The Night of the Long Knives
by Fritz Reuter Leiber
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Any man who saw you, or even heard your footsteps must be ambushed, stalked and killed, whether needed for food or not. Otherwise, so long as his strength held out, he would be on your trail.

—The Twenty-Fifth Hour, by Herbert Best

I was one hundred miles from Nowhere—and I mean that literally—when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me.

I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle.

She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos.

We didn't wave or turn our heads or give the slightest indication we'd seen each other as our paths slowly converged. But we were intensely, minutely watchful—I knew I was and she had better be.

Overhead the sky was a low dust haze, as always. I don't remember what a high sky looks like. Three years ago I think I saw Venus. Or it may have been Sirius or Jupiter.

The hot smoky light was turning from the amber of midday to the bloody bronze of evening.

The line of towers I was following showed the faintest spread in the direction of their canting—they must have been only a few miles from blast center. As I passed each one I could see where the metal on the blast side had been eroded—vaporized by the original blast, mostly smoothly, but with welts and pustules where the metal had merely melted and run. I supposed the lines the towers carried had all been vaporized too, but with the haze I couldn't be sure, though I did see three dark blobs up there that might be vultures perching.

From the drift around the foot of the nearest tower a human skull peered whitely. That is rather unusual. Years later now you still see more dead bodies with the meat on them than skeletons. Intense radiation has killed their bacteria and preserved them indefinitely from decay, just like the packaged meat in the last advertisements. In fact such bodies are one of the signs of a really hot drift—you avoid them. The vultures pass up such poisonously hot carrion too—they've learned their lesson.

Ahead some big gas tanks began to loom up, like deformed battleships and flat-tops in a smoke screen, their prows being the juncture of the natural curve of the off-blast side with the massive concavity of the on-blast side.

None of the three other buggers and me had had too clear an idea of where Nowhere had been—hence, in part, the name—but I knew in a general way that I was somewhere in the Deathlands between Porter County and Ouachita Parish, probably much nearer the former.

* * * * *

It's a real mixed-up America we've got these days, you know, with just the faintest trickle of a sense of identity left, like a guy in the paddedest cell in the most locked up ward in the whole loony bin. If a time traveler from mid Twentieth Century hopped forward to it across the few intervening years and looked at a map of it, if anybody has a map of it, he'd think that the map had run—that it had got some sort of disease that had swollen a few tiny parts beyond all bounds, paper tumors, while most of the other parts, the parts he remembered carrying names in such big print and showing such bold colors, had shrunk to nothingness.

To the east he'd see Atlantic Highlands and Savannah Fortress. To the west, Walla Walla Territory, Pacific Palisades, and Los Alamos—and there he'd see an actual change in the coastline, I'm told, where three of the biggest stockpiles of fusionables let go and opened Death Valley to the sea—so that Los Alamos is closer to being a port. Centrally he'd find Porter County and Manteno Asylum surprisingly close together near the Great Lakes, which are tilted and spilled out a bit toward the southwest with the big quake. South-centrally: Ouachita Parish inching up the Mississippi from old Louisiana under the cruel urging of the Fisher Sheriffs.

Those he'd find and a few, a very few other places, including a couple I suppose I haven't heard of. Practically all of them would surprise him—no one can predict what scraps of a blasted nation are going to hang onto a shred of organization and ruthlessly maintain it and very slowly and very jealously extend it.

But biggest of all, occupying practically all the map, reducing all those swollen localities I've mentioned back to tiny blobs, bounding most of America and thrusting its jetty pseudopods everywhere, he'd see the great inkblot of the Deathlands. I don't know how else than by an area of solid, absolutely unrelieved black you'd represent the Deathlands with its multicolored radioactive dusts and its skimpy freightage of lonely Deathlanders, each bound on his murderous, utterly pointless, but utterly absorbing business—an area where names like Nowhere, It, Anywhere, and the Place are the most natural thing in the world when a few of us decide to try to pad down together for a few nervous months or weeks.

As I say, I was somewhere in the Deathlands near Manteno Asylum.

* * * * *

The girl and me were getting closer now, well within pistol or dart range though beyond any but the most expert or lucky knife throw. She wore boots and a weathered long-sleeved shirt and jeans. The black topping was hair, piled high in an elaborate coiffure that was held in place by twisted shavings of bright metal. A fine bug-trap, I told myself.

In her left hand, which was closest to me, she carried a dart gun, pointed away from me, across her body. It was the kind of potent tiny crossbow you can't easily tell whether the spring is loaded. Back around on her left hip a small leather satchel was strapped to her belt. Also on the same side were two sheathed knives, one of which was an oddity—it had no handle, just the bare tang. For nothing but throwing, I guessed.

I let my own left hand drift a little closer to my Banker's Special in its open holster—Ray Baker's great psychological weapon, though (who knows?) the two .38 cartridges it contained might actually fire. The one I'd put to the test at Nowhere had, and very lucky for me.

She seemed to be hiding her right arm from me. Then I spotted the weapon it held, one you don't often see, a stevedore's hook. She was hiding her right hand, all right, she had the long sleeve pulled down over it so just the hook stuck out. I asked myself if the hand were perhaps covered with radiation scars or sores or otherwise disfigured. We Deathlanders have our vanities. I'm sensitive about my baldness.

Then she let her right arm swing more freely and I saw how short it was. She had no right hand. The hook was attached to the wrist stump.

I judged she was about ten years younger than me. I'm pushing forty, I think, though some people have judged I'm younger. No way of my knowing for sure. In this life you forget trifles like chronology.

Anyway, the age difference meant she would have quicker reflexes. I'd have to keep that in mind.

* * * * *

The greenishly glinting dust drift that I'd judged she was avoiding swung closer ahead. The girl's left elbow gave a little kick to the satchel on her hip and there was a sudden burst of irregular ticks that almost made me start. I steadied myself and concentrated on thinking whether I should attach any special significance to her carrying a Geiger counter. Naturally it wasn't the sort of thinking that interfered in any way with my watchfulness—you quickly lose the habit of that kind of thinking in the Deathlands or you lose something else.

It could mean she was some sort of greenhorn. Most of us old-timers can visually judge the heat of a dust drift or crater or rayed area more reliably than any instrument. Some buggers claim they just feel it, though I've never known any of the latter too eager to navigate in unfamiliar country at night—which you'd think they'd be willing to do if they could feel heat blind.

But she didn't look one bit like a tenderfoot—like for instance some citizeness newly banished from Manteno. Or like some Porter burgher's unfaithful wife or troublesome girlfriend whom he'd personally carted out beyond the ridges of cleaned-out hot dust that help guard such places, and then abandoned in revenge or from boredom—and they call themselves civilized, those cultural queers!

No, she looked like she belonged in the Deathlands. But then why the counter?

Her eyes might be bad, real bad. I didn't think so. She raised her boot an extra inch to step over a little jagged fragment of concrete. No.

Maybe she was just a born double-checker, using science to back up knowledge based on experience as rich as my own or richer. I've met the super-careful type before. They mostly get along pretty well, but they tend to be a shade too slow in the clutches.

Maybe she was testing the counter, planning to use it some other way or trade it for something.

Maybe she made a practice of traveling by night! Then the counter made good sense. But then why use it by day? Why reveal it to me in any case?

Was she trying to convince me that she was a greenhorn? Or had she hoped that the sudden noise would throw me off guard? But who would go to the trouble of carrying a Geiger counter for such devious purposes? And wouldn't she have waited until we got closer before trying the noise gambit?

Think-shmink—it gets you nowhere!

She kicked off the counter with another bump of her elbow and started to edge in toward me faster. I turned the thinking all off and gave my whole mind to watchfulness.

Soon we were barely more than eight feet apart, almost within lunging range without even the preliminary one-two step, and still we hadn't spoken or looked straight at each other, though being that close we'd had to cant our heads around a bit to keep each other in peripheral vision. Our eyes would be on each other steadily for five or six seconds, then dart forward an instant to check for rocks and holes in the trail we were following in parallel. A cultural queer from one of the "civilized" places would have found it funny, I suppose, if he'd been able to watch us perform in an arena or from behind armor glass for his exclusive pleasure.

* * * * *

The girl had eyebrows as black as her hair, which in its piled-up and metal-knotted savagery called to mind African queens despite her typical pale complexion—very little ultraviolet gets through the dust. From the inside corner of her right eye socket a narrow radiation scar ran up between her eyebrows and across her forehead at a rakish angle until it disappeared under a sweep of hair at the upper left corner of her forehead.

I'd been smelling her, of course, for some time.

I could even tell the color of her eyes now. They were blue. It's a color you never see. Almost no dusts have a bluish cast, there are few blue objects except certain dark steels, the sky never gets very far away from the orange range, though it is green from time to time, and water reflects the sky.

Yes, she had blue eyes, blue eyes and that jaunty scar, blue eyes and that jaunty scar and a dart gun and a steel hook for a right hand, and we were walking side by side, eight feet apart, not an inch closer, still not looking straight at each other, still not saying a word, and I realized that the initial period of unadulterated watchfulness was over, that I'd had adequate opportunity to inspect this girl and size her up, and that night was coming on fast, and that here I was, once again, back with the problem of the two urges.

