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Lucy Maud Montgomery Short Stories, 1907 to 1908
by Lucy Maud Montgomery
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Lucy Maud Montgomery Short Stories, 1907 to 1908

Lucy Maud Montgomery Short Stories, 1896 to 1901 Lucy Maud Montgomery Short Stories, 1902 to 1903 Lucy Maud Montgomery Short Stories, 1904 Lucy Maud Montgomery Short Stories, 1905 to 1906 Lucy Maud Montgomery Short Stories, 1907 to 1908 Lucy Maud Montgomery Short Stories, 1909 to 1922

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Short Stories 1907 to 1908

Millionaire's Proposal 1907 A Substitute Journalist 1907 Anna's Love Letters 1908 Aunt Caroline's Silk Dress 1907 Aunt Susanna's Thanksgiving Dinner 1907 By Grace of Julius Caesar 1908 By the Rule of Contrary 1908 Fair Exchange and No Robbery 1907 Four Winds 1908 Marcella's Reward 1907 Margaret's Patient 1908 Matthew Insists on Puffed Sleeves 1908 Missy's Room 1907 Ted's Afternoon Off 1907 The Girl Who Drove the Cows 1908 The Doctor's Sweetheart 1908 The End of the Young Family Feud 1907 The Genesis of the Doughnut Club 1907 The Growing Up of Cornelia 1908 The Old Fellow's Letter 1907 The Parting of the Ways 1907 The Promissory Note 1907 The Revolt of Mary Isabel 1908 The Twins and a Wedding 1908



A Millionaire's Proposal

Thrush Hill, Oct. 5, 18—.

It is all settled at last, and in another week I shall have left Thrush Hill. I am a little bit sorry and a great bit glad. I am going to Montreal to spend the winter with Alicia.

Alicia—it used to be plain Alice when she lived at Thrush Hill and made her own dresses and trimmed her own hats—is my half-sister. She is eight years older than I am. We are both orphans, and Aunt Elizabeth brought us up here at Thrush Hill, the most delightful old country place in the world, half smothered in big willows and poplars, every one of which I have climbed in the early tomboy days of gingham pinafores and sun-bonnets.

When Alicia was eighteen she married Roger Gresham, a man of forty. The world said that she married him for his money. I dare say she did. Alicia was tired of poverty.

I don't blame her. Very likely I shall do the same thing one of these days, if I get the chance—for I too am tired of poverty.

When Alicia went to Montreal she wanted to take me with her, but I wanted to be outdoors, romping in the hay or running wild in the woods with Jack.

Jack Willoughby—Dr. John H. Willoughby, it reads on his office door—was the son of our nearest neighbour. We were chums always, and when he went away to college I was heartbroken.

The vacations were the only joy of my life then.

I don't know just when I began to notice a change in Jack, but when he came home two years ago, a full-fledged M.D.—a great, tall, broad-shouldered fellow, with the sweetest moustache, and lovely thick black hair, just made for poking one's fingers through—I realized it to the full. Jack was grown up. The dear old days of bird-nesting and nutting and coasting and fishing and general delightful goings-on were over forever.

I was sorry at first. I wanted "Jack." "Dr. Willoughby" seemed too distinguished and far away.

I suppose he found a change in me, too. I had put on long skirts and wore my hair up. I had also found out that I had a complexion, and that sunburn was not becoming. I honestly thought I looked pretty, but Jack surveyed me with decided disapprobation.

"What have you done to yourself? You don't look like the same girl. I'd never know you in that rig-out, with all those flippery-trippery curls all over your head. Why don't you comb your hair straight back, and let it hang in a braided tail, like you used to?"

This didn't suit me at all. When I expect a compliment and get something quite different I always get snippy. So I said, with what I intended to be crushing dignity, "that I supposed I wasn't the same girl; I had grown up, and if he didn't like my curls he needn't look at them. For my part, I thought them infinitely preferable to that horrid, conceited-looking moustache he had grown."

"I'll shave it off if it doesn't suit you," said Jack amiably.

Jack is always so provokingly good-humoured. When you've taken pains and put yourself out—even to the extent of fibbing about a moustache—to exasperate a person, there is nothing more annoying than to have him keep perfectly angelic.

But after a while Jack and I adjusted ourselves to the change in each other and became very good friends again. It was quite a different friendship from the old, but it was very pleasant. Yes, it was; I will admit that much.

I was provoked at Jack's determination to settle down for life in Valleyfield, a horrible, humdrum, little country village.

"You'll never make your fortune there, Jack," I said spitefully. "You'll just be a poor, struggling country doctor all your life, and you'll be grey at forty."

"I don't expect to make a fortune, Kitty," said Jack quietly. "Do you think that is the one desirable thing? I shall never be a rich man. But riches are not the only thing that makes life pleasant."

"Well, I think they have a good deal to do with it, anyhow," I retorted. "It's all very well to pretend to despise wealth, but it's generally a case of sour grapes. I will own up honestly that I'd love to be rich."

It always seems to make Jack blue and grumpy when I talk like that. I suppose that is one reason why he never asked me to settle down in life as a country doctor's wife. Another was, no doubt, that I always nipped his sentimental sproutings religiously in the bud.

Three weeks ago Alicia wrote to me, asking me to spend the winter with her. Her letters always make me just gasp with longing for the life they describe.

Jack's face, when I told him about it, was so woebegone that I felt a stab of remorse, even in the heyday of my delight.

"Do you really mean it, Kitty? Are you going away to leave me?"

"You won't miss me much," I said flippantly—I had a creepy, crawly presentiment that a scene of some kind was threatening—"and I'm awfully tired of Thrush Hill and country life, Jack. I suppose it is horribly ungrateful of me to say so, but it is the truth."

"I shall miss you," he said soberly.

Somehow he had my hands in his. How did he ever get them? I was sure I had them safely tucked out of harm's way behind me. "You know, Kitty, that I love you. I am a poor man—perhaps I may never be anything else—and this may seem to you very presumptuous. But I cannot let you go like this. Will you be my wife, dear?"

Wasn't it horribly straightforward and direct? So like Jack! I tried to pull my hands away, but he held them fast. There was nothing to do but answer him. That "no" I had determined to say must be said, but, oh! how woefully it did stick in my throat!

And I honestly believe that by the time I got it out it would have been transformed into a "yes," in spite of me, had it not been for a certain paragraph in Alicia's letter which came providentially to my mind:

Not to flatter you, Katherine, you are a beauty, my dear—if your photo is to be trusted. If you have not discovered that fact before—how should you, indeed, in a place like Thrush Hill?—you soon will in Montreal. With your face and figure you will make a sensation.

There is to be a nephew of the Sinclairs here this winter. He is an American, immensely wealthy, and will be the catch of the season. A word to the wise, etc. Don't get into any foolish entanglement down there. I have heard some gossip of you and our old playfellow, Jack Willoughby. I hope it is nothing but gossip. You can do better than that, Katherine.

That settled Jack's fate, if there ever had been any doubt.

"Don't talk like that, Jack," I said hurriedly. "It is all nonsense. I think a great deal of you as a friend and—and—all that, you know. But I can never marry you."

"Are you sure, Kitty?" said Jack earnestly. "Don't you care for me at all?"

It was horrid of Jack to ask that question!

"No," I said miserably, "not—not in that way, Jack. Oh, don't ever say anything like this to me again."

He let go of my hands then, white to the lips.

"Oh, don't look like that, Jack," I entreated.

"I can't help it," he said in a low voice. "But I won't bother you again, dear. It was foolish of me to expect—to hope for anything of the sort. You are a thousand times too good for me, I know."

"Oh, indeed I'm not, Jack," I protested. "If you knew how horrid I am, really, you'd be glad and thankful for your escape. Oh, Jack, I wish people never grew up."

Jack smiled sadly.

"Don't feel badly over this, Kitty. It isn't your fault. Good night, dear."

He turned my face up and kissed me squarely on the mouth. He had never kissed me since the summer before he went away to college. Somehow it didn't seem a bit the same as it used to; it was—nicer now.

After he went away I came upstairs and had a good, comfortable howl. Then I buried the whole affair decently. I am not going to think of it any more.

I shall always have the highest esteem for Jack, and I hope he will soon find some nice girl who will make him happy. Mary Carter would jump at him, I know. To be sure, she is as homely as she can be and live. But, then, Jack is always telling me how little he cares for beauty, so I have no doubt she will suit him admirably.

As for myself—well, I am ambitious. I don't suppose my ambition is a very lofty one, but such as it is I mean to hunt it down. Come. Let me put it down in black and white, once for all, and see how it looks:

I mean to marry the rich nephew of the Sinclairs.

There! It is out, and I feel better. How mercenary and awful it looks written out in cold blood like that. I wouldn't have Jack or Aunt Elizabeth—dear, unworldly old soul—see it for the world. But I wouldn't mind Alicia.

Poor dear Jack!

* * * * *

Montreal, Dec. 16, 18—.

This is a nice way to keep a journal. But the days when I could write regularly are gone by. That was when I was at Thrush Hill.

I am having a simply divine time. How in the world did I ever contrive to live at Thrush Hill?

To be sure, I felt badly enough that day in October when I left it. When the train left Valleyfield I just cried like a baby.

Alicia and Roger welcomed me very heartily, and after the first week of homesickness—I shiver yet when I think of it—was over, I settled down to my new life as if I had been born to it.

Alicia has a magnificent home and everything heart could wish for—jewels, carriages, servants, opera boxes, and social position. Roger is a model husband apparently. I must also admit that he is a model brother-in-law.

I could feel Alicia looking me over critically the moment we met. I trembled with suspense, but I was soon relieved.

"Do you know, Katherine, I am glad to see that your photograph didn't flatter you. Photographs so often do, I am positively surprised at the way you have developed, my dear; you used to be such a scrawny little brown thing. By the way, I hope there is nothing between you and Jack Willoughby?"

"No, of course not," I answered hurriedly. I had intended to tell Alicia all about Jack, but when it came to the point I couldn't.

"I am glad of that," said Alicia, with a relieved air. "Of course, I've no doubt Jack is a good fellow enough. He was a nice boy. But he would not be a suitable husband for you, Katherine."

I knew that very well. That was just why I had refused him. But it made me wince to hear Alicia say it. I instantly froze up—Alicia says dignity is becoming to me—and Jack's name has never been mentioned between us since.

