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Moments of Vision
by Thomas Hardy
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This etext was produced from the 1919 Macmillan and Co. edition by David Price, email ccx074@coventry.ac.uk



MOMENTS OF VISION AND MISCELLANEOUS VERSES

by Thomas Hardy



Contents:

Moments of Vision The Voice of Things "Why be at pains?" "We sat at the window" Afternoon Service at Mellstock At the Wicket-gate In a Museum Apostrophe to an Old Psalm Tune At the Word "Farewell" First Sight of Her and After The Rival Heredity "You were the sort that men forget" She, I, and They Near Lanivet, 1872 Joys of Memory To the Moon Copying Architecture in an Old Minster To Shakespeare Quid hic agis? On a Midsummer Eve Timing Her Before Knowledge The Blinded Bird "The wind blew words" The Faded Face The Riddle The Duel At Mayfair Lodgings To my Father's Violin The Statue of Liberty The Background and the Figure The Change Sitting on the Bridge The Young Churchwarden "I travel as a phantom now" Lines to a Movement in Mozart's E-flat Symphony "In the seventies" The Pedigree This Heart. A Woman's Dream Where they lived The Occultation Life laughs Onward The Peace-offering "Something tapped" The Wound A Merrymaking in Question "I said and sang her excellence" A January Night. 1879 A Kiss The Announcement The Oxen The Tresses The Photograph On a Heath An Anniversary "By the Runic Stone" The Pink Frock Transformations In her Precincts The Last Signal The House of Silence Great Things The Chimes The Figure in the Scene "Why did I sketch" Conjecture The Blow Love the Monopolist At Middle-field Gate in February The Youth who carried a Light The Head above the Fog Overlooking the River Stour The Musical Box On Sturminster Foot-bridge Royal Sponsors Old Furniture A Thought in Two Moods The Last Performance "You on the tower" The Interloper Logs on the Hearth The Sunshade The Ageing House The Caged Goldfinch At Madame Tussaud's in Victorian Years The Ballet The Five Students The Wind's Prophecy During Wind and Rain He prefers her Earthly The Dolls Molly gone A Backward Spring Looking Across At a Seaside Town in 1869 The Glimpse The Pedestrian "Who's in the next room?" At a Country Fair The Memorial Brass: 186- Her Love-birds Paying Calls The Upper Birch-Leaves "It never looks like summer" Everything comes The Man with a Past He fears his Good Fortune He wonders about Himself Jubilate He revisits his First School "I thought, my heart" Fragment Midnight on the Great Western Honeymoon Time at an Inn The Robin "I rose and went to Rou'tor town" The Nettles In a Waiting-room The Clock-winder Old Excursions The Masked Face In a Whispering Gallery The Something that saved Him The Enemy's Portrait Imaginings On the Doorstep Signs and Tokens Paths of Former Time The Clock of the Years At the Piano The Shadow on the Stone In the Garden The Tree and the Lady An Upbraiding The Young Glass-stainer Looking at a Picture on an Anniversary The Choirmaster's Burial The Man who forgot While drawing in a Churchyard "For Life I had never cared greatly"

POEMS OF WAR AND PATRIOTISM: "Men who march away" (Song of the Soldiers) His Country England to Germany in 1914 On the Belgian Expatriation An Appeal to America on behalf of the Belgian Destitute The Pity of It In Time of Wars and Tumults In Time of "the Breaking of nations" Cry of the Homeless Before Marching and After "Often when warring" Then and Now A Call to National Service The Dead and the Living One A New Year's Eve in War Time "I met a man" "I looked up from my writing"

FINALE: The Coming of the End Afterwards



MOMENTS OF VISION



That mirror Which makes of men a transparency, Who holds that mirror And bids us such a breast-bare spectacle see Of you and me?

That mirror Whose magic penetrates like a dart, Who lifts that mirror And throws our mind back on us, and our heart, Until we start?

That mirror Works well in these night hours of ache; Why in that mirror Are tincts we never see ourselves once take When the world is awake?

That mirror Can test each mortal when unaware; Yea, that strange mirror May catch his last thoughts, whole life foul or fair, Glassing it—where?



THE VOICE OF THINGS



Forty Augusts—aye, and several more—ago, When I paced the headlands loosed from dull employ, The waves huzza'd like a multitude below In the sway of an all-including joy Without cloy.

Blankly I walked there a double decade after, When thwarts had flung their toils in front of me, And I heard the waters wagging in a long ironic laughter At the lot of men, and all the vapoury Things that be.

Wheeling change has set me again standing where Once I heard the waves huzza at Lammas-tide; But they supplicate now—like a congregation there Who murmur the Confession—I outside, Prayer denied.



"WHY BE AT PAINS?" (Wooer's Song)



Why be at pains that I should know You sought not me? Do breezes, then, make features glow So rosily? Come, the lit port is at our back, And the tumbling sea; Elsewhere the lampless uphill track To uncertainty!

O should not we two waifs join hands? I am alone, You would enrich me more than lands By being my own. Yet, though this facile moment flies, Close is your tone, And ere to-morrow's dewfall dries I plough the unknown.



"WE SAT AT THE WINDOW" (Bournemouth, 1875)



We sat at the window looking out, And the rain came down like silken strings That Swithin's day. Each gutter and spout Babbled unchecked in the busy way Of witless things: Nothing to read, nothing to see Seemed in that room for her and me On Swithin's day.

We were irked by the scene, by our own selves; yes, For I did not know, nor did she infer How much there was to read and guess By her in me, and to see and crown By me in her. Wasted were two souls in their prime, And great was the waste, that July time When the rain came down.



AFTERNOON SERVICE AT MELLSTOCK (Circa 1850)



On afternoons of drowsy calm We stood in the panelled pew, Singing one-voiced a Tate-and-Brady psalm To the tune of "Cambridge New."

We watched the elms, we watched the rooks, The clouds upon the breeze, Between the whiles of glancing at our books, And swaying like the trees.

So mindless were those outpourings! - Though I am not aware That I have gained by subtle thought on things Since we stood psalming there.



AT THE WICKET-GATE



There floated the sounds of church-chiming, But no one was nigh, Till there came, as a break in the loneness, Her father, she, I. And we slowly moved on to the wicket, And downlooking stood, Till anon people passed, and amid them We parted for good.

Greater, wiser, may part there than we three Who parted there then, But never will Fates colder-featured Hold sway there again. Of the churchgoers through the still meadows No single one knew What a play was played under their eyes there As thence we withdrew.



IN A MUSEUM



I

Here's the mould of a musical bird long passed from light, Which over the earth before man came was winging; There's a contralto voice I heard last night, That lodges in me still with its sweet singing.

II

Such a dream is Time that the coo of this ancient bird Has perished not, but is blent, or will be blending Mid visionless wilds of space with the voice that I heard, In the full-fugued song of the universe unending.

EXETER.



APOSTROPHE TO AN OLD PSALM TUNE



I met you first—ah, when did I first meet you? When I was full of wonder, and innocent, Standing meek-eyed with those of choric bent, While dimming day grew dimmer In the pulpit-glimmer.

Much riper in years I met you—in a temple Where summer sunset streamed upon our shapes, And you spread over me like a gauze that drapes, And flapped from floor to rafters, Sweet as angels' laughters.

But you had been stripped of some of your old vesture By Monk, or another. Now you wore no frill, And at first you startled me. But I knew you still, Though I missed the minim's waver, And the dotted quaver.

I grew accustomed to you thus. And you hailed me Through one who evoked you often. Then at last Your raiser was borne off, and I mourned you had passed From my life with your late outsetter; Till I said, "'Tis better!"

But you waylaid me. I rose and went as a ghost goes, And said, eyes-full "I'll never hear it again! It is overmuch for scathed and memoried men When sitting among strange people Under their steeple."

Now, a new stirrer of tones calls you up before me And wakes your speech, as she of Endor did (When sought by Saul who, in disguises hid, Fell down on the earth to hear it) Samuel's spirit.

So, your quired oracles beat till they make me tremble As I discern your mien in the old attire, Here in these turmoiled years of belligerent fire Living still on—and onward, maybe, Till Doom's great day be!

Sunday, August 13, 1916.



AT THE WORD "FAREWELL"



She looked like a bird from a cloud On the clammy lawn, Moving alone, bare-browed In the dim of dawn. The candles alight in the room For my parting meal Made all things withoutdoors loom Strange, ghostly, unreal.

The hour itself was a ghost, And it seemed to me then As of chances the chance furthermost I should see her again. I beheld not where all was so fleet That a Plan of the past Which had ruled us from birthtime to meet Was in working at last:

No prelude did I there perceive To a drama at all, Or foreshadow what fortune might weave From beginnings so small; But I rose as if quicked by a spur I was bound to obey, And stepped through the casement to her Still alone in the gray.

"I am leaving you . . . Farewell!" I said, As I followed her on By an alley bare boughs overspread; "I soon must be gone!" Even then the scale might have been turned Against love by a feather, - But crimson one cheek of hers burned When we came in together.



FIRST SIGHT OF HER AND AFTER



A day is drawing to its fall I had not dreamed to see; The first of many to enthrall My spirit, will it be? Or is this eve the end of all Such new delight for me?

I journey home: the pattern grows Of moonshades on the way: "Soon the first quarter, I suppose," Sky-glancing travellers say; I realize that it, for those, Has been a common day.



THE RIVAL



I determined to find out whose it was - The portrait he looked at so, and sighed; Bitterly have I rued my meanness And wept for it since he died!

I searched his desk when he was away, And there was the likeness—yes, my own! Taken when I was the season's fairest, And time-lines all unknown.

I smiled at my image, and put it back, And he went on cherishing it, until I was chafed that he loved not the me then living, But that past woman still.

Well, such was my jealousy at last, I destroyed that face of the former me; Could you ever have dreamed the heart of woman Would work so foolishly!



HEREDITY



I am the family face; Flesh perishes, I live on, Projecting trait and trace Through time to times anon, And leaping from place to place Over oblivion.

The years-heired feature that can In curve and voice and eye Despise the human span Of durance—that is I; The eternal thing in man, That heeds no call to die.



"YOU WERE THE SORT THAT MEN FORGET"



You were the sort that men forget; Though I—not yet! - Perhaps not ever. Your slighted weakness Adds to the strength of my regret!

You'd not the art—you never had For good or bad - To make men see how sweet your meaning, Which, visible, had charmed them glad.

You would, by words inept let fall, Offend them all, Even if they saw your warm devotion Would hold your life's blood at their call.