I could try either to kill her or go to bed with her.

* * * * *

I know that at this point the cultural queers (and certainly our imaginary time traveler from mid Twentieth Century) would make a great noise about not understanding and not believing in the genuineness of the simple urge to murder that governs the lives of us Deathlanders. Like detective-story pundits, they would say that a man or woman murders for gain, or concealment of crime, or from thwarted sexual desire or outraged sexual possessiveness—and maybe they would list a few other "rational" motives—but not, they would say, just for the simple sake of murder, for the sure release and relief it gives, for the sake of wiping out one recognizable bit more (the closest bit we can, since those of us with the courage or lazy rationality to wipe out ourselves have long since done so)—wiping out one recognizable bit more of the whole miserable, unutterably disgusting human mess. Unless, they would say, a person is completely insane, which is actually how all outsiders view us Deathlanders. They can think of us in no other way.

I guess cultural queers and time travelers simply don't understand, though to be so blind it seems to me that they have to overlook much of the history of the Last War and of the subsequent years, especially the mushrooming of crackpot cults with a murder tinge: the werewolf gangs, the Berserkers and Amuckers, the revival of Shiva worship and the Black Mass, the machine wreckers, the kill-the-killers movements, the new witchcraft, the Unholy Creepers, the Unconsciousers, the radioactive blue gods and rocket devils of the Atomites, and a dozen other groupings clearly prefiguring Deathlander psychology. Those cults had all been as unpredictable as Thuggee or the Dancing Madness of the Middle Ages or the Children's Crusade, yet they had happened just the same.

But cultural queers are good at overlooking things. They have to be, I suppose. They think they're humanity growing again. Yes, despite their laughable warpedness and hysterical crippledness, they actually believe—each howlingly different community of them—that they're the new Adams and Eves. They're all excited about themselves and whether or not they wear fig leaves. They don't carry with them, twenty-four hours a day, like us Deathlanders do, the burden of all that was forever lost.

* * * * *

Since I've gone this far I'll go a bit further and make the paradoxical admission that even us Deathlanders don't really understand our urge to murder. Oh, we have our rationalizations of it, just like everyone has of his ruling passion—we call ourselves junkmen, scavengers, gangrene surgeons; we sometimes believe we're doing the person we kill the ultimate kindness, yes and get slobbery tearful about it afterwards; we sometimes tell ourselves we've finally found and are rubbing out the one man or woman who was responsible for everything; we talk, mostly to ourselves, about the aesthetics of homicide; we occasionally admit, but only each to himself alone, that we're just plain nuts.

But we don't really understand our urge to murder, we only feel it.

At the hateful sight of another human being, we feel it begins to grow in us until it becomes an overpowering impulse that jerks us, like a puppet is jerked by its strings, into the act itself or its attempted commission.

Like I was feeling it grow in me now as we did this parallel deathmarch through the reddening haze, me and this girl and our problem. This girl with the blue eyes and the jaunty scar.

The problem of the two urges, I said. The other urge, the sexual, is one that I know all cultural queers (and certainly our time traveler) would claim to know all about. Maybe they do. But I wonder if they understand how intense it can be with us Deathlanders when it's the only release (except maybe liquor and drugs, which we seldom can get and even more rarely dare use)—the only complete release, even though a brief one, from the overpowering loneliness and from the tyranny of the urge to kill.

To embrace, to possess, to glut lust on, yes even briefly to love, briefly to shelter in—that was good, that was a relief and release to be treasured.

But it couldn't last. You could draw it out, prop it up perhaps for a few days, for a month even (though sometimes not for a single night)—you might even start to talk to each other a little, after a while—but it could never last. The glands always tire, if nothing else.

Murder was the only final solution, the only permanent release. Only us Deathlanders know how good it feels. But then after the kill the loneliness would come back, redoubled, and after a while I'd meet another hateful human ...

Our problem of the two urges. As I watched this girl slogging along parallel to me, as I kept constant watch on her of course, I wondered how she was feeling the two urges. Was she attracted to the ridgy scars on my cheeks half revealed by my scarf?—to me they have a pleasing symmetry. Was she wondering how my head and face looked without the black felt skullcap low-visored over my eyes? Or was she thinking mostly of that hook swinging into my throat under the chin and dragging me down?

I couldn't tell. She looked as poker-faced as I was trying to.

* * * * *

For that matter, I asked myself, how was I feeling the two urges?—how was I feeling them as I watched this girl with the blue eyes and the jaunty scar and the arrogantly thinned lips that asked to be smashed, and the slender throat?—and I realized that there was no way to describe that, not even to myself. I could only feel the two urges grow in me, side by side, like monstrous twins, until they would simply be too big for my taut body and one of them would have to get out fast.

I don't know which one of us started to slow down first, it happened so gradually, but the dust puffs that rise from the ground of the Deathlands under even the lightest treading became smaller and smaller around our steps and finally vanished altogether, and we were standing still. Only then did I notice the obvious physical trigger for our stopping. An old freeway ran at right angles across our path. The shoulder by which we'd approached it was sharply eroded, so that the pavement, which even had a shallow cave eroded under it, was a good three feet above the level of our path, forming a low wall. From where I'd stopped I could almost reach out and touch the rough-edged smooth-topped concrete. So could she.

We were right in the midst of the gas tanks now, six or seven of them towered around us, squeezed like beer cans by the decade-old blast but their metal looking sound enough until you became aware of the red light showing through in odd patterns of dots and dashes where vaporization or later erosion had been complete. Almost but not quite lace-work. Just ahead of us, right across the freeway, was the six-storey skeletal structure of an old cracking plant, sagged like the power towers away from the blast and the lower storeys drifted with piles and ridges and smooth gobbets of dust.

* * * * *

The light was getting redder and smokier every minute.

With the cessation of the physical movement of walking, which is always some sort of release for emotions, I could feel the twin urges growing faster in me. But that was all right, I told myself—this was the crisis, as she must realize too, and that should key us up to bear the urges a little longer without explosion.

I was the first to start to turn my head. For the first time I looked straight into her eyes and she into mine. And as always happens at such times, a third urge appeared abruptly, an urge momentarily as strong as the other two—the urge to speak, to tell and ask all about it. But even as I started to phrase the first crazily happy greeting, my throat lumped, as I'd known it would, with the awful melancholy of all that was forever lost, with the uselessness of any communication, with the impossibility of recreating the past, our individual pasts, any pasts. And as it always does, the third urge died.

I could tell she was feeling that ultimate pain just like me. I could see her eyelids squeeze down on her eyes and her face lift and her shoulders go back as she swallowed hard.

She was the first to start to lay aside a weapon. She took two sidewise steps toward the freeway and reached her whole left arm further across her body and laid the dart gun on the concrete and drew back her hand from it about six inches. At the same time looking at me hard—fiercely angrily, you'd say—across her left shoulder. She had the experienced duelist's trick of seeming to look into my eyes but actually focussing on my mouth. I was using the same gimmick myself—it's tiring to look straight into another person's eyes and it can put you off guard.

My left side was nearest the wall so I didn't for the moment have the problem of reaching across my body. I took the same sidewise steps she had and using just two fingers, very gingerly—disarmingly, I hoped—I lifted my antique firearm from its holster and laid it on the concrete and drew back my hand from it all the way. Now it was up to her again, or should be. Her hook was going to be quite a problem, I realized, but we needn't come to it right away.

She temporized by successively unsheathing the two knives at her left side and laying them beside the dart gun. Then she stopped and her look told me plainly that it was up to me.

* * * * *

Now I am a bugger who believes in carrying one perfect knife—otherwise, I know for a fact, you'll go knife-happy and end up by weighing yourself down with dozens, literally. So I am naturally very reluctant to get out of touch in any way with Mother, who is a little rusty along the sides but made of the toughest and most sharpenable alloy steel I've ever run across.

Still, I was most curious to find out what she'd do about that hook, so I finally laid Mother on the concrete beside the .38 and rested my hands lightly on my hips, all ready to enjoy myself—at least I hoped I gave that impression.

She smiled, it was almost a nice smile—by now we'd let our scarves drop since we weren't raising any more dust—and then she took hold of the hook with her left hand and started to unscrew it from the leather-and-metal base fitting over her stump.

Of course, I told myself. And her second knife, the one without a grip, must be that way so she could screw its tang into the base when she wanted a knife on her right hand instead of a hook. I ought to have guessed.

I grinned my admiration of her mechanical ingenuity and immediately unhitched my knapsack and laid it beside my weapons. Then a thought occurred to me. I opened the knapsack and moving my hand slowly and very openly so she'd have no reason to suspect a ruse, I drew out a blanket and, trying to show her both sides of it in the process, as if I were performing some damned conjuring trick, dropped it gently on the ground between us.

She unsnapped the straps on her satchel that fastened it to her belt and laid it aside and then she took off her belt too, slowly drawing it through the wide loops of weathered denim. Then she looked meaningfully at my belt.

