worthily ushered in with all this gloomy pomp, the death-knell and the funeral. It was the bridegroom in his shroud.

No garb but that of the grave could have befitted such a death-like aspect. The eyes, indeed, had the wild gleam of a sepulchral lamp; all else was fixed in the stern calmness which old men wear in the coffin. The corpse stood motionless, but addressed the widow in accents that seemed to melt into the clang of the bell, which fell heavily on the air while he spoke.

"Come, my bride!" said those pale lips. "The hearse is ready; the sexton stands waiting for us at the door of the tomb. Let us be married, and then to our coffins!"

How shall the widow's horror be represented? It gave her the ghastliness of a dead man's bride. Her youthful friends stood apart, shuddering at the mourners, the shrouded bridegroom and herself; the whole scene expressed by the strongest imagery the vain struggle of the gilded vanities of this world when opposed to age, infirmity, sorrow and death.

The awestruck silence was first broken by the clergyman.

"Mr. Ellenwood," said he, soothingly, yet with somewhat of authority, "you are not well. Your mind has been agitated by the unusual circumstances in which you are placed. The ceremony must be deferred. As an old friend, let me entreat you to return home."

"Home—yes; but not without my bride," answered he, in the same hollow accents. "You deem this mockery—perhaps madness. Had I bedizened my aged and broken frame with scarlet and embroidery, had I forced my withered lips to smile at my dead heart, that might have been mockery or madness; but now let young and old declare which of us has come hither without a wedding-garment—the bridegroom or the bride."

He stepped forward at a ghostly pace and stood beside the widow, contrasting the awful simplicity of his shroud with the glare and glitter in which she had arrayed herself for this unhappy scene. None that beheld them could deny the terrible strength of the moral which his disordered intellect had contrived to draw.

"Cruel! cruel!" groaned the heartstricken bride.

"Cruel?" repeated he; then, losing his deathlike composure in a wild bitterness, "Heaven judge which of us has been cruel to the other! In youth you deprived me of my happiness, my hopes, my aims; you took away all the substance of my life and made it a dream without reality enough even to grieve at—with only a pervading gloom, through which I walked wearily and cared not whither. But after forty years, when I have built my tomb and would not give up the thought of resting there—no, not for such a life as we once pictured—you call me to the altar. At your summons I am here. But other husbands have enjoyed your youth, your beauty, your warmth of heart and all that could be termed your life. What is there for me but your decay and death? And therefore I have bidden these funeral-friends, and bespoken the sexton's deepest knell, and am come in my shroud to wed you as with a burial-service, that we may join our hands at the door of the sepulchre and enter it together."

It was not frenzy, it was not merely the drunkenness of strong emotion in a heart unused to it, that now wrought upon the bride. The stern lesson of the day had done its work; her worldliness was gone. She seized the bridegroom's hand.

"Yes!" cried she; "let us wed even at the door of the sepulchre. My life is gone in vanity and emptiness, but at its close there is one true feeling. It has made me what I was in youth: it makes me worthy of you. Time is no more for both of us. Let us wed for eternity."

With a long and deep regard the bridegroom looked into her eyes, while a tear was gathering in his own. How strange that gush of human feeling from the frozen bosom of a corpse! He wiped away the tear, even with his shroud.

"Beloved of my youth," said he, "I have been wild. The despair of my whole lifetime had returned at once and maddened me. Forgive and be forgiven. Yes; it is evening with us now, and we have realized none of our morning dreams of happiness. But let us join our hands before the altar as lovers whom adverse circumstances have separated through life, yet who meet again as they are leaving it and find their earthly affection changed into something holy as religion. And what is time to the married of eternity?"

Amid the tears of many and a swell of exalted sentiment in those who felt aright was solemnized the union of two immortal souls. The train of withered mourners, the hoary bridegroom in his shroud, the pale features of the aged bride and the death-bell tolling through the whole till its deep voice overpowered the marriage-words,—all marked the funeral of earthly hopes. But as the ceremony proceeded, the organ, as if stirred by the sympathies of this impressive scene, poured forth an anthem, first mingling with the dismal knell, then rising to a loftier strain, till the soul looked down upon its woe. And when the awful rite was finished and with cold hand in cold hand the married of eternity withdrew, the organ's peal of solemn triumph drowned the wedding-knell.



