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The Devil's Disciple
by George Bernard Shaw
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THE DEVIL'S DISCIPLE

Bernard Shaw



ACT I

At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the channels into which the barren forms and observances of a dead Puritanism can pen a bitter temper and a fierce pride. She is an elderly matron who has worked hard and got nothing by it except dominion and detestation in her sordid home, and an unquestioned reputation for piety and respectability among her neighbors, to whom drink and debauchery are still so much more tempting than religion and rectitude, that they conceive goodness simply as self-denial. This conception is easily extended to others—denial, and finally generalized as covering anything disagreeable. So Mrs. Dudgeon, being exceedingly disagreeable, is held to be exceedingly good. Short of flat felony, she enjoys complete license except for amiable weaknesses of any sort, and is consequently, without knowing it, the most licentious woman in the parish on the strength of never having broken the seventh commandment or missed a Sunday at the Presbyterian church.

The year 1777 is the one in which the passions roused of the breaking off of the American colonies from England, more by their own weight than their own will, boiled up to shooting point, the shooting being idealized to the English mind as suppression of rebellion and maintenance of British dominion, and to the American as defence of liberty, resistance to tyranny, and selfsacrifice on the altar of the Rights of Man. Into the merits of these idealizations it is not here necessary to inquire: suffice it to say, without prejudice, that they have convinced both Americans and English that the most high minded course for them to pursue is to kill as many of one another as possible, and that military operations to that end are in full swing, morally supported by confident requests from the clergy of both sides for the blessing of God on their arms.

Under such circumstances many other women besides this disagreeable Mrs. Dudgeon find themselves sitting up all night waiting for news. Like her, too, they fall asleep towards morning at the risk of nodding themselves into the kitchen fire. Mrs. Dudgeon sleeps with a shawl over her head, and her feet on a broad fender of iron laths, the step of the domestic altar of the fireplace, with its huge hobs and boiler, and its hinged arm above the smoky mantel-shelf for roasting. The plain kitchen table is opposite the fire, at her elbow, with a candle on it in a tin sconce. Her chair, like all the others in the room, is uncushioned and unpainted; but as it has a round railed back and a seat conventionally moulded to the sitter's curves, it is comparatively a chair of state. The room has three doors, one on the same side as the fireplace, near the corner, leading to the best bedroom; one, at the opposite end of the opposite wall, leading to the scullery and washhouse; and the house door, with its latch, heavy lock, and clumsy wooden bar, in the front wall, between the window in its middle and the corner next the bedroom door. Between the door and the window a rack of pegs suggests to the deductive observer that the men of the house are all away, as there are no hats or coats on them. On the other side of the window the clock hangs on a nail, with its white wooden dial, black iron weights, and brass pendulum. Between the clock and the corner, a big cupboard, locked, stands on a dwarf dresser full of common crockery.

On the side opposite the fireplace, between the door and the corner, a shamelessly ugly black horsehair sofa stands against the wall. An inspection of its stridulous surface shows that Mrs. Dudgeon is not alone. A girl of sixteen or seventeen has fallen asleep on it. She is a wild, timid looking creature with black hair and tanned skin. Her frock, a scanty garment, is rent, weatherstained, berrystained, and by no means scrupulously clean. It hangs on her with a freedom which, taken with her brown legs and bare feet, suggests no great stock of underclothing.

Suddenly there comes a tapping at the door, not loud enough to wake the sleepers. Then knocking, which disturbs Mrs. Dudgeon a little. Finally the latch is tried, whereupon she springs up at once.

MRS. DUDGEON (threateningly). Well, why don't you open the door? (She sees that the girl is asleep and immediately raises a clamor of heartfelt vexation.) Well, dear, dear me! Now this is— (shaking her) wake up, wake up: do you hear?

THE GIRL (sitting up). What is it?

MRS. DUDGEON. Wake up; and be ashamed of yourself, you unfeeling sinful girl, falling asleep like that, and your father hardly cold in his grave.

THE GIRL (half asleep still). I didn't mean to. I dropped off—

MRS. DUDGEON (cutting her short). Oh yes, you've plenty of excuses, I daresay. Dropped off! (Fiercely, as the knocking recommences.) Why don't you get up and let your uncle in? after me waiting up all night for him! (She pushes her rudely off the sofa.) There: I'll open the door: much good you are to wait up. Go and mend that fire a bit.

The girl, cowed and wretched, goes to the fire and puts a log on. Mrs. Dudgeon unbars the door and opens it, letting into the stuffy kitchen a little of the freshness and a great deal of the chill of the dawn, also her second son Christy, a fattish, stupid, fair-haired, round-faced man of about 22, muffled in a plaid shawl and grey overcoat. He hurries, shivering, to the fire, leaving Mrs. Dudgeon to shut the door.

CHRISTY (at the fire). F—f—f! but it is cold. (Seeing the girl, and staring lumpishly at her.) Why, who are you?

THE GIRL (shyly). Essie.

MRS. DUDGEON. Oh you may well ask. (To Essie.) Go to your room, child, and lie down since you haven't feeling enough to keep you awake. Your history isn't fit for your own ears to hear.

ESSIE. I—

MRS. DUDGEON (peremptorily). Don't answer me, Miss; but show your obedience by doing what I tell you. (Essie, almost in tears, crosses the room to the door near the sofa.) And don't forget your prayers. (Essie goes out.) She'd have gone to bed last night just as if nothing had happened if I'd let her.

CHRISTY (phlegmatically). Well, she can't be expected to feel Uncle Peter's death like one of the family.

MRS. DUDGEON. What are you talking about, child? Isn't she his daughter—the punishment of his wickedness and shame? (She assaults her chair by sitting down.)

CHRISTY (staring). Uncle Peter's daughter!

MRS. DUDGEON. Why else should she be here? D'ye think I've not had enough trouble and care put upon me bringing up my own girls, let alone you and your good-for-nothing brother, without having your uncle's bastards—

CHRISTY (interrupting her with an apprehensive glance at the door by which Essie went out). Sh! She may hear you.

MRS. DUDGEON (raising her voice). Let her hear me. People who fear God don't fear to give the devil's work its right name. (Christy, soullessly indifferent to the strife of Good and Evil, stares at the fire, warming himself.) Well, how long are you going to stare there like a stuck pig? What news have you for me?

CHRISTY (taking off his hat and shawl and going to the rack to hang them up). The minister is to break the news to you. He'll be here presently.

MRS. DUDGEON. Break what news?

CHRISTY (standing on tiptoe, from boyish habit, to hang his hat up, though he is quite tall enough to reach the peg, and speaking with callous placidity, considering the nature of the announcement). Father's dead too.