I had to agree with her. Belts, especially heavy-buckled ones like ours, can be nasty weapons. I removed mine. Simultaneously each belt joined its corresponding pile of weapons and other belongings.

She shook her head, not in any sort of negation, and ran her fingers into the black hair at several points, to show me it hid no weapon, then looked at me questioningly. I nodded that I was satisfied—I hadn't seen anything run out of it, by the way. Then she looked up at my black skullcap and she raised her eyebrows and smiled again, this time with a spice of mocking anticipation.

In some ways I hate to part with that headpiece more than I do with Mother. Not really because of its sandwiched lead-mesh inner lining—if the rays haven't baked my brain yet they never will and I'm sure that the patches of lead mesh sewed into my pants over my loins give a lot more practical protection. But I was getting real attracted to this girl by now and there are times when a person must make a sacrifice of his vanity. I whipped off my stylish black felt and tossed it on my pile and dared her to laugh at my shiny egg top.

Strangely she didn't even smile. She parted her lips and ran her tongue along the upper one. I gave an eager grin in reply, an incautiously wide one, and she saw my plates flash.

* * * * *

My plates are something rather special though they are by no means unique. Back toward the end of the Last War, when it was obvious to any realist how bad things were going to be, though not how strangely terrible, a number of people, like myself, had all their teeth jerked and replaced with durable plates. I went some of them one better. My plates were stainless steel biting and chewing ridges, smooth continuous ones that didn't attempt to copy individual teeth. A person who looks closely at a slab of chewing tobacco, say, I offer him will be puzzled by the smoothly curved incision, made as if by a razor blade mounted on the arm of a compass. Magnetic powder buried in my gums makes for a real nice fit.

This sacrifice was worse than my hat and Mother combined, but I could see the girl expected me to make it and would take no substitutes, and in this attitude I had to admit that she showed very sound judgment, because I keep the incisor parts of those plates filed to razor sharpness. I have to be careful about my tongue and lips but I figure it's worth it. With my dental scimitars I can in a wink bite out a chunk of throat and windpipe or jugular, though I've never had occasion to do so yet.

For the first minute it made me feel like an old man, a real dodderer, but by now the attraction this girl had for me was getting irrational. I carefully laid the two plates on top of my knapsack.

In return, as a sort of reward you might say, she opened her mouth wide and showed me what was left of her own teeth—about two-thirds of them, a patchwork of tartar and gold.

We took off our boots, pants and shirts, she watching very suspiciously—I knew she'd been skeptical of my carrying only one knife.

Oddly perhaps, considering how touchy I am about my baldness, I felt no sensitivity about revealing the lack of hair on my chest and in fact a sort of pride in displaying the slanting radiation scars that have replaced it, though they are crawling keloids of the ugliest, bumpiest sort. I guess to me such scars are tribal insignia—one-man and one-woman tribes of course. No question but that the scar on the girl's forehead had been the first focus of my desire for her and it still added to my interest.

By now we weren't staying as perfectly on guard or watching each other's clothing for concealed weapons as carefully as we should—I know I wasn't. It was getting dark fast, there wasn't much time left, and the other interest was simply becoming too great.

* * * * *

We were still automatically careful about how we did things. For instance the way we took off our pants was like ballet, simultaneously crouching a little on the left foot and whipping the right leg out of its sheath in one movement, all ready to jump without tripping ourselves if the other person did anything funny, and then skinning down the left pants-leg with a movement almost as swift.

But as I say it was getting too late for perfect watchfulness, in fact for any kind of effective watchfulness at all. The complexion of the whole situation was changing in a rush. The possibilities of dealing or receiving death—along with the chance of the minor indignity of cannibalism, which some of us practice—were suddenly gone, all gone. It was going to be all right this time, I was telling myself. This was the time it would be different, this was the time love would last, this was the time lust would be the firm foundation for understanding and trust, this time there would be really safe sleeping. This girl's body would be home for me, a beautiful tender inexhaustibly exciting home, and mine for her, for always.

As she threw off her shirt, the last darkly red light showed me another smooth slantwise scar, this one around her hips, like a narrow girdle that has slipped down a little on one side.


Murder most foul, as in the best it is; But this most foul, strange and unnatural.


When I woke the light was almost full amber and I could feel no flesh against mine, only the blanket under me. I very slowly rolled over and there she was, sitting on the corner of the blanket not two feet from me, combing her long black hair with a big, wide-toothed comb she'd screwed into the leather-and-metal cap over her wrist stump.

She'd put on her pants and shirt, but the former were rolled up to her knees and the latter, though tucked in, wasn't buttoned.

She was looking at me, contemplating me you might say, quite dreamily but with a faint, easy smile.

I smiled back at her.

It was lovely.

Too lovely. There had to be something wrong with it.

There was. Oh, nothing big. Just a solitary trifle—nothing worth noticing really.

But the tiniest solitary things can sometimes be the most irritating, like one mosquito.

When I'd first rolled over she'd been combing her hair straight back, revealing a wedge of baldness following the continuation of her forehead scar deep back across her scalp. Now with a movement that was swift though not hurried-looking she swept the mass of her hair forward and to the left, so that it covered the bald area. Also her lips straightened out.

I was hurt. She shouldn't have hidden her bit of baldness, it was something we had in common, something that brought us closer. And she shouldn't have stopped smiling at just that moment. Didn't she realize I loved that blaze on her scalp just as much as any other part of her, that she no longer had any need to practice vanity in front of me?

Didn't she realize that as soon as she stopped smiling, her contemplative stare became an insult to me? What right had she to stare, critically I felt sure, at my bald head? What right had she to know about the nearly-healed ulcer on my left shin?—that was a piece of information worth a man's life in a fight. What right had she to cover up, anyways, while I was still naked? She ought to have waked me up so that we could have got dressed as we'd undressed, together. There were lots of things wrong with her manners.

Oh, I know that if I'd been able to think calmly, maybe if I'd just had some breakfast or a little coffee inside me, or even if there'd been some hot breakfast to eat at that moment, I'd have recognized my irritation for the irrational, one-mosquito surge of negative feeling that it was.

Even without breakfast, if I'd just had the knowledge that there was a reasonably secure day ahead of me in which there'd be an opportunity for me to straighten out my feelings, I wouldn't have been irked, or at least being irked wouldn't have bothered me terribly.

But a sense of security is an even rarer commodity in the Deathlands than a hot breakfast.

Given just the ghost of a sense of security and/or some hot breakfast, I'd have told myself that she was merely being amusingly coquettish about her bald streak and her hair, that it was natural for a woman to try to preserve some mystery about herself in front of the man she beds with.

But you get leery of any kind of mystery in the Deathlands. It makes you frightened and angry, like it does an animal. Mystery is for cultural queers, strictly. The only way for two people to get along together in the Deathlands, even for a while, is never to hide anything and never to make a move that doesn't have an immediate clear explanation. You can't talk, you see, certainly not at first, and so you can't explain anything (most explanations are just lies and dreams, anyway), so you have to be doubly careful and explicit about everything you do.

* * * * *

This girl wasn't being either. Right now, on top of her other gaucheries, she was unscrewing the comb from her wrist—an unfriendly if not quite a hostile act, as anyone must admit.

Understand, please, I wasn't showing any of these negative reactions of mine any more than she was showing hers, except for her stopping smiling. In fact I hadn't stopped smiling, I was playing the game to the hilt.

But inside me everything was stewed up and the other urge had come back and presently it would begin to grow again. That's the trouble, you know, with sex as a solution to the problem of the two urges. It's fine while it lasts but it wears itself out and then you're back with Urge Number One and you have nothing left to balance it with.

Oh, I wouldn't kill this girl today, I probably wouldn't seriously think of killing her for a month or more, but Old Urge Number One would be there and growing, mostly under cover, all the time. Of course there were things I could do to slow its growth, lots of little gimmicks, in fact—I was pretty experienced at this business.

* * * * *

For instance, I could take a shot at talking to her pretty soon. For a catchy starter, I could tell her about Nowhere, how these five other buggers and me found ourselves independently skulking along after this scavenging expedition from Porter, how we naturally joined forces in that situation, how we set a pitfall for their alky-powered jeep and wrecked it and them, how when our haul turned out to be unexpectedly big the four of us left from the kill chummied up and padded down together and amused each other for a while and played games, you might say. Why, at one point we even had an old crank phonograph going and read some books. And, of course, how when the loot gave out and the fun wore off, we had our murder party and I survived along with, I think, a bugger named Jerry—at any rate, he was gone when the blood stopped spurting, and I'd had no stomach for tracking him, though I probably should have.

And in return she could tell me how she had killed off her last set of girlfriends, or boyfriends, or friend, or whatever it was.