You lacked the eye to understand Those friends offhand Whose mode was crude, though whose dim purport Outpriced the courtesies of the bland.

I am now the only being who Remembers you It may be. What a waste that Nature Grudged soul so dear the art its due!



SHE, I, AND THEY



I was sitting, She was knitting, And the portraits of our fore-folk hung around; When there struck on us a sigh; "Ah—what is that?" said I: "Was it not you?" said she. "A sigh did sound."

I had not breathed it, Nor the night-wind heaved it, And how it came to us we could not guess; And we looked up at each face Framed and glazed there in its place, Still hearkening; but thenceforth was silentness.

Half in dreaming, "Then its meaning," Said we, "must be surely this; that they repine That we should be the last Of stocks once unsurpassed, And unable to keep up their sturdy line."

1916.



NEAR LANIVET, 1872



There was a stunted handpost just on the crest, Only a few feet high: She was tired, and we stopped in the twilight-time for her rest, At the crossways close thereby.

She leant back, being so weary, against its stem, And laid her arms on its own, Each open palm stretched out to each end of them, Her sad face sideways thrown.

Her white-clothed form at this dim-lit cease of day Made her look as one crucified In my gaze at her from the midst of the dusty way, And hurriedly "Don't," I cried.

I do not think she heard. Loosing thence she said, As she stepped forth ready to go, "I am rested now.—Something strange came into my head; I wish I had not leant so!"

And wordless we moved onward down from the hill In the west cloud's murked obscure, And looking back we could see the handpost still In the solitude of the moor.

"It struck her too," I thought, for as if afraid She heavily breathed as we trailed; Till she said, "I did not think how 'twould look in the shade, When I leant there like one nailed."

I, lightly: "There's nothing in it. For YOU, anyhow!" —"O I know there is not," said she . . . "Yet I wonder . . . If no one is bodily crucified now, In spirit one may be!"

And we dragged on and on, while we seemed to see In the running of Time's far glass Her crucified, as she had wondered if she might be Some day.—Alas, alas!



JOYS OF MEMORY



When the spring comes round, and a certain day Looks out from the brume by the eastern copsetrees And says, Remember, I begin again, as if it were new, A day of like date I once lived through, Whiling it hour by hour away; So shall I do till my December, When spring comes round.

I take my holiday then and my rest Away from the dun life here about me, Old hours re-greeting With the quiet sense that bring they must Such throbs as at first, till I house with dust, And in the numbness my heartsome zest For things that were, be past repeating When spring comes round.



TO THE MOON



"What have you looked at, Moon, In your time, Now long past your prime?" "O, I have looked at, often looked at Sweet, sublime, Sore things, shudderful, night and noon In my time."

"What have you mused on, Moon, In your day, So aloof, so far away?" "O, I have mused on, often mused on Growth, decay, Nations alive, dead, mad, aswoon, In my day!"

"Have you much wondered, Moon, On your rounds, Self-wrapt, beyond Earth's bounds?" "Yea, I have wondered, often wondered At the sounds Reaching me of the human tune On my rounds."

"What do you think of it, Moon, As you go? Is Life much, or no?" "O, I think of it, often think of it As a show God ought surely to shut up soon, As I go."



COPYING ARCHITECTURE IN AN OLD MINSTER (Wimborne)



How smartly the quarters of the hour march by That the jack-o'-clock never forgets; Ding-dong; and before I have traced a cusp's eye, Or got the true twist of the ogee over, A double ding-dong ricochetts.

Just so did he clang here before I came, And so will he clang when I'm gone Through the Minster's cavernous hollows—the same Tale of hours never more to be will he deliver To the speechless midnight and dawn!

I grow to conceive it a call to ghosts, Whose mould lies below and around. Yes; the next "Come, come," draws them out from their posts, And they gather, and one shade appears, and another, As the eve-damps creep from the ground.

See—a Courtenay stands by his quatre-foiled tomb, And a Duke and his Duchess near; And one Sir Edmund in columned gloom, And a Saxon king by the presbytery chamber; And shapes unknown in the rear.

Maybe they have met for a parle on some plan To better ail-stricken mankind; I catch their cheepings, though thinner than The overhead creak of a passager's pinion When leaving land behind.

Or perhaps they speak to the yet unborn, And caution them not to come To a world so ancient and trouble-torn, Of foiled intents, vain lovingkindness, And ardours chilled and numb.

They waste to fog as I stir and stand, And move from the arched recess, And pick up the drawing that slipped from my hand, And feel for the pencil I dropped in the cranny In a moment's forgetfulness.



TO SHAKESPEARE AFTER THREE HUNDRED YEARS



Bright baffling Soul, least capturable of themes, Thou, who display'dst a life of common-place, Leaving no intimate word or personal trace Of high design outside the artistry Of thy penned dreams, Still shalt remain at heart unread eternally.

Through human orbits thy discourse to-day, Despite thy formal pilgrimage, throbs on In harmonies that cow Oblivion, And, like the wind, with all-uncared effect Maintain a sway Not fore-desired, in tracks unchosen and unchecked.

And yet, at thy last breath, with mindless note The borough clocks but samely tongued the hour, The Avon just as always glassed the tower, Thy age was published on thy passing-bell But in due rote With other dwellers' deaths accorded a like knell.

And at the strokes some townsman (met, maybe, And thereon queried by some squire's good dame Driving in shopward) may have given thy name, With, "Yes, a worthy man and well-to-do; Though, as for me, I knew him but by just a neighbour's nod, 'tis true.

"I' faith, few knew him much here, save by word, He having elsewhere led his busier life; Though to be sure he left with us his wife." —"Ah, one of the tradesmen's sons, I now recall . . . Witty, I've heard . . . We did not know him . . . Well, good-day. Death comes to all."

So, like a strange bright bird we sometimes find To mingle with the barn-door brood awhile, Then vanish from their homely domicile - Into man's poesy, we wot not whence, Flew thy strange mind, Lodged there a radiant guest, and sped for ever thence.

1916.



QUID HIC AGIS?



I

When I weekly knew An ancient pew, And murmured there The forms of prayer And thanks and praise In the ancient ways, And heard read out During August drought That chapter from Kings Harvest-time brings; - How the prophet, broken By griefs unspoken, Went heavily away To fast and to pray, And, while waiting to die, The Lord passed by, And a whirlwind and fire Drew nigher and nigher, And a small voice anon Bade him up and be gone, - I did not apprehend As I sat to the end And watched for her smile Across the sunned aisle, That this tale of a seer Which came once a year Might, when sands were heaping, Be like a sweat creeping, Or in any degree Bear on her or on me!

II

When later, by chance Of circumstance, It befel me to read On a hot afternoon At the lectern there The selfsame words As the lesson decreed, To the gathered few From the hamlets near - Folk of flocks and herds Sitting half aswoon, Who listened thereto As women and men Not overmuch Concerned at such - So, like them then, I did not see What drought might be With me, with her, As the Kalendar Moved on, and Time Devoured our prime.

III

But now, at last, When our glory has passed, And there is no smile From her in the aisle, But where it once shone A marble, men say, With her name thereon Is discerned to-day; And spiritless In the wilderness I shrink from sight And desire the night, (Though, as in old wise, I might still arise, Go forth, and stand And prophesy in the land), I feel the shake Of wind and earthquake, And consuming fire Nigher and nigher, And the voice catch clear, "What doest thou here?"

The Spectator 1916. During the War.



ON A MIDSUMMER EVE



I idly cut a parsley stalk, And blew therein towards the moon; I had not thought what ghosts would walk With shivering footsteps to my tune.

I went, and knelt, and scooped my hand As if to drink, into the brook, And a faint figure seemed to stand Above me, with the bygone look.

I lipped rough rhymes of chance, not choice, I thought not what my words might be; There came into my ear a voice That turned a tenderer verse for me.



TIMING HER (Written to an old folk-tune)



Lalage's coming: Where is she now, O? Turning to bow, O, And smile, is she, Just at parting, Parting, parting, As she is starting To come to me?

Where is she now, O, Now, and now, O, Shadowing a bough, O, Of hedge or tree As she is rushing, Rushing, rushing, Gossamers brushing To come to me?

Lalage's coming; Where is she now, O; Climbing the brow, O, Of hills I see? Yes, she is nearing, Nearing, nearing, Weather unfearing To come to me.

Near is she now, O, Now, and now, O; Milk the rich cow, O, Forward the tea; Shake the down bed for her, Linen sheets spread for her, Drape round the head for her Coming to me.

Lalage's coming, She's nearer now, O, End anyhow, O, To-day's husbandry! Would a gilt chair were mine, Slippers of vair were mine, Brushes for hair were mine Of ivory!

What will she think, O, She who's so comely, Viewing how homely A sort are we! Nothing resplendent, No prompt attendant, Not one dependent Pertaining to me!

Lalage's coming; Where is she now, O? Fain I'd avow, O, Full honestly Nought here's enough for her, All is too rough for her, Even my love for her Poor in degree.

She's nearer now, O, Still nearer now, O, She 'tis, I vow, O, Passing the lea. Rush down to meet her there, Call out and greet her there, Never a sweeter there Crossed to me!

Lalage's come; aye, Come is she now, O! . . . Does Heaven allow, O, A meeting to be? Yes, she is here now, Here now, here now, Nothing to fear now, Here's Lalage!



BEFORE KNOWLEDGE



When I walked roseless tracks and wide, Ere dawned your date for meeting me, O why did you not cry Halloo Across the stretch between, and say:

"We move, while years as yet divide, On closing lines which—though it be You know me not nor I know you - Will intersect and join some day!"

Then well I had borne Each scraping thorn; But the winters froze, And grew no rose; No bridge bestrode The gap at all; No shape you showed, And I heard no call!



THE BLINDED BIRD



So zestfully canst thou sing? And all this indignity, With God's consent, on thee! Blinded ere yet a-wing By the red-hot needle thou, I stand and wonder how So zestfully thou canst sing!

Resenting not such wrong, Thy grievous pain forgot, Eternal dark thy lot, Groping thy whole life long; After that stab of fire; Enjailed in pitiless wire; Resenting not such wrong!

Who hath charity? This bird. Who suffereth long and is kind, Is not provoked, though blind And alive ensepulchred? Who hopeth, endureth all things? Who thinketh no evil, but sings? Who is divine? This bird.



"THE WIND BLEW WORDS"



The wind blew words along the skies, And these it blew to me Through the wide dusk: "Lift up your eyes, Behold this troubled tree, Complaining as it sways and plies; It is a limb of thee.