THE MINISTER'S BLACK VEIL.

A PARABLE.[1]

The sexton stood in the porch of Milford meeting-house pulling lustily at the bell-rope. The old people of the village came stooping along the street. Children with bright faces tripped merrily beside their parents or mimicked a graver gait in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week-days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper's door. The first glimpse of the clergyman's figure was the signal for the bell to cease its summons.

[Footnote 1: Another clergyman in New England, Mr. Joseph Moody, of York, Maine, who died about eighty years since, made himself remarkable by the same eccentricity that is here related of the Reverend Mr. Hooper. In his case, however, the symbol had a different import. In early life he had accidentally killed a beloved friend, and from that day till the hour of his own death he hid his face from men.]

"But what has good Parson Hooper got upon his face?" cried the sexton, in astonishment.

All within hearing immediately turned about and beheld the semblance of Mr. Hooper pacing slowly his meditative way toward the meeting-house. With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper's pulpit.

"Are you sure it is our parson?" inquired Goodman Gray of the sexton.

"Of a certainty it is good Mr. Hooper," replied the sexton. "He was to have exchanged pulpits with Parson Shute of Westbury, but Parson Shute sent to excuse himself yesterday, being to preach a funeral sermon."

The cause of so much amazement may appear sufficiently slight. Mr. Hooper, a gentlemanly person of about thirty, though still a bachelor, was dressed with due clerical neatness, as if a careful wife had starched his band and brushed the weekly dust from his Sunday's garb. There was but one thing remarkable in his appearance. Swathed about his forehead and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features except the mouth and chin, but probably did not intercept his sight further than to give a darkened aspect to all living and inanimate things. With this gloomy shade before him good Mr. Hooper walked onward at a slow and quiet pace, stooping somewhat and looking on the ground, as is customary with abstracted men, yet nodding kindly to those of his parishioners who still waited on the meeting-house steps. But so wonder-struck were they that his greeting hardly met with a return.

"I can't really feel as if good Mr. Hooper's face was behind that piece of crape," said the sexton.

"I don't like it," muttered an old woman as she hobbled into the meeting-house. "He has changed himself into something awful only by hiding his face."

"Our parson has gone mad!" cried Goodman Gray, following him across the threshold.

A rumor of some unaccountable phenomenon had preceded Mr. Hooper into the meeting-house and set all the congregation astir. Few could refrain from twisting their heads toward the door; many stood upright and turned directly about; while several little boys clambered upon the seats, and came down again with a terrible racket. There was a general bustle, a rustling of the women's gowns and shuffling of the men's feet, greatly at variance with that hushed repose which should attend the entrance of the minister. But Mr. Hooper appeared not to notice the perturbation of his people. He entered with an almost noiseless step, bent his head mildly to the pews on each side and bowed as he passed his oldest parishioner, a white-haired great-grandsire, who occupied an arm-chair in the centre of the aisle. It was strange to observe how slowly this venerable man became conscious of something singular in the appearance of his pastor. He seemed not fully to partake of the prevailing wonder till Mr. Hooper had ascended the stairs and showed himself in the pulpit, face to face with his congregation except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath as he gave out the psalm, it threw its obscurity between him and the holy page as he read the Scriptures, and while he prayed the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?

Such was the effect of this simple piece of crape that more than one woman of delicate nerves was forced to leave the meeting-house. Yet perhaps the pale-faced congregation was almost as fearful a sight to the minister as his black veil to them.