After that, we could have a go at exchanging news, rumors and speculations about local, national and world events. Was it true that Atlantic Highlands had planes of some sort or were they from Europe? Were they actually crucifying the Deathlanders around Walla Walla or only nailing up their dead bodies as dire warnings to others such? Had Manteno made Christianity compulsory yet, or were they still tolerating Zen Buddhists? Was it true that Los Alamos had been completely wiped out by plague, but the area taboo to Deathlanders because of the robot guards they'd left behind—metal guards eight feet tall who tramped across the white sands, wailing? Did they still have free love in Pacific Palisades? Did she know there'd been a pitched battle fought by expeditionary forces from Ouachita and Savannah Fortress? Over the loot of Birmingham, apparently, after yellow fever had finished off that principality. Had she rooted out any "observers" lately?—some of the "civilized" communities, the more "scientific" ones, try to maintain a few weather stations and the like in the Deathlands, camouflaging them elaborately and manning them with one or two impudent characters to whom we give a hard time if we uncover them. Had she heard the tale that was going around that South America and the French Riviera had survived the Last War absolutely untouched?—and the obviously ridiculous rider that they had blue skies there and saw stars every third night? Did she think that subsequent conditions were showing that the Earth actually had plunged into an interstellar dust cloud coincidentally with the start of the Last War (the dust cloud used as a cover for the first attacks, some said) or did she still hold with the majority that the dust was solely of atomic origin with a little help from volcanoes and dry spells? How many green sunsets had she seen in the last year?

* * * * *

After we'd chewed over those racy topics and some more like them, and incidentally got bored with guessing and fabricating, we might, if we felt especially daring and conversation were going particularly well, even take a chance on talking a little about our childhoods, about how things were before the Last War (though she was almost too young for that)—about the little things we remembered—the big things were much too dangerous topics to venture on and sometimes even the little memories could suddenly twist you up as if you'd swallowed lye.

But after that there wouldn't be anything left to talk about. Anything you'd risk talking about, that is. For instance, no matter how long we talked, it was very unlikely that we'd either of us tell the other anything complete or very accurate about how we lived from day to day, about our techniques of surviving and staying sane or at least functional—that would be too imprudent, it would go too much against the grain of any player of the murder game. Would I tell her, or anyone, about how I worked the ruses of playing dead and disguising myself as a woman, about my trick of picking a path just before dark and then circling back to it by a pre-surveyed route, about the chess games I played with myself, about the bottle of green, terribly hot-looking powder I carried to sprinkle behind me to bluff off pursuers? A fat chance of my revealing things like that!

And when all the talk was over, what would it have gained us? Our minds would be filled with a lot of painful stuff better kept buried—meaningless hopes, scraps of vicarious living in "cultured" communities, memories that were nothing but melancholy given concrete form. The melancholy is easiest to bear when it's the diffused background for everything; and all garbage is best kept in the can. Oh yes, our talking would have gained us a few more days of infatuation, of phantom security, but those we could have—almost as many of them, at any rate—without talking.

For instance things were smoothing over already between her and me again and I no longer felt quite so irked. She'd replaced the comb with an inoffensive-looking pair of light pliers and was doing up her hair with the metal shavings. And I was acting as if content to watch her, as in a way I was. I'd still made no move to get dressed.

She looked real sweet, you know, primping herself that way. Her face was a little flat, but it was young, and the scar gave it just the fillip it needed.

But what was going on behind that forehead right now, I asked myself? I felt real psychic this morning, my mind as clear as a bottle of White Rock you find miraculously unbroken in a blasted tavern, and the answers to the question I'd asked myself came effortlessly.

* * * * *

She was telling herself she'd got herself a man again, a man who was adequate in the primal clutch (I gave myself that pat on the back), and that she wouldn't have to be plagued and have her safety endangered by that kind of mind-dulling restlessness and yearning for a while.

She was lightly playing around with ideas about how she'd found a home and a protector, knowing she was kidding herself, that it was the most gimcracky feminine make-believe, but enjoying it just the same.

She was sizing me up, deciding in detail just what I went for in a woman, what whetted my interest, so she could keep that roused as long as seemed desirable or prudent to her to continue our relation.

She was kicking herself, only lightly to begin with, because she hadn't taken any precautions—because we who've escaped hot death against all reasonable expectations by virtue of some incalculable resistance to the ills of radioactivity, quite often find we've escaped sterility too. If she should become pregnant, she was telling herself, then she had a real sticky business ahead of her where no man could be trusted for a second.

And because she was thinking of this and because she was obviously a realistic Deathlander, she was reminding herself that a woman is basically less impulsive and daring and resourceful than a man and so had always better be sure she gets in the first blow. She would be thinking that I was a realist myself and a smart man, one able to understand her predicament quite clearly—and because of that a much sooner danger to her. She was feeling Old Number One Urge starting to grow in her again and wondering whether it mightn't be wisest to give it the hot-house treatment.

That is the trouble with a clear mind. For a little while you see things as they really are and you can accurately predict how they're going to shape the future ... and then suddenly you realize you've predicted yourself a week or a month into the future and you can't live the intervening time any more because you've already imagined it in detail. People who live in communities, even the cultural queers of our maimed era, aren't much bothered by it—there must be some sort of blinkers they hand you out along with the key to the city—but in the Deathlands it's a fairly common phenomenon and there's no hiding from it.

* * * * *

Me and my clear mind!—once again it had done me out of days of fun, changed a thoroughly-explored love affair into a one night stand. Oh, there was no question about it, this girl and I were finished, right this minute, as of now, because she was just as psychic as I was this morning and had sensed every last thing that I'd been thinking.

With a movement smooth enough not to look rushed I swung into a crouch. She was on her knees faster than that, her left hand hovering over the little set of tools for her stump, which like any good mechanic she'd lined up neatly on the edge of the blanket—the hook, the comb, a long telescoping fork, a couple of other items, and the knife. I'd grabbed a handful of blanket, ready to jerk it from under her. She'd seen that I'd grabbed it. Our gazes dueled.

There was a high-pitched whine over our heads! Quite loud from the start, though it sounded as if it were very deep up in the haze. It swiftly dropped in pitch and volume.

The top of the skeletal cracking plant across the freeway glowed with St. Elmo's fire! Three times it glowed that way, so bright we could see the violet-blue flames of it reaching up despite the full amber daylight.

The whine died away but in the last moment, paradoxically, it seemed to be coming closer!

This shared threat—for any unexpected event is a threat in the Deathlands and a mysterious event doubly so—put a stop to our murder game. The girl and I were buddies again, buddies to be relied on in a pinch, for the duration of the threat at least. No need to say so or to reassure each other of the fact in any way, it was taken for granted. Besides, there was no time. We had to use every second allowed us in getting ready for whatever was coming.

First I grabbed up Mother. Then I relieved myself—fear made it easy. Then I skinned into my pants and boots, slapped in my teeth, thrust the blanket and knapsack into the shallow cave under the edge of the freeway, looking around me all the time so as not to be surprised from any quarter.

Meanwhile the girl had put on her boots, located her dart gun, unscrewed the pliers from her stump, put the knife in, and was arranging her scarf so it made a sling for the maimed arm—I wondered why but had no time to waste guessing, even if I'd wanted to, for at that moment a small dull silver plane, beetle-shaped more than anything else, loomed out of the haze beyond the cracking plant and came silently drifting down toward us.

The girl thrust her satchel into the cave and along with it her dart gun. I caught her idea and tucked Mother into my pants behind my back.

I'd thought from the first glimpse of it that the plane was disabled—I guess it was its silence that gave me the idea. This theory was confirmed when one of its very stubby wings or vanes touched a corner pillar of the cracking plant. The plane was moving in too slow a glide to be wrecked, in fact it was moving in a slower glide than I would have believed possible—but then it's many years since I have seen a plane in flight.

It wasn't wrecked but the little collision spun it around twice in a lazy circle and it landed on the freeway with a scuffing noise not fifty feet from us. You couldn't exactly say it had crashed in, but it stayed at an odd tilt. It looked crippled all right.

An oval door in the plane opened and a man dropped lightly out on the concrete. And what a man! He was nearer seven feet tall than six, close-cropped blond hair, face and hands richly tanned, the rest of him covered by trim garments of a gleaming gray. He must have weighed as much as the two of us together, but he was beautifully built, muscular yet supple-seeming. His face looked brightly intelligent and even-tempered and kind.

Yes, kind!—damn him! It wasn't enough that his body should fairly glow with a health and vitality that was an insult to our seared skins and stringy muscles and ulcers and half-rotted stomachs and half-arrested cancers, he had to look kind too—the sort of man who would put you to bed and take care of you, as if you were some sort of interesting sick fox, and maybe even say a little prayer for you, and all manner of other abominations.

* * * * *

I don't think I could have endured my fury standing still. Fortunately there was no need to. As if we'd rehearsed the whole thing for hours, the girl and I scrambled up onto the freeway and scurried toward the man from the plane, cunningly swinging away from each other so that it would be harder for him to watch the two of us at once, but not enough to make it obvious that we attended an attack from two quarters.