"Yea, too, the creatures sheltering round - Dumb figures, wild and tame, Yea, too, thy fellows who abound - Either of speech the same Or far and strange—black, dwarfed, and browned, They are stuff of thy own frame."

I moved on in a surging awe Of inarticulateness At the pathetic Me I saw In all his huge distress, Making self-slaughter of the law To kill, break, or suppress.



THE FADED FACE



How was this I did not see Such a look as here was shown Ere its womanhood had blown Past its first felicity? - That I did not know you young, Faded Face, Know you young!

Why did Time so ill bestead That I heard no voice of yours Hail from out the curved contours Of those lips when rosy red; Weeted not the songs they sung, Faded Face, Songs they sung!

By these blanchings, blooms of old, And the relics of your voice - Leavings rare of rich and choice From your early tone and mould - Let me mourn,—aye, sorrow-wrung, Faded Face, Sorrow-wrung!



THE RIDDLE



I

Stretching eyes west Over the sea, Wind foul or fair, Always stood she Prospect-impressed; Solely out there Did her gaze rest, Never elsewhere Seemed charm to be.

II

Always eyes east Ponders she now - As in devotion - Hills of blank brow Where no waves plough. Never the least Room for emotion Drawn from the ocean Does she allow.



THE DUEL



"I am here to time, you see; The glade is well-screened—eh?—against alarm; Fit place to vindicate by my arm The honour of my spotless wife, Who scorns your libel upon her life In boasting intimacy!

"'All hush-offerings you'll spurn, My husband. Two must come; one only go,' She said. 'That he'll be you I know; To faith like ours Heaven will be just, And I shall abide in fullest trust Your speedy glad return.'"

"Good. Here am also I; And we'll proceed without more waste of words To warm your cockpit. Of the swords Take you your choice. I shall thereby Feel that on me no blame can lie, Whatever Fate accords."

So stripped they there, and fought, And the swords clicked and scraped, and the onsets sped; Till the husband fell; and his shirt was red With streams from his heart's hot cistern. Nought Could save him now; and the other, wrought Maybe to pity, said:

"Why did you urge on this? Your wife assured you; and 't had better been That you had let things pass, serene In confidence of long-tried bliss, Holding there could be nought amiss In what my words might mean."

Then, seeing nor ruth nor rage Could move his foeman more—now Death's deaf thrall - He wiped his steel, and, with a call Like turtledove to dove, swift broke Into the copse, where under an oak His horse cropt, held by a page.

"All's over, Sweet," he cried To the wife, thus guised; for the young page was she. "'Tis as we hoped and said 't would be. He never guessed . . . We mount and ride To where our love can reign uneyed. He's clay, and we are free."



AT MAYFAIR LODGINGS



How could I be aware, The opposite window eyeing As I lay listless there, That through its blinds was dying One I had rated rare Before I had set me sighing For another more fair?

Had the house-front been glass, My vision unobscuring, Could aught have come to pass More happiness-insuring To her, loved as a lass When spouseless, all-alluring? I reckon not, alas!

So, the square window stood, Steadily night-long shining In my close neighbourhood, Who looked forth undivining That soon would go for good One there in pain reclining, Unpardoned, unadieu'd.

Silently screened from view Her tragedy was ending That need not have come due Had she been less unbending. How near, near were we two At that last vital rending, - And neither of us knew!



TO MY FATHER'S VIOLIN



Does he want you down there In the Nether Glooms where The hours may be a dragging load upon him, As he hears the axle grind Round and round Of the great world, in the blind Still profound Of the night-time? He might liven at the sound Of your string, revealing you had not forgone him.

In the gallery west the nave, But a few yards from his grave, Did you, tucked beneath his chin, to his bowing Guide the homely harmony Of the quire Who for long years strenuously - Son and sire - Caught the strains that at his fingering low or higher From your four thin threads and eff-holes came outflowing.

And, too, what merry tunes He would bow at nights or noons That chanced to find him bent to lute a measure, When he made you speak his heart As in dream, Without book or music-chart, On some theme Elusive as a jack-o'-lanthorn's gleam, And the psalm of duty shelved for trill of pleasure.

Well, you can not, alas, The barrier overpass That screens him in those Mournful Meads hereunder, Where no fiddling can be heard In the glades Of silentness, no bird Thrills the shades; Where no viol is touched for songs or serenades, No bowing wakes a congregation's wonder.

He must do without you now, Stir you no more anyhow To yearning concords taught you in your glory; While, your strings a tangled wreck, Once smart drawn, Ten worm-wounds in your neck, Purflings wan With dust-hoar, here alone I sadly con Your present dumbness, shape your olden story.

1916.



THE STATUE OF LIBERTY



This statue of Liberty, busy man, Here erect in the city square, I have watched while your scrubbings, this early morning, Strangely wistful, And half tristful, Have turned her from foul to fair;

With your bucket of water, and mop, and brush, Bringing her out of the grime That has smeared her during the smokes of winter With such glumness In her dumbness, And aged her before her time.

You have washed her down with motherly care - Head, shoulders, arm, and foot, To the very hem of the robes that drape her - All expertly And alertly, Till a long stream, black with soot,

Flows over the pavement to the road, And her shape looms pure as snow: I read you are hired by the City guardians - May be yearly, Or once merely - To treat the statues so?

"Oh, I'm not hired by the Councilmen To cleanse the statues here. I do this one as a self-willed duty, Not as paid to, Or at all made to, But because the doing is dear."

Ah, then I hail you brother and friend! Liberty's knight divine. What you have done would have been my doing, Yea, most verily, Well, and thoroughly, Had but your courage been mine!

"Oh I care not for Liberty's mould, Liberty charms not me; What's Freedom but an idler's vision, Vain, pernicious, Often vicious, Of things that cannot be!

"Memory it is that brings me to this - Of a daughter—my one sweet own. She grew a famous carver's model, One of the fairest And of the rarest:- She sat for the figure as shown.

"But alas, she died in this distant place Before I was warned to betake Myself to her side! . . . And in love of my darling, In love of the fame of her, And the good name of her, I do this for her sake."

Answer I gave not. Of that form The carver was I at his side; His child, my model, held so saintly, Grand in feature, Gross in nature, In the dens of vice had died.



THE BACKGROUND AND THE FIGURE (Lover's Ditty)



I think of the slope where the rabbits fed, Of the periwinks' rockwork lair, Of the fuchsias ringing their bells of red - And the something else seen there.

Between the blooms where the sod basked bright, By the bobbing fuchsia trees, Was another and yet more eyesome sight - The sight that richened these.

I shall seek those beauties in the spring, When the days are fit and fair, But only as foils to the one more thing That also will flower there!



THE CHANGE



Out of the past there rises a week - Who shall read the years O! - Out of the past there rises a week Enringed with a purple zone. Out of the past there rises a week When thoughts were strung too thick to speak, And the magic of its lineaments remains with me alone.

In that week there was heard a singing - Who shall spell the years, the years! - In that week there was heard a singing, And the white owl wondered why. In that week, yea, a voice was ringing, And forth from the casement were candles flinging Radiance that fell on the deodar and lit up the path thereby.

Could that song have a mocking note? - Who shall unroll the years O! - Could that song have a mocking note To the white owl's sense as it fell? Could that song have a mocking note As it trilled out warm from the singer's throat, And who was the mocker and who the mocked when two felt all was well?

In a tedious trampling crowd yet later - Who shall bare the years, the years! - In a tedious trampling crowd yet later, When silvery singings were dumb; In a crowd uncaring what time might fate her, Mid murks of night I stood to await her, And the twanging of iron wheels gave out the signal that she was come.

She said with a travel-tired smile - Who shall lift the years O! - She said with a travel-tired smile, Half scared by scene so strange; She said, outworn by mile on mile, The blurred lamps wanning her face the while, "O Love, I am here; I am with you!" . . . Ah, that there should have come a change!

O the doom by someone spoken - Who shall unseal the years, the years! - O the doom that gave no token, When nothing of bale saw we: O the doom by someone spoken, O the heart by someone broken, The heart whose sweet reverberances are all time leaves to me.

Jan.-Feb. 1913.



SITTING ON THE BRIDGE (Echo of an old song)



Sitting on the bridge Past the barracks, town and ridge, At once the spirit seized us To sing a song that pleased us - As "The Fifth" were much in rumour; It was "Whilst I'm in the humour, Take me, Paddy, will you now?" And a lancer soon drew nigh, And his Royal Irish eye Said, "Willing, faith, am I, O, to take you anyhow, dears, To take you anyhow."

But, lo!—dad walking by, Cried, "What, you lightheels! Fie! Is this the way you roam And mock the sunset gleam?" And he marched us straightway home, Though we said, "We are only, daddy, Singing, 'Will you take me, Paddy?'" —Well, we never saw from then If we sang there anywhen, The soldier dear again, Except at night in dream-time, Except at night in dream.

Perhaps that soldier's fighting In a land that's far away, Or he may be idly plighting Some foreign hussy gay; Or perhaps his bones are whiting In the wind to their decay! . . . Ah!—does he mind him how The girls he saw that day On the bridge, were sitting singing At the time of curfew-ringing, "Take me, Paddy; will you now, dear? Paddy, will you now?"

GREY'S BRIDGE.



THE YOUNG CHURCHWARDEN



When he lit the candles there, And the light fell on his hand, And it trembled as he scanned Her and me, his vanquished air Hinted that his dream was done, And I saw he had begun To understand.

When Love's viol was unstrung, Sore I wished the hand that shook Had been mine that shared her book While that evening hymn was sung, His the victor's, as he lit Candles where he had bidden us sit With vanquished look.

Now her dust lies listless there, His afar from tending hand, What avails the victory scanned? Does he smile from upper air: "Ah, my friend, your dream is done; And 'tis YOU who have begun To understand!



"I TRAVEL AS A PHANTOM NOW"



I travel as a phantom now, For people do not wish to see In flesh and blood so bare a bough As Nature makes of me.

And thus I visit bodiless Strange gloomy households often at odds, And wonder if Man's consciousness Was a mistake of God's.

And next I meet you, and I pause, And think that if mistake it were, As some have said, O then it was One that I well can bear!

1915.



LINES TO A MOVEMENT IN MOZART'S E-FLAT SYMPHONY



Show me again the time When in the Junetide's prime We flew by meads and mountains northerly! - Yea, to such freshness, fairness, fulness, fineness, freeness, Love lures life on.

Show me again the day When from the sandy bay We looked together upon the pestered sea! - Yea, to such surging, swaying, sighing, swelling, shrinking, Love lures life on.