Mr. Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward by mild, persuasive influences rather than to drive them thither by the thunders of the word. The sermon which he now delivered was marked by the same characteristics of style and manner as the general series of his pulpit oratory, but there was something either in the sentiment of the discourse itself or in the imagination of the auditors which made it greatly the most powerful effort that they had ever heard from their pastor's lips. It was tinged rather more darkly than usual with the gentle gloom of Mr. Hooper's temperament. The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them. A subtle power was breathed into his words. Each member of the congregation, the most innocent girl and the man of hardened breast, felt as if the preacher had crept upon them behind his awful veil and discovered their hoarded iniquity of deed or thought. Many spread their clasped hands on their bosoms. There was nothing terrible in what Mr. Hooper said—at least, no violence; and yet with every tremor of his melancholy voice the hearers quaked. An unsought pathos came hand in hand with awe. So sensible were the audience of some unwonted attribute in their minister that they longed for a breath of wind to blow aside the veil, almost believing that a stranger's visage would be discovered, though the form, gesture and voice were those of Mr. Hooper.

At the close of the services the people hurried out with indecorous confusion, eager to communicate their pent-up amazement, and conscious of lighter spirits the moment they lost sight of the black veil. Some gathered in little circles, huddled closely together, with their mouths all whispering in the centre; some went homeward alone, wrapped in silent meditation; some talked loudly and profaned the Sabbath-day with ostentatious laughter. A few shook their sagacious heads, intimating that they could penetrate the mystery, while one or two affirmed that there was no mystery at all, but only that Mr. Hooper's eyes were so weakened by the midnight lamp as to require a shade.

After a brief interval forth came good Mr. Hooper also, in the rear of his flock. Turning his veiled face from one group to another, he paid due reverence to the hoary heads, saluted the middle-aged with kind dignity as their friend and spiritual guide, greeted the young with mingled authority and love, and laid his hands on the little children's heads to bless them. Such was always his custom on the Sabbath-day. Strange and bewildered looks repaid him for his courtesy. None, as on former occasions, aspired to the honor of walking by their pastor's side. Old Squire Saunders—doubtless by an accidental lapse of memory—neglected to invite Mr. Hooper to his table, where the good clergyman had been wont to bless the food almost every Sunday since his settlement. He returned, therefore, to the parsonage, and at the moment of closing the door was observed to look back upon the people, all of whom had their eyes fixed upon the minister. A sad smile gleamed faintly from beneath the black veil and flickered about his mouth, glimmering as he disappeared.

"How strange," said a lady, "that a simple black veil, such as any woman might wear on her bonnet, should become such a terrible thing on Mr. Hooper's face!"

"Something must surely be amiss with Mr. Hooper's intellects," observed her husband, the physician of the village. "But the strangest part of the affair is the effect of this vagary even on a sober-minded man like myself. The black veil, though it covers only our pastor's face, throws its influence over his whole person and makes him ghost-like from head to foot. Do you not feel it so?"

"Truly do I," replied the lady; "and I would not be alone with him for the world. I wonder he is not afraid to be alone with himself."

"Men sometimes are so," said her husband.

The afternoon service was attended with similar circumstances. At its conclusion the bell tolled for the funeral of a young lady. The relatives and friends were assembled in the house and the more distant acquaintances stood about the door, speaking of the good qualities of the deceased, when their talk was interrupted by the appearance of Mr. Hooper, still covered with his black veil. It was now an appropriate emblem. The clergyman stepped into the room where the corpse was laid, and bent over the coffin to take a last farewell of his deceased parishioner. As he stooped the veil hung straight down from his forehead, so that, if her eye-lids had not been closed for ever, the dead maiden might have seen his face. Could Mr. Hooper be fearful of her glance, that he so hastily caught back the black veil? A person who watched the interview between the dead and living scrupled not to affirm that at the instant when the clergyman's features were disclosed the corpse had slightly shuddered, rustling the shroud and muslin cap, though the countenance retained the composure of death. A superstitious old woman was the only witness of this prodigy.

From the coffin Mr. Hooper passed into the chamber of the mourners, and thence to the head of the staircase, to make the funeral prayer. It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes that the music of a heavenly harp swept by the fingers of the dead seemed faintly to be heard among the saddest accents of the minister. The people trembled, though they but darkly understood him, when he prayed that they and himself, and all of mortal race, might be ready, as he trusted this young maiden had been, for the dreadful hour that should snatch the veil from their faces. The bearers went heavily forth and the mourners followed, saddening all the street, with the dead before them and Mr. Hooper in his black veil behind.