We didn't run though we covered the ground as fast as we dared—running would have been too much of a give-away too, and the Pilot, which was how I named him to myself, had a strange-looking small gun in his right hand. In fact the way we moved was part of our act—I dragged one leg as if it were crippled and the girl faked another sort of limp, one that made her approach a series of half curtsies. Her arm in the sling was all twisted, but at the same time she was accidently showing her breasts—I remember thinking you won't distract this breed bull that way, sister, he probably has a harem of six-foot heifers. I had my head thrown back and my hands stretched out supplicatingly. Meanwhile the both of us were babbling a blue streak. I was rapidly croaking something like, "Mister for God's sake save my pal he's hurt a lot worse'n I am not a hundred yards away he's dyin' mister he's dyin' o' thirst his tongue's black'n all swole up oh save him mister save my pal he's not a hundred yards away he's dyin' mister dyin'—" and she was singsonging an even worse rigamarole about how "they" were after us from Porter and going to crucify us because we believed in science and how they'd already impaled her mother and her ten-year-old sister and a lot more of the same.

It didn't matter that our stories didn't fit or make sense, the babble had a convincing tone and getting us closer to this guy, which was all that counted. He pointed his gun at me and then I could see him hesitate and I thought exultingly it's a lot of healthy meat you got there, mister, but it's tame meat, mister, tame!

He compromised by taking a step back and sort of hooting at us and waving us off with his left hand, as if we were a couple of stray dogs.

It was greatly to our advantage that we'd acted without hesitation, and I don't think we'd have been able to do that except that we'd been all set to kill each other when he dropped in. Our muscles and nerves and minds were keyed for instant ruthless attack. And some "civilized" people still say that the urge to murder doesn't contribute to self-preservation!

* * * * *

We were almost close enough now and he was steeling himself to shoot and I remember wondering for a split second what his damn gun did to you, and then me and the girl had started the alternation routine. I'd stop dead, as if completely cowed by the threat of his weapon, and as he took note of it she'd go in a little further, and as his gaze shifted to her she'd stop dead and I'd go in another foot and then try to make my halt even more convincing as his gaze darted back to me. We worked it perfectly, our rhythm was beautiful, as if we were old dancing partners, though the whole thing was absolutely impromptu.

Still, I honestly don't think we'd ever have got to him if it hadn't been for the distraction that came just then to help us. I could tell, you see, that he'd finally steeled himself and we still weren't quite close enough. He wasn't as tame as I'd hoped. I reached behind me for Mother, determined to do a last-minute rush and leap anyway, when there came this sick scream.

I don't know how else to describe it briefly. It was a scream, feminine for choice, it came from some distance and the direction of the old cracking plant, it had a note of anguish and warning, yet at the same time it was weak and almost faltering you might say and squeaky at the end, as if it came from a person half dead and a throat choked with phlegm. It had all those qualities or a wonderful mimicking of them.

And it had quite an effect on our boy in gray for in the act of shooting me down he started to turn and look over his shoulder.

Oh, it didn't altogether stop him from shooting me. He got me partly covered again as I was in the middle of my lunge. I found out what his gun did to you. My right arm, which was the part he'd covered, just went dead and I finished my lunge slamming up against his iron knees, like a highschool kid trying to block out a pro footballer, with the knife slipping uselessly away from my fingers.

But in the blessed meanwhile the girl had lunged too, not with a slow slash, thank God, but with a high, slicing thrust aimed arrow-straight for a point just under his ear.

She connected and a fan of blood sprayed her full in the face.

I grabbed my knife with my left hand as it fell, scrambled to my feet, and drove the knife at his throat in a round-house swing that happened to come handiest at the time. The point went through his flesh like nothing and jarred against his spine with a violence that I hoped would shock into nervous insensibility the stoutest medulla oblongata and prevent any dying reprisals on his part.

I got my wish, in large part. He swayed, straightened, dropped his gun, and fell flat on his back, giving his skull a murderous crack on the concrete for good measure. He lay there and after a half dozen gushes the bright blood quit pumping strongly out of his neck.

Then came the part that was like a dying reprisal, though obviously not being directed by him as of now. And come to think of it, it may have had its good points.

* * * * *

The girl, who was clearly a most cool-headed cuss, snatched for his gun where he'd dropped it, to make sure she got it ahead of me. She snatched, yes—and then jerked back, letting off a sizable squeal of pain, anger, and surprise.

Where we'd seen his gun hit the concrete there was now a tiny incandescent puddle. A rill of blood snaked out from the pool around his head and touched the whitely glowing puddle and a jet of steam sizzled up.

Somehow the gun had managed to melt itself in the moment of its owner dying. Well, at any rate that showed it hadn't contained any gunpowder or ordinary chemical explosives, though I already knew it operated on other principles from the way it had been used to paralyze me. More to the point, it showed that the gun's owner was the member of a culture that believed in taking very complete precautions against its gadgets falling into the hands of strangers.

But the gun fusing wasn't quite all. As the girl and me shifted our gaze from the puddle, which was cooling fast and now glowed red like the blood—as we shifted our gaze back from the puddle to the dead man, we saw that at three points (points over where you'd expect pockets to be) his gray clothing had charred in small irregularly shaped patches from which threads of black smoke were twisting upward.

Just at that moment, so close as to make me jump in spite of years of learning to absorb shocks stoically—right at my elbow it seemed to (the girl jumped too, I may say)—a voice said, "Done a murder, hey?"

Advancing briskly around the skewily grounded plane from the direction of the cracking plant was an old geezer, a seasoned, hard-baked Deathlander if I ever saw one. He had a shock of bone-white hair, the rest of him that showed from his weathered gray clothing looked fried by the sun's rays and others to a stringy crisp, and strapped to his boots and weighing down his belt were a good dozen knives.

Not satisfied with the unnerving noise he'd made already, he went on brightly, "Neat job too, I give you credit for that, but why the hell did you have to set the guy afire?"


We are always, thanks to our human nature, potential criminals. None of us stands outside humanity's black collective shadow.

—The Undiscovered Self, by Carl Jung

Ordinarily scroungers who hide around on the outskirts until the killing's done and then come in to share the loot get what they deserve—wordless orders, well backed up, to be on their way at once. Sometimes they even catch an after-clap of the murder urge, if it hasn't all been expended on the first victim or victims. Yet they will do it, trusting I suppose to the irresistible glamor of their personalities. There were several reasons why we didn't at once give Pop this treatment.

In the first place we didn't neither of us have our distance weapons. My revolver and her dart gun were both tucked in the cave back at the edge of the freeway. And there's one bad thing about a bugger so knife-happy he lugs them around by the carload—he's generally good at tossing them. With his dozen or so knives Pop definitely outgunned us.

Second, we were both of us without the use of an arm. That's right, the both of us. My right arm still dangled like a string of sausages and I couldn't yet feel any signs of it coming undead. While she'd burned her fingers badly grabbing at the gun—I could see their red-splotched tips now as she pulled them out of her mouth for a second to wipe the Pilot's blood out of her eyes. All she had was her stump with the knife screwed to it. Me, I can throw a knife left-handed if I have to, but you bet I wasn't going to risk Mother that way.

Then I'd no sooner heard Pop's voice, breathy and a little high like an old man's will get, than it occurred to me that he must have been the one who had given the funny scream that had distracted the Pilot's attention and let us get him. Which incidentally made Pop a quick thinker and imaginative to boot, and meant that he'd helped on the killing.

* * * * *

Besides all that, Pop did not come in fawning and full of extravagant praise, as most scroungers will. He just assumed equality with us right from the start and he talked in an absolutely matter-of-fact way, neither praising nor criticizing one bit—too damn matter-of-fact and open, for that matter, to suit my taste, but then I have heard other buggers say that some old men are apt to get talkative, though I had never worked with or run into one myself. Old people are very rare in the Deathlands, as you might imagine.

So the girl and me just scowled at him but did nothing to stop him as he came along. Near us, his extra knives would be no advantage to him.

"Hum," he said, "looks a lot like a guy I murdered five years back down Los Alamos way. Same silver monkey suit and almost as tall. Nice chap too—was trying to give me something for a fever I'd faked. That his gun melted? My man didn't smoke after I gave him his quietus, but then it turned out he didn't have any metal on him. I wonder if this chap—" He started to kneel down by the body.

"Hands off, Pop!" I gritted at him. That was how we started calling him Pop.

"Why sure, sure," he said, staying there on one knee. "I won't lay a finger on him. It's just that I've heard the Alamosers have it rigged so that any metal they're carrying melts when they die, and I was wondering about this boy. But he's all yours, friend. By the way, what's your name, friend?"

"Ray," I snarled. "Ray Baker." I think the main reason I told him was that I didn't want him calling me "friend" again. "You talk too much, Pop."

"I suppose I do, Ray," he agreed. "What's your name, lady?"

The girl just sort of hissed at him and he grinned at me as if to say, "Oh, women!" Then he said, "Why don't you go through his pockets, Ray? I'm real curious."

"Shut up," I said, but I felt that he'd put me on the spot just the same. I was curious about the guy's pockets myself, of course, but I was also wondering if Pop was alone or if he had somebody with him, and whether there was anybody else in the plane or not—things like that, too many things. At the same time I didn't want to let on to Pop how useless my right arm was—if I'd just get a twinge of feeling in that arm, I knew I'd feel a lot more confident fast. I knelt down across the body from him, started to lay Mother aside and then hesitated.