I made my bow to society at an "At Home" which Alicia gave for that purpose. She drilled me well beforehand, and I think I acquitted myself decently. Charlie Vankleek, whose verdict makes or mars every debutante in his set, has approved of me. He called me a beauty, and everybody now believes that I am one, and greets me accordingly.

I met Gus Sinclair at Mrs. Brompton's dinner. Alicia declares it was a case of love at first sight. If so, I must confess that it was all on one side.

Mr. Sinclair is undeniably ugly—even Alicia has to admit that—and can't hold a candle to Jack in point of looks, for Jack, poor boy, was handsome, if he were nothing else. But, as Alicia does not fail to remind me, Mr. Sinclair's homeliness is well gilded.

Apart from his appearance, I really liked him very much. He is a gentlemanly little fellow—his head reaches about to my shoulder—cultured and travelled, and can talk splendidly, which Jack never could.

He took me into dinner at Mrs. Brompton's, and was very attentive. You may imagine how many angelic glances I received from the other candidates for his favour.

Since then I have been having the gayest time imaginable. Dances, dinners, luncheons, afternoon teas, "functions" to no end, and all delightful.

Aunt Elizabeth writes to me, but I have never heard a word from Jack. He seems to have forgotten my existence completely. No doubt he has consoled himself with Mary Carter.

Well, that is all for the best, but I must say I did not think Jack could have forgotten me so soon or so absolutely. Of course it does not make the least difference to me.

The Sinclairs and the Bromptons and the Curries are to dine here tonight. I can see myself reflected in the long mirror before me, and I really think my appearance will satisfy even Gus Sinclair's critical eye. I am pale, as usual, I never have any colour. That used to be one of Jack's grievances. He likes pink and white milkmaidish girls. My "magnificent pallor" didn't suit him at all.

But, what is more to the purpose, it suits Gus Sinclair. He admires the statuesque style.

* * * * *

Montreal, Jan. 20, 18—.

Here it is a whole month since my last entry. I am sitting here decked out in "gloss of satin and glimmer of pearls" for Mrs. Currie's dance. These few minutes, after I emerge from the hands of my maid and before the carriage is announced, are almost the only ones I ever have to myself.

I am having a good time still. Somehow, though, it isn't as exciting as it used to be. I'm afraid I'm very changeable. I believe I must be homesick.

I'd love to get a glimpse of dear old Thrush Hill and Aunt Elizabeth, and J—but, no! I will not write that.

Mr. Sinclair has not spoken yet, but there is no doubt that he soon will. Of course, I shall accept him when he does, and I coolly told Alicia so when she just as coolly asked me what I meant to do.

"Certainly, I shall marry him," I said crossly, for the subject always irritates me. "Haven't I been laying myself out all winter to catch him? That is the bold, naked truth, and ugly enough it is. My dearly beloved sister, I mean to accept Mr. Sinclair, without any hesitation, whenever I get the chance."

"I give you credit for more sense than to dream of doing anything else," said Alicia in relieved tones. "Katherine, you are a very lucky girl."

"Because I am going to marry a rich man for his money?" I said coldly.

Sometimes I get snippy with Alicia these days.

"No," said my half-sister in an exasperated way. "Why will you persist in speaking in that way? You are very provoking. It is not likely I would wish to see you throw yourself away on a poor man, and I'm sure you must like Gus."

"Oh, yes, I like him well enough," I said listlessly. "To be sure, I did think once, in my salad days, that liking wasn't quite all in an affair of this kind. I was absurd enough to imagine that love had something to do with it."

"Don't talk so nonsensically," said Alicia sharply. "Love! Well, of course, you ought to love your husband, and you will. He loves you enough, at all events."

"Alicia," I said earnestly, looking her straight in the face and speaking bluntly enough to have satisfied even Jack's love of straightforwardness, "you married for money and position, so people say. Are you happy?"

For the first time that I remembered, Alicia blushed. She was very angry.

"Yes, I did marry for money," she said sharply, "and I don't regret it. Thank heaven, I never was a fool."

"Don't be vexed, Alicia," I entreated. "I only asked because—well, it is no matter."

* * * * *

Montreal, Jan. 25, 18—.

It is bedtime, but I am too excited and happy and miserable to sleep. Jack has been here—dear old Jack! How glad I was to see him.

His coming was so unexpected. I was sitting alone in my room this afternoon—I believe I was moping—when Bessie brought up his card. I gave it one rapturous look and tore downstairs, passing Alicia in the hall like a whirlwind, and burst into the drawing-room in a most undignified way.

"Jack!" I cried, holding out both hands to him in welcome.

There he was, just the same old Jack, with his splendid big shoulders and his lovely brown eyes. And his necktie was crooked, too; as soon as I could get my hands free I put them up and straightened it out for him. How nice and old-timey that was!

"So you are glad to see me, Kitty?" he said as he squeezed my hands in his big strong paws.

"'Deed and 'deed I am, Jack. I thought you had forgotten me altogether. And I've been so homesick and so—so everything," I said incoherently. "And, oh, Jack, I've so many questions to ask I don't know where to begin. Tell me all the Thrush Hill and Valleyfield news, tell me everything that has happened since I left. How many people have you killed off? And, oh, why didn't you come to see me before?"

"I didn't think I should be wanted, Kitty," Jack answered quietly. "You seemed to be so absorbed in your new life that old friends and interests were crowded out."

"So I was at first," I answered penitently. "I was dazzled, you know. The glare was too much for my Thrush Hill brown. But it's different now. How did you happen to come, Jack?"

"I had to come to Montreal on business, and I thought it would be too bad if I went back without coming to see what they had been doing in Vanity Fair to my little playmate."

"Well, what do you think they have been doing?" I asked saucily.

I had on a particularly fetching gown and knew I was looking my best. Jack, however, looked me over with his head on one side.

"Well, I don't know, Kitty," he said slowly. "That is a stunning sort of dress you have on—not so pretty, though, as that old blue muslin you used to wear last summer—and your hair is pretty good. But you look rather disdainful and, after all, I believe I prefer Thrush Hill Kitty."

How like Jack that was. He never thought me really pretty, and he is too honest to pretend he does.

But I didn't care. I just laughed, and we sat down together and had a long, delightful, chummy talk.

Jack told me all the Valleyfield gossip, not forgetting to mention that Mary Carter was going to be married to a minister in June. Jack didn't seem to mind it a bit, so I guess he couldn't have been particularly interested in Mary.

In due time Alicia sailed in. I suppose she had found out from Bessie who my caller was, and felt rather worried over the length of our tete-a-tete.

She greeted Jack very graciously, but with a certain polite condescension of which she is past mistress. I am sure Jack felt it, for, as soon as he decently could, he got up to go. Alicia asked him to remain to dinner.

"We are having a few friends to dine with us, but it is quite an informal affair," she said sweetly.

I felt that Jack glanced at me for the fraction of a second. But I remembered that Gus Sinclair was coming too, and I did not look at him.

Then he declined quietly. He had a business engagement, he said.

I suppose Alicia had noticed that look at me, for she showed her claws.

"Don't forget to call any time you are in Montreal," she said more sweetly than ever. "I am sure Katherine will always be glad to see any of her old friends, although some of her new ones are proving very absorbing—one, in especial. Don't blush, Katherine, I am sure Mr. Willoughby won't tell any tales out of school to your old Valleyfield friends."

I was not blushing, and I was furious. It was really too bad of Alicia, although I don't see why I need have cared.

Alicia kept her eye on us both until Jack was fairly gone. Then she remarked in the patronizing tone which I detest:

"Really, Katherine, Jack Willoughby has developed into quite a passable-looking fellow, although he is rather shabby. But I suppose he is poor."

"Yes," I answered curtly, "he is poor, in everything except youth and manhood and goodness and truth! But I suppose those don't count for anything."

Whereupon Alicia lifted her eyebrows and looked me over.

Just at dusk a box arrived with Jack's compliments. It was full of lovely white carnations, and must have cost the extravagant fellow more than he has any business to waste on flowers. I was beast enough to put them on when I went down to listen to another man's love-making.

This evening I sparkled and scintillated with unusual brilliancy, for Jack's visit and my consequent crossing of swords with Alicia had produced a certain elation of spirits. When Gus Sinclair was leaving he asked if he might see me alone tomorrow afternoon.

I knew what that meant, and a cold shiver went up and down my backbone. But I looked down at him—spick-and-span and glossy—his neckties are never crooked—and said, yes, he might come at three o'clock.

Alicia had noticed our aside—when did anything ever escape her?—and when he was gone she asked, significantly, what secret he had been telling me.

"He wants to see me alone tomorrow afternoon. I suppose you know what that means, Alicia?"

"Ah," purred Alicia, "I congratulate you, my dear."

"Aren't your congratulations a little premature?" I asked coldly. "I haven't accepted him yet."

"But you will?"

"Oh, certainly. Isn't it what we've schemed and angled for? I'm very well satisfied."

And so I am. But I wish it hadn't come so soon after Jack's visit, because I feel rather upset yet. Of course I like Gus Sinclair very much, and I am sure I shall be very fond of him.

Well, I must go to bed now and get my beauty sleep. I don't want to be haggard and hollow-eyed at that important interview tomorrow—an interview that will decide my destiny.

* * * * *

Thrush Hill, May 6, 18—.

Well, it did decide it, but not exactly in the way I anticipated. I can look back on the whole affair quite calmly now, but I wouldn't live it over again for all the wealth of Ind.

That day when Gus Sinclair came I was all ready for him. I had put on my very prettiest new gown to do honour to the occasion, and Alicia smilingly assured me I was looking very well.

"And so cool and composed. Will you be able to keep that up? Don't you really feel a little nervous, Katherine?"

"Not in the least," I said. "I suppose I ought to be, according to traditions, but I never felt less flustered in my life."

When Bessie brought up Gus Sinclair's card Alicia dropped a pecky little kiss on my cheek, and pushed me toward the door. I went down calmly, although I'll admit that my heart was beating wildly. Gus Sinclair was plainly nervous, but I was composed enough for both. You would really have thought that I was in the habit of being proposed to by a millionaire every day.

"I suppose you know what I have come to say," he said, standing before me, as I leaned gracefully back in a big chair, having taken care that the folds of my dress fell just as they should.

And then he proceeded to say it in a rather jumbled-up fashion, but very sincerely.

I remember thinking at the time that he must have composed the speech in his head the night before, and rehearsed it several times, but was forgetting it in spots.