"Why do you look back?" said one in the procession to his partner.

"I had a fancy," replied she, "that the minister and the maiden's spirit were walking hand in hand."

"And so had I at the same moment," said the other.

That night the handsomest couple in Milford village were to be joined in wedlock. Though reckoned a melancholy man, Mr. Hooper had a placid cheerfulness for such occasions which often excited a sympathetic smile where livelier merriment would have been thrown away. There was no quality of his disposition which made him more beloved than this. The company at the wedding awaited his arrival with impatience, trusting that the strange awe which had gathered over him throughout the day would now be dispelled. But such was not the result. When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil which had added deeper gloom to the funeral and could portend nothing but evil to the wedding. Such was its immediate effect on the guests that a cloud seemed to have rolled duskily from beneath the black crape and dimmed the light of the candles. The bridal pair stood up before the minister, but the bride's cold fingers quivered in the tremulous hand of the bridegroom, and her death-like paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married. If ever another wedding were so dismal, it was that famous one where they tolled the wedding-knell.

After performing the ceremony Mr. Hooper raised a glass of wine to his lips, wishing happiness to the new-married couple in a strain of mild pleasantry that ought to have brightened the features of the guests like a cheerful gleam from the hearth. At that instant, catching a glimpse of his figure in the looking-glass, the black veil involved his own spirit in the horror with which it overwhelmed all others. His frame shuddered, his lips grew white, he spilt the untasted wine upon the carpet and rushed forth into the darkness, for the Earth too had on her black veil.

The next day the whole village of Milford talked of little else than Parson Hooper's black veil. That, and the mystery concealed behind it, supplied a topic for discussion between acquaintances meeting in the street and good women gossipping at their open windows. It was the first item of news that the tavernkeeper told to his guests. The children babbled of it on their way to school. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself and he wellnigh lost his wits by his own waggery.

It was remarkable that, of all the busybodies and impertinent people in the parish, not one ventured to put the plain question to Mr. Hooper wherefore he did this thing. Hitherto, whenever there appeared the slightest call for such interference, he had never lacked advisers nor shown himself averse to be guided by their judgment. If he erred at all, it was by so painful a degree of self-distrust that even the mildest censure would lead him to consider an indifferent action as a crime. Yet, though so well acquainted with this amiable weakness, no individual among his parishioners chose to make the black veil a subject of friendly remonstrance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the responsibility upon another, till at length it was found expedient to send a deputation of the church, in order to deal with Mr. Hooper about the mystery before it should grow into a scandal. Never did an embassy so ill discharge its duties. The minister received them with friendly courtesy, but became silent after they were seated, leaving to his visitors the whole burden of introducing their important business. The topic, it might be supposed, was obvious enough. There was the black veil swathed round Mr. Hooper's forehead and concealing every feature above his placid mouth, on which, at times, they could perceive the glimmering of a melancholy smile. But that piece of crape, to their imagination, seemed to hang down before his heart, the symbol of a fearful secret between him and them. Were the veil but cast aside, they might speak freely of it, but not till then. Thus they sat a considerable time, speechless, confused and shrinking uneasily from Mr. Hooper's eye, which they felt to be fixed upon them with an invisible glance. Finally, the deputies returned abashed to their constituents, pronouncing the matter too weighty to be handled except by a council of the churches, if, indeed, it might not require a General Synod.

But there was one person in the village unappalled by the awe with which the black veil had impressed all besides herself. When the deputies returned without an explanation, or even venturing to demand one, she with the calm energy of her character determined to chase away the strange cloud that appeared to be settling round Mr. Hooper every moment more darkly than before. As his plighted wife it should be her privilege to know what the black veil concealed. At the minister's first visit, therefore, she entered upon the subject with a direct simplicity which made the task easier both for him and her. After he had seated himself she fixed her eyes steadfastly upon the veil, but could discern nothing of the dreadful gloom that had so overawed the multitude; it was but a double fold of crape hanging down from his forehead to his mouth and slightly stirring with his breath.