MRS. DUDGEON (stupent). Your father!

CHRISTY (sulkily, coming back to the fire and warming himself again, attending much more to the fire than to his mother). Well, it's not my fault. When we got to Nevinstown we found him ill in bed. He didn't know us at first. The minister sat up with him and sent me away. He died in the night.

MRS. DUDGEON (bursting into dry angry tears). Well, I do think this is hard on me—very hard on me. His brother, that was a disgrace to us all his life, gets hanged on the public gallows as a rebel; and your father, instead of staying at home where his duty was, with his own family, goes after him and dies, leaving everything on my shoulders. After sending this girl to me to take care of, too! (She plucks her shawl vexedly over her ears.) It's sinful, so it is; downright sinful.

CHRISTY (with a slow, bovine cheerfulness, after a pause). I think it's going to be a fine morning, after all.

MRS. DUDGEON (railing at him). A fine morning! And your father newly dead! Where's your feelings, child?

CHRISTY (obstinately). Well, I didn't mean any harm. I suppose a man may make a remark about the weather even if his father's dead.

MRS. DUDGEON (bitterly). A nice comfort my children are to me! One son a fool, and the other a lost sinner that's left his home to live with smugglers and gypsies and villains, the scum of the earth!

Someone knocks.

CHRISTY (without moving). That's the minister.

MRS. DUDGEON (sharply). Well, aren't you going to let Mr. Anderson in?

Christy goes sheepishly to the door. Mrs. Dudgeon buries her face in her hands, as it is her duty as a widow to be overcome with grief. Christy opens the door, and admits the minister, Anthony Anderson, a shrewd, genial, ready Presbyterian divine of about 50, with something of the authority of his profession in his bearing. But it is an altogether secular authority, sweetened by a conciliatory, sensible manner not at all suggestive of a quite thoroughgoing other-worldliness. He is a strong, healthy man, too, with a thick, sanguine neck; and his keen, cheerful mouth cuts into somewhat fleshy corners. No doubt an excellent parson, but still a man capable of making the most of this world, and perhaps a little apologetically conscious of getting on better with it than a sound Presbyterian ought.

ANDERSON (to Christy, at the door, looking at Mrs. Dudgeon whilst he takes off his cloak). Have you told her?

CHRISTY. She made me. (He shuts the door; yawns; and loafs across to the sofa where he sits down and presently drops off to sleep.)

Anderson looks compassionately at Mrs. Dudgeon. Then he hangs his cloak and hat on the rack. Mrs. Dudgeon dries her eyes and looks up at him.

ANDERSON. Sister: the Lord has laid his hand very heavily upon you.

MRS. DUDGEON (with intensely recalcitrant resignation). It's His will, I suppose; and I must bow to it. But I do think it hard. What call had Timothy to go to Springtown, and remind everybody that he belonged to a man that was being hanged?—and (spitefully) that deserved it, if ever a man did.

ANDERSON (gently). They were brothers, Mrs. Dudgeon.

MRS. DUDGEON. Timothy never acknowledged him as his brother after we were married: he had too much respect for me to insult me with such a brother. Would such a selfish wretch as Peter have come thirty miles to see Timothy hanged, do you think? Not thirty yards, not he. However, I must bear my cross as best I may: least said is soonest mended.

ANDERSON (very grave, coming down to the fire to stand with his back to it). Your eldest son was present at the execution, Mrs. Dudgeon.

MRS. DUDGEON (disagreeably surprised). Richard?

ANDERSON (nodding). Yes.

MRS. DUDGEON (vindictively). Let it be a warning to him. He may end that way himself, the wicked, dissolute, godless— (she suddenly stops; her voice fails; and she asks, with evident dread) Did Timothy see him?

ANDERSON. Yes.

MRS. DUDGEON (holding her breath). Well?

ANDERSON. He only saw him in the crowd: they did not speak. (Mrs. Dudgeon, greatly relieved, exhales the pent up breath and sits at her ease again.) Your husband was greatly touched and impressed by his brother's awful death. (Mrs. Dudgeon sneers. Anderson breaks off to demand with some indignation) Well, wasn't it only natural, Mrs. Dudgeon? He softened towards his prodigal son in that moment. He sent for him to come to see him.

MRS. DUDGEON (her alarm renewed). Sent for Richard!

ANDERSON. Yes; but Richard would not come. He sent his father a message; but I'm sorry to say it was a wicked message—an awful message.

MRS. DUDGEON. What was it?

ANDERSON. That he would stand by his wicked uncle, and stand against his good parents, in this world and the next.

MRS. DUDGEON (implacably). He will be punished for it. He will be punished for it—in both worlds.

ANDERSON. That is not in our hands, Mrs. Dudgeon.

MRS. DUDGEON. Did I say it was, Mr. Anderson. We are told that the wicked shall be punished. Why should we do our duty and keep God's law if there is to be no difference made between us and those who follow their own likings and dislikings, and make a jest of us and of their Maker's word?

ANDERSON. Well, Richard's earthly father has been merciful and his heavenly judge is the father of us all.

MRS. DUDGEON (forgetting herself). Richard's earthly father was a softheaded—

ANDERSON (shocked). Oh!

MRS. DUDGEON (with a touch of shame). Well, I am Richard's mother. If I am against him who has any right to be for him? (Trying to conciliate him.) Won't you sit down, Mr. Anderson? I should have asked you before; but I'm so troubled.

ANDERSON. Thank you— (He takes a chair from beside the fireplace, and turns it so that he can sit comfortably at the fire. When he is seated he adds, in the tone of a man who knows that he is opening a difficult subject.) Has Christy told you about the new will?

MRS. DUDGEON (all her fears returning). The new will! Did Timothy—? (She breaks off, gasping, unable to complete the question.)

ANDERSON. Yes. In his last hours he changed his mind.

MRS. DUDGEON (white with intense rage). And you let him rob me?

ANDERSON. I had no power to prevent him giving what was his to his own son.

MRS. DUDGEON. He had nothing of his own. His money was the money I brought him as my marriage portion. It was for me to deal with my own money and my own son. He dare not have done it if I had been with him; and well he knew it. That was why he stole away like a thief to take advantage of the law to rob me by making a new will behind my back. The more shame on you, Mr. Anderson,—you, a minister of the gospel—to act as his accomplice in such a crime.

ANDERSON (rising). I will take no offence at what you say in the first bitterness of your grief.

MRS. DUDGEON (contemptuously). Grief!

ANDERSON. Well, of your disappointment, if you can find it in your heart to think that the better word.

MRS. DUDGEON. My heart! My heart! And since when, pray, have you begun to hold up our hearts as trustworthy guides for us?