When he ended with the self-same question that Jack had asked me three months before at Thrush Hill he stopped and took my hands.

I looked up at him. His good, homely face was close to mine, and in his eyes was an unmistakable look of love and tenderness.

I opened my mouth to say yes.

And then there came over me in one rush the most awful realization of the sacrilege I was going to commit.

I forgot everything except that I loved Jack Willoughby, and that I could never, never marry anybody in the world except him.

Then I pulled my hands away and burst into hysterical, undignified tears.

"I beg your pardon," said Mr. Sinclair. "I did not mean to startle you. Have I been too abrupt? Surely you must have known—you must have expected—"

"Yes—yes—I knew," I cried miserably, "and I intended right up to this very minute to marry you. I'm so sorry—but I can't—I can't."

"I don't understand," he said in a bewildered tone. "If you expected it, then why—why—don't you care for me?"

"No, that's just it," I sobbed. "I don't love you at all—and I do love somebody else. But he is poor, and I hate poverty. So I refused him, and I meant to marry you just because you are rich."

Such a pained look came over his face. "I did not think this of you," he said in a low tone.

"Oh, I know I have acted shamefully," I said. "You can't think any worse of me than I do of myself. How you must despise me!"

"No," he said, with a grim smile, "if I did it would be easier for me. I might not love you then. Don't distress yourself, Katherine. I do not deny that I feel greatly hurt and disappointed, but I am glad you have been true to yourself at last. Don't cry, dear."

"You're very good," I answered disconsolately, "but all the same the fact remains that I have behaved disgracefully to you, and I know you think so. Oh, Mr. Sinclair, please, please, go away. I feel so miserably ashamed of myself that I cannot look you in the face."

"I am going, dear," he said gently. "I know all this must be very painful to you, but it is not easy for me, either."

"Can you forgive me?" I said wistfully.

"Yes, my dear, completely. Do not let yourself be unhappy over this. Remember that I will always be your friend. Goodbye."

He held out his hand and gave mine an earnest clasp. Then he went away.

I remained in the drawing-room, partly because I wanted to finish out my cry, and partly because, miserable coward that I was, I didn't dare face Alicia. Finally she came in, her face wreathed with anticipatory smiles. But when her eyes fell on my forlorn, crumpled self she fairly jumped.

"Katherine, what is the matter?" she asked sharply. "Didn't Mr. Sinclair—"

"Yes, he did," I said desperately. "And I've refused him. There now, Alicia!"

Then I waited for the storm to burst. It didn't all at once. The shock was too great, and at first quite paralyzed my half-sister.

"Katherine," she gasped, "are you crazy? Have you lost your senses?"

"No, I've just come to them. It's true enough, Alicia. You can scold all you like. I know I deserve it, and I won't flinch. I did really intend to take him, but when it came to the point I couldn't. I didn't love him."

Then, indeed, the storm burst. I never saw Alicia so angry before, and I never got so roundly abused. But even Alicia has her limits, and at last she grew calmer.

"You have behaved disgracefully," she concluded. "I am disgusted with you. You have encouraged Gus Sinclair markedly right along, and now you throw him over like this. I never dreamed that you were capable of such unwomanly behaviour."

"That's a hard word, Alicia," I protested feebly.

She dealt me a withering glance. "It does not begin to be as hard as your shameful conduct merits. To think of losing a fortune like that for the sake of sentimental folly! I didn't think you were such a consummate fool."

"I suppose you absorbed all the sense of our family," I said drearily. "There now, Alicia, do leave me alone. I'm down in the very depths already."

"What do you mean to do now?" said Alicia scornfully. "Go back to Valleyfield and marry that starving country doctor of yours, I suppose?"

I flared up then; Alicia might abuse me all she liked, but I wasn't going to hear a word against Jack.

"Yes, I will, if he'll have me," I said, and I marched out of the room and upstairs, with my head very high.

Of course I decided to leave Montreal as soon as I could. But I couldn't get away within a week, and it was a very unpleasant one. Alicia treated me with icy indifference, and I knew I should never be reinstated in her good graces.

To my surprise, Roger took my part. "Let the girl alone," he told Alicia. "If she doesn't love Sinclair, she was right in refusing him. I, for one, am glad that she has got enough truth and womanliness in her to keep her from selling herself."

Then he came to the library where I was moping, and laid his hand on my head.

"Little girl," he said earnestly, "no matter what anyone says to you, never marry a man for his money or for any other reason on earth except because you love him."

This comforted me greatly, and I did not cry myself to sleep that night as usual.

At last I got away. I had telegraphed to Jack: "Am coming home Wednesday; meet me at train," and I knew he would be there. How I longed to see him again—dear, old, badly treated Jack.

I got to Valleyfield just at dusk. It was a rainy evening, and everything was slush and fog and gloom. But away up I saw the home light at Thrush Hill, and Jack was waiting for me on the platform.

"Oh, Jack!" I said, clinging to him, regardless of appearances. "Oh, I'm so glad to be back."

"That's right, Kitty. I knew you wouldn't forget us. How well you are looking!"

"I suppose I ought to be looking wretched," I said penitently. "I've been behaving very badly, Jack. Wait till we get away from the crowd and I'll tell you all about it."

And I did.

I didn't gloss over anything, but just confessed the whole truth. Jack heard me through in silence, and then he kissed me.

"Can you forgive me, Jack, and take me back?" I whispered, cuddling up to him.

And he said—but, on second thought, I will not write down what he said.

We are to be married in June.



A Substitute Journalist

Clifford Baxter came into the sitting-room where Patty was darning stockings and reading a book at the same time. Patty could do things like that. The stockings were well darned too, and Patty understood and remembered what she read.

Clifford flung himself into a chair with a sigh of weariness. "Tired?" queried Patty sympathetically.

"Yes, rather. I've been tramping about the wharves all day gathering longshore items. But, Patty, I've got a chance at last. Tonight as I was leaving the office Mr. Harmer gave me a real assignment for tomorrow—two of them in fact, but only one of importance. I'm to go and interview Mr. Keefe on this new railroad bill that's up before the legislature. He's in town, visiting his old college friend, Mr. Reid, and he's quite big game. I wouldn't have had the assignment, of course, if there'd been anyone else to send, but most of the staff will be away all day tomorrow to see about that mine explosion at Midbury or the teamsters' strike at Bainsville, and I'm the only one available. Harmer gave me a pretty broad hint that it was my chance to win my spurs, and that if I worked up a good article out of it I'd stand a fair show of being taken on permanently next month when Alsop leaves. There'll be a shuffle all round then, you know. Everybody on the staff will be pushed up a peg, and that will leave a vacant space at the foot."

Patty threw down her darning needle and clapped her hands with delight. Clifford gazed at her admiringly, thinking that he had the prettiest sister in the world—she was so bright, so eager, so rosy.

"Oh, Clifford, how splendid!" she exclaimed. "Just as we'd begun to give up hope too. Oh, you must get the position! You must hand in a good write-up. Think what it means to us."

"Yes, I know." Clifford dropped his head on his hand and stared rather moodily at the lamp. "But my joy is chastened, Patty. Of course I want to get the permanency, since it seems to be the only possible thing, but you know my heart isn't really in newspaper work. The plain truth is I don't like it, although I do my best. You know Father always said I was a born mechanic. If I only could get a position somewhere among machinery—that would be my choice. There's one vacant in the Steel and Iron Works at Bancroft—but of course I've no chance of getting it."

"I know. It's too bad," said Patty, returning to her stockings with a sigh. "I wish I were a boy with a foothold on the Chronicle. I firmly believe that I'd make a good newspaper woman, if such a thing had ever been heard of in Aylmer."

"That you would. You've twice as much knack in that line as I have. You seem to know by instinct just what to leave out and put in. I never do, and Harmer has to blue-pencil my copy mercilessly. Well, I'll do my best with this, as it's very necessary I should get the permanency, for I fear our family purse is growing very slim. Mother's face has a new wrinkle of worry every day. It hurts me to see it."

"And me," sighed Patty. "I do wish I could find something to do too. If only we both could get positions, everything would be all right. Mother wouldn't have to worry so. Don't say anything about this chance to her until you see what comes of it. She'd only be doubly disappointed if nothing did. What is your other assignment?"

"Oh, I've got to go out to Bancroft on the morning train and write up old Mr. Moreland's birthday celebration. He is a hundred years old, and there's going to be a presentation and speeches and that sort of thing. Nothing very exciting about it. I'll have to come back on the three o'clock train and hurry out to catch my politician before he leaves at five. Take a stroll down to meet my train, Patty. We can go out as far as Mr. Reid's house together, and the walk will do you good."

The Baxters lived in Aylmer, a lively little town with two newspapers, the Chronicle and the Ledger. Between these two was a sharp journalistic rivalry in the matter of "beats" and "scoops." In the preceding spring Clifford had been taken on the Chronicle on trial, as a sort of general handyman. There was no pay attached to the position, but he was getting training and there was the possibility of a permanency in September if he proved his mettle. Mr. Baxter had died two years before, and the failure of the company in which Mrs. Baxter's money was invested had left the little family dependent on their own resources. Clifford, who had cherished dreams of a course in mechanical engineering, knew that he must give them up and go to the first work that offered itself, which he did staunchly and uncomplainingly. Patty, who hitherto had had no designs on a "career," but had been sunnily content to be a home girl and Mother's right hand, also realized that it would be well to look about her for something to do. She was not really needed so far as the work of the little house went, and the whole burden must not be allowed to fall on Clifford's eighteen-year-old shoulders. Patty was his senior by a year, and ready to do her part unflinchingly.

The next afternoon Patty went down to meet Clifford's train. When it came, no Clifford appeared. Patty stared about her at the hurrying throngs in bewilderment. Where was Clifford? Hadn't he come on the train? Surely he must have, for there was no other until seven o'clock. She must have missed him somehow. Patty waited until everybody had left the station, then she walked slowly homeward. As the Chronicle office was on her way, she dropped in to see if Clifford had reported there.

She found nobody in the editorial offices except the office boy, Larry Brown, who promptly informed her that not only had Clifford not arrived, but that there was a telegram from him saying that he had missed his train. Patty gasped in dismay. It was dreadful!

"Where is Mr. Harmer?" she asked.

"He went home as soon as the afternoon edition came out. He left before the telegram came. He'll be furious when he finds out that nobody has gone to interview that foxy old politician," said Larry, who knew all about Clifford's assignment and its importance.