"No," said she, aloud, and smiling, "there is nothing terrible in this piece of crape, except that it hides a face which I am always glad to look upon. Come, good sir; let the sun shine from behind the cloud. First lay aside your black veil, then tell me why you put it on."

Mr. Hooper's smile glimmered faintly.

"There is an hour to come," said he, "when all of us shall cast aside our veils. Take it not amiss, beloved friend, if I wear this piece of crape till then."

"Your words are a mystery too," returned the young lady. "Take away the veil from them, at least."

"Elizabeth, I will," said he, "so far as my vow may suffer me. Know, then, this veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes, and as with strangers, so with my familiar friends. No mortal eye will see it withdrawn. This dismal shade must separate me from the world; even you, Elizabeth, can never come behind it."

"What grievous affliction hath befallen you," she earnestly inquired, "that you should thus darken your eyes for ever?"

"If it be a sign of mourning," replied Mr. Hooper, "I, perhaps, like most other mortals, have sorrows dark enough to be typified by a black veil."

"But what if the world will not believe that it is the type of an innocent sorrow?" urged Elizabeth. "Beloved and respected as you are, there may be whispers that you hide your face under the consciousness of secret sin. For the sake of your holy office do away this scandal."

The color rose into her cheeks as she intimated the nature of the rumors that were already abroad in the village. But Mr. Hooper's mildness did not forsake him. He even smiled again—that same sad smile which always appeared like a faint glimmering of light proceeding from the obscurity beneath the veil.

"If I hide my face for sorrow, there is cause enough," he merely replied; "and if I cover it for secret sin, what mortal might not do the same?" And with this gentle but unconquerable obstinacy did he resist all her entreaties.

At length Elizabeth sat silent. For a few moments she appeared lost in thought, considering, probably, what new methods might be tried to withdraw her lover from so dark a fantasy, which, if it had no other meaning, was perhaps a symptom of mental disease. Though of a firmer character than his own, the tears rolled down her cheeks. But in an instant, as it were, a new feeling took the place of sorrow: her eyes were fixed insensibly on the black veil, when like a sudden twilight in the air its terrors fell around her. She arose and stood trembling before him.

"And do you feel it, then, at last?" said he, mournfully.

She made no reply, but covered her eyes with her hand and turned to leave the room. He rushed forward and caught her arm.

"Have patience with me, Elizabeth!" cried he, passionately. "Do not desert me though this veil must be between us here on earth. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls. It is but a mortal veil; it is not for eternity. Oh, you know not how lonely I am, and how frightened to be alone behind my black veil! Do not leave me in this miserable obscurity for ever."

"Lift the veil but once and look me in the face," said she.

"Never! It cannot be!" replied Mr. Hooper.

"Then farewell!" said Elizabeth.

She withdrew her arm from his grasp and slowly departed, pausing at the door to give one long, shuddering gaze that seemed almost to penetrate the mystery of the black veil. But even amid his grief Mr. Hooper smiled to think that only a material emblem had separated him from happiness, though the horrors which it shadowed forth must be drawn darkly between the fondest of lovers.

From that time no attempts were made to remove Mr. Hooper's black veil or by a direct appeal to discover the secret which it was supposed to hide. By persons who claimed a superiority to popular prejudice it was reckoned merely an eccentric whim, such as often mingles with the sober actions of men otherwise rational and tinges them all with its own semblance of insanity. But with the multitude good Mr. Hooper was irreparably a bugbear. He could not walk the street with any peace of mind, so conscious was he that the gentle and timid would turn aside to avoid him, and that others would make it a point of hardihood to throw themselves in his way. The impertinence of the latter class compelled him to give up his customary walk at sunset to the burial-ground; for when he leaned pensively over the gate, there would always be faces behind the gravestones peeping at his black veil. A fable went the rounds that the stare of the dead people drove him thence. It grieved him to the very depth of his kind heart to observe how the children fled from his approach, breaking up their merriest sports while his melancholy figure was yet afar off. Their instinctive dread caused him to feel more strongly than aught else that a preternatural horror was interwoven with the threads of the black crape. In truth, his own antipathy to the veil was known to be so great that he never willingly passed before a mirror nor stooped to drink at a still fountain lest in its peaceful bosom he should be affrighted by himself. This was what gave plausibility to the whispers that Mr. Hooper's conscience tortured him for some great crime too horrible to be entirely concealed or otherwise than so obscurely intimated. Thus from beneath the black veil there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which enveloped the poor minister, so that love or sympathy could never reach him. It was said that ghost and fiend consorted with him there. With self-shudderings and outward terrors he walked continually in its shadow, groping darkly within his own soul or gazing through a medium that saddened the whole world. Even the lawless wind, it was believed, respected his dreadful secret and never blew aside the veil. But still good Mr. Hooper sadly smiled at the pale visages of the worldly throng as he passed by.