ANDERSON (rather guiltily). I—er—

MRS. DUDGEON (vehemently). Don't lie, Mr. Anderson. We are told that the heart of man is deceitful above all things, and desperately wicked. My heart belonged, not to Timothy, but to that poor wretched brother of his that has just ended his days with a rope round his neck—aye, to Peter Dudgeon. You know it: old Eli Hawkins, the man to whose pulpit you succeeded, though you are not worthy to loose his shoe latchet, told it you when he gave over our souls into your charge. He warned me and strengthened me against my heart, and made me marry a Godfearing man—as he thought. What else but that discipline has made me the woman I am? And you, you who followed your heart in your marriage, you talk to me of what I find in my heart. Go home to your pretty wife, man; and leave me to my prayers. (She turns from him and leans with her elbows on the table, brooding over her wrongs and taking no further notice of him.)

ANDERSON (willing enough to escape). The Lord forbid that I should come between you and the source of all comfort! (He goes to the rack for his coat and hat.)

MRS. DUDGEON (without looking at him). The Lord will know what to forbid and what to allow without your help.

ANDERSON. And whom to forgive, I hope—Eli Hawkins and myself, if we have ever set up our preaching against His law. (He fastens his cloak, and is now ready to go.) Just one word—on necessary business, Mrs. Dudgeon. There is the reading of the will to be gone through; and Richard has a right to be present. He is in the town; but he has the grace to say that he does not want to force himself in here.

MRS. DUDGEON. He shall come here. Does he expect us to leave his father's house for his convenience? Let them all come, and come quickly, and go quickly. They shall not make the will an excuse to shirk half their day's work. I shall be ready, never fear.

ANDERSON (coming back a step or two). Mrs. Dudgeon: I used to have some little influence with you. When did I lose it?

MRS. DUDGEON (still without turning to him). When you married for love. Now you're answered.

ANDERSON. Yes: I am answered. (He goes out, musing.)

MRS. DUDGEON (to herself, thinking of her husband). Thief! Thief!! (She shakes herself angrily out of the chair; throws back the shawl from her head; and sets to work to prepare the room for the reading of the will, beginning by replacing Anderson's chair against the wall, and pushing back her own to the window. Then she calls, in her hard, driving, wrathful way) Christy. (No answer: he is fast asleep.) Christy. (She shakes him roughly.) Get up out of that; and be ashamed of yourself—sleeping, and your father dead! (She returns to the table; puts the candle on the mantelshelf; and takes from the table drawer a red table cloth which she spreads.)

CHRISTY (rising reluctantly). Well, do you suppose we are never going to sleep until we are out of mourning?

MRS. DUDGEON. I want none of your sulks. Here: help me to set this table. (They place the table in the middle of the room, with Christy's end towards the fireplace and Mrs. Dudgeon's towards the sofa. Christy drops the table as soon as possible, and goes to the fire, leaving his mother to make the final adjustments of its position.) We shall have the minister back here with the lawyer and all the family to read the will before you have done toasting yourself. Go and wake that girl; and then light the stove in the shed: you can't have your breakfast here. And mind you wash yourself, and make yourself fit to receive the company. (She punctuates these orders by going to the cupboard; unlocking it; and producing a decanter of wine, which has no doubt stood there untouched since the last state occasion in the family, and some glasses, which she sets on the table. Also two green ware plates, on one of which she puts a barmbrack with a knife beside it. On the other she shakes some biscuits out of a tin, putting back one or two, and counting the rest.) Now mind: there are ten biscuits there: let there be ten there when I come back after dressing myself. And keep your fingers off the raisins in that cake. And tell Essie the same. I suppose I can trust you to bring in the case of stuffed birds without breaking the glass? (She replaces the tin in the cupboard, which she locks, pocketing the key carefully.)

CHRISTY (lingering at the fire). You'd better put the inkstand instead, for the lawyer.

MRS. DUDGEON. That's no answer to make to me, sir. Go and do as you're told. (Christy turns sullenly to obey.) Stop: take down that shutter before you go, and let the daylight in: you can't expect me to do all the heavy work of the house with a great heavy lout like you idling about.

Christy takes the window bar out of its damps, and puts it aside; then opens the shutter, showing the grey morning. Mrs. Dudgeon takes the sconce from the mantelshelf; blows out the candle; extinguishes the snuff by pinching it with her fingers, first licking them for the purpose; and replaces the sconce on the shelf.

CHRISTY (looking through the window). Here's the minister's wife.

MRS. DUDGEON (displeased). What! Is she coming here?

CHRISTY. Yes.

MRS. DUDGEON. What does she want troubling me at this hour, before I'm properly dressed to receive people?

CHRISTY. You'd better ask her.

MRS. DUDGEON (threateningly). You'd better keep a civil tongue in your head. (He goes sulkily towards the door. She comes after him, plying him with instructions.) Tell that girl to come to me as soon as she's had her breakfast. And tell her to make herself fit to be seen before the people. (Christy goes out and slams the door in her face.) Nice manners, that! (Someone knocks at the house door: she turns and cries inhospitably.) Come in. (Judith Anderson, the minister's wife, comes in. Judith is more than twenty years younger than her husband, though she will never be as young as he in vitality. She is pretty and proper and ladylike, and has been admired and petted into an opinion of herself sufficiently favorable to give her a self-assurance which serves her instead of strength. She has a pretty taste in dress, and in her face the pretty lines of a sentimental character formed by dreams. Even her little self-complacency is pretty, like a child's vanity. Rather a pathetic creature to any sympathetic observer who knows how rough a place the world is. One feels, on the whole, that Anderson might have chosen worse, and that she, needing protection, could not have chosen better.) Oh, it's you, is it, Mrs. Anderson?

JUDITH (very politely—almost patronizingly). Yes. Can I do anything for you, Mrs. Dudgeon? Can I help to get the place ready before they come to read the will?

MRS. DUDGEON (stiffly). Thank you, Mrs. Anderson, my house is always ready for anyone to come into.

MRS. ANDERSON (with complacent amiability). Yes, indeed it is. Perhaps you had rather I did not intrude on you just now.

MRS. DUDGEON. Oh, one more or less will make no difference this morning, Mrs. Anderson. Now that you're here, you'd better stay. If you wouldn't mind shutting the door! (Judith smiles, implying "How stupid of me" and shuts it with an exasperating air of doing something pretty and becoming.) That's better. I must go and tidy myself a bit. I suppose you don't mind stopping here to receive anyone that comes until I'm ready.

JUDITH (graciously giving her leave). Oh yes, certainly. Leave them to me, Mrs. Dudgeon; and take your time. (She hangs her cloak and bonnet on the rack.)