"Isn't there anyone else here to go?" queried Patty desperately.

Larry shook his head. "No, there isn't a soul in. We're mighty short-handed just now on account of the explosion and the strike."

Patty went downstairs and stood for a moment in the hall, rapt in reflection. If she had been at home, she verily believed she would have sat down and cried. Oh, it was too bad, too disappointing! Clifford would certainly lose all chance of the permanency, even if the irate news editor did not discharge him at once. What could she do? Could she do anything? She must do something.

"If I only could go in his place," moaned Patty softly to herself.

Then she started. Why not? Why not go and interview the big man herself? To be sure, she did not know a great deal about interviewing, still less about railroad bills, and nothing at all about politics. But if she did her best it might be better than nothing, and might at least save Clifford his present hold.

With Patty, to decide was to act. She flew back to the reporters' room, pounced on a pencil and tablet, and hurried off, her breath coming quickly, and her eyes shining with excitement. It was quite a long walk out to Mr. Reid's place and Patty was tired when she got there, but her courage was not a whit abated. She mounted the steps and rang the bell undauntedly.

"Can I see Mr.—Mr.—Mr.—" Patty paused for a moment in dismay. She had forgotten the name. The maid who had come to the door looked her over so superciliously that Patty flushed with indignation. "The gentleman who is visiting Mr. Reid," she said crisply. "I can't remember his name, but I've come to interview him on behalf of the Chronicle. Is he in?"

"If you mean Mr. Reefer, he is," said the maid quite respectfully. Evidently the Chronicle's name carried weight in the Reid establishment. "Please come into the library. I'll go and tell him."

Patty had just time to seat herself at the table, spread out her paper imposingly, and assume a businesslike air when Mr. Reefer came in. He was a tall, handsome old man with white hair, jet-black eyes, and a mouth that made Patty hope she wouldn't stumble on any questions he wouldn't want to answer. Patty knew she would waste her breath if she did. A man with a mouth like that would never tell anything he didn't want to tell.

"Good afternoon. What can I do for you, madam?" inquired Mr. Reefer with the air and tone of a man who means to be courteous, but has no time or information to waste.

Patty was almost overcome by the "Madam." For a moment, she quailed. She couldn't ask that masculine sphinx questions! Then the thought of her mother's pale, careworn face flashed across her mind, and all her courage came back with an inspiriting rush. She bent forward to look eagerly into Mr. Reefer's carved, granite face, and said with a frank smile:

"I have come to interview you on behalf of the Chronicle about the railroad bill. It was my brother who had the assignment, but he has missed his train and I have come in his place because, you see, it is so important to us. So much depends on this assignment. Perhaps Mr. Harmer will give Clifford a permanent place on the staff if he turns in a good article about you. He is only handyman now. I just couldn't let him miss the chance—he might never have another. And it means so much to us and Mother."

"Are you a member of the Chronicle staff yourself?" inquired Mr. Reefer with a shade more geniality in his tone.

"Oh, no! I've nothing to do with it, so you won't mind my being inexperienced, will you? I don't know just what I should ask you, so won't you please just tell me everything about the bill, and Mr. Harmer can cut out what doesn't matter?"

Mr. Reefer looked at Patty for a few moments with a face about as expressive as a graven image. Perhaps he was thinking about the bill, and perhaps he was thinking what a bright, vivid, plucky little girl this was with her waiting pencil and her air that strove to be businesslike, and only succeeded in being eager and hopeful and anxious.

"I'm not used to being interviewed myself," he said slowly, "so I don't know very much about it. We're both green hands together, I imagine. But I'd like to help you out, so I don't mind telling you what I think about this bill, and its bearing on certain important interests."

Mr. Reefer proceeded to tell her, and Patty's pencil flew as she scribbled down his terse, pithy sentences. She found herself asking questions too, and enjoying it. For the first time, Patty thought she might rather like politics if she understood them—and they did not seem so hard to understand when a man like Mr. Reefer explained them. For half an hour he talked to her, and at the end of that time Patty was in full possession of his opinion on the famous railroad bill in all its aspects.

"There now, I'm talked out," said Mr. Reefer. "You can tell your news editor that you know as much about the railroad bill as Andrew Reefer knows. I hope you'll succeed in pleasing him, and that your brother will get the position he wants. But he shouldn't have missed that train. You tell him that. Boys with important things to do mustn't miss trains. Perhaps it's just as well he did in this case though, but tell him not to let it happen again."

Patty went straight home, wrote up her interview in ship-shape form, and took it down to the Chronicle office. There she found Mr. Harmer, scowling blackly. The little news editor looked to be in a rather bad temper, but he nodded not unkindly to Patty. Mr. Harmer knew the Baxters well and liked them, although he would have sacrificed them all without a qualm for a "scoop."

"Good evening, Patty. Take a chair. That brother of yours hasn't turned up yet. The next time I give him an assignment, he'll manage to be on hand in time to do it."

"Oh," cried Patty breathlessly, "please, Mr. Harmer, I have the interview here. I thought perhaps I could do it in Clifford's place, and I went out to Mr. Reid's and saw Mr. Reefer. He was very kind and—"

"Mr. who?" fairly shouted Mr. Harmer.

"Mr. Reefer—Mr. Andrew Reefer. He told me to tell you that this article contained all he knew or thought about the railroad bill and—"

But Mr. Harmer was no longer listening. He had snatched the neatly written sheets of Patty's report and was skimming over them with a practised eye. Then Patty thought he must have gone crazy. He danced around the office, waving the sheets in the air, and then he dashed frantically up the stairs to the composing room.

Ten minutes later, he returned and shook the mystified Patty by the hand.

"Patty, it's the biggest beat we've ever had! We've scooped not only the Ledger, but every other newspaper in the country. How did you do it? How did you ever beguile or bewitch Andrew Reefer into giving you an interview?"

"Why," said Patty in utter bewilderment, "I just went out to Mr. Reid's and asked for the gentleman who was visiting there—I'd forgotten his name—and Mr. Reefer came down and I told him my brother had been detailed to interview him on behalf of the Chronicle about the bill, and that Clifford had missed his train, and wouldn't he let me interview him in his place and excuse my inexperience—and he did."

"It wasn't Andrew Reefer I told Clifford to interview," laughed Mr. Harmer. "It was John C. Keefe. I didn't know Reefer was in town, but even if I had I wouldn't have thought it a particle of use to send a man to him. He has never consented to be interviewed before on any known subject, and he's been especially close-mouthed about this bill, although men from all the big papers in the country have been after him. He is notorious on that score. Why, Patty, it's the biggest journalistic fish that has ever been landed in this office. Andrew Reefer's opinion on the bill will have a tremendous influence. We'll run the interview as a leader in a special edition that is under way already. Of course, he must have been ready to give the information to the public or nothing would have induced him to open his mouth. But to think that we should be the first to get it! Patty, you're a brick!"

Clifford came home on the seven o'clock train, and Patty was there to meet him, brimful of her story. But Clifford also had a story to tell and got his word in first.

"Now, Patty, don't scold until you hear why I missed the train. I met Mr. Peabody of the Steel and Iron Company at Mr. Moreland's and got into conversation with him. When he found out who I was, he was greatly interested and said Father had been one of his best friends when they were at college together. I told him about wanting to get the position in the company, and he had me go right out to the works and see about it. And, Patty, I have the place. Goodbye to the grind of newspaper items and fillers. I tried to get back to the station at Bancroft in time to catch the train but I couldn't, and it was just as well, for Mr. Keefe was suddenly summoned home this afternoon, and when the three-thirty train from town stopped at Bancroft he was on it. I found that out and I got on, going to the next station with him and getting my interview after all. It's here in my notebook, and I must hurry up to the office and hand it in. I suppose Mr. Harmer will be very much vexed until he finds that I have it."

"Oh, no. Mr. Harmer is in a very good humour," said Patty with dancing eyes. Then she told her story.

The interview with Mr. Reefer came out with glaring headlines, and the Chronicle had its hour of fame and glory. The next day Mr. Harmer sent word to Patty that he wanted to see her.

"So Clifford is leaving," he said abruptly when she entered the office. "Well, do you want his place?"

"Mr. Harmer, are you joking?" demanded Patty in amazement.

"Not I. That stuff you handed in was splendidly written—I didn't have to use the pencil more than once or twice. You have the proper journalist instinct all right. We need a lady on the staff anyhow, and if you'll take the place it's yours for saying so, and the permanency next month."

"I'll take it," said Patty promptly and joyfully.

"Good. Go down to the Symphony Club rehearsal this afternoon and report it. You've just ten minutes to get there," and Patty joyfully and promptly departed.



Anna's Love Letters

"Are you going to answer Gilbert's letter tonight, Anna?" asked Alma Williams, standing in the pantry doorway, tall, fair, and grey-eyed, with the sunset light coming down over the dark firs, through the window behind her, and making a primrose nimbus around her shapely head.

Anna, dark, vivid, and slender, was perched on the edge of the table, idly swinging her slippered foot at the cat's head. She smiled wickedly at Alma before replying.

"I am not going to answer it tonight or any other night," she said, twisting her full, red lips in a way that Alma had learned to dread. Mischief was ripening in Anna's brain when that twist was out.

"What do you mean?" asked Alma anxiously.

"Just what I say, dear," responded Anna, with deceptive meekness. "Poor Gilbert is gone, and I don't intend to bother my head about him any longer. He was amusing while he lasted, but of what use is a beau two thousand miles away, Alma?"

Alma was patient—outwardly. It was never of any avail to show impatience with Anna.

"Anna, you are talking foolishly. Of course you are going to answer his letter. You are as good as engaged to him. Wasn't that practically understood when he left?"

"No, no, dear," and Anna shook her sleek black head with the air of explaining matters to an obtuse child. "I was the only one who understood. Gil misunderstood. He thought that I would really wait for him until he should have made enough money to come home and pay off the mortgage. I let him think so, because I hated to hurt his little feelings. But now it's off with the old love and on with a new one for me."

"Anna, you cannot be in earnest!" exclaimed Alma.

But she was afraid that Anna was in earnest. Anna had a wretched habit of being in earnest when she said flippant things.

"You don't mean that you are not going to write to Gilbert at all—after all you promised?"

Anna placed her elbows daintily on the top of the rocking chair, dropped her pointed chin in her hands, and looked at Alma with black demure eyes.