Among all its bad influences, the black veil had the one desirable effect of making its wearer a very efficient clergyman. By the aid of his mysterious emblem—for there was no other apparent cause—he became a man of awful power over souls that were in agony for sin. His converts always regarded him with a dread peculiar to themselves, affirming, though but figuratively, that before he brought them to celestial light they had been with him behind the black veil. Its gloom, indeed, enabled him to sympathize with all dark affections. Dying sinners cried aloud for Mr. Hooper and would not yield their breath till he appeared, though ever, as he stooped to whisper consolation, they shuddered at the veiled face so near their own. Such were the terrors of the black veil even when Death had bared his visage. Strangers came long distances to attend service at his church with the mere idle purpose of gazing at his figure because it was forbidden them to behold his face. But many were made to quake ere they departed. Once, during Governor Belcher's administration, Mr. Hooper was appointed to preach the election sermon. Covered with his black veil, he stood before the chief magistrate, the council and the representatives, and wrought so deep an impression that the legislative measures of that year were characterized by all the gloom and piety of our earliest ancestral sway.

In this manner Mr. Hooper spent a long life, irreproachable in outward act, yet shrouded in dismal suspicions; kind and loving, though unloved and dimly feared; a man apart from men, shunned in their health and joy, but ever summoned to their aid in mortal anguish. As years wore on, shedding their snows above his sable veil, he acquired a name throughout the New England churches, and they called him Father Hooper. Nearly all his parishioners who were of mature age when he was settled had been borne away by many a funeral: he had one congregation in the church and a more crowded one in the churchyard; and, having wrought so late into the evening and done his work so well, it was now good Father Hooper's turn to rest.

Several persons were visible by the shaded candlelight in the death-chamber of the old clergyman. Natural connections he had none. But there was the decorously grave though unmoved physician, seeking only to mitigate the last pangs of the patient whom he could not save. There were the deacons and other eminently pious members of his church. There, also, was the Reverend Mr. Clark of Westbury, a young and zealous divine who had ridden in haste to pray by the bedside of the expiring minister. There was the nurse—no hired handmaiden of Death, but one whose calm affection had endured thus long in secrecy, in solitude, amid the chill of age, and would not perish even at the dying-hour. Who but Elizabeth! And there lay the hoary head of good Father Hooper upon the death-pillow with the black veil still swathed about his brow and reaching down over his face, so that each more difficult gasp of his faint breath caused it to stir. All through life that piece of crape had hung between him and the world; it had separated him from cheerful brotherhood and woman's love and kept him in that saddest of all prisons his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber and shade him from the sunshine of eternity.

For some time previous his mind had been confused, wavering doubtfully between the past and the present, and hovering forward, as it were, at intervals, into the indistinctness of the world to come. There had been feverish turns which tossed him from side to side and wore away what little strength he had. But in his most convulsive struggles and in the wildest vagaries of his intellect, when no other thought retained its sober influence, he still showed an awful solicitude lest the black veil should slip aside. Even if his bewildered soul could have forgotten, there was a faithful woman at his pillow who with averted eyes would have covered that aged face which she had last beheld in the comeliness of manhood.