* * * * *

The girl gave me an encouraging look, as if to say, "I'll take care of the old geezer." On the strength of her look I put down Mother and started to pry open the Pilot's left hand, which was clenched in a fist that looked a mite too big to have nothing inside it.

The girl started to edge behind Pop, but he caught the movement right away and looked at her with a grin that was so knowing and yet so friendly, and yet so pitying at the same time—with the pity of the old pro for even the seasoned amateur—that in her place I think I'd have blushed myself, as she did now ... through the streaks of the Pilot's blood.

"You don't have to worry none about me, lady," he said, running a hand through his white hair and incidentally touching the pommel of one of the two knives strapped high on the back of his jacket so he could reach one over either shoulder. "I quit murdering some years back. It got to be too much of a strain on my nerves."

"Oh yeah?" I couldn't help saying as I pried up the Pilot's index finger and started on the next. "Then why the stab-factory, Pop?"

"Oh you mean those," he said, glancing down at his knives. "Well, the fact is, Ray, I carry them to impress buggers dumber than you and the lady here. Anybody wants to think I'm still a practicing murderer I got no objections. Matter of sentiment, too, I just hate to part with them—they bring back important memories. And then—you won't believe this, Ray, but I'm going to tell you just the same—guys just up and give me their knives and I doubly hate to part with a gift."

I wasn't going to say "Oh yeah?" again or "Shut up!" either, though I certainly wished I could turn off Pop's spigot, or thought I did. Then I felt a painful tingling shoot down my right arm. I smiled at Pop and said, "Any other reasons?"

"Yep," he said. "Got to shave and I might as well do it in style. A new blade every day in the fortnight is twice as good as the old ads. You know, it makes you keep a knife in fine shape if you shave with it. What you got there, Ray?"

"You were wrong, Pop," I said. "He did have some metal on him that didn't melt."

I held up for them to see the object I'd extracted from his left fist: a bright steel cube measuring about an inch across each side, but it felt lighter than if it were solid metal. Five of the faces looked absolutely bare. The sixth had a round button recessed in it.

From the way they looked at it neither Pop nor the girl had the faintest idea of what it was. I certainly hadn't.

"Had he pushed the button?" the girl asked. Her voice was throaty but unexpectedly refined, as if she'd done no talking at all, not even to herself, since coming to the Deathlands and so retained the cultured intonations she'd had earlier, whenever and wherever that had been. It gave me a funny feeling, of course, because they were the first words I'd heard her speak.

"Not from the way he was holding it," I told her. "The button was pointed up toward his thumb but the thumb was on the outside of his fingers." I felt an unexpected satisfaction at having expressed myself so clearly and I told myself not to get childish.

The girl slitted her eyes. "Don't you push it, Ray," she said.

"Think I'm nuts?" I told her, meanwhile sliding the cube into the smaller pocket of my pants, where it fit tight and wouldn't turn sideways and the button maybe get pressed by accident. The tingling in my right arm was almost unbearable now, but I was getting control over the muscles again.

"Pushing that button," I added, "might melt what's left of the plane, or blow us all up." It never hurts to emphasize that you may have another weapon in your possession, even if it's just a suicide bomb.

"There was a man pushed another button once," Pop said softly and reflectively. His gaze went far out over the Deathlands and took in a good half of the horizon and he slowly shook his head. Then his face brightened. "Did you know, Ray," he said, "that I actually met that man? Long afterwards. You don't believe me, I know, but I actually did. Tell you about it some other time."

I almost said, "Thanks, Pop, for sparing me at least for a while," but I was afraid that would set him off again. Besides, it wouldn't have been quite true. I've heard other buggers tell the yarn of how they met (and invariably rubbed out) the actual guy who pushed the button or buttons that set the fusion missiles blasting toward their targets, but I felt a sudden curiosity as to what Pop's version of the yarn would be. Oh well, I could ask him some other time, if we both lived that long. I started to check the Pilot's pockets. My right hand could help a little now.

* * * * *

"Those look like mean burns you got there, lady," I heard Pop tell the girl. He was right. There were blisters easy to see on three of the fingertips. "I've got some salve that's pretty good," he went on, "and some clean cloth. I could put on a bandage for you if you wanted. If your hand started to feel poisoned you could always tell Ray here to slip a knife in me."

Pop was a cute gasser, you had to admit. I reminded myself that it was Pop's business to play up to the both of us, charm being the secret weapon of all scroungers.

The girl gave a harsh little laugh. "Very well," she said, "but we will use my salve, I know it works for me." And she started to lead Pop to where we'd hidden our things.

"I'll go with you," I told them, standing up.

It didn't look like we were going to have any more murders today—Pop had got through the preliminary ingratiations pretty well and the girl and me had had our catharsis—but that would be no excuse for any such stupidity as letting the two of them get near my .38.

Strolling to the cave and back I eased the situation a bit more by saying, "That scream you let off, Pop, really helped. I don't know what gave you the idea, but thanks."

"Oh that," he said. "Forget about it."

"I won't," I told him. "You may say you've quit killing, but helped on a do-in today."

"Ray," he said a little solemnly, "if it'll make you feel any happier, I'll take a bit of the responsibility for every murder that's been done since the beginning of time."

I looked at him for a while. Then, "Pop, you're not by any chance the religious type?" I asked suddenly.

"Lord, no," he told us.

That struck me as a satisfactory answer. God preserve me from the religious type! We have quite a few of those in the Deathlands. It generally means that they try to convert you to something before they kill you. Or sometimes afterwards.

We completed our errands. I felt a lot more secure with Old Financier's Friend strapped to my middle. Mother is wonderful but she is not enough.

I dawdled over inspecting the Pilot's pockets, partly to give my right hand time to come back all the way. And to tell the truth I didn't much enjoy the job—a corpse, especially such a handsome cadaver as this, just didn't go with Pop's brand of light patter.

* * * * *

Pop did up the girl's hand in high style, bandaging each finger separately and then persuading her to put on a big left-hand work glove he took out of his small pack.

"Lost the right," he explained, "which was the only one I ever used anyway. Never knew until now why I kept this. How does it feel, Alice?"

I might have known he'd worm her name out of her. It occurred to me that Pop's ideas of scrounging might extend to Alice's favors. The urge doesn't die out when you get old, they tell me. Not completely.

He'd also helped her replace the knife on her stump with the hook.

By that time I'd poked into all the Pilot's pockets I could get at without stripping him and found nothing but three irregularly shaped blobs of metal, still hot to the touch. Under the charred spots, of course.

I didn't want the job of stripping him. Somebody else could do a little work, I told myself. I've been bothered by bodies before (as who hasn't, I suppose?) but this one was really beginning to make me sick. Maybe I was cracking up, it occurred to me. Murder is a very wearing business, as all Deathlanders know, and although some crack earlier than others, all crack in the end.

I must have been showing how I was feeling because, "Cheer up, Ray," Pop said. "You and Alice have done a big murder—I'd say the subject was six foot ten—so you ought to be happy. You've drawn a blank on his pockets but there's still the plane."

"Yeah, that's right," I said, brightening a little. "There's still the stuff in the plane." I knew there were some items I couldn't hope for, like .38 shells, but there'd be food and other things.

"Nuh-uh," Pop corrected me. "I said the plane. You may have thought it's wrecked, but I don't. Have you taken a real gander at it? It's worth doing, believe me."

I jumped up. My heart was suddenly pounding. I was glad of an excuse to get away from the body, but there was a lot more in my feelings than that. I was filled with an excitement to which I didn't want to give a name because it would make the let-down too great.

One of the wide stubby wings of the plane, raking downward so that its tip almost touched the concrete, had hidden the undercarriage of the fuselage from our view. Now, coming around the wing, I saw that there was no undercarriage.

I had to drop to my hands and knees and scan around with my cheek next to the concrete before I'd believe it. The "wrecked" plane was at all points at least six inches off the ground.

* * * * *

I got to my feet again. I was shaking. I wanted to talk but I couldn't. I grabbed the leading edge of the wing to stop from falling. The whole body of the plane gave a fraction of an inch and then resisted my leaning weight with lazy power, just like a gyroscope.

"Antigravity," I croaked, though you couldn't have heard me two feet. Then my voice came back. "Pop, Alice! They got antigravity! Antigravity—and it's working!"

Alice had just come around the wing and was facing me. She was shaking too and her face was white like I knew mine was. Pop was politely standing off a little to one side, watching us curiously. "Told you you'd won a real prize," he said in his matter-of-fact way.

Alice wet her lips. "Ray," she said, "we can get away."

Just those four words, but they did it. Something in me unlocked—no, exploded describes it better.

"We can go places!" I almost shouted.

"Beyond the dust," she said. "Mexico City. South America!" She was forgetting the Deathlander's cynical article of belief that the dust never ends, but then so was I. It makes a difference whether or not you've got a means of doing something.

"Rio!" I topped her with. "The Indies. Hong Kong. Bombay. Egypt. Bermuda. The French Riviera!"

"Bullfights and clean beds," she burst out with. "Restaurants. Swimming pools. Bathrooms!"