"I—do—mean—just—that," she said slowly. "I never mean to marry Gilbert Murray. This is final, Alma, and you need not scold or coax, because it would be a waste of breath. Gilbert is safely out of the way, and now I am going to have a good time with a few other delightful men creatures in Exeter."

Anna nodded decisively, flashed a smile at Alma, picked up her cat, and went out. At the door she turned and looked back, with the big black cat snuggled under her chin.

"If you think Gilbert will feel very badly over his letter not being answered, you might answer it yourself, Alma," she said teasingly. "There it is"—she took the letter from the pocket of her ruffled apron and threw it on a chair. "You may read it if you want to; it isn't really a love letter. I told Gilbert he wasn't to write silly letters. Come, pussy, I'm going to get ready for prayer meeting. We've got a nice, new, young, good-looking minister in Exeter, pussy, and that makes prayer meeting very interesting."

Anna shut the door, her departing laugh rippling mockingly through the dusk. Alma picked up Gilbert Murray's letter and went to her room. She wanted to cry, since she could not shake Anna. Even if she could have shook her, it would only have made her more perverse. Anna was in earnest; Alma knew that, even while she hoped and believed that it was but the earnestness of a freak that would pass in time. Anna had had one like it a year ago, when she had cast Gilbert off for three months, driving him distracted by flirting with Charlie Moore. Then she had suddenly repented and taken him back. Alma thought that this whim would run its course likewise and leave a repentant Anna. But meanwhile everything might be spoiled. Gilbert might not prove forgiving a second time.

Alma would have given much if she could only have induced Anna to answer Gilbert's letter, but coaxing Anna to do anything was a very sure and effective way of preventing her from doing it.

* * * * *

Alma and Anna had lived alone at the old Williams homestead ever since their mother's death four years before. Exeter matrons thought this hardly proper, since Alma, in spite of her grave ways, was only twenty-four. The farm was rented, so that Alma's only responsibilities were the post office which she kept, and that harum-scarum beauty of an Anna.

The Murray homestead adjoined theirs. Gilbert Murray had grown up with Alma; they had been friends ever since she could remember. Alma loved Gilbert with a love which she herself believed to be purely sisterly, and which nobody else doubted could be, since she had been at pains to make a match—Exeter matrons' phrasing—between Gil and Anna, and was manifestly delighted when Gilbert obligingly fell in love with the latter.

There was a small mortgage on the Murray place which Mr. Murray senior had not been able to pay off. Gilbert determined to get rid of it, and his thoughts turned to the west. His father was an active, hale old man, quite capable of managing the farm in Gilbert's absence. Alexander MacNair had gone to the west two years previously and got work on a new railroad. He wrote to Gilbert to come too, promising him plenty of work and good pay. Gilbert went, but before going he had asked Anna to marry him.

It was the first proposal Anna had ever had, and she managed it quite cleverly, from her standpoint. She told Gilbert that he must wait until he came home again before settling that, meanwhile, they would be very good friends—emphasized with a blush—and that he might write to her. She kissed him goodbye, and Gilbert, honest fellow, was quite satisfied. When an Exeter girl had allowed so much to be inferred, it was understood to be equivalent to an engagement. Gilbert had never discerned that Anna was not like the other Exeter girls, but was a law unto herself.

Alma sat down by her window and looked out over the lane where the slim wild cherry trees were bronzing under the autumn frosts. Her lips were very firmly set. Something must be done. But what?

Alma's heart was set on this marriage for two reasons. Firstly, if Anna married Gilbert she would be near her all her life. She could not bear the thought that some day Anna might leave her and go far away to live. In the second and largest place, she desired the marriage because Gilbert did. She had always been desirous, even in the old, childish play-days, that Gilbert should get just exactly what he wanted. She had always taken a keen, strange delight in furthering his wishes.

Anna's falseness would surely break his heart, and Alma winced at the thought of his pain.

There was one thing she could do. Anna's tormenting suggestion had fallen on fertile soil. Alma balanced pros and cons, admitting the risk. But she would have taken a tenfold larger risk in the hope of holding secure Anna's place in Gilbert's affections until Anna herself should come to her senses.

When it grew quite dark and Anna had gone lilting down the lane on her way to prayer meeting, Alma lighted her lamp, read Gilbert's letter—and answered it. Her handwriting was much like Anna's. She signed the letter "A. Williams," and there was nothing in it that might not have been written by her to Gilbert; but she knew that Gilbert would believe Anna had written it, and she intended him so to believe. Alma never did a thing halfway when she did it at all. At first she wrote rather constrainedly but, reflecting that in any case Anna would have written a merely friendly letter, she allowed her thoughts to run freely, and the resulting epistle was an excellent one of its kind. Alma had the gift of expression and more brains than Exeter people had ever imagined she possessed. When Gilbert read that letter a fortnight later he was surprised to find that Anna was so clever. He had always, with a secret regret, thought her much inferior to Alma in this respect, but that delightful letter, witty, wise, fanciful, was the letter of a clever woman.

When a year had passed Alma was still writing to Gilbert the letters signed "A. Williams." She had ceased to fear being found out, and she took a strange pleasure in the correspondence for its own sake. At first she had been quakingly afraid of discovery. When she smuggled the letters addressed in Gilbert's handwriting to Miss Anna Williams out of the letter packet and hid them from Anna's eyes, she felt as guilty as if she were breaking all the laws of the land at once. To be sure, she knew that she would have to confess to Anna some day, when the latter repented and began to wish she had written to Gilbert, but that was a very different thing from premature disclosure.

But Anna had as yet given no sign of such repentance, although Alma looked for it anxiously. Anna was having the time of her life. She was the acknowledged beauty of five settlements, and she went forward on her career of conquest quite undisturbed by the jealousies and heart-burnings she provoked on every side.

One moonlight night she went for a sleigh-drive with Charlie Moore of East Exeter—and returned to tell Alma that they were married!

"I knew you would make a fuss, Alma, because you don't like Charlie, so we just took matters into our own hands. It was so much more romantic, too. I'd always said I'd never be married in any of your dull, commonplace ways. You might as well forgive me and be nice right off, Alma, because you'd have to do it anyway, in time. Well, you do look surprised!"

* * * * *

Alma accepted the situation with an apathy that amazed Anna. The truth was that Alma was stunned by a thought that had come to her even while Anna was speaking.

"Gilbert will find out about the letters now, and despise me."

Nothing else, not even the fact that Anna had married shiftless Charlie Moore, seemed worth while considering beside this. The fear and shame of it haunted her like a nightmare; she shrank every morning from the thought of all the mail that was coming that day, fearing that there would be an angry, puzzled letter from Gilbert. He must certainly soon hear of Anna's marriage; he would see it in the home paper, other correspondents in Exeter would write him of it. Alma grew sick at heart thinking of the complications in front of her.

When Gilbert's letter came she left it for a whole day before she could summon courage to open it. But it was a harmless epistle after all; he had not yet heard of Anna's marriage. Alma had at first no thought of answering it, yet her fingers ached to do so. Now that Anna was gone, her loneliness was unbearable. She realized how much Gilbert's letters had meant to her, even when written to another woman. She could bear her life well enough, she thought, if she only had his letters to look forward to.

No more letters came from Gilbert for six weeks. Then came one, alarmed at Anna's silence, anxiously asking the reason for it; Gilbert had heard no word of the marriage. He was working in a remote district where newspapers seldom penetrated. He had no other correspondent in Exeter now; except his mother, and she, not knowing that he supposed himself engaged to Anna had forgotten to mention it.

Alma answered that letter. She told herself recklessly that she would keep on writing to him until he found out. She would lose his friendship anyhow, when that occurred, but meanwhile she would have the letters a little longer. She could not learn to live without them until she had to.

The correspondence slipped back into its old groove. The harassed look which Alma's face had worn, and which Exeter people had attributed to worry over Anna, disappeared. She did not even feel lonely, and reproached herself for lack of proper feeling in missing Anna so little. Besides, to her horror and dismay, she detected in herself a strange undercurrent of relief at the thought that Gilbert could never marry Anna now! She could not understand it. Had not that marriage been her dearest wish for years? Why then should she feel this strange gladness at the impossibility of its fulfilment? Altogether, Alma feared that her condition of mind and morals must be sadly askew. Perhaps, she thought mournfully, this perversion of proper feeling was her punishment for the deception she had practised. She had deliberately done evil that good might come, and now the very imaginations of her heart were stained by that evil. Alma cried herself to sleep many a night in her repentance, but she kept on writing to Gilbert, for all that.

The winter passed, and the spring and summer waned, and Alma's outward life flowed as smoothly as the currents of the seasons, broken only by vivid eruptions from Anna, who came over often from East Exeter, glorying in her young matronhood, "to cheer Alma up." Alma, so said Exeter people, was becoming unsociable and old maidish. She lost her liking for company, and seldom went anywhere among her neighbours. Her once frequent visits across the yard to chat with old Mrs. Murray became few and far between. She could not bear to hear the old lady talking about Gilbert, and she was afraid that some day she would be told that he was coming home. Gilbert's home-coming was the nightmare dread that darkened poor Alma's whole horizon.

* * * * *

One October day, two years after Gilbert's departure, Alma, standing at her window in the reflected glow of a red maple outside, looked down the lane and saw him striding up it! She had had no warning of his coming. His last letter, dated three weeks back, had not hinted at it. Yet there he was—and with him Alma's Nemesis.

She was very calm. Now that the worst had come, she felt quite strong to meet it. She would tell Gilbert the truth, and he would go away in anger and never forgive her, but she deserved it. As she went downstairs, the only thing that really worried her was the thought of the pain Gilbert would suffer when she told him of Anna's faithlessness. She had seen his face as he passed under her window, and it was the face of a blithe man who had not heard any evil tidings. It was left to her to tell him; surely, she thought apathetically, that was punishment enough for what she had done.

With her hand on the doorknob, she paused to wonder what she should say when he asked her why she had not told him of Anna's marriage when it occurred—why she had still continued the deception when it had no longer an end to serve. Well, she would tell him the truth—that it was because she could not bear the thought of giving up writing to him. It was a humiliating thing to confess, but that did not matter—nothing mattered now. She opened the door.

Gilbert was standing on the big round door-stone under the red maple—a tall, handsome young fellow with a bronzed face and laughing eyes. His exile had improved him. Alma found time and ability to reflect that she had never known Gilbert was so fine-looking.