MRS. DUDGEON (half sneering). I thought that would be more in your way than getting the house ready. (Essie comes back.) Oh, here you are! (Severely) Come here: let me see you. (Essie timidly goes to her. Mrs. Dudgeon takes her roughly by the arm and pulls her round to inspect the results of her attempt to clean and tidy herself—results which show little practice and less conviction.) Mm! That's what you call doing your hair properly, I suppose. It's easy to see what you are, and how you were brought up. (She throws her arms away, and goes on, peremptorily.) Now you listen to me and do as you're told. You sit down there in the corner by the fire; and when the company comes don't dare to speak until you're spoken to. (Essie creeps away to the fireplace.) Your father's people had better see you and know you're there: they're as much bound to keep you from starvation as I am. At any rate they might help. But let me have no chattering and making free with them, as if you were their equal. Do you hear?

ESSIE. Yes.

MRS. DUDGEON. Well, then go and do as you're told.

(Essie sits down miserably on the corner of the fender furthest from the door.) Never mind her, Mrs. Anderson: you know who she is and what she is. If she gives you any trouble, just tell me; and I'll settle accounts with her. (Mrs. Dudgeon goes into the bedroom, shutting the door sharply behind her as if even it had to be made to do its duty with a ruthless hand.)

JUDITH (patronizing Essie, and arranging the cake and wine on the table more becomingly). You must not mind if your aunt is strict with you. She is a very good woman, and desires your good too.

ESSIE (in listless misery). Yes.

JUDITH (annoyed with Essie for her failure to be consoled and edified, and to appreciate the kindly condescension of the remark). You are not going to be sullen, I hope, Essie.

ESSIE. No.

JUDITH. That's a good girl! (She places a couple of chairs at the table with their backs to the window, with a pleasant sense of being a more thoughtful housekeeper than Mrs. Dudgeon.) Do you know any of your father's relatives?

ESSIE. No. They wouldn't have anything to do with him: they were too religious. Father used to talk about Dick Dudgeon; but I never saw him.

JUDITH (ostentatiously shocked). Dick Dudgeon! Essie: do you wish to be a really respectable and grateful girl, and to make a place for yourself here by steady good conduct?

ESSIE (very half-heartedly). Yes.

JUDITH. Then you must never mention the name of Richard Dudgeon—never even think about him. He is a bad man.

ESSIE. What has he done?

JUDITH. You must not ask questions about him, Essie. You are too young to know what it is to be a bad man. But he is a smuggler; and he lives with gypsies; and he has no love for his mother and his family; and he wrestles and plays games on Sunday instead of going to church. Never let him into your presence, if you can help it, Essie; and try to keep yourself and all womanhood unspotted by contact with such men.

ESSIE. Yes.

JUDITH (again displeased). I am afraid you say Yes and No without thinking very deeply.

ESSIE. Yes. At least I mean—

JUDITH (severely). What do you mean?

ESSIE (almost crying). Only—my father was a smuggler; and— (Someone knocks.)

JUDITH. They are beginning to come. Now remember your aunt's directions, Essie; and be a good girl. (Christy comes back with the stand of stuffed birds under a glass case, and an inkstand, which he places on the table.) Good morning, Mr. Dudgeon. Will you open the door, please: the people have come.

CHRISTY. Good morning. (He opens the house door.)

The morning is now fairly bright and warm; and Anderson, who is the first to enter, has left his cloak at home. He is accompanied by Lawyer Hawkins, a brisk, middleaged man in brown riding gaiters and yellow breeches, looking as much squire as solicitor. He and Anderson are allowed precedence as representing the learned professions. After them comes the family, headed by the senior uncle, William Dudgeon, a large, shapeless man, bottle-nosed and evidently no ascetic at table. His clothes are not the clothes, nor his anxious wife the wife, of a prosperous man. The junior uncle, Titus Dudgeon, is a wiry little terrier of a man, with an immense and visibly purse-proud wife, both free from the cares of the William household.

Hawkins at once goes briskly to the table and takes the chair nearest the sofa, Christy having left the inkstand there. He puts his hat on the floor beside him, and produces the will. Uncle William comes to the fire and stands on the hearth warming his coat tails, leaving Mrs. William derelict near the door. Uncle Titus, who is the lady's man of the family, rescues her by giving her his disengaged arm and bringing her to the sofa, where he sits down warmly between his own lady and his brother's. Anderson hangs up his hat and waits for a word with Judith.

JUDITH. She will be here in a moment. Ask them to wait. (She taps at the bedroom door. Receiving an answer from within, she opens it and passes through.)

ANDERSON (taking his place at the table at the opposite end to Hawkins). Our poor afflicted sister will be with us in a moment. Are we all here?

CHRISTY (at the house door, which he has just shut). All except Dick.

The callousness with which Christy names the reprobate jars on the moral sense of the family. Uncle William shakes his head slowly and repeatedly. Mrs. Titus catches her breath convulsively through her nose. Her husband speaks.

UNCLE TITUS. Well, I hope he will have the grace not to come. I hope so.

The Dudgeons all murmur assent, except Christy, who goes to the window and posts himself there, looking out. Hawkins smiles secretively as if he knew something that would change their tune if they knew it. Anderson is uneasy: the love of solemn family councils, especially funereal ones, is not in his nature. Judith appears at the bedroom door.

JUDITH (with gentle impressiveness). Friends, Mrs. Dudgeon. (She takes the chair from beside the fireplace; and places it for Mrs. Dudgeon, who comes from the bedroom in black, with a clean handkerchief to her eyes. All rise, except Essie. Mrs. Titus and Mrs. William produce equally clean handkerchiefs and weep. It is an affecting moment.)

UNCLE WILLIAM. Would it comfort you, sister, if we were to offer up a prayer?

UNCLE TITUS. Or sing a hymn?

ANDERSON (rather hastily). I have been with our sister this morning already, friends. In our hearts we ask a blessing.

ALL (except Essie). Amen.

They all sit down, except Judith, who stands behind Mrs. Dudgeon's chair.

JUDITH (to Essie). Essie: did you say Amen?

ESSIE (scaredly). No.

JUDITH. Then say it, like a good girl.

ESSIE. Amen.

UNCLE WILLIAM (encouragingly). That's right: that's right. We know who you are; but we are willing to be kind to you if you are a good girl and deserve it. We are all equal before the Throne.

This republican sentiment does not please the women, who are convinced that the Throne is precisely the place where their superiority, often questioned in this world, will be recognized and rewarded.

CHRISTY (at the window). Here's Dick.