Show me again the hour When by the pinnacled tower We eyed each other and feared futurity! - Yea, to such bodings, broodings, beatings, blanchings, blessings, Love lures life on.

Show me again just this: The moment of that kiss Away from the prancing folk, by the strawberry-tree! - Yea, to such rashness, ratheness, rareness, ripeness, richness, Love lures life on.

Begun November 1898.



"IN THE SEVENTIES"



"Qui deridetur ab amico suo sicut ego."—JOB.

In the seventies I was bearing in my breast, Penned tight, Certain starry thoughts that threw a magic light On the worktimes and the soundless hours of rest In the seventies; aye, I bore them in my breast Penned tight.

In the seventies when my neighbours—even my friend - Saw me pass, Heads were shaken, and I heard the words, "Alas, For his onward years and name unless he mend!" In the seventies, when my neighbours and my friend Saw me pass.

In the seventies those who met me did not know Of the vision That immuned me from the chillings of mis-prision And the damps that choked my goings to and fro In the seventies; yea, those nodders did not know Of the vision.

In the seventies nought could darken or destroy it, Locked in me, Though as delicate as lamp-worm's lucency; Neither mist nor murk could weaken or alloy it In the seventies!—could not darken or destroy it, Locked in me.



THE PEDIGREE



I

I bent in the deep of night Over a pedigree the chronicler gave As mine; and as I bent there, half-unrobed, The uncurtained panes of my window-square let in the watery light Of the moon in its old age: And green-rheumed clouds were hurrying past where mute and cold it globed Like a drifting dolphin's eye seen through a lapping wave.

II

So, scanning my sire-sown tree, And the hieroglyphs of this spouse tied to that, With offspring mapped below in lineage, Till the tangles troubled me, The branches seemed to twist into a seared and cynic face Which winked and tokened towards the window like a Mage Enchanting me to gaze again thereat.

III

It was a mirror now, And in it a long perspective I could trace Of my begetters, dwindling backward each past each All with the kindred look, Whose names had since been inked down in their place On the recorder's book, Generation and generation of my mien, and build, and brow.

IV

And then did I divine That every heave and coil and move I made Within my brain, and in my mood and speech, Was in the glass portrayed As long forestalled by their so making it; The first of them, the primest fuglemen of my line, Being fogged in far antiqueness past surmise and reason's reach.

V

Said I then, sunk in tone, "I am merest mimicker and counterfeit! - Though thinking, I AM I AND WHAT I DO I DO MYSELF ALONE." —The cynic twist of the page thereat unknit Back to its normal figure, having wrought its purport wry, The Mage's mirror left the window-square, And the stained moon and drift retook their places there.

1916.



THIS HEART A WOMAN'S DREAM



At midnight, in the room where he lay dead Whom in his life I had never clearly read, I thought if I could peer into that citadel His heart, I should at last know full and well

What hereto had been known to him alone, Despite our long sit-out of years foreflown, "And if," I said, "I do this for his memory's sake, It would not wound him, even if he could wake."

So I bent over him. He seemed to smile With a calm confidence the whole long while That I, withdrawing his heart, held it and, bit by bit, Perused the unguessed things found written on it.

It was inscribed like a terrestrial sphere With quaint vermiculations close and clear - His graving. Had I known, would I have risked the stroke Its reading brought, and my own heart nigh broke!

Yes, there at last, eyes opened, did I see His whole sincere symmetric history; There were his truth, his simple singlemindedness, Strained, maybe, by time's storms, but there no less.

There were the daily deeds from sun to sun In blindness, but good faith, that he had done; There were regrets, at instances wherein he swerved (As he conceived) from cherishings I had deserved.

There were old hours all figured down as bliss - Those spent with me—(how little had I thought this!) There those when, at my absence, whether he slept or waked, (Though I knew not 'twas so!) his spirit ached.

There that when we were severed, how day dulled Till time joined us anew, was chronicled: And arguments and battlings in defence of me That heart recorded clearly and ruddily.

I put it back, and left him as he lay While pierced the morning pink and then the gray Into each dreary room and corridor around, Where I shall wait, but his step will not sound.



WHERE THEY LIVED



Dishevelled leaves creep down Upon that bank to-day, Some green, some yellow, and some pale brown; The wet bents bob and sway; The once warm slippery turf is sodden Where we laughingly sat or lay.

The summerhouse is gone, Leaving a weedy space; The bushes that veiled it once have grown Gaunt trees that interlace, Through whose lank limbs I see too clearly The nakedness of the place.

And where were hills of blue, Blind drifts of vapour blow, And the names of former dwellers few, If any, people know, And instead of a voice that called, "Come in, Dears," Time calls, "Pass below!"



THE OCCULTATION



When the cloud shut down on the morning shine, And darkened the sun, I said, "So ended that joy of mine Years back begun."

But day continued its lustrous roll In upper air; And did my late irradiate soul Live on somewhere?



LIFE LAUGHS ONWARD



Rambling I looked for an old abode Where, years back, one had lived I knew; Its site a dwelling duly showed, But it was new.

I went where, not so long ago, The sod had riven two breasts asunder; Daisies throve gaily there, as though No grave were under.

I walked along a terrace where Loud children gambolled in the sun; The figure that had once sat there Was missed by none.

Life laughed and moved on unsubdued, I saw that Old succumbed to Young: 'Twas well. My too regretful mood Died on my tongue.



THE PEACE-OFFERING



It was but a little thing, Yet I knew it meant to me Ease from what had given a sting To the very birdsinging Latterly.

But I would not welcome it; And for all I then declined O the regrettings infinite When the night-processions flit Through the mind!



"SOMETHING TAPPED"



Something tapped on the pane of my room When there was never a trace Of wind or rain, and I saw in the gloom My weary Beloved's face.

"O I am tired of waiting," she said, "Night, morn, noon, afternoon; So cold it is in my lonely bed, And I thought you would join me soon!"

I rose and neared the window-glass, But vanished thence had she: Only a pallid moth, alas, Tapped at the pane for me.

August 1913.



THE WOUND



I climbed to the crest, And, fog-festooned, The sun lay west Like a crimson wound:

Like that wound of mine Of which none knew, For I'd given no sign That it pierced me through.



A MERRYMAKING IN QUESTION



"I will get a new string for my fiddle, And call to the neighbours to come, And partners shall dance down the middle Until the old pewter-wares hum: And we'll sip the mead, cyder, and rum!"

From the night came the oddest of answers: A hollow wind, like a bassoon, And headstones all ranged up as dancers, And cypresses droning a croon, And gurgoyles that mouthed to the tune.



"I SAID AND SANG HER EXCELLENCE" (Fickle Lover's Song)



I said and sang her excellence: They called it laud undue. (Have your way, my heart, O!) Yet what was homage far above The plain deserts of my olden Love Proved verity of my new.

"She moves a sylph in picture-land, Where nothing frosts the air:" (Have your way, my heart, O!) "To all winged pipers overhead She is known by shape and song," I said, Conscious of licence there.

I sang of her in a dim old hall Dream-built too fancifully, (Have your way, my heart, O!) But lo, the ripe months chanced to lead My feet to such a hall indeed, Where stood the very She.

Strange, startling, was it then to learn I had glanced down unborn time, (Have your way, my heart, O!) And prophesied, whereby I knew That which the years had planned to do In warranty of my rhyme.

BY RUSHY-POND.



A JANUARY NIGHT (1879)



The rain smites more and more, The east wind snarls and sneezes; Through the joints of the quivering door The water wheezes.

The tip of each ivy-shoot Writhes on its neighbour's face; There is some hid dread afoot That we cannot trace.

Is it the spirit astray Of the man at the house below Whose coffin they took in to-day? We do not know.



A KISS



By a wall the stranger now calls his, Was born of old a particular kiss, Without forethought in its genesis; Which in a trice took wing on the air. And where that spot is nothing shows: There ivy calmly grows, And no one knows What a birth was there!

That kiss is gone where none can tell - Not even those who felt its spell: It cannot have died; that know we well. Somewhere it pursues its flight, One of a long procession of sounds Travelling aethereal rounds Far from earth's bounds In the infinite.



THE ANNOUNCEMENT



They came, the brothers, and took two chairs In their usual quiet way; And for a time we did not think They had much to say.

And they began and talked awhile Of ordinary things, Till spread that silence in the room A pent thought brings.

And then they said: "The end has come. Yes: it has come at last." And we looked down, and knew that day A spirit had passed.



THE OXEN



Christmas Eve, and twelve of the clock. "Now they are all on their knees," An elder said as we sat in a flock By the embers in hearthside ease.

We pictured the meek mild creatures where They dwelt in their strawy pen, Nor did it occur to one of us there To doubt they were kneeling then.

So fair a fancy few would weave In these years! Yet, I feel, If someone said on Christmas Eve, "Come; see the oxen kneel

"In the lonely barton by yonder coomb Our childhood used to know," I should go with him in the gloom, Hoping it might be so.

1915.



THE TRESSES



"When the air was damp It made my curls hang slack As they kissed my neck and back While I footed the salt-aired track I loved to tramp.

"When it was dry They would roll up crisp and tight As I went on in the light Of the sun, which my own sprite Seemed to outvie.

"Now I am old; And have not one gay curl As I had when a girl For dampness to unfurl Or sun uphold!"



THE PHOTOGRAPH



The flame crept up the portrait line by line As it lay on the coals in the silence of night's profound, And over the arm's incline, And along the marge of the silkwork superfine, And gnawed at the delicate bosom's defenceless round.

Then I vented a cry of hurt, and averted my eyes; The spectacle was one that I could not bear, To my deep and sad surprise; But, compelled to heed, I again looked furtive-wise Till the flame had eaten her breasts, and mouth, and hair.

"Thank God, she is out of it now!" I said at last, In a great relief of heart when the thing was done That had set my soul aghast, And nothing was left of the picture unsheathed from the past But the ashen ghost of the card it had figured on.

She was a woman long hid amid packs of years, She might have been living or dead; she was lost to my sight, And the deed that had nigh drawn tears Was done in a casual clearance of life's arrears; But I felt as if I had put her to death that night! . . .

* * *

- Well; she knew nothing thereof did she survive, And suffered nothing if numbered among the dead; Yet—yet—if on earth alive Did she feel a smart, and with vague strange anguish strive? If in heaven, did she smile at me sadly and shake her head?



ON A HEATH



I could hear a gown-skirt rustling Before I could see her shape, Rustling through the heather That wove the common's drape, On that evening of dark weather When I hearkened, lips agape.