He put his arm around her and kissed her cheek in his frank delight at seeing her again. Alma coldly asked him in. Her face was still as pale as when she came downstairs, but a curious little spot of fiery red blossomed out where Gilbert's lips had touched it.

Gilbert followed her into the sitting-room and looked about eagerly.

"When did you come home?" she said slowly. "I did not know you were expected."

"Got homesick, and just came! I wanted to surprise you all," he answered, laughing. "I arrived only a few minutes ago. Just took time to hug my mother, and here I am. Where's Anna?"

The pent-up retribution of two years descended on Alma's head in the last question of Gilbert's. But she did not flinch. She stood straight before him, tall and fair and pale, with the red maple light streaming in through the open door behind her, staining her light house-dress and mellowing the golden sheen of her hair. Gilbert reflected that Alma Williams was really a very handsome girl. These two years had improved her. What splendid big grey eyes she had! He had always wished that Anna's eyes had not been quite so black.

"Anna is not here," said Alma. "She is married."

"Married!"

Gilbert sat down suddenly on a chair and looked at Alma in bewilderment.

"She has been married for a year," said Alma steadily. "She married Charlie Moore of East Exeter, and has been living there ever since."

"Then," said Gilbert, laying hold of the one solid fact that loomed out of the mist of his confused understanding, "why did she keep on writing letters to me after she was married?"

"She never wrote to you at all. It was I that wrote the letters."

Gilbert looked at Alma doubtfully. Was she crazy? There was something odd about her, now that he noticed, as she stood rigidly there, with that queer red spot on her face, a strange fire in her eyes, and that weird reflection from the maple enveloping her like an immaterial flame.

"I don't understand," he said helplessly.

Still standing there, Alma told the whole story, giving full explanations, but no excuses. She told it clearly and simply, for she had often pictured this scene to herself and thought out what she must say. Her memory worked automatically, and her tongue obeyed it promptly. To herself she seemed like a machine, talking mechanically, while her soul stood on one side and listened.

When she had finished there was a silence lasting perhaps ten seconds. To Alma it seemed like hours. Would Gilbert overwhelm her with angry reproaches, or would he simply rise up and leave her in unutterable contempt? It was the most tragic moment of her life, and her whole personality was strung up to meet it and withstand it.

"Well, they were good letters, anyhow," said Gilbert finally; "interesting letters," he added, as if by way of a meditative afterthought.

It was so anti-climactic that Alma broke into an hysterical giggle, cut short by a sob. She dropped into a chair by the table and flung her hands over her face, laughing and sobbing softly to herself. Gilbert rose and walked to the door, where he stood with his back to her until she regained her self-control. Then he turned and looked down at her quizzically.

Alma's hands lay limply in her lap, and her eyes were cast down, with tears glistening on the long fair lashes. She felt his gaze on her.

"Can you ever forgive me, Gilbert?" she said humbly.

"I don't know that there is much to forgive," he answered. "I have some explanations to make too and, since we're at it, we might as well get them all over and have done with them. Two years ago I did honestly think I was in love with Anna—at least when I was round where she was. She had a taking way with her. But, somehow, even then, when I wasn't with her she seemed to kind of grow dim and not count for so awful much after all. I used to wish she was more like you—quieter, you know, and not so sparkling. When I parted from her that last night before I went west, I did feel very bad, and she seemed very dear to me, but it was six weeks from that before her—your—letter came, and in that time she seemed to have faded out of my thoughts. Honestly, I wasn't thinking much about her at all. Then came the letter—and it was a splendid one, too. I had never thought that Anna could write a letter like that, and I was as pleased as Punch about it. The letters kept coming, and I kept on looking for them more and more all the time. I fell in love all over again—with the writer of those letters. I thought it was Anna, but since you wrote the letters, it must have been with you, Alma. I thought it was because she was growing more womanly that she could write such letters. That was why I came home. I wanted to get acquainted all over again, before she grew beyond me altogether—I wanted to find the real Anna the letters showed me. I—I—didn't expect this. But I don't care if Anna is married, so long as the girl who wrote those letters isn't. It's you I love, Alma."

He bent down and put his arm about her, laying his cheek against hers. The little red spot where his kiss had fallen was now quite drowned out in the colour that rushed over her face.

"If you'll marry me, Alma, I'll forgive you," he said.

A little smile escaped from the duress of Alma's lips and twitched her dimples.

"I'm willing to do anything that will win your forgiveness, Gilbert," she said meekly.



Aunt Caroline's Silk Dress

Patty came in from her walk to the post office with cheeks finely reddened by the crisp air. Carry surveyed her with pleasure. Of late Patty's cheeks had been entirely too pale to please Carry, and Patty had not had a very good appetite. Once or twice she had even complained of a headache. So Carry had sent her to the office for a walk that night, although the post office trip was usually Carry's own special constitutional, always very welcome to her after a weary day of sewing on other people's pretty dresses.

Carry never sewed on pretty dresses for herself, for the simple reason that she never had any pretty dresses. Carry was twenty-two—and feeling forty, her last pretty dress had been when she was a girl of twelve, before her father had died. To be sure, there was the silk organdie Aunt Kathleen had sent her, but that was fit only for parties, and Carry never went to any parties.

"Did you get any mail, Patty?" she asked unexpectantly. There was never much mail for the Lea girls.

"Yes'm," said Patty briskly. "Here's the Weekly Advocate, and a patent medicine almanac with all your dreams expounded, and a letter for Miss Carry M. Lea. It's postmarked Enfield, and has a suspiciously matrimonial look. I'm sure it's an invitation to Chris Fairley's wedding. Hurry up and see, Caddy."

Carry, with a little flush of excitement on her face, opened her letter. Sure enough, it contained an invitation "to be present at the marriage of Christine Fairley."

"How jolly!" exclaimed Patty. "Of course you'll go, Caddy. You'll have a chance to wear that lovely organdie of yours at last."

"It was sweet of Chris to invite me," said Carry. "I really didn't expect it."

"Well, I did. Wasn't she your most intimate friend when she lived in Enderby?"

"Oh, yes, but it is four years since she left, and some people might forget in four years. But I might have known Chris wouldn't. Of course I'll go."

"And you'll make up your organdie?"

"I shall have to," laughed Carry, forgetting all her troubles for a moment, and feeling young and joyous over the prospect of a festivity. "I haven't another thing that would do to wear to a wedding. If I hadn't that blessed organdie I couldn't go, that's all."

"But you have it, and it will look lovely made up with a tucked skirt. Tucks are so fashionable now. And there's that lace of mine you can have for a bertha. I want you to look just right, you see. Enfield is a big place, and there will be lots of grandees at the wedding. Let's get the last fashion sheet and pick out a design right away. Here's one on the very first page that would be nice. You could wear it to perfection, Caddy you're so tall and slender. It wouldn't suit a plump and podgy person like myself at all."

Carry liked the pattern, and they had an animated discussion over it. But, in the end, Carry sighed, and pushed the sheet away from her, with all the brightness gone out of face.

"It's no use, Patty. I'd forgotten for a few minutes, but it's all come back now. I can't think of weddings and new dresses, when the thought of that interest crowds everything else out. It's due next month—fifty dollars—and I've only ten saved up. I can't make forty dollars in a month, even if I had any amount of sewing, and you know hardly anyone wants sewing done just now. I don't know what we shall do. Oh, I suppose we can rent a couple of rooms in the village and exist in them. But it breaks my heart to think of leaving our old home."

"Perhaps Mr. Kerr will let us have more time," suggested Patty, not very hopefully. The sparkle had gone out of her face too. Patty loved their little home as much as Carry did.

"You know he won't. He has been only too anxious for an excuse to foreclose, this long time. He wants the land the house is on. Oh, if I only hadn't been sick so long in the summer—just when everybody had sewing to do. I've tried so hard to catch up, but I couldn't." Carry's voice broke in a sob.

Patty leaned over the table and patted her sister's glossy dark hair gently.

"You've worked too hard, dearie. You've just gone to skin and bone. Oh, I know how hard it is! I can't bear to think of leaving this dear old spot either. If we could only induce Mr. Kerr to give us a year's grace! I'd be teaching then, and we could easily pay the interest and some of the principal too. Perhaps he will if we both go to him and coax very hard. Anyway, don't worry over it till after the wedding. I want you to go and have a good time. You never have good times, Carry."

"Neither do you," said Carry rebelliously. "You never have anything that other girls have, Patty—not even pretty clothes."

"Deed, and I've lots of things to be thankful for," said Patty cheerily. "Don't you fret about me. I'm vain enough to think I've got some brains anyway, and I'm a-meaning to do something with them too. Now I think I'll go upstairs and study this evening. It will be warm enough there tonight, and the noise of the machine rather bothers me."

Patty whisked out, and Carry knew she should go to her sewing. But she sat a long while at the table in dismal thought. She was so tired, and so hopeless. It had been such a hard struggle, and it seemed now as if it would all come to naught. For five years, ever since her mother's death, Carry had supported herself and Patty by dressmaking. They had been a hard five years of pinching and economizing and going without, for Enderby was only a small place, and there were two other dressmakers. Then there was always the mortgage to devour everything. Carry had kept it at bay till now, but at last she was conquered. She had had typhoid fever in the spring and had not been able to work for a long time. Indeed, she had gone to work before she should. The doctor's bill was yet unpaid, but Dr. Hamilton had told her to take her time. Carry knew she would not be pressed for that, and next year Patty would be able to help her. But next year would be too late. The dear little home would be lost then.

When Carry roused herself from her sad reflections, she saw a crumpled note lying on the floor. She picked it up and absently smoothed it out. Seeing Patty's name at the top she was about to lay it aside without reading it, but the lines were few, and the sense of them flashed into Carry's brain. The note was an invitation to Clare Forbes's party! The Lea girls had known that the Forbes girls were going to give a party, but they had not expected that Patty would be invited. Of course, Clare Forbes was in Patty's class at school and was always very nice and friendly with her. But then the Forbes set was not the Lea set.

Carry ran upstairs to Patty's room. "Patty, you dropped this on the floor. I couldn't help seeing what it was. Why didn't you tell me Clare had invited you?"

"Because I knew I couldn't go, and I thought you would feel badly over that. Caddy, I wish you hadn't seen it."

"Oh, Patty, I do wish you could go to the party. It was so sweet of Clare to invite you, and perhaps she will be offended if you don't go—she won't understand. Clare Forbes isn't a girl whose friendship is to be lightly thrown away when it is offered."