Anderson and Hawkins look round sociably. Essie, with a gleam of interest breaking through her misery, looks up. Christy grins and gapes expectantly at the door. The rest are petrified with the intensity of their sense of Virtue menaced with outrage by the approach of flaunting Vice. The reprobate appears in the doorway, graced beyond his alleged merits by the morning sunlight. He is certainly the best looking member of the family; but his expression is reckless and sardonic, his manner defiant and satirical, his dress picturesquely careless. Only his forehead and mouth betray an extraordinary steadfastness, and his eyes are the eyes of a fanatic.

RICHARD (on the threshold, taking off his hat). Ladies and gentlemen: your servant, your very humble servant. (With this comprehensive insult, he throws his hat to Christy with a suddenness that makes him jump like a negligent wicket keeper, and comes into the middle of the room, where he turns and deliberately surveys the company.) How happy you all look! how glad to see me! (He turns towards Mrs. Dudgeon's chair; and his lip rolls up horribly from his dog tooth as he meets her look of undisguised hatred.) Well, mother: keeping up appearances as usual? that's right, that's right. (Judith pointedly moves away from his neighborhood to the other side of the kitchen, holding her skirt instinctively as if to save it from contamination. Uncle Titus promptly marks his approval of her action by rising from the sofa, and placing a chair for her to sit down upon.) What! Uncle William! I haven't seen you since you gave up drinking. (Poor Uncle William, shamed, would protest; but Richard claps him heartily on his shoulder, adding) you have given it up, haven't you? (releasing him with a playful push) of course you have: quite right too; you overdid it. (He turns away from Uncle William and makes for the sofa.) And now, where is that upright horsedealer Uncle Titus? Uncle Titus: come forth. (He comes upon him holding the chair as Judith sits down.) As usual, looking after the ladies.

UNCLE TITUS (indignantly). Be ashamed of yourself, sir—

RICHARD (interrupting him and shaking his hand in spite of him). I am: I am; but I am proud of my uncle—proud of all my relatives (again surveying them) who could look at them and not be proud and joyful? (Uncle Titus, overborne, resumes his seat on the sofa. Richard turns to the table.) Ah, Mr. Anderson, still at the good work, still shepherding them. Keep them up to the mark, minister, keep them up to the mark. Come! (with a spring he seats himself on the table and takes up the decanter) clink a glass with me, Pastor, for the sake of old times.

ANDERSON. You know, I think, Mr. Dudgeon, that I do not drink before dinner.

RICHARD. You will, some day, Pastor: Uncle William used to drink before breakfast. Come: it will give your sermons unction. (He smells the wine and makes a wry face.) But do not begin on my mother's company sherry. I stole some when I was six years old; and I have been a temperate man ever since. (He puts the decanter down and changes the subject.) So I hear you are married, Pastor, and that your wife has a most ungodly allowance of good looks.

ANDERSON (quietly indicating Judith). Sir: you are in the presence of my wife. (Judith rises and stands with stony propriety.)

RICHARD (quickly slipping down from the table with instinctive good manners). Your servant, madam: no offence. (He looks at her earnestly.) You deserve your reputation; but I'm sorry to see by your expression that you're a good woman.

(She looks shocked, and sits down amid a murmur of indignant sympathy from his relatives. Anderson, sensible enough to know that these demonstrations can only gratify and encourage a man who is deliberately trying to provoke them, remains perfectly goodhumored.) All the same, Pastor, I respect you more than I did before. By the way, did I hear, or did I not, that our late lamented Uncle Peter, though unmarried, was a father?

UNCLE TITUS. He had only one irregular child, sir.

RICHARD. Only one! He thinks one a mere trifle! I blush for you, Uncle Titus.

ANDERSON. Mr. Dudgeon you are in the presence of your mother and her grief.

RICHARD. It touches me profoundly, Pastor. By the way, what has become of the irregular child?

ANDERSON (pointing to Essie). There, sir, listening to you.

RICHARD (shocked into sincerity). What! Why the devil didn't you tell me that before? Children suffer enough in this house without— (He hurries remorsefully to Essie.) Come, little cousin! never mind me: it was not meant to hurt you. (She looks up gratefully at him. Her tearstained face affects him violently, and he bursts out, in a transport of wrath) Who has been making her cry? Who has been ill-treating her? By God—

MRS. DUDGEON (rising and confronting him). Silence your blasphemous tongue. I will hear no more of this. Leave my house.

RICHARD. How do you know it's your house until the will is read? (They look at one another for a moment with intense hatred; and then she sinks, checkmated, into her chair. Richard goes boldly up past Anderson to the window, where he takes the railed chair in his hand.) Ladies and gentlemen: as the eldest son of my late father, and the unworthy head of this household, I bid you welcome. By your leave, Minister Anderson: by your leave, Lawyer Hawkins. The head of the table for the head of the family. (He places the chair at the table between the minister and the attorney; sits down between them; and addresses the assembly with a presidential air.) We meet on a melancholy occasion: a father dead! an uncle actually hanged, and probably damned. (He shakes his head deploringly. The relatives freeze with horror.) That's right: pull your longest faces (his voice suddenly sweetens gravely as his glance lights on Essie) provided only there is hope in the eyes of the child. (Briskly.) Now then, Lawyer Hawkins: business, business. Get on with the will, man.

TITUS. Do not let yourself be ordered or hurried, Mr. Hawkins.

HAWKINS (very politely and willingly). Mr. Dudgeon means no offence, I feel sure. I will not keep you one second, Mr. Dudgeon. Just while I get my glasses— (he fumbles for them. The Dudgeons look at one another with misgiving).

RICHARD. Aha! They notice your civility, Mr. Hawkins. They are prepared for the worst. A glass of wine to clear your voice before you begin. (He pours out one for him and hands it; then pours one for himself.)

HAWKINS. Thank you, Mr. Dudgeon. Your good health, sir.

RICHARD. Yours, sir. (With the glass half way to his lips, he checks himself, giving a dubious glance at the wine, and adds, with quaint intensity.) Will anyone oblige me with a glass of water?

Essie, who has been hanging on his every word and movement, rises stealthily and slips out behind Mrs. Dudgeon through the bedroom door, returning presently with a jug and going out of the house as quietly as possible.

HAWKINS. The will is not exactly in proper legal phraseology.

RICHARD. No: my father died without the consolations of the law.

HAWKINS. Good again, Mr. Dudgeon, good again. (Preparing to read) Are you ready, sir?

RICHARD. Ready, aye ready. For what we are about to receive, may the Lord make us truly thankful. Go ahead.

HAWKINS (reading). "This is the last will and testament of me Timothy Dudgeon on my deathbed at Nevinstown on the road from Springtown to Websterbridge on this twenty-fourth day of September, one thousand seven hundred and seventy seven. I hereby revoke all former wills made by me and declare that I am of sound mind and know well what I am doing and that this is my real will according to my own wish and affections."