And the town-shine in the distance Did but baffle here the sight, And then a voice flew forward: Dear, is't you? I fear the night!" And the herons flapped to norward In the firs upon my right.

There was another looming Whose life we did not see; There was one stilly blooming Full nigh to where walked we; There was a shade entombing All that was bright of me.



AN ANNIVERSARY



It was at the very date to which we have come, In the month of the matching name, When, at a like minute, the sun had upswum, Its couch-time at night being the same. And the same path stretched here that people now follow, And the same stile crossed their way, And beyond the same green hillock and hollow The same horizon lay; And the same man pilgrims now hereby who pilgrimed here that day.

Let so much be said of the date-day's sameness; But the tree that neighbours the track, And stoops like a pedlar afflicted with lameness, Knew of no sogged wound or windcrack. And the joints of that wall were not enshrouded With mosses of many tones, And the garth up afar was not overcrowded With a multitude of white stones, And the man's eyes then were not so sunk that you saw the socket- bones.

KINGSTON-MAURWARD EWELEASE.



"BY THE RUNIC STONE" (Two who became a story)



By the Runic Stone They sat, where the grass sloped down, And chattered, he white-hatted, she in brown, Pink-faced, breeze-blown.

Rapt there alone In the transport of talking so In such a place, there was nothing to let them know What hours had flown.

And the die thrown By them heedlessly there, the dent It was to cut in their encompassment, Were, too, unknown.

It might have strown Their zest with qualms to see, As in a glass, Time toss their history From zone to zone!



THE PINK FROCK



"O my pretty pink frock, I sha'n't be able to wear it! Why is he dying just now? I hardly can bear it!

"He might have contrived to live on; But they say there's no hope whatever: And must I shut myself up, And go out never?

"O my pretty pink frock, Puff-sleeved and accordion-pleated! He might have passed in July, And not so cheated!"



TRANSFORMATIONS



Portion of this yew Is a man my grandsire knew, Bosomed here at its foot: This branch may be his wife, A ruddy human life Now turned to a green shoot.

These grasses must be made Of her who often prayed, Last century, for repose; And the fair girl long ago Whom I often tried to know May be entering this rose.

So, they are not underground, But as nerves and veins abound In the growths of upper air, And they feel the sun and rain, And the energy again That made them what they were!



IN HER PRECINCTS



Her house looked cold from the foggy lea, And the square of each window a dull black blur Where showed no stir: Yes, her gloom within at the lack of me Seemed matching mine at the lack of her.

The black squares grew to be squares of light As the eyeshade swathed the house and lawn, And viols gave tone; There was glee within. And I found that night The gloom of severance mine alone.

KINGSTON-MAURWARD PARK.



THE LAST SIGNAL (Oct. 11, 1886) A MEMORY OF WILLIAM BARNES



Silently I footed by an uphill road That led from my abode to a spot yew-boughed; Yellowly the sun sloped low down to westward, And dark was the east with cloud.

Then, amid the shadow of that livid sad east, Where the light was least, and a gate stood wide, Something flashed the fire of the sun that was facing it, Like a brief blaze on that side.

Looking hard and harder I knew what it meant - The sudden shine sent from the livid east scene; It meant the west mirrored by the coffin of my friend there, Turning to the road from his green,

To take his last journey forth—he who in his prime Trudged so many a time from that gate athwart the land! Thus a farewell to me he signalled on his grave-way, As with a wave of his hand.

WINTERBORNE-CAME PATH.



THE HOUSE OF SILENCE



"That is a quiet place - That house in the trees with the shady lawn." "—If, child, you knew what there goes on You would not call it a quiet place. Why, a phantom abides there, the last of its race, And a brain spins there till dawn."

"But I see nobody there, - Nobody moves about the green, Or wanders the heavy trees between." "—Ah, that's because you do not bear The visioning powers of souls who dare To pierce the material screen.

"Morning, noon, and night, Mid those funereal shades that seem The uncanny scenery of a dream, Figures dance to a mind with sight, And music and laughter like floods of light Make all the precincts gleam.

"It is a poet's bower, Through which there pass, in fleet arrays, Long teams of all the years and days, Of joys and sorrows, of earth and heaven, That meet mankind in its ages seven, An aion in an hour."



GREAT THINGS



Sweet cyder is a great thing, A great thing to me, Spinning down to Weymouth town By Ridgway thirstily, And maid and mistress summoning Who tend the hostelry: O cyder is a great thing, A great thing to me!

The dance it is a great thing, A great thing to me, With candles lit and partners fit For night-long revelry; And going home when day-dawning Peeps pale upon the lea: O dancing is a great thing, A great thing to me!

Love is, yea, a great thing, A great thing to me, When, having drawn across the lawn In darkness silently, A figure flits like one a-wing Out from the nearest tree: O love is, yes, a great thing, A great thing to me!

Will these be always great things, Great things to me? . . . Let it befall that One will call, "Soul, I have need of thee:" What then? Joy-jaunts, impassioned flings, Love, and its ecstasy, Will always have been great things, Great things to me!



THE CHIMES



That morning when I trod the town The twitching chimes of long renown Played out to me The sweet Sicilian sailors' tune, And I knew not if late or soon My day would be:

A day of sunshine beryl-bright And windless; yea, think as I might, I could not say, Even to within years' measure, when One would be at my side who then Was far away.

When hard utilitarian times Had stilled the sweet Saint-Peter's chimes I learnt to see That bale may spring where blisses are, And one desired might be afar Though near to me.



THE FIGURE IN THE SCENE



It pleased her to step in front and sit Where the cragged slope was green, While I stood back that I might pencil it With her amid the scene; Till it gloomed and rained; But I kept on, despite the drifting wet That fell and stained My draught, leaving for curious quizzings yet The blots engrained.

And thus I drew her there alone, Seated amid the gauze Of moisture, hooded, only her outline shown, With rainfall marked across. —Soon passed our stay; Yet her rainy form is the Genius still of the spot, Immutable, yea, Though the place now knows her no more, and has known her not Ever since that day.

From an old note.



"WHY DID I SKETCH"



Why did I sketch an upland green, And put the figure in Of one on the spot with me? - For now that one has ceased to be seen The picture waxes akin To a wordless irony.

If you go drawing on down or cliff Let no soft curves intrude Of a woman's silhouette, But show the escarpments stark and stiff As in utter solitude; So shall you half forget.

Let me sooner pass from sight of the sky Than again on a thoughtless day Limn, laugh, and sing, and rhyme With a woman sitting near, whom I Paint in for love, and who may Be called hence in my time!

From an old note.



CONJECTURE



If there were in my kalendar No Emma, Florence, Mary, What would be my existence now - A hermit's?—wanderer's weary? - How should I live, and how Near would be death, or far?

Could it have been that other eyes Might have uplit my highway? That fond, sad, retrospective sight Would catch from this dim byway Prized figures different quite From those that now arise?

With how strange aspect would there creep The dawn, the night, the daytime, If memory were not what it is In song-time, toil, or pray-time. - O were it else than this, I'd pass to pulseless sleep!



THE BLOW



That no man schemed it is my hope - Yea, that it fell by will and scope Of That Which some enthrone, And for whose meaning myriads grope.

For I would not that of my kind There should, of his unbiassed mind, Have been one known Who such a stroke could have designed;

Since it would augur works and ways Below the lowest that man assays To have hurled that stone Into the sunshine of our days!

And if it prove that no man did, And that the Inscrutable, the Hid, Was cause alone Of this foul crash our lives amid,

I'll go in due time, and forget In some deep graveyard's oubliette The thing whereof I groan, And cease from troubling; thankful yet

Time's finger should have stretched to show No aimful author's was the blow That swept us prone, But the Immanent Doer's That doth not know,

Which in some age unguessed of us May lift Its blinding incubus, And see, and own: "It grieves me I did thus and thus!"



LOVE THE MONOPOLIST (Young Lover's Reverie)



The train draws forth from the station-yard, And with it carries me. I rise, and stretch out, and regard The platform left, and see An airy slim blue form there standing, And know that it is she.

While with strained vision I watch on, The figure turns round quite To greet friends gaily; then is gone . . . The import may be slight, But why remained she not hard gazing Till I was out of sight?

"O do not chat with others there," I brood. "They are not I. O strain your thoughts as if they were Gold bands between us; eye All neighbour scenes as so much blankness Till I again am by!

"A troubled soughing in the breeze And the sky overhead Let yourself feel; and shadeful trees, Ripe corn, and apples red, Read as things barren and distasteful While we are separated!

"When I come back uncloak your gloom, And let in lovely day; Then the long dark as of the tomb Can well be thrust away With sweet things I shall have to practise, And you will have to say!"

Begun 1871: finished -



AT MIDDLE-FIELD GATE IN FEBRUARY



The bars are thick with drops that show As they gather themselves from the fog Like silver buttons ranged in a row, And as evenly spaced as if measured, although They fall at the feeblest jog.

They load the leafless hedge hard by, And the blades of last year's grass, While the fallow ploughland turned up nigh In raw rolls, clammy and clogging lie - Too clogging for feet to pass.

How dry it was on a far-back day When straws hung the hedge and around, When amid the sheaves in amorous play In curtained bonnets and light array Bloomed a bevy now underground!

BOCKHAMPTON LANE.



THE YOUTH WHO CARRIED A LIGHT



I saw him pass as the new day dawned, Murmuring some musical phrase; Horses were drinking and floundering in the pond, And the tired stars thinned their gaze; Yet these were not the spectacles at all that he conned, But an inner one, giving out rays.

Such was the thing in his eye, walking there, The very and visible thing, A close light, displacing the gray of the morning air, And the tokens that the dark was taking wing; And was it not the radiance of a purpose rare That might ripe to its accomplishing?

What became of that light? I wonder still its fate! Was it quenched ere its full apogee? Did it struggle frail and frailer to a beam emaciate? Did it thrive till matured in verity? Or did it travel on, to be a new young dreamer's freight, And thence on infinitely?

1915.



THE HEAD ABOVE THE FOG



Something do I see Above the fog that sheets the mead, A figure like to life indeed, Moving along with spectre-speed, Seen by none but me.

O the vision keen! - Tripping along to me for love As in the flesh it used to move, Only its hat and plume above The evening fog-fleece seen.

In the day-fall wan, When nighted birds break off their song, Mere ghostly head it skims along, Just as it did when warm and strong, Body seeming gone.