"I know that. But, Caddy dear, it is impossible. I don't think that I have any foolish pride about clothes, but you know it is out of the question to think of going to Clare Forbes's party in my last winter's plaid dress, which is a good two inches too short and skimpy in proportion. Putting my own feelings aside, it would be an insult to Clare. There, don't think any more about it."

But Carry did think about it. She lay awake half the night wondering if there might not be some way for Patty to go to that party. She knew it was impossible, unless Patty had a new dress, and how could a new dress be had? Yet she did so want Patty to go. Patty never had any good times, and she was studying so hard. Then, all at once, Carry thought of a way by which Patty might have a new dress. She had been tossing restlessly, but now she lay very still, staring with wide-open eyes at the moonlit window, with the big willow boughs branching darkly across it. Yes, it was a way, but could she? Could she? Yes, she could, and she would. Carry buried her face in her pillow with a sob and a gulp. But she had decided what must be done, and how it must be done.

"Are you going to begin on your organdie today?" asked Patty in the morning, before she started for school.

"I must finish Mrs. Pidgeon's suit first," Carry answered. "Next week will be time enough to think about my wedding garments."

She tried to laugh and failed. Patty thought with a pang that Carry looked horribly pale and tired—probably she had worried most of the night over the interest. "I'm so glad she's going to Chris's wedding," thought Patty, as she hurried down the street. "It will take her out of herself and give her something nice to think of for ever so long."

Nothing more was said that week about the organdie, or the wedding, or the Forbes's party. Carry sewed fiercely, and sat at her machine for hours after Patty had gone to bed. The night before the party she said to Patty, "Braid your hair tonight, Patty. You'll want it nice and wavy to go to the Forbes's tomorrow night."

Patty thought that Carry was actually trying to perpetrate a weak joke, and endeavoured to laugh. But it was a rather dreary laugh. Patty, after a hard evening's study, felt tired and discouraged, and she was really dreadfully disappointed about the party, although she wouldn't have let Carry suspect it for the world.

"You're going, you know," said Carry, as serious as a judge, although there was a little twinkle in her eyes.

"In a faded plaid two inches too short?" Patty smiled as brightly as possible.

"Oh, no. I have a dress all ready for you." Carry opened the wardrobe door and took out—the loveliest girlish dress of creamy organdie, with pale pink roses scattered over it, made with the daintiest of ruffles and tucks, with a bertha of soft creamy lace, and a girdle of white silk. "This is for you," said Carry.

Patty gazed at the dress with horror-stricken eyes. "Caroline Lea, that is your organdie! And you've gone and made it up for me! Carry Lea, what are you going to wear to the wedding?"

"Nothing. I'm not going."

"You are—you must—you shall. I won't take the organdie."

"You'll have to now, because it's made to fit you. Come, Patty dear, I've set my heart on your going to that party. You mustn't disappoint me—you can't, for what good would it do? I can never wear the dress now."

Patty realized that. She knew she might as well go to the party, but she did not feel much pleasure in the prospect. Nevertheless, when she was ready for it the next evening, she couldn't help a little thrill of delight. The dress was so pretty, and dainty, and becoming.

"You look sweet," exclaimed Carry admiringly. "There, I hear the Browns' carriage. Patty, I want you to promise me this—that you'll not let any thought of me, or my not going to the wedding, spoil your enjoyment this evening. I gave you the dress that you might have a good time, so don't make my gift of no effect."

"I'll try," promised Patty, flying downstairs, where her next-door neighbours were waiting for her.

At two o'clock that night Carry was awakened to see Patty bending over her, flushed and radiant. Carry sat sleepily up. "I hope you had a good time," she said.

"I had—oh, I had—but I didn't waken you out of your hard-earned slumbers at this wee sma' hour to tell you that. Carry, I've thought of a way for you to go to the wedding. It just came to me at supper. Mrs. Forbes was sitting opposite to me, and her dress suggested it. You must make over Aunt Caroline's silk dress."

"Nonsense," said Carry, a little crossly; even sweet-tempered people are sometimes cross when they are wakened up for—as it seemed—nothing.

"It's good plain sense. Of course, you must make it over and—"

"Patty Lea, you're crazy. I wouldn't dream of wearing that hideous thing. Bright green silk, with huge yellow brocade flowers as big as cabbages all over it! I think I see myself in it."

"Caddy, listen to me. You know there's enough of that black lace of mother's for the waist, and the big black lace shawl of Grandmother Lea's will do for the skirt. Make it over—"

"A plain slip of the silk," gasped Carry, her quick brain seizing on all the possibilities of the plan. "Why didn't I think of it before? It will be just the thing, the greens and yellow will be toned down to a nice shimmer under the black lace. And I'll make cuffs of black velvet with double puffs above—and just cut out a wee bit at the throat with a frill of lace and a band of black velvet ribbon around my neck. Patty Lea, it's an inspiration."

Carry was out of bed by daylight the next morning and, while Patty still slumbered, she mounted to the garret, and took Aunt Caroline's silk dress from the chest where it had lain forgotten for three years. Carry held it up at arm's length, and looked at it with amusement.

"It is certainly ugly, but with the lace over it it will look very different. There's enough of it, anyway, and that skirt is stiff enough to stand alone. Poor Aunt Caroline, I'm afraid I wasn't particularly grateful for her gift at the time, but I really am now."

Aunt Caroline, who had given the dress to Carry three years before, was, an old lady of eighty, the aunt of Carry's father. She had once possessed a snug farm but in an evil hour she had been persuaded to deed it to her nephew, Edward Curry, whom she had brought up. Poor Aunt Caroline had lived to regret this step, for everyone in Enderby knew that Edward Curry and his wife had repaid her with ingratitude and greed.

Carry, who was named for her, was her favourite grandniece and often went to see her, though such visits were coldly received by the Currys, who always took especial care never to leave Aunt Caroline alone with any of her relatives. On one occasion, when Carry was there, Aunt Caroline had brought out this silk dress.

"I'm going to give this to you, Carry," she said timidly. "It's a good silk, and not so very old. Mr. Greenley gave it to me for a birthday present fifteen years ago. Maybe you can make it over for yourself."

Mrs. Edward, who was on duty at the time, sniffed disagreeably, but she said nothing. The dress was of no value in her eyes, for the pattern was so ugly and old-fashioned that none of her smart daughters would have worn it. Had it been otherwise, Aunt Caroline would probably not have been allowed to give it away.

Carry had thanked Aunt Caroline sincerely. If she did not care much for the silk, she at least prized the kindly motive behind the gift. Perhaps she and Patty laughed a little over it as they packed it away in the garret. It was so very ugly, but Carry thought it was sweet of Aunt Caroline to have given her something. Poor old Aunt Caroline had died soon after, and Carry had not thought about the silk dress again. She had too many other things to think of, this poor worried Carry.

After breakfast Carry began to rip the skirt breadths apart. Snip, snip, went her scissors, while her thoughts roamed far afield—now looking forward with renewed pleasure to Christine's wedding, now dwelling dolefully on the mortgage. Patty, who was washing the dishes, knew just what her thoughts were by the light and shadow on her expressive face.

"Why!—what?" exclaimed Carry suddenly. Patty wheeled about to see Carry staring at the silk dress like one bewitched. Between the silk and the lining which she had just ripped apart was a twenty-dollar bill, and beside it a sheet of letter paper covered with writing in a cramped angular hand, both secured very carefully to the silk.

"Carry Lea!" gasped Patty.

With trembling fingers Carry snipped away the stitches that held the letter, and read it aloud.

"My dear Caroline," it ran, "I do not know when you will find this letter and this money, but when you do it belongs to you. I have a hundred dollars which I always meant to give you because you were named for me. But Edward and his wife do not know I have it, and I don't want them to find out. They would not let me give it to you if they knew, so I have thought of this way of getting it to you. I have sewed five twenty-dollar bills under the lining of this skirt, and they are all yours, with your Aunt Caroline's best love. You were always a good girl, Carry, and you've worked hard, and I've given Edward enough. Just take this money and use it as you like.

"Aunt Caroline Greenley."

"Carry Lea, are we both dreaming?" gasped Patty.

With crimson cheeks Carry ripped the other breadths apart, and there were the other four bills. Then she slipped down in a little heap on the sofa cushions and began to cry—happy tears of relief and gladness.

"We can pay the interest," said Patty, dancing around the room, "and get yourself a nice new dress for the wedding."

"Indeed I won't," said Carry, sitting up and laughing through her tears. "I'll make over this dress and wear it out of gratitude to the memory of dear Aunt Caroline."



Aunt Susanna's Thanksgiving Dinner.

BY L.M. MONTGOMERY

"Here's Aunt Susanna, girls," said Laura who was sitting by the north window—nothing but north light does for Laura who is the artist of our talented family.

Each of us has a little pet new-fledged talent which we are faithfully cultivating in the hope that it will amount to something and soar highly some day. But it is difficult to cultivate four talents on our tiny income. If Laura wasn't such a good manager we never could do it.

Laura's words were a signal for Kate to hang up her violin and for me to push my pen and portfolio out of sight. Laura had hidden her brushes and water colors as she spoke. Only Margaret continued to bend serenely over her Latin grammar. Aunt Susanna frowns on musical and literary and artistic ambitions but she accords a faint approval to Margaret's desire for an education. A college course, with a tangible diploma at the end, and a sensible pedagogic aspiration is something Aunt Susanna can understand when she tries hard. But she cannot understand messing with paints, fiddling, or scribbling, and she has only unmeasured contempt for messers, fiddlers, and scribblers. Time was when we had paid no attention to Aunt Susanna's views on these points; but ever since she had, on one incautious day when she was in high good humor, dropped a pale, anemic little hint that she might send Margaret to college if she were a good girl we had been bending all our energies towards securing Aunt Susanna's approval. It was not enough that Aunt Susanna should approve of Margaret; she must approve of the whole four of us or she would not help Margaret. That is Aunt Susanna's way. Of late we had been growing a little discouraged. Aunt Susanna had recently read a magazine article which stated that the higher education of women was ruining our country and that a woman who was a B.A. couldn't, in the very nature of things, ever be a housewifely, cookly creature. Consequently, Margaret's chances looked a little foggy; but we hadn't quite given up hope. A very little thing might sway Aunt Susanna one way or the other, so that we walked very softly and tried to mingle serpents' wisdom and doves' harmlessness in practical portions.