At length the death-stricken old man lay quietly in the torpor of mental and bodily exhaustion, with an imperceptible pulse and breath that grew fainter and fainter except when a long, deep and irregular inspiration seemed to prelude the flight of his spirit.

The minister of Westbury approached the bedside.

"Venerable Father Hooper," said he, "the moment of your release is at hand. Are you ready for the lifting of the veil that shuts in time from eternity?"

Father Hooper at first replied merely by a feeble motion of his head; then—apprehensive, perhaps, that his meaning might be doubtful—he exerted himself to speak.

"Yea," said he, in faint accents; "my soul hath a patient weariness until that veil be lifted."

"And is it fitting," resumed the Reverend Mr. Clark, "that a man so given to prayer, of such a blameless example, holy in deed and thought, so far as mortal judgment may pronounce,—is it fitting that a father in the Church should leave a shadow on his memory that may seem to blacken a life so pure? I pray you, my venerable brother, let not this thing be! Suffer us to be gladdened by your triumphant aspect as you go to your reward. Before the veil of eternity be lifted let me cast aside this black veil from your face;" and, thus speaking, the Reverend Mr. Clark bent forward to reveal the mystery of so many years.

But, exerting a sudden energy that made all the beholders stand aghast, Father Hooper snatched both his hands from beneath the bedclothes and pressed them strongly on the black veil, resolute to struggle if the minister of Westbury would contend with a dying man.

"Never!" cried the veiled clergyman. "On earth, never!"

"Dark old man," exclaimed the affrighted minister, "with what horrible crime upon your soul are you now passing to the judgment?"

Father Hooper's breath heaved: it rattled in his throat; but, with a mighty effort grasping forward with his hands, he caught hold of life and held it back till he should speak. He even raised himself in bed, and there he sat shivering with the arms of Death around him, while the black veil hung down, awful at that last moment in the gathered terrors of a lifetime. And yet the faint, sad smile so often there now seemed to glimmer from its obscurity and linger on Father Hooper's lips.

"Why do you tremble at me alone?" cried he, turning his veiled face round the circle of pale spectators. "Tremble also at each other. Have men avoided me and women shown no pity and children screamed and fled only for my black veil? What but the mystery which it obscurely typifies has made this piece of crape so awful? When the friend shows his inmost heart to his friend, the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin,—then deem me a monster for the symbol beneath which I have lived and die. I look around me, and, lo! on every visage a black veil!"

While his auditors shrank from one another in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse with a faint smile lingering on the lips. Still veiled, they laid him in his coffin, and a veiled corpse they bore him to the grave. The grass of many years has sprung up and withered on that grave, the burial-stone is moss-grown, and good Mr. Hooper's face is dust; but awful is still the thought that it mouldered beneath the black veil.



THE MAYPOLE OF MERRY MOUNT.

There is an admirable foundation for a philosophic romance in the curious history of the early settlement of Mount Wollaston, or Merry Mount. In the slight sketch here attempted the facts recorded on the grave pages of our New England annalists have wrought themselves almost spontaneously into a sort of allegory. The masques, mummeries and festive customs described in the text are in accordance with the manners of the age. Authority on these points may be found in Strutt's Book of English Sports and Pastimes.

Bright were the days at Merry Mount when the Maypole was the banner-staff of that gay colony. They who reared it, should their banner be triumphant, were to pour sunshine over New England's rugged hills and scatter flower-seeds throughout the soil. Jollity and gloom were contending for an empire. Midsummer eve had come, bringing deep verdure to the forest, and roses in her lap of a more vivid hue than the tender buds of spring. But May, or her mirthful spirit, dwelt all the year round at Merry Mount, sporting with the summer months and revelling with autumn and basking in the glow of winter's fireside. Through a world of toil and care she flitted with a dream-like smile, and came hither to find a home among the lightsome hearts of Merry Mount.