Such it is I see Above the fog that sheets the mead - Yea, that which once could breathe and plead! - Skimming along with spectre-speed To a last tryst with me.



OVERLOOKING THE RIVER STOUR



The swallows flew in the curves of an eight Above the river-gleam In the wet June's last beam: Like little crossbows animate The swallows flew in the curves of an eight Above the river-gleam.

Planing up shavings of crystal spray A moor-hen darted out From the bank thereabout, And through the stream-shine ripped his way; Planing up shavings of crystal spray A moor-hen darted out.

Closed were the kingcups; and the mead Dripped in monotonous green, Though the day's morning sheen Had shown it golden and honeybee'd; Closed were the kingcups; and the mead Dripped in monotonous green.

And never I turned my head, alack, While these things met my gaze Through the pane's drop-drenched glaze, To see the more behind my back . . . O never I turned, but let, alack, These less things hold my gaze!



THE MUSICAL BOX



Lifelong to be Seemed the fair colour of the time; That there was standing shadowed near A spirit who sang to the gentle chime Of the self-struck notes, I did not hear, I did not see.

Thus did it sing To the mindless lyre that played indoors As she came to listen for me without: "O value what the nonce outpours - This best of life—that shines about Your welcoming!"

I had slowed along After the torrid hours were done, Though still the posts and walls and road Flung back their sense of the hot-faced sun, And had walked by Stourside Mill, where broad Stream-lilies throng.

And I descried The dusky house that stood apart, And her, white-muslined, waiting there In the porch with high-expectant heart, While still the thin mechanic air Went on inside.

At whiles would flit Swart bats, whose wings, be-webbed and tanned, Whirred like the wheels of ancient clocks: She laughed a hailing as she scanned Me in the gloom, the tuneful box Intoning it.

Lifelong to be I thought it. That there watched hard by A spirit who sang to the indoor tune, "O make the most of what is nigh!" I did not hear in my dull soul-swoon - I did not see.



ON STURMINSTER FOOT-BRIDGE (ONOMATOPOEIC)



Reticulations creep upon the slack stream's face When the wind skims irritably past, The current clucks smartly into each hollow place That years of flood have scrabbled in the pier's sodden base; The floating-lily leaves rot fast.

On a roof stand the swallows ranged in wistful waiting rows, Till they arrow off and drop like stones Among the eyot-withies at whose foot the river flows; And beneath the roof is she who in the dark world shows As a lattice-gleam when midnight moans.



ROYAL SPONSORS



"The king and the queen will stand to the child; 'Twill be handed down in song; And it's no more than their deserving, With my lord so faithful at Court so long, And so staunch and strong.

"O never before was known such a thing! 'Twill be a grand time for all; And the beef will be a whole-roast bullock, And the servants will have a feast in the hall, And the ladies a ball.

"While from Jordan's stream by a traveller, In a flagon of silver wrought, And by caravan, stage-coach, wain, and waggon A precious trickle has been brought, Clear as when caught."

The morning came. To the park of the peer The royal couple bore; And the font was filled with the Jordan water, And the household awaited their guests before The carpeted door.

But when they went to the silk-lined cot The child was found to have died. "What's now to be done? We can disappoint not The king and queen!" the family cried With eyes spread wide.

"Even now they approach the chestnut-drive! The service must be read." "Well, since we can't christen the child alive, By God we shall have to christen him dead!" The marquis said.

Thus, breath-forsaken, a corpse was taken To the private chapel—yea - And the king knew not, nor the queen, God wot, That they answered for one returned to clay At the font that day.



OLD FURNITURE



I know not how it may be with others Who sit amid relics of householdry That date from the days of their mothers' mothers, But well I know how it is with me Continually.

I see the hands of the generations That owned each shiny familiar thing In play on its knobs and indentations, And with its ancient fashioning Still dallying:

Hands behind hands, growing paler and paler, As in a mirror a candle-flame Shows images of itself, each frailer As it recedes, though the eye may frame Its shape the same.

On the clock's dull dial a foggy finger, Moving to set the minutes right With tentative touches that lift and linger In the wont of a moth on a summer night, Creeps to my sight.

On this old viol, too, fingers are dancing - As whilom—just over the strings by the nut, The tip of a bow receding, advancing In airy quivers, as if it would cut The plaintive gut.

And I see a face by that box for tinder, Glowing forth in fits from the dark, And fading again, as the linten cinder Kindles to red at the flinty spark, Or goes out stark.

Well, well. It is best to be up and doing, The world has no use for one to-day Who eyes things thus—no aim pursuing! He should not continue in this stay, But sink away.



A THOUGHT IN TWO MOODS



I saw it—pink and white—revealed Upon the white and green; The white and green was a daisied field, The pink and white Ethleen.

And as I looked it seemed in kind That difference they had none; The two fair bodiments combined As varied miens of one.

A sense that, in some mouldering year, As one they both would lie, Made me move quickly on to her To pass the pale thought by.

She laughed and said: "Out there, to me, You looked so weather-browned, And brown in clothes, you seemed to be Made of the dusty ground!"



THE LAST PERFORMANCE



"I am playing my oldest tunes," declared she, "All the old tunes I know, - Those I learnt ever so long ago." - Why she should think just then she'd play them Silence cloaks like snow.

When I returned from the town at nightfall Notes continued to pour As when I had left two hours before: It's the very last time," she said in closing; "From now I play no more."

A few morns onward found her fading, And, as her life outflew, I thought of her playing her tunes right through; And I felt she had known of what was coming, And wondered how she knew.

1912.



"YOU ON THE TOWER"



I

"You on the tower of my factory - What do you see up there? Do you see Enjoyment with wide wings Advancing to reach me here?" - "Yea; I see Enjoyment with wide wings Advancing to reach you here."

II

"Good. Soon I'll come and ask you To tell me again thereon . . . Well, what is he doing now? Hoi, there!" —"He still is flying on." "Ah, waiting till I have full-finished. Good. Tell me again anon . . .

III

Hoi, Watchman! I'm here. When comes he? Between my sweats I am chill." —"Oh, you there, working still? Why, surely he reached you a time back, And took you miles from your mill? He duly came in his winging, And now he has passed out of view. How can it be that you missed him? He brushed you by as he flew."



THE INTERLOPER



"And I saw the figure and visage of Madness seeking for a home."

There are three folk driving in a quaint old chaise, And the cliff-side track looks green and fair; I view them talking in quiet glee As they drop down towards the puffins' lair By the roughest of ways; But another with the three rides on, I see, Whom I like not to be there!

No: it's not anybody you think of. Next A dwelling appears by a slow sweet stream Where two sit happy and half in the dark: They read, helped out by a frail-wick'd gleam, Some rhythmic text; But one sits with them whom they don't mark, One I'm wishing could not be there.

No: not whom you knew and name. And now I discern gay diners in a mansion-place, And the guests dropping wit—pert, prim, or choice, And the hostess's tender and laughing face, And the host's bland brow; I cannot help hearing a hollow voice, And I'd fain not hear it there.

No: it's not from the stranger you met once. Ah, Yet a goodlier scene than that succeeds; People on a lawn—quite a crowd of them. Yes, And they chatter and ramble as fancy leads; And they say, "Hurrah!" To a blithe speech made; save one, mirthless, Who ought not to be there.

Nay: it's not the pale Form your imagings raise, That waits on us all at a destined time, It is not the Fourth Figure the Furnace showed, O that it were such a shape sublime; In these latter days! It is that under which best lives corrode; Would, would it could not be there!



LOGS ON THE HEARTH A MEMORY OF A SISTER



The fire advances along the log Of the tree we felled, Which bloomed and bore striped apples by the peck Till its last hour of bearing knelled.

The fork that first my hand would reach And then my foot In climbings upward inch by inch, lies now Sawn, sapless, darkening with soot.

Where the bark chars is where, one year, It was pruned, and bled - Then overgrew the wound. But now, at last, Its growings all have stagnated.

My fellow-climber rises dim From her chilly grave - Just as she was, her foot near mine on the bending limb, Laughing, her young brown hand awave.

December 1915.



THE SUNSHADE



Ah—it's the skeleton of a lady's sunshade, Here at my feet in the hard rock's chink, Merely a naked sheaf of wires! - Twenty years have gone with their livers and diers Since it was silked in its white or pink.

Noonshine riddles the ribs of the sunshade, No more a screen from the weakest ray; Nothing to tell us the hue of its dyes, Nothing but rusty bones as it lies In its coffin of stone, unseen till to-day.

Where is the woman who carried that sun-shade Up and down this seaside place? - Little thumb standing against its stem, Thoughts perhaps bent on a love-stratagem, Softening yet more the already soft face!

Is the fair woman who carried that sunshade A skeleton just as her property is, Laid in the chink that none may scan? And does she regret—if regret dust can - The vain things thought when she flourished this?

SWANAGE CLIFFS.



THE AGEING HOUSE



When the walls were red That now are seen To be overspread With a mouldy green, A fresh fair head Would often lean From the sunny casement And scan the scene, While blithely spoke the wind to the little sycamore tree.

But storms have raged Those walls about, And the head has aged That once looked out; And zest is suaged And trust is doubt, And slow effacement Is rife throughout, While fiercely girds the wind at the long-limbed sycamore tree!



THE CAGED GOLDFINCH



Within a churchyard, on a recent grave, I saw a little cage That jailed a goldfinch. All was silence save Its hops from stage to stage.

There was inquiry in its wistful eye, And once it tried to sing; Of him or her who placed it there, and why, No one knew anything.



AT MADAME TUSSAUD'S IN VICTORIAN YEARS



"That same first fiddler who leads the orchestra to-night Here fiddled four decades of years ago; He bears the same babe-like smile of self-centred delight, Same trinket on watch-chain, same ring on the hand with the bow.

"But his face, if regarded, is woefully wanner, and drier, And his once dark beard has grown straggling and gray; Yet a blissful existence he seems to have led with his lyre, In a trance of his own, where no wearing or tearing had sway.

"Mid these wax figures, who nothing can do, it may seem That to do but a little thing counts a great deal; To be watched by kings, councillors, queens, may be flattering to him - With their glass eyes longing they too could wake notes that appeal."

* * *

Ah, but he played staunchly—that fiddler—whoever he was, With the innocent heart and the soul-touching string: May he find the Fair Haven! For did he not smile with good cause? Yes; gamuts that graced forty years'-flight were not a small thing!



THE BALLET



They crush together—a rustling heap of flesh - Of more than flesh, a heap of souls; and then They part, enmesh, And crush together again, Like the pink petals of a too sanguine rose Frightened shut just when it blows.