RICHARD (glancing at his mother). Aha!

HAWKINS (shaking his head). Bad phraseology, sir, wrong phraseology. "I give and bequeath a hundred pounds to my younger son Christopher Dudgeon, fifty pounds to be paid to him on the day of his marriage to Sarah Wilkins if she will have him, and ten pounds on the birth of each of his children up to the number of five."

RICHARD. How if she won't have him?

CHRISTY. She will if I have fifty pounds.

RICHARD. Good, my brother. Proceed.

HAWKINS. "I give and bequeath to my wife Annie Dudgeon, born Annie Primrose"—you see he did not know the law, Mr. Dudgeon: your mother was not born Annie: she was christened so—"an annuity of fifty-two pounds a year for life (Mrs. Dudgeon, with all eyes on her, holds herself convulsively rigid) to be paid out of the interest on her own money"—there's a way to put it, Mr. Dudgeon! Her own money!

MRS. DUDGEON. A very good way to put God's truth. It was every penny my own. Fifty-two pounds a year!

HAWKINS. "And I recommend her for her goodness and piety to the forgiving care of her children, having stood between them and her as far as I could to the best of my ability."

MRS. DUDGEON. And this is my reward! (raging inwardly) You know what I think, Mr. Anderson you know the word I gave to it.

ANDERSON. It cannot be helped, Mrs. Dudgeon. We must take what comes to us. (To Hawkins.) Go on, sir.

HAWKINS. "I give and bequeath my house at Websterbridge with the land belonging to it and all the rest of my property soever to my eldest son and heir, Richard Dudgeon."

RICHARD. Oho! The fatted calf, Minister, the fatted calf.

HAWKINS. "On these conditions—"

RICHARD. The devil! Are there conditions?

HAWKINS. "To wit: first, that he shall not let my brother Peter's natural child starve or be driven by want to an evil life."

RICHARD (emphatically, striking his fist on the table). Agreed.

Mrs. Dudgeon, turning to look malignantly at Essie, misses her and looks quickly round to see where she has moved to; then, seeing that she has left the room without leave, closes her lips vengefully.

HAWKINS. "Second, that he shall be a good friend to my old horse Jim"— (again slacking his head) he should have written James, sir.

RICHARD. James shall live in clover. Go on.

HAWKINS. "—and keep my deaf farm laborer Prodger Feston in his service."

RICHARD. Prodger Feston shall get drunk every Saturday.

HAWKINS. "Third, that he make Christy a present on his marriage out of the ornaments in the best room."

RICHARD (holding up the stuffed birds). Here you are, Christy.

CHRISTY (disappointed). I'd rather have the China peacocks.

RICHARD. You shall have both. (Christy is greatly pleased.) Go on.

HAWKINS. "Fourthly and lastly, that he try to live at peace with his mother as far as she will consent to it."

RICHARD (dubiously). Hm! Anything more, Mr. Hawkins?

HAWKINS (solemnly). "Finally I gave and bequeath my soul into my Maker's hands, humbly asking forgiveness for all my sins and mistakes, and hoping that he will so guide my son that it may not be said that I have done wrong in trusting to him rather than to others in the perplexity of my last hour in this strange place."

ANDERSON. Amen.

THE UNCLES AND AUNTS. Amen.

RICHARD. My mother does not say Amen.

MRS. DUDGEON (rising, unable to give up her property without a struggle). Mr. Hawkins: is that a proper will? Remember, I have his rightful, legal will, drawn up by yourself, leaving all to me.

HAWKINS. This is a very wrongly and irregularly worded will, Mrs. Dudgeon; though (turning politely to Richard) it contains in my judgment an excellent disposal of his property.

ANDERSON (interposing before Mrs. Dudgeon can retort). That is not what you are asked, Mr. Hawkins. Is it a legal will?

HAWKINS. The courts will sustain it against the other.

ANDERSON. But why, if the other is more lawfully worded?

HAWKING. Because, sir, the courts will sustain the claim of a man—and that man the eldest son—against any woman, if they can. I warned you, Mrs. Dudgeon, when you got me to draw that other will, that it was not a wise will, and that though you might make him sign it, he would never be easy until he revoked it. But you wouldn't take advice; and now Mr. Richard is cock of the walk. (He takes his hat from the floor; rises; and begins pocketing his papers and spectacles.)

This is the signal for the breaking-up of the party. Anderson takes his hat from the rack and joins Uncle William at the fire. Uncle Titus fetches Judith her things from the rack. The three on the sofa rise and chat with Hawkins. Mrs. Dudgeon, now an intruder in her own house, stands erect, crushed by the weight of the law on women, accepting it, as she has been trained to accept all monstrous calamities, as proofs of the greatness of the power that inflicts them, and of her own wormlike insignificance. For at this time, remember, Mary Wollstonecraft is as yet only a girl of eighteen, and her Vindication of the Rights of Women is still fourteen years off. Mrs. Dudgeon is rescued from her apathy by Essie, who comes back with the jug full of water. She is taking it to Richard when Mrs. Dudgeon stops her.

MRS. DUDGEON (threatening her). Where have you been? (Essie, appalled, tries to answer, but cannot.) How dare you go out by yourself after the orders I gave you?

ESSIE. He asked for a drink— (she stops, her tongue cleaving to her palate with terror).

JUDITH (with gentler severity). Who asked for a drink? (Essie, speechless, points to Richard.)

RICHARD. What! I!

JUDITH (shocked). Oh Essie, Essie!

RICHARD. I believe I did. (He takes a glass and holds it to Essie to be filled. Her hand shakes.) What! afraid of me?

ESSIE (quickly). No. I— (She pours out the water.)

RICHARD (tasting it). Ah, you've been up the street to the market gate spring to get that. (He takes a draught.) Delicious! Thank you. (Unfortunately, at this moment he chances to catch sight of Judith's face, which expresses the most prudish disapproval of his evident attraction for Essie, who is devouring him with her grateful eyes. His mocking expression returns instantly. He puts down the glass; deliberately winds his arm round Essie's shoulders; and brings her into the middle of the company. Mrs. Dudgeon being in Essie's way as they come past the table, he says) By your leave, mother (and compels her to make way for them). What do they call you? Bessie?

ESSIE. Essie.

RICHARD. Essie, to be sure. Are you a good girl, Essie?

ESSIE (greatly disappointed that he, of all people should begin at her in this way) Yes. (She looks doubtfully at Judith.) I think so. I mean I—I hope so.

RICHARD. Essie: did you ever hear of a person called the devil?