When Aunt Susanna came in Laura was crocheting, Kate was sewing, and I was poring over a recipe book. That was not deception at all, since we did all these things frequently—much more frequently, in fact, than we painted or fiddled or wrote. But Aunt Susanna would never believe it. Nor did she believe it now.

She threw back her lovely new sealskin cape, looked around the sitting-room and then smiled—a truly Aunt Susannian smile.



"What a pity you forgot to wipe that smudge of paint off your nose, Laura," she said sarcastically. "You don't seem to get on very fast with your lace. How long is it since you began it? Over three months, isn't it?"

"This is the third piece of the same pattern I've done in three months, Aunt Susanna," said Laura presently. Laura is an old duck. She never gets cross and snaps back. I do; and it's so hard not to with Aunt Susanna sometimes. But I generally manage it for I'd do anything for Margaret. Laura did not tell Aunt Susanna that she sold her lace at the Women's Exchange in town and made enough to buy her new hats. She makes enough out of her water colors to dress herself.

Aunt Susanna took a second breath and started in again.

"I notice your violin hasn't quite as much dust on it as the rest of the things in this room, Kate. It's a pity you stopped playing just as I came in. I don't enjoy fiddling much but I'd prefer it to seeing anyone using a needle who isn't accustomed to it."

Kate is really a most dainty needlewoman and does all the fine sewing in our family. She colored and said nothing—that being the highest pitch of virtue to which our Katie, like myself, can attain.

"And there's Margaret ruining her eyes over books," went on Aunt Susanna severely. "Will you kindly tell me, Margaret Thorne, what good you ever expect Latin to do you?"

"Well, you see, Aunt Susanna," said Margaret gently—Magsie and Laura are birds of a feather—"I want to be a teacher if I can manage to get through, and I shall need Latin for that."

All the girls except me had now got their accustomed rap, but I knew better than to hope I should escape.

"So you're reading a recipe book, Agnes? Well, that's better than poring over a novel. I'm afraid you haven't been at it very long though. People generally don't read recipes upside down—and besides, you didn't quite cover up your portfolio. I see a corner of it sticking out. Was genius burning before I came in? It's too bad if I quenched the flame."

"A cookery book isn't such a novelty to me as you seem to think, Aunt Susanna," I said, as meekly as it was possible for me. "Why I'm a real good cook—'if I do say it as hadn't orter.'"

I am, too.

"Well, I'm glad to hear it," said Aunt Susanna skeptically, "because that has to do with my errand her to-day. I'm in a peck of troubles. Firstly, Miranda Mary's mother has had to go and get sick and Miranda Mary must go home to wait on her. Secondly, I've just had a telegram from my sister-in-law who has been ordered west for her health, and I'll have to leave on to-night's train to see her before she goes. I can't get back until the noon train Thursday, and that is Thanksgiving, and I've invited Mr. and Mrs. Gilbert to dinner that day. They'll come on the same train. I'm dreadfully worried. There doesn't seem to be anything I can do except get on of you girls to go up to the Pinery Thursday morning and cook the dinner for us. Do you think you can manage it?"

We all felt rather dismayed, and nobody volunteered with a rush. But as I had just boasted that I could cook it was plainly my duty to step into the breach, and I did it with fear and trembling.

"I'll go, Aunt Susanna," I said.

"And I'll help you," said Kate.

"Well, I suppose I'll have to try you," said Aunt Susanna with the air of a woman determined to make the best of a bad business. "Here is the key of the kitchen door. You'll find everything in the pantry, turkey and all. The mince pies are all ready made so you'll only have to warm them up. I want dinner sharp at twelve for the train is due at 11:50. Mr. and Mrs. Gilbert are very particular and I do hope you will have things right. Oh, if I could only be home myself! Why will people get sick at such inconvenient times?"

"Don't worry, Aunt Susanna," I said comfortingly. "Kate and I will have your Thanksgiving dinner ready for you in tiptop style."

"Well I'm sure I hope so. Don't get to mooning over a story, Agnes. I'll lock the library up and fortunately there are no fiddles at the Pinery. Above all, don't let any of the McGinnises in. They'll be sure to be prowling around when I'm not home. Don't give that dog of theirs any scraps either. That is Miranda Mary's one fault. She will feed that dog in spite of all I can do and I can't walk out of my own back door without falling over him."

We promise to eschew the McGinnises and all their works, including the dog, and when Aunt Susanna had gone we looked at each other with mingled hope and fear.

"Girls, this is the chance of your lives," said Laura. "If you can only please Aunt Susanna with this dinner it will convince her that you are good cooks in spite of your nefarious bent for music and literature. I consider the illness of Miranda Mary's mother a Providential interposition—that is, if she isn't too sick."

"It's all very well for you to be pleased, Lolla," I said dolefully. "But I don't feel jubilant over the prospect at all. Something will probably go wrong. And then there's our own nice little Thanksgiving celebration we've planned, and pinched and economized for weeks to provide. That is half spoiled now."

"Oh, what is that compared to Margaret's chance of going to college?" exclaimed Kate. "Cheer up, Aggie. You know we can cook. I feel that it is now or never with Aunt Susanna."

I cheered up accordingly. We are not given to pessimism which is fortunate. Ever since father died four years ago we have struggled on here, content to give up a good deal just to keep our home and be together. This little gray house—oh, how we do love it and its apple trees—is ours and we have, as aforesaid, a tiny income and our ambitions; not very big ambitions but big enough to give zest to our lives and hope to the future. We've been very happy as a rule. Aunt Susanna has a big house and lots of money but she isn't as happy as we are. She nags us a good deal—just as she used to nag father—but we don't mind it very much after all. Indeed, I sometimes suspect that we really like Aunt Susanna tremendously if she'd only leave us alone long enough to find it out.

Thursday morning was an ideal Thanksgiving morning—bright, crisp and sparkling. There had been a white frost in the night, and the orchard and the white birch wood behind it looked like fairyland. We were all up early. None of us had slept well, and both Kate and I had had the most fearful dreams of spoiling Aunt Susanna's Thanksgiving dinner.

"Never mind, dreams always go by contraries, you know," said Laura cheerfully. "You'd better go up to the Pinery early and get the fires on, for the house will be cold. Remember the McGinnises and the dog. Weigh the turkey so that you'll know exactly how long to cook it. Put the pies in the oven in time to get piping hot—lukewarm mince pies are an abomination. Be sure—"

"Laura, don't confuse us with any more cautions," I groaned, "or we shall get hopelessly fuddled. Come on, Kate, before she has time to."



It wasn't very far up to the Pinery—just ten minutes' walk, and such a delightful walk on that delightful morning. We went through the orchard and then through the white birch wood where the loveliness of the frosted boughs awed us. Beyond that there was a lane between ranks of young, balsamy, white-misted firs and then an open pasture field, sere and crispy. Just across it was the Pinery, a lovely old house with dormer windows in the roof, surrounded by pines that were dark and glorious against the silvery morning sky.

The McGinnis dog was sitting on the back-door steps when we arrived. He wagged his tail ingratiatingly, but we ruthlessly pushed him off, went in and shut the door in his face. All the little McGinnises were sitting in a row on their fence, and they whooped derisively. The McGinnis manners are not those which appertain to the caste of Vere de Vere; but we rather like the urchins—there are eight of them—and we would probably have gone over to talk to them if we had not had the fear of Aunt Susanna before our eyes.

We kindled the fires, weighed the turkey, put it in the oven and prepared the vegetables. Then we set the dining-room table and decorated it with Aunt Susanna's potted ferns and dishes of lovely red apples. Everything went so smoothly that we soon forgot to be nervous. When the turkey was done, we took it out, set it on the back of the range to keep warm and put the mince pies in. The potatoes, cabbage and turnips were bubbling away cheerfully, and everything was going as merrily as a marriage bell. Then, all at once, things happened.

In an evil hour we went to the yard window and looked out. We saw a quiet scene. The McGinnis dog was still sitting on his haunches by the steps, just as he had been sitting all the morning. Down in the McGinnis yard everything wore an unusually peaceful aspect. Only one McGinnis was in sight—Tony, aged eight, who was perched up on the edge of the well box, swinging his legs and singing at the top of his melodious Irish voice. All at once, just as we were looking at him, Tony went over backward and apparently tumbled head foremost down his father's well.

Kate and I screamed simultaneously. We tore across the kitchen, flung open the door, plunged down over Aunt Susanna's yard, scrambled over the fence and flew to the well. Just as we reached it, Tony's red head appeared as he climbed serenely out over the box. I don't know whether I felt more relieved or furious. He had merely fallen on the blank guard inside the box: and there are times when I am tempted to think he fell on purpose because he saw Kate and me looking out at the window. At least he didn't seem at all frightened, and grinned most impishly at us.

Kate and I turned on our heels and marched back in as dignified a manner as was possible under the circumstances. Half way up Aunt Susanna's yard we forgot dignity and broke into a run. We had left the door open and the McGinnis dog had disappeared.

Never shall I forget the sight we saw or the smell we smelled when we burst into that kitchen. There on the floor was the McGinnis dog and what was left of Aunt Susanna's Thanksgiving turkey. As for the smell, imagine a commingled odor of scorching turnips and burning mince pies, and you have it.

The dog fled out with a guilty yelp. I groaned and snatched the turnips off. Kate threw open the oven door and dragged out the pies. Pies and turnips were ruined as irretrievably as the turkey.

"Oh, what shall we do?" I cried miserably. I knew Margaret's chance of college was gone forever.

"Do!" Kate was superb. She didn't lose her wits for a second. "We'll go home and borrow the girls' dinner. Quick—there's just ten minutes before train time. Throw those pies and turnips into this basket—the turkey too—we'll carry them with us to hide them."

I might not be able to evolve an idea like that on the spur of the moment, but I can at least act up to it when it is presented. Without a moment's delay we shut the door and ran. As we went I saw the McGinnis dog licking his chops over in their yard. I have been ashamed ever since of my feelings toward that dog. They were murderous. Fortunately I had no time to indulge them.

It is ten minutes walk from the Pinery to our house, but you can run it in five. Kate and I burst into the kitchen just as Laura and Margaret were sitting down to dinner. We had neither time nor breath for explanations. Without a word I grasped the turkey platter and the turnip tureen. Kate caught one hot mince pie from the oven and whisked a cold one out of the pantry.

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