Though all alike in their tinsel livery, And indistinguishable at a sweeping glance, They muster, maybe, As lives wide in irrelevance; A world of her own has each one underneath, Detached as a sword from its sheath.

Daughters, wives, mistresses; honest or false, sold, bought; Hearts of all sizes; gay, fond, gushing, or penned, Various in thought Of lover, rival, friend; Links in a one-pulsed chain, all showing one smile, Yet severed so many a mile!



THE FIVE STUDENTS



The sparrow dips in his wheel-rut bath, The sun grows passionate-eyed, And boils the dew to smoke by the paddock-path; As strenuously we stride, - Five of us; dark He, fair He, dark She, fair She, I, All beating by.

The air is shaken, the high-road hot, Shadowless swoons the day, The greens are sobered and cattle at rest; but not We on our urgent way, - Four of us; fair She, dark She, fair He, I, are there, But one—elsewhere.

Autumn moulds the hard fruit mellow, And forward still we press Through moors, briar-meshed plantations, clay-pits yellow, As in the spring hours—yes, Three of us: fair He, fair She, I, as heretofore, But—fallen one more.

The leaf drops: earthworms draw it in At night-time noiselessly, The fingers of birch and beech are skeleton-thin, And yet on the beat are we, - Two of us; fair She, I. But no more left to go The track we know.

Icicles tag the church-aisle leads, The flag-rope gibbers hoarse, The home-bound foot-folk wrap their snow-flaked heads, Yet I still stalk the course, - One of us . . . Dark and fair He, dark and fair She, gone: The rest—anon.



THE WIND'S PROPHECY



I travel on by barren farms, And gulls glint out like silver flecks Against a cloud that speaks of wrecks, And bellies down with black alarms. I say: "Thus from my lady's arms I go; those arms I love the best!" The wind replies from dip and rise, "Nay; toward her arms thou journeyest."

A distant verge morosely gray Appears, while clots of flying foam Break from its muddy monochrome, And a light blinks up far away. I sigh: "My eyes now as all day Behold her ebon loops of hair!" Like bursting bonds the wind responds, "Nay, wait for tresses flashing fair!"

From tides the lofty coastlands screen Come smitings like the slam of doors, Or hammerings on hollow floors, As the swell cleaves through caves unseen. Say I: "Though broad this wild terrene, Her city home is matched of none!" From the hoarse skies the wind replies: "Thou shouldst have said her sea-bord one."

The all-prevailing clouds exclude The one quick timorous transient star; The waves outside where breakers are Huzza like a mad multitude. "Where the sun ups it, mist-imbued," I cry, "there reigns the star for me!" The wind outshrieks from points and peaks: "Here, westward, where it downs, mean ye!"

Yonder the headland, vulturine, Snores like old Skrymer in his sleep, And every chasm and every steep Blackens as wakes each pharos-shine. "I roam, but one is safely mine," I say. "God grant she stay my own!" Low laughs the wind as if it grinned: "Thy Love is one thou'st not yet known."

Rewritten from an old copy.



DURING WIND AND RAIN



They sing their dearest songs - He, she, all of them—yea, Treble and tenor and bass, And one to play; With the candles mooning each face . . . Ah, no; the years O! How the sick leaves reel down in throngs!

They clear the creeping moss - Elders and juniors—aye, Making the pathways neat And the garden gay; And they build a shady seat . . . Ah, no; the years, the years; See, the white storm-birds wing across!

They are blithely breakfasting all - Men and maidens—yea, Under the summer tree, With a glimpse of the bay, While pet fowl come to the knee . . . Ah, no; the years O! And the rotten rose is ript from the wall.

They change to a high new house, He, she, all of them—aye, Clocks and carpets and chairs On the lawn all day, And brightest things that are theirs . . . Ah, no; the years, the years; Down their carved names the rain-drop ploughs.



HE PREFERS HER EARTHLY



This after-sunset is a sight for seeing, Cliff-heads of craggy cloud surrounding it. —And dwell you in that glory-show? You may; for there are strange strange things in being, Stranger than I know.

Yet if that chasm of splendour claim your presence Which glows between the ash cloud and the dun, How changed must be your mortal mould! Changed to a firmament-riding earthless essence From what you were of old:

All too unlike the fond and fragile creature Then known to me . . . Well, shall I say it plain? I would not have you thus and there, But still would grieve on, missing you, still feature You as the one you were.



THE DOLLS



"Whenever you dress me dolls, mammy, Why do you dress them so, And make them gallant soldiers, When never a one I know; And not as gentle ladies With frills and frocks and curls, As people dress the dollies Of other little girls?"

Ah—why did she not answer:- "Because your mammy's heed Is always gallant soldiers, As well may be, indeed. One of them was your daddy, His name I must not tell; He's not the dad who lives here, But one I love too well."



MOLLY GONE



No more summer for Molly and me; There is snow on the tree, And the blackbirds plump large as the rooks are, almost, And the water is hard Where they used to dip bills at the dawn ere her figure was lost To these coasts, now my prison close-barred.

No more planting by Molly and me Where the beds used to be Of sweet-william; no training the clambering rose By the framework of fir Now bowering the pathway, whereon it swings gaily and blows As if calling commendment from her.

No more jauntings by Molly and me To the town by the sea, Or along over Whitesheet to Wynyard's green Gap, Catching Montacute Crest To the right against Sedgmoor, and Corton-Hill's far-distant cap, And Pilsdon and Lewsdon to west.

No more singing by Molly to me In the evenings when she Was in mood and in voice, and the candles were lit, And past the porch-quoin The rays would spring out on the laurels; and dumbledores hit On the pane, as if wishing to join.

Where, then, is Molly, who's no more with me? —As I stand on this lea, Thinking thus, there's a many-flamed star in the air, That tosses a sign That her glance is regarding its face from her home, so that there Her eyes may have meetings with mine.



A BACKWARD SPRING



The trees are afraid to put forth buds, And there is timidity in the grass; The plots lie gray where gouged by spuds, And whether next week will pass Free of sly sour winds is the fret of each bush Of barberry waiting to bloom.

Yet the snowdrop's face betrays no gloom, And the primrose pants in its heedless push, Though the myrtle asks if it's worth the fight This year with frost and rime To venture one more time On delicate leaves and buttons of white From the selfsame bough as at last year's prime, And never to ruminate on or remember What happened to it in mid-December.

April 1917.



LOOKING ACROSS



I

It is dark in the sky, And silence is where Our laughs rang high; And recall do I That One is out there.

II

The dawn is not nigh, And the trees are bare, And the waterways sigh That a year has drawn by, And Two are out there.

III

The wind drops to die Like the phantom of Care Too frail for a cry, And heart brings to eye That Three are out there.

IV

This Life runs dry That once ran rare And rosy in dye, And fleet the days fly, And Four are out there.

V

Tired, tired am I Of this earthly air, And my wraith asks: Why, Since these calm lie, Are not Five out there?

December 1915.



AT A SEASIDE TOWN IN 1869 (Young Lover's Reverie)



I went and stood outside myself, Spelled the dark sky And ship-lights nigh, And grumbling winds that passed thereby.

Then next inside myself I looked, And there, above All, shone my Love, That nothing matched the image of.

Beyond myself again I ranged; And saw the free Life by the sea, And folk indifferent to me.

O 'twas a charm to draw within Thereafter, where But she was; care For one thing only, her hid there!

But so it chanced, without myself I had to look, And then I took More heed of what I had long forsook:

The boats, the sands, the esplanade, The laughing crowd; Light-hearted, loud Greetings from some not ill-endowed;

The evening sunlit cliffs, the talk, Hailings and halts, The keen sea-salts, The band, the Morgenblatter Waltz.

Still, when at night I drew inside Forward she came, Sad, but the same As when I first had known her name.

Then rose a time when, as by force, Outwardly wooed By contacts crude, Her image in abeyance stood . . .

At last I said: This outside life Shall not endure; I'll seek the pure Thought-world, and bask in her allure.

Myself again I crept within, Scanned with keen care The temple where She'd shone, but could not find her there.

I sought and sought. But O her soul Has not since thrown Upon my own One beam! Yea, she is gone, is gone.

From an old note.



THE GLIMPSE



She sped through the door And, following in haste, And stirred to the core, I entered hot-faced; But I could not find her, No sign was behind her. "Where is she?" I said: - "Who?" they asked that sat there; "Not a soul's come in sight." - "A maid with red hair." - "Ah." They paled. "She is dead. People see her at night, But you are the first On whom she has burst In the keen common light."

It was ages ago, When I was quite strong: I have waited since,—O, I have waited so long! - Yea, I set me to own The house, where now lone I dwell in void rooms Booming hollow as tombs! But I never come near her, Though nightly I hear her. And my cheek has grown thin And my hair has grown gray With this waiting therein; But she still keeps away!



THE PEDESTRIAN AN INCIDENT OF 1883



"Sir, will you let me give you a ride? Nox Venit, and the heath is wide." - My phaeton-lantern shone on one Young, fair, even fresh, But burdened with flesh: A leathern satchel at his side, His breathings short, his coat undone.

'Twas as if his corpulent figure slopped With the shake of his walking when he stopped, And, though the night's pinch grew acute, He wore but a thin Wind-thridded suit, Yet well-shaped shoes for walking in, Artistic beaver, cane gold-topped.

"Alas, my friend," he said with a smile, "I am daily bound to foot ten mile - Wet, dry, or dark—before I rest. Six months to live My doctors give Me as my prospect here, at best, Unless I vamp my sturdiest!"

His voice was that of a man refined, A man, one well could feel, of mind, Quite winning in its musical ease; But in mould maligned By some disease; And I asked again. But he shook his head; Then, as if more were due, he said:-

"A student was I—of Schopenhauer, Kant, Hegel,—and the fountained bower Of the Muses, too, knew my regard: But ah—I fear me The grave gapes near me! . . . Would I could this gross sheath discard, And rise an ethereal shape, unmarred!"

How I remember him!—his short breath, His aspect, marked for early death, As he dropped into the night for ever; One caught in his prime Of high endeavour; From all philosophies soon to sever Through an unconscienced trick of Time!



"WHO'S IN THE NEXT ROOM?"



"Who's in the next room?—who? I seemed to see Somebody in the dawning passing through, Unknown to me." "Nay: you saw nought. He passed invisibly."

"Who's in the next room?—who? I seem to hear Somebody muttering firm in a language new That chills the ear." "No: you catch not his tongue who has entered there."