ANDERSON (revolted). Shame on you, sir, with a mere child—

RICHARD. By your leave, Minister: I do not interfere with your sermons: do not you interrupt mine. (To Essie.) Do you know what they call me, Essie?

ESSIE. Dick.

RICHARD (amused: patting her on the shoulder). Yes, Dick; but something else too. They call me the Devil's Disciple.

ESSIE. Why do you let them?

RICHARD (seriously). Because it's true. I was brought up in the other service; but I knew from the first that the Devil was my natural master and captain and friend. I saw that he was in the right, and that the world cringed to his conqueror only through fear. I prayed secretly to him; and he comforted me, and saved me from having my spirit broken in this house of children's tears. I promised him my soul, and swore an oath that I would stand up for him in this world and stand by him in the next. (Solemnly) That promise and that oath made a man of me. From this day this house is his home; and no child shall cry in it: this hearth is his altar; and no soul shall ever cower over it in the dark evenings and be afraid. Now (turning forcibly on the rest) which of you good men will take this child and rescue her from the house of the devil?

JUDITH (coming to Essie and throwing a protecting arm about her). I will. You should be burnt alive.

ESSIE. But I don't want to. (She shrinks back, leaving Richard and Judith face to face.)

RICHARD (to Judith). Actually doesn't want to, most virtuous lady!

UNCLE TITUS. Have a care, Richard Dudgeon. The law—

RICHARD (turning threateningly on him). Have a care, you. In an hour from this there will be no law here but martial law. I passed the soldiers within six miles on my way here: before noon Major Swindon's gallows for rebels will be up in the market place.

ANDERSON (calmly). What have we to fear from that, sir?

RICHARD. More than you think. He hanged the wrong man at Springtown: he thought Uncle Peter was respectable, because the Dudgeons had a good name. But his next example will be the best man in the town to whom he can bring home a rebellious word. Well, we're all rebels; and you know it.

ALL THE MEN (except Anderson). No, no, no!

RICHARD. Yes, you are. You haven't damned King George up hill and down dale as I have; but you've prayed for his defeat; and you, Anthony Anderson, have conducted the service, and sold your family bible to buy a pair of pistols. They mayn't hang me, perhaps; because the moral effect of the Devil's Disciple dancing on nothing wouldn't help them. But a Minister! (Judith, dismayed, clings to Anderson) or a lawyer! (Hawkins smiles like a man able to take care of himself) or an upright horsedealer! (Uncle Titus snarls at him in rags and terror) or a reformed drunkard (Uncle William, utterly unnerved, moans and wobbles with fear) eh? Would that show that King George meant business—ha?

ANDERSON (perfectly self-possessed). Come, my dear: he is only trying to frighten you. There is no danger. (He takes her out of the house. The rest crowd to the door to follow him, except Essie, who remains near Richard.)

RICHARD (boisterously derisive). Now then: how many of you will stay with me; run up the American flag on the devil's house; and make a fight for freedom? (They scramble out, Christy among them, hustling one another in their haste.) Ha ha! Long live the devil! (To Mrs. Dudgeon, who is following them) What mother! are you off too?

MRS. DUDGEON (deadly pale, with her hand on her heart as if she had received a deathblow). My curse on you! My dying curse! (She goes out.)

RICHARD (calling after her). It will bring me luck. Ha ha ha!

ESSIE (anxiously). Mayn't I stay?

RICHARD (turning to her). What! Have they forgotten to save your soul in their anxiety about their own bodies? Oh yes: you may stay. (He turns excitedly away again and shakes his fist after them. His left fist, also clenched, hangs down. Essie seizes it and kisses it, her tears falling on it. He starts and looks at it.) Tears! The devil's baptism! (She falls on her knees, sobbing. He stoops goodnaturedly to raise her, saying) Oh yes, you may cry that way, Essie, if you like.



ACT II

Minister Anderson's house is in the main street of Websterbridge, not far from the town hall. To the eye of the eighteenth century New Englander, it is much grander than the plain farmhouse of the Dudgeons; but it is so plain itself that a modern house agent would let both at about the same rent. The chief dwelling room has the same sort of kitchen fireplace, with boiler, toaster hanging on the bars, movable iron griddle socketed to the hob, hook above for roasting, and broad fender, on which stand a kettle and a plate of buttered toast. The door, between the fireplace and the corner, has neither panels, fingerplates nor handles: it is made of plain boards, and fastens with a latch. The table is a kitchen table, with a treacle colored cover of American cloth, chapped at the corners by draping. The tea service on it consists of two thick cups and saucers of the plainest ware, with milk jug and bowl to match, each large enough to contain nearly a quart, on a black japanned tray, and, in the middle of the table, a wooden trencher with a big loaf upon it, and a square half pound block of butter in a crock. The big oak press facing the fire from the opposite side of the room, is for use and storage, not for ornament; and the minister's house coat hangs on a peg from its door, showing that he is out; for when he is in it is his best coat that hangs there. His big riding boots stand beside the press, evidently in their usual place, and rather proud of themselves. In fact, the evolution of the minister's kitchen, dining room and drawing room into three separate apartments has not yet taken place; and so, from the point of view of our pampered period, he is no better off than the Dudgeons.

But there is a difference, for all that. To begin with, Mrs. Anderson is a pleasanter person to live with than Mrs. Dudgeon. To which Mrs. Dudgeon would at once reply, with reason, that Mrs. Anderson has no children to look after; no poultry, pigs nor cattle; a steady and sufficient income not directly dependent on harvests and prices at fairs; an affectionate husband who is a tower of strength to her: in short, that life is as easy at the minister's house as it is hard at the farm. This is true; but to explain a fact is not to alter it; and however little credit Mrs. Anderson may deserve for making her home happier, she has certainly succeeded in doing it. The outward and visible signs of her superior social pretensions are a drugget on the floor, a plaster ceiling between the timbers and chairs which, though not upholstered, are stained and polished. The fine arts are represented by a mezzotint portrait of some Presbyterian divine, a copperplate of Raphael's St. Paul preaching at Athens, a rococo presentation clock on the mantelshelf, flanked by a couple of miniatures, a pair of crockery dogs with baskets in their mouths, and, at the corners, two large cowrie shells. A pretty feature of the room is the low wide latticed window, nearly its whole width, with little red curtains running on a rod half way up it to serve as a blind. There is no sofa; but one of the seats, standing near the press, has a railed back and is long enough to accommodate two people easily. On the whole, it is rather the sort of room that the nineteenth century has ended in struggling to get back to under the leadership of Mr. Philip Webb and his disciples in domestic architecture, though no genteel clergyman would have tolerated it fifty years ago.