"Skindiving," I took it up with, as hysterical as she was. "Road races and roulette tables."

"Bentleys and Porsches!"

"Aircoups and DC4s and Comets!"

"Martinis and hashish and ice cream sodas!"

"Hot food! Fresh coffee! Gambling, smoking, dancing, music, drinks!" I was going to add women, but then I thought of how hard-bitten little Alice would look beside the dream creatures I had in mind. I tactfully suppressed the word but I filed the idea away.

I don't think either of us knew exactly what we were saying. Alice in particular I don't believe was old enough to have experienced almost any of the things the words referred to. They were mysterious symbols of long-interdicted delights spewing out of us.

"Ray," Alice said, hurrying to me, "let's get aboard."

"Yes," I said eagerly and then I saw a little problem. The door to the plane was a couple of feet above our heads. Whoever hoisted himself up first—or got hoisted up, as would have to be the case with Alice on account of her hand—would be momentarily at the other's mercy. I guess it occurred to Alice too because she stopped and looked at me. It was a little like the old teaser about the fox, the goose, and the corn.

Maybe, too, we were both a little scared the plane was booby-trapped.

* * * * *

Pop solved the problem in the direct way I might have expected of him by stepping quietly between us, giving a light leap, catching hold of the curving sill, chinning himself on it, and scrambling up into the plane so quickly that we'd hardly have had time to do anything about it if we'd wanted to. Pop couldn't be much more than a bantamweight, even with all his knives. The plane sagged an inch and then swung up again.

As Pop disappeared from view I backed off, reaching for my .38, but a moment later he stuck out his head and grinned down at us, resting his elbows on the sill.

"Come on up," he said. "It's quite a place. I promise not to push any buttons 'til you get here, though there's whole regiments of them."

I grinned back at Pop and gave Alice a boost up. She didn't like it, but she could see it had to be her next. She hooked onto the sill and Pop caught hold of her left wrist below the big glove and heaved.

Then it was my turn. I didn't like it. I didn't like the idea of those two buggers poised above me while my hands were helpless on the sill. But I thought Pop's a nut. You can trust a nut, at least a little ways, though you can't trust nobody else. I heaved myself up. It was strange to feel the plane giving and then bracing itself like something alive. It seemed to have no trouble accepting our combined weight, which after all was hardly more than half again the Pilot's.

* * * * *

Inside the cabin was pretty small but as Pop had implied, oh my! Everything looked soft and smoothly curved, like you imagine your insides being, and almost everything was a restfully dull silver. The general shape of it was something like the inside of an egg. Forward, which was the larger end, were a couple of screens and a wide viewport and some small dials and the button brigades Pop had mentioned, lined up like blank typewriter keys but enough for writing Chinese.

Just aft of the instrument panel were two very comfortable-looking strange low seats. They seemed to be facing backwards until I realized they were meant to be knelt into. The occupant, I could see, would sort of sprawl forward, his hands free for button-pushing and such. There were spongy chinrests.

Aft was a tiny instrument panel and a kind of sideways seat, not nearly so fancy. The door by which we'd entered was to the side, a little aft.

I didn't see any indications of cabinets or fixed storage spaces of any kinds, but somehow stuck to the walls here and there were quite a few smooth blobby packages, mostly dull silver too, some large, some small—valises and handbags, you might say.

All in all, it was a lovely cabin and, more than that, it seemed lived in. It looked as if it had been shaped for, and maybe by one man. It had a personality you could feel, a strong but warm personality of its own.

Then I realized whose personality it was. I almost got sick—so close to it I started telling myself it must be something antigravity did to your stomach.

But it was all too interesting to let you get sick right away. Pop was poking into two of the large mound-shaped cases that were sitting loose and open on the right-hand seat, as if ready for emergency use. One had a folded something with straps on it that was probably a parachute. The second had I judged a thousand or more of the inch cubes such as I'd pried out of the Pilot's hand, all neatly stacked in a cubical box inside the soft outer bag. You could see the one-cube gap where he'd taken the one.

I decided to take the rest of the bags off the walls and open them, if I could figure out how. The others had the same idea, but Alice had to take off her hook and put on her pliers, before she could make progress. Pop helped her. There was room enough for us to do these things without crowding each other too closely.

By the time Alice was set to go I'd discovered the trick of getting the bags off. You couldn't pull them away from the wall no matter what force you used, at least I couldn't, and you couldn't even slide them straight along the walls, but if you just gave them a gentle counterclockwise twist they came off like nothing. Twisting them clockwise glued them back on. It was very strange, but I told myself that if these boys could generate antigravity fields they could create screwy fields of other sorts.

It also occurred to me to wonder if "these boys" came from Earth. The Pilot had looked human enough, but these accomplishments didn't—not by my standards for human achievement in the Age of the Deaders. At any rate I had to admit to myself that my pet term "cultural queer" did not describe to my own satisfaction members of a culture which could create things like this cabin. Not that I liked making the admission. It's hard to admit an exception to a pet gripe against things.

The excitement of getting down and opening the Christmas packages saved me from speculating too much along these or any other lines.

I hit a minor jackpot right away. In the same bag were a compass, a catalytic pocket lighter, a knife with a saw-tooth back edge that made my affection for Mother waver, a dust mask, what looked like a compact water-filtration unit, and several other items adding up to a deluxe Deathlands Survival Kit.

There were some goggles in the kit I didn't savvy until I put them on and surveyed the landscape out the viewport. A nearby dust drift I knew to be hot glowed green as death in the slightly smoky lenses. Wow! Those specs had Geiger counters beat a mile and I privately bet myself they worked at night. I stuck them in my pocket quick.

* * * * *

We found bunches of tiny electronics parts—I think they were; spools of magnetic tape, but nothing to play it on; reels of very narrow film with frames much too small to see anything at all unmagnified; about three thousand cigarettes in unlabeled transparent packs of twenty—we lit up quick, using my new lighter; a picture book that didn't make much sense because the views might have been of tissue sections or starfields, we couldn't quite decide, and there were no captions to help; a thin book with ricepaper pages covered with Chinese characters—that was a puzzler; a thick book with nothing but columns of figures, all zeros and ones and nothing else; some tiny chisels; and a mouth organ. Pop, who'd make a point of just helping in the hunt, appropriated that last item—I might have known he would, I told myself. Now we could expect "Turkey in the Straw" at odd moments.

Alice found a whole bag of what were women's things judging from the frilliness of the garments included. She set aside some squeeze-packs and little gadgets and elastic items right away, but she didn't take any of the clothes. I caught her measuring some kind of transparent chemise against herself when she thought we weren't looking; it was for a girl maybe six sizes bigger.

* * * * *

And we found food. Cans of food that was heated up inside by the time you got the top rolled off, though the outside could still be cool to the touch. Cans of boneless steak, boneless chops, cream soup, peas, carrots, and fried potatoes—they weren't labeled at all but you could generally guess the contents from the shape of the can. Eggs that heated when you touched them and were soft-boiled evenly and barely firm by the time you had the shell broke. And small plastic bottles of strong coffee that heated up hospitably too—in this case the tops did a five-second hesitation in the middle of your unscrewing them.

At that point as you can imagine we let the rest of the packages go and had ourselves a feast. The food ate even better than it smelled. It was real hard for me not to gorge.

Then as I was slurping down my second bottle of coffee I happened to look out the viewport and see the Pilot's body and the darkening puddle around it and the coffee began to taste, well, not bad, but sickening. I don't think it was guilty conscience. Deathlanders outgrow those if they ever have them to start with; loners don't keep consciences—it takes cultures to give you those and make them work. Artistic inappropriateness is the closest I can come to describing what bothered me. Whatever it was, it made me feel lousy for a minute.

About the same time Alice did an odd thing with the last of her coffee. She slopped it on a rag and used it to wash her face. I guess she'd caught a reflection of herself with the blood smears. She didn't eat any more after that either. Pop kept on chomping away, a slow feeder and appreciative.

To be doing something I started to inspect the instrument panel and right away I was all excited again. The two screens were what got me. They showed shadowy maps, one of North America, the other of the World. The first one was a whole lot like the map I'd been imagining earlier—faint colors marked the small "civilized" areas including one in Eastern Canada and another in Upper Michigan that must be "countries" I didn't know about, and the Deathlands were real dark just as I'd always maintained they should be!

South of Lake Michigan was a brightly luminous green point that must be where we were, I decided. And for some reason the colored areas representing Los Alamos and Atlantic Highlands were glowing brighter than the others—they had an active luminosity. Los Alamos was blue, Atla-Hi violet. Los Alamos was shown having more territory than I expected. Savannah Fortress for that matter was a whole lot bigger than I'd have made it, pushing out pseudopods west and northeast along the coast, though its red didn't have the extra glow. But its growth-pattern reeked of imperialism.

* * * * *

The World screen showed dim color patches too, but for the moment I was more interested in the other.

The button armies marched right up to the lower edge of the screens and right away I got the crazy hunch that they were connected with spots on the map. Push the button for a certain spot and the plane would go there! Why, one button even seemed to have a faint violet nimbus around it (or else my eyes were going bad) as if to say, "Push me and we go to Atlantic Highlands."