"Who's in the next room?—who? I seem to feel His breath like a clammy draught, as if it drew From the Polar Wheel." "No: none who breathes at all does the door conceal."

"Who's in the next room?—who? A figure wan With a message to one in there of something due? Shall I know him anon?" "Yea he; and he brought such; and you'll know him anon."



AT A COUNTRY FAIR



At a bygone Western country fair I saw a giant led by a dwarf With a red string like a long thin scarf; How much he was the stronger there The giant seemed unaware.

And then I saw that the giant was blind, And the dwarf a shrewd-eyed little thing; The giant, mild, timid, obeyed the string As if he had no independent mind, Or will of any kind.

Wherever the dwarf decided to go At his heels the other trotted meekly, (Perhaps—I know not—reproaching weakly) Like one Fate bade that it must be so, Whether he wished or no.

Various sights in various climes I have seen, and more I may see yet, But that sight never shall I forget, And have thought it the sorriest of pantomimes, If once, a hundred times!



THE MEMORIAL BRASS: 186-



"Why do you weep there, O sweet lady, Why do you weep before that brass? - (I'm a mere student sketching the mediaeval) Is some late death lined there, alas? - Your father's? . . . Well, all pay the debt that paid he!"

"Young man, O must I tell!—My husband's! And under His name I set mine, and my DEATH! - Its date left vacant till my heirs should fill it, Stating me faithful till my last breath." - "Madam, that you are a widow wakes my wonder!"

"O wait! For last month I—remarried! And now I fear 'twas a deed amiss. We've just come home. And I am sick and saddened At what the new one will say to this; And will he think—think that I should have tarried?

"I may add, surely,—with no wish to harm him - That he's a temper—yes, I fear! And when he comes to church next Sunday morning, And sees that written . . . O dear, O dear! - "Madam, I swear your beauty will disarm him!"



HER LOVE-BIRDS



When I looked up at my love-birds That Sunday afternoon, There was in their tiny tune A dying fetch like broken words, When I looked up at my love-birds That Sunday afternoon.

When he, too, scanned the love-birds On entering there that day, 'Twas as if he had nought to say Of his long journey citywards, When he, too, scanned the love-birds, On entering there that day.

And billed and billed the love-birds, As 'twere in fond despair At the stress of silence where Had once been tones in tenor thirds, And billed and billed the love-birds As 'twere in fond despair.

O, his speech that chilled the love-birds, And smote like death on me, As I learnt what was to be, And knew my life was broke in sherds! O, his speech that chilled the love-birds, And smote like death on me!



PAYING CALLS



I went by footpath and by stile Beyond where bustle ends, Strayed here a mile and there a mile And called upon some friends.

On certain ones I had not seen For years past did I call, And then on others who had been The oldest friends of all.

It was the time of midsummer When they had used to roam; But now, though tempting was the air, I found them all at home.

I spoke to one and other of them By mound and stone and tree Of things we had done ere days were dim, But they spoke not to me.



THE UPPER BIRCH-LEAVES



Warm yellowy-green In the blue serene, How they skip and sway On this autumn day! They cannot know What has happened below, - That their boughs down there Are already quite bare, That their own will be When a week has passed, - For they jig as in glee To this very last.

But no; there lies At times in their tune A note that cries What at first I fear I did not hear: "O we remember At each wind's hollo - Though life holds yet - We go hence soon, For 'tis November; - But that you follow You may forget!"



"IT NEVER LOOKS LIKE SUMMER"



"It never looks like summer here On Beeny by the sea." But though she saw its look as drear, Summer it seemed to me.

It never looks like summer now Whatever weather's there; But ah, it cannot anyhow, On Beeny or elsewhere!

BOSCASTLE, March 8, 1913.



EVERYTHING COMES



"The house is bleak and cold Built so new for me! All the winds upon the wold Search it through for me; No screening trees abound, And the curious eyes around Keep on view for me."

"My Love, I am planting trees As a screen for you Both from winds, and eyes that tease And peer in for you. Only wait till they have grown, No such bower will be known As I mean for you."

"Then I will bear it, Love, And will wait," she said. - So, with years, there grew a grove. "Skill how great!" she said. "As you wished, Dear?"—"Yes, I see! But—I'm dying; and for me 'Tis too late," she said.



THE MAN WITH A PAST



There was merry-making When the first dart fell As a heralding, - Till grinned the fully bared thing, And froze like a spell - Like a spell.

Innocent was she, Innocent was I, Too simple we! Before us we did not see, Nearing, aught wry - Aught wry!

I can tell it not now, It was long ago; And such things cow; But that is why and how Two lives were so - Were so.

Yes, the years matured, And the blows were three That time ensured On her, which she dumbly endured; And one on me - One on me.



HE FEARS HIS GOOD FORTUNE



There was a glorious time At an epoch of my prime; Mornings beryl-bespread, And evenings golden-red; Nothing gray: And in my heart I said, "However this chanced to be, It is too full for me, Too rare, too rapturous, rash, Its spell must close with a crash Some day!"

The radiance went on Anon and yet anon, And sweetness fell around Like manna on the ground. "I've no claim," Said I, "to be thus crowned: I am not worthy this:- Must it not go amiss? - Well . . . let the end foreseen Come duly!—I am serene." —And it came.



HE WONDERS ABOUT HIMSELF



No use hoping, or feeling vext, Tugged by a force above or under Like some fantocine, much I wonder What I shall find me doing next!

Shall I be rushing where bright eyes be? Shall I be suffering sorrows seven? Shall I be watching the stars of heaven, Thinking one of them looks like thee?

Part is mine of the general Will, Cannot my share in the sum of sources Bend a digit the poise of forces, And a fair desire fulfil?

Nov. 1893.



JUBILATE



"The very last time I ever was here," he said, "I saw much less of the quick than I saw of the dead." - He was a man I had met with somewhere before, But how or when I now could recall no more.

"The hazy mazy moonlight at one in the morning Spread out as a sea across the frozen snow, Glazed to live sparkles like the great breastplate adorning The priest of the Temple, with Urim and Thummim aglow.

"The yew-tree arms, glued hard to the stiff stark air, Hung still in the village sky as theatre-scenes When I came by the churchyard wall, and halted there At a shut-in sound of fiddles and tambourines.

"And as I stood hearkening, dulcimers, haut-boys, and shawms, And violoncellos, and a three-stringed double-bass, Joined in, and were intermixed with a singing of psalms; And I looked over at the dead men's dwelling-place.

"Through the shine of the slippery snow I now could see, As it were through a crystal roof, a great company Of the dead minueting in stately step underground To the tune of the instruments I had before heard sound.

"It was 'Eden New,' and dancing they sang in a chore, 'We are out of it all!—yea, in Little-Ease cramped no more!' And their shrouded figures pacing with joy I could see As you see the stage from the gallery. And they had no heed of me.

"And I lifted my head quite dazed from the churchyard wall And I doubted not that it warned I should soon have my call. But—" . . . Then in the ashes he emptied the dregs of his cup, And onward he went, and the darkness swallowed him up.



HE REVISITS HIS FIRST SCHOOL



I should not have shown in the flesh, I ought to have gone as a ghost; It was awkward, unseemly almost, Standing solidly there as when fresh, Pink, tiny, crisp-curled, My pinions yet furled From the winds of the world.

After waiting so many a year To wait longer, and go as a sprite From the tomb at the mid of some night Was the right, radiant way to appear; Not as one wanzing weak From life's roar and reek, His rest still to seek:

Yea, beglimpsed through the quaint quarried glass Of green moonlight, by me greener made, When they'd cry, perhaps, "There sits his shade In his olden haunt—just as he was When in Walkingame he Conned the grand Rule-of-Three With the bent of a bee."

But to show in the afternoon sun, With an aspect of hollow-eyed care, When none wished to see me come there, Was a garish thing, better undone. Yes; wrong was the way; But yet, let me say, I may right it—some day.



"I THOUGHT, MY HEART"



I thought, my Heart, that you had healed Of those sore smartings of the past, And that the summers had oversealed All mark of them at last. But closely scanning in the night I saw them standing crimson-bright Just as she made them: Nothing could fade them; Yea, I can swear That there they were - They still were there!

Then the Vision of her who cut them came, And looking over my shoulder said, "I am sure you deal me all the blame For those sharp smarts and red; But meet me, dearest, to-morrow night, In the churchyard at the moon's half-height, And so strange a kiss Shall be mine, I wis, That you'll cease to know If the wounds you show Be there or no!"



FRAGMENT



At last I entered a long dark gallery, Catacomb-lined; and ranged at the side Were the bodies of men from far and wide Who, motion past, were nevertheless not dead.

"The sense of waiting here strikes strong; Everyone's waiting, waiting, it seems to me; What are you waiting for so long? - What is to happen?" I said.

"O we are waiting for one called God," said they, "(Though by some the Will, or Force, or Laws; And, vaguely, by some, the Ultimate Cause;) Waiting for him to see us before we are clay. Yes; waiting, waiting, for God TO KNOW IT" . . .

"To know what?" questioned I. "To know how things have been going on earth and below it: It is clear he must know some day." I thereon asked them why.

"Since he made us humble pioneers Of himself in consciousness of Life's tears, It needs no mighty prophecy To tell that what he could mindlessly show His creatures, he himself will know.

"By some still close-cowled mystery We have reached feeling faster than he, But he will overtake us anon, If the world goes on."



MIDNIGHT ON THE GREAT WESTERN



In the third-class seat sat the journeying boy, And the roof-lamp's oily flame Played down on his listless form and face, Bewrapt past knowing to what he was going, Or whence he came.

In the band of his hat the journeying boy Had a ticket stuck; and a string Around his neck bore the key of his box, That twinkled gleams of the lamp's sad beams Like a living thing.

What past can be yours, O journeying boy Towards a world unknown, Who calmly, as if incurious quite On all at stake, can undertake This plunge alone?

Knows your soul a sphere, O journeying boy, Our rude realms far above, Whence with spacious vision you mark and mete This region of sin that you find you in, But are not of?



HONEYMOON TIME AT AN INN



At the shiver of morning, a little before the false dawn, The moon was at the window-square, Deedily brooding in deformed decay - The curve hewn off her cheek as by an adze; At the shiver of morning a little before the false dawn So the moon looked in there.

Her speechless eyeing reached across the chamber, Where lay two souls opprest, One a white lady sighing, "Why am I sad!" To him who sighed back, "Sad, my Love, am I!" And speechlessly the old moon conned the chamber, And these two reft of rest.

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