Never had the Maypole been so gayly decked as at sunset on Midsummer eve. This venerated emblem was a pine tree which had preserved the slender grace of youth, while it equalled the loftiest height of the old wood-monarchs. From its top streamed a silken banner colored like the rainbow. Down nearly to the ground the pole was dressed with birchen boughs, and others of the liveliest green, and some with silvery leaves fastened by ribbons that fluttered in fantastic knots of twenty different colors, but no sad ones. Garden-flowers and blossoms of the wilderness laughed gladly forth amid the verdure, so fresh and dewy that they must have grown by magic on that happy pine tree. Where this green and flowery splendor terminated the shaft of the Maypole was stained with the seven brilliant hues of the banner at its top. On the lowest green bough hung an abundant wreath of roses—some that had been gathered in the sunniest spots of the forest, and others, of still richer blush, which the colonists had reared from English seed. O people of the Golden Age, the chief of your husbandry was to raise flowers!

But what was the wild throng that stood hand in hand about the Maypole? It could not be that the fauns and nymphs, when driven from their classic groves and homes of ancient fable, had sought refuge, as all the persecuted did, in the fresh woods of the West. These were Gothic monsters, though perhaps of Grecian ancestry. On the shoulders of a comely youth uprose the head and branching antlers of a stag; a second, human in all other points, had the grim visage of a wolf; a third, still with the trunk and limbs of a mortal man, showed the beard and horns of a venerable he-goat. There was the likeness of a bear erect, brute in all but his hind legs, which were adorned with pink silk stockings. And here, again, almost as wondrous, stood a real bear of the dark forest, lending each of his forepaws to the grasp of a human hand and as ready for the dance as any in that circle. His inferior nature rose halfway to meet his companions as they stooped. Other faces wore the similitude of man or woman, but distorted or extravagant, with red noses pendulous before their mouths, which seemed of awful depth and stretched from ear to ear in an eternal fit of laughter. Here might be seen the salvage man—well known in heraldry—hairy as a baboon and girdled with green leaves. By his side—a nobler figure, but still a counterfeit—appeared an Indian hunter with feathery crest and wampum-belt. Many of this strange company wore foolscaps and had little bells appended to their garments, tinkling with a silvery sound responsive to the inaudible music of their gleesome spirits. Some youths and maidens were of soberer garb, yet well maintained their places in the irregular throng by the expression of wild revelry upon their features.

Such were the colonists of Merry Mount as they stood in the broad smile of sunset round their venerated Maypole. Had a wanderer bewildered in the melancholy forest heard their mirth and stolen a half-affrighted glance, he might have fancied them the crew of Comus, some already transformed to brutes, some midway between man and beast, and the others rioting in the flow of tipsy jollity that foreran the change; but a band of Puritans who watched the scene, invisible themselves, compared the masques to those devils and ruined souls with whom their superstition peopled the black wilderness.

Within the ring of monsters appeared the two airiest forms that had ever trodden on any more solid footing than a purple-and-golden cloud. One was a youth in glistening apparel with a scarf of the rainbow pattern crosswise on his breast. His right hand held a gilded staff—the ensign of high dignity among the revellers—and his left grasped the slender fingers of a fair maiden not less gayly decorated than himself. Bright roses glowed in contrast with the dark and glossy curls of each, and were scattered round their feet or had sprung up spontaneously there. Behind this lightsome couple, so close to the Maypole that its boughs shaded his jovial face, stood the figure of an English priest, canonically dressed, yet decked with flowers, in heathen fashion, and wearing a chaplet of the native vine leaves. By the riot of his rolling eye and the pagan decorations of his holy garb, he seemed the wildest monster there, and the very Comus of the crew.

"Votaries of the Maypole," cried the flower-decked priest, "merrily all day long have the woods echoed to your mirth. But be this your merriest hour, my hearts! Lo! here stand the Lord and Lady of the May, whom I, a clerk of Oxford and high priest of Merry Mount, am presently to join in holy matrimony.—Up with your nimble spirits, ye morrice-dancers, green men and glee-maidens, bears and wolves and horned gentlemen! Come! a chorus now rich with the old mirth of Merry England and the wilder glee of this fresh forest, and then a dance, to show the youthful pair what life is made of and how airily they should go through it!—All ye that love the Maypole, lend your voices to the nuptial song of the Lord and Lady of the May!"

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