A crazy notion as I say and no sensible way to handle a plane's navigation according to any standards I could imagine, but then as I've also said this plane didn't seem to be designed according to any standards but rather in line with one man's ideas, including his whims.

At any rate that was my hunch about the buttons and the screens. It tantalized rather than helped, for the only button that seemed to be marked in any way was the one (guessing by color) for Atlantic Highlands, and I certainly didn't want to go there. Like Alamos, Atla-Hi has the reputation for being a mysteriously dangerous place. Not openly mean and death-on-Deathlanders like Walla Walla or Porter, but buggers who swing too close to Atla-Hi have a way of never turning up again. You never expect to see again two out of three buggers who pass in the night, but for three out of three to keep disappearing is against statistics.

Alice was beside me now, scanning things over too, and from the way she frowned and what not I gathered she had caught my hunch and also shared my puzzlement.

Now was the time, all right, when we needed an instruction manual and not one in Chinese neither!

Pop swallowed a mouthful and said, "Yep, now'd be a good time to have him back for a minute, to explain things a bit. Oh, don't take offense, Ray, I know how it was for you and for you too, Alice. I know the both of you had to murder him, it wasn't a matter of free choice, it's the way us Deathlanders are built. Just the same, it'd be nice to have a way of killing 'em and keeping them on hand at the same time. I remember feeling that way after murdering the Alamoser I told you about. You see, I come down with the very fever I'd faked and almost died of it, while the man who could have cured me easy wouldn't do nothing but perfume the landscape with the help of a gang of anaerobic bacteria. Stubborn single-minded cuss!"

* * * * *

The first part of that oration started up my sickness again and irked me not a little. Dammit, what right had Pop to talk about how all us Deathlanders had to kill (which was true enough and by itself would have made me cotton to him) if as he'd claimed earlier he'd been able to quit killing? Pop was, an old hypocrite, I told myself—he'd helped murder the Pilot, he'd admitted as much—and Alice and me'd be better off if we bedded the both of them down together. But then the second part of what Pop said so made me want to feel pleasantly sorry for myself and laugh at the same time that I forgave the old geezer. Practically everything Pop said had that reassuring touch of insanity about it.

So it was Alice who said, "Shut up, Pop"—and rather casually at that—and she and me went on to speculate and then to argue about which buttons we ought to push, if any and in what order.

"Why not just start anywhere and keep pushing 'em one after another?—you're going to have to eventually, may as well start now," was Pop's light-hearted contribution to the discussion. "Got to take some chances in this life." He was sitting in the back seat and still nibbling away like a white-topped mangy old squirrel.

Of course Alice and me knew more than that. We kept making guesses as to how the buttons worked and then backing up our guesses with hot language. It was a little like two savages trying to decide how to play chess by looking at the pieces. And then the old escape-to-paradise theme took hold of us again and we studied the colored blobs on the World screen, trying to decide which would have the fanciest accommodations for blase ex-murderers. On the North America screen too there was an intriguing pink patch in southern Mexico that seemed to take in old Mexico City and Acapulco too.

"Quit talking and start pushing," Pop prodded us. "This way you're getting nowhere fast. I can't stand hesitation, it riles my nerves."

Alice thought you ought to push ten buttons at once, using both hands, and she was working out patterns for me to try. But I was off on a kick about how we should darken the plane to see if any of the other buttons glowed beside the one with the Atla-Hi violet.

"Look here, you killed a big man to get this plane," Pop broke in, coming up behind me. "Are you going to use it for discussion groups or are you going to fly it?"

"Quiet," I told him. I'd got a new hunch and was using the dark glasses to scan the instrument panel. They didn't show anything.

"Dammit, I can't stand this any more," Pop said and reached a hand and arm between us and brought it down on about fifty buttons, I'd judge.

The other buttons just went down and up, but the Atla-Hi button went down and stayed down.

The violet blob of Atla-Hi on the screen got even brighter in the next few moments.

The door closed with a tiny thud.

We took off.


Any man who deals in murder, must have very incorrect ways of thinking, and truly inaccurate principles.

Thomas de Quincey in Murder Considered as One of the Fine Arts

For that matter we took off fast with the plane swinging to beat hell. Alice and me was in the two kneeling seats and we hugged them tight, but Pop was loose and sort of rattled around the cabin for a while—and serve him right!

On one of the swings I caught a glimpse of the seven dented gas tanks, looking like dull crescents from this angle through the orange haze and getting rapidly smaller as they hazed out.

After a while the plane levelled off and quit swinging, and a while after that my image of the cabin quit swinging too. Once again I just managed to stave off the vomits, this time the vomits from natural causes. Alice looked very pale around the gills and kept her face buried in the chinrest of her chair.

Pop ended up right in our faces, sort of spread-eagled against the instrument panel. In getting himself off it he must have braced his hands against half the buttons at one time or another and I noticed that none of them went down a fraction. They were locked. It had probably happened automatically when the Atla-Hi button got pushed.

I'd have stopped him messing around in that apish way, but with the ultra-queasy state of my stomach I lacked all ambition and was happy just not to be smelling him so close.

I still wasn't taking too great an interest in things as I idly watched the old geezer rummaging around the cabin for something that got misplaced in the shake-up. Eventually he found it—a small almond-shaped can. He opened it. Sure enough it turned out to have almonds in it. He fitted himself in the back seat and munched them one at a time. Ish!

"Nothing like a few nuts to top off with," he said cheerfully.

I could have cut his throat even more cheerfully, but the damage had been done and you think twice before you kill a person in close quarters when you aren't absolutely sure you'll be able to dispose of the body. How did I know I'd be able to open the door? I remember philosophizing that Pop ought at least to have broke an arm so he'd be as badly off as Alice and me (though for that matter my right arm was fully recovered now) but he was all in one piece. There's no justice in events, that's for sure.

The plane ploughed along silently through the orange soup, though there was really no way to tell it was moving now—until a skewy spindle shape loomed up ahead and shot back over the viewport. I think it was a vulture. I don't know how vultures manage to operate in the haze, which ought to cancel their keen eyesight, but they do. It shot past fast.

Alice lifted her face out of the sponge stuff and began to study the buttons again. I heaved myself up and around a little and said, "Pop, Alice and me are going to try to work out how this plane navigates. This time we don't want no interference." I didn't say a word more about what he'd done. It never does to hash over stupidities.

"That's perfectly fine, go right ahead," he told me. "I feel calm as a kitten now we're going somewheres. That's all that ever matters with me." He chuckled a bit and added, "You got to admit I gave you and Alice something to work with," but then he had the sense to shut up tight.

* * * * *

We weren't so chary of pushing buttons this time, but ten minutes or so convinced us that you couldn't push any of the buttons any more, they were all locked down—all locked except for maybe one, which we didn't try at first for a special reason.

We looked for other controls—sticks, levers, pedals, finger-holes and the like. There weren't any. Alice went back and tried the buttons on Pop's minor console. They were locked too. Pop looked interested but didn't say a word.

We realized in a general way what had happened, of course. Pushing the Atla-Hi button had set us on some kind of irreversible automatic. I couldn't imagine the why of gimmicking a plane's controls like that, unless maybe to keep loose children or prisoners from being able to mess things up while the pilot took a snooze, but there were a lot of whys to this plane that didn't seem to have any standard answers.

The business of taking off on irreversible automatic had happened so neatly that I naturally wondered whether Pop might not know more about navigating this plane than he let on, a whole lot more in fact, and the seemingly idiotic petulance of his pushing all the buttons have been a shrewd cover for pushing the Atla-Hi button. But if Pop had been acting he'd been acting beautifully, with a serene disregard for the chances of breaking his own neck. I decided this was a possibility I could think about later and maybe act on then, after Alice and me had worked through the more obvious stuff.

The reason we hadn't tried the one button yet was that it showed a green nimbus, just like the Atla-Hi button had had a violet nimbus. Now there was no green on either of the screens except for the tiny green star that I had figured stood for the plane and it didn't make sense to go where we already were. And if it meant some other place, some place not shown on the screens, you bet we weren't going to be too quick about deciding to go there. It might not be on Earth.

Alice expressed it by saying, "My namesake was always a little too quick at responding to those DRINK ME cues."

I suppose she thought she was being cryptic, but I fooled her. "Alice in Wonderland?" I asked. She nodded, and gave me a little smile, not at all like one of the EAT ME smiles she'd given me last evening.

It is funny how crazily happy a little touch of the intellectual past like that can make you feel—and how horribly uncomfortable a moment later.

We both started to study the North America screen again and almost at once we realized that it had changed in one small particular. The green star had twinned. Where there had been one point of green light there were now two, very close together like the double star in the handle of the Dipper. We watched it for a while. The distance between the two stars grew perceptibly greater. We watched it for a while longer, considerably longer. It became clear that the position of the more westerly star on the screen was fixed, while the more easterly star was moving east toward Atla-Hi with about the speed of the tip of the minute hand on a wrist watch (two inches an hour, say). The pattern began to make sense.

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