The evening has closed in; and the room is dark except for the cosy firelight and the dim oil lamps seen through the window in the wet street, where there is a quiet, steady, warm, windless downpour of rain. As the town clock strikes the quarter, Judith comes in with a couple of candles in earthenware candlesticks, and sets them on the table. Her self-conscious airs of the morning are gone: she is anxious and frightened. She goes to the window and peers into the street. The first thing she sees there is her husband, hurrying here through the rain. She gives a little gasp of relief, not very far removed from a sob, and turns to the door. Anderson comes in, wrapped in a very wet cloak.

JUDITH (running to him). Oh, here you are at last, at last! (She attempts to embrace him.)

ANDERSON (keeping her off). Take care, my love: I'm wet. Wait till I get my cloak off. (He places a chair with its back to the fire; hangs his cloak on it to dry; shakes the rain from his hat and puts it on the fender; and at last turns with his hands outstretched to Judith.) Now! (She flies into his arms.) I am not late, am I? The town clock struck the quarter as I came in at the front door. And the town clock is always fast.

JUDITH. I'm sure it's slow this evening. I'm so glad you're back.

ANDERSON (taking her more closely in his arms). Anxious, my dear?

JUDITH. A little.

ANDERSON. Why, you've been crying.

JUDITH. Only a little. Never mind: it's all over now. (A bugle call is heard in the distance. She starts in terror and retreats to the long seat, listening.) What's that?

ANDERSON (following her tenderly to the seat and making her sit down with him). Only King George, my dear. He's returning to barracks, or having his roll called, or getting ready for tea, or booting or saddling or something. Soldiers don't ring the bell or call over the banisters when they want anything: they send a boy out with a bugle to disturb the whole town.

JUDITH. Do you think there is really any danger?

ANDERSON. Not the least in the world.

JUDITH. You say that to comfort me, not because you believe it.

ANDERSON. My dear: in this world there is always danger for those who are afraid of it. There's a danger that the house will catch fire in the night; but we shan't sleep any the less soundly for that.

JUDITH. Yes, I know what you always say; and you're quite right. Oh, quite right: I know it. But—I suppose I'm not brave: that's all. My heart shrinks every time I think of the soldiers.

ANDERSON. Never mind that, dear: bravery is none the worse for costing a little pain.

JUDITH. Yes, I suppose so. (Embracing him again.) Oh how brave you are, my dear! (With tears in her eyes.) Well, I'll be brave too: you shan't be ashamed of your wife.

ANDERSON. That's right. Now you make me happy. Well, well! (He rises and goes cheerily to the fire to dry his shoes.) I called on Richard Dudgeon on my way back; but he wasn't in.

JUDITH (rising in consternation). You called on that man!

ANDERSON (reassuring her). Oh, nothing happened, dearie. He was out.

JUDITH (almost in tears, as if the visit were a personal humiliation to her). But why did you go there?

ANDERSON (gravely). Well, it is all the talk that Major Swindon is going to do what he did in Springtown—make an example of some notorious rebel, as he calls us. He pounced on Peter Dudgeon as the worst character there; and it is the general belief that he will pounce on Richard as the worst here.

JUDITH. But Richard said—

ANDERSON (goodhumoredly cutting her short). Pooh! Richard said! He said what he thought would frighten you and frighten me, my dear. He said what perhaps (God forgive him!) he would like to believe. It's a terrible thing to think of what death must mean for a man like that. I felt that I must warn him. I left a message for him.

JUDITH (querulously). What message?

ANDERSON. Only that I should be glad to see him for a moment on a matter of importance to himself; and that if he would look in here when he was passing he would be welcome.

JUDITH (aghast). You asked that man to come here!

ANDERSON. I did.

JUDITH (sinking on the seat and clasping her hands). I hope he won't come! Oh, I pray that he may not come!

ANDERSON. Why? Don't you want him to be warned?

JUDITH. He must know his danger. Oh, Tony, is it wrong to hate a blasphemer and a villain? I do hate him! I can't get him out of my mind: I know he will bring harm with him. He insulted you: he insulted me: he insulted his mother.

ANDERSON (quaintly). Well, dear, let's forgive him; and then it won't matter.

JUDITH. Oh, I know it's wrong to hate anybody; but—

ANDERSON (going over to her with humorous tenderness). Come, dear, you're not so wicked as you think. The worst sin towards our fellow creatures is not to hate them, but to be indifferent to them: that's the essence of inhumanity. After all, my dear, if you watch people carefully, you'll be surprised to find how like hate is to love. (She starts, strangely touched—even appalled. He is amused at her.) Yes: I'm quite in earnest. Think of how some of our married friends worry one another, tax one another, are jealous of one another, can't bear to let one another out of sight for a day, are more like jailers and slave-owners than lovers. Think of those very same people with their enemies, scrupulous, lofty, self-respecting, determined to be independent of one another, careful of how they speak of one another—pooh! haven't you often thought that if they only knew it, they were better friends to their enemies than to their own husbands and wives? Come: depend on it, my dear, you are really fonder of Richard than you are of me, if you only knew it. Eh?

JUDITH. Oh, don't say that: don't say that, Tony, even in jest. You don't know what a horrible feeling it gives me.

ANDERSON (Laughing). Well, well: never mind, pet. He's a bad man; and you hate him as he deserves. And you're going to make the tea, aren't you?

JUDITH (remorsefully). Oh yes, I forgot. I've been keeping you waiting all this time. (She goes to the fire and puts on the kettle.)

ANDERSON (going to the press and taking his coat off). Have you stitched up the shoulder of my old coat?

JUDITH. Yes, dear. (She goes to the table, and sets about putting the tea into the teapot from the caddy.)

ANDERSON (as he changes his coat for the older one hanging on the press, and replaces it by the one he has just taken off). Did anyone call when I was out?

JUDITH. No, only— (someone knocks at the door. With a start which betrays her intense nervousness, she retreats to the further end of the table with the tea caddy and spoon, in her hands, exclaiming) Who's that?

ANDERSON (going to her and patting her encouragingly on the shoulder). All right, pet, all right. He won't eat you, whoever he is. (She tries to smile, and nearly makes herself cry. He goes to the door and opens it. Richard is there, without overcoat or cloak.) You might have raised the latch and come in, Mr. Dudgeon. Nobody stands on much ceremony with us. (Hospitably.) Come in. (Richard comes in carelessly and stands at the table, looking round the room with a slight pucker of his nose at the mezzotinted divine on the wall. Judith keeps her eyes on the tea caddy.) Is it still raining? (He shuts the door.)

RICHARD. Raining like the very (his eye catches Judith's as she looks quickly and haughtily up)—I beg your pardon; but (showing that his coat is wet) you see—!

ANDERSON. Take it off, sir; and let it hang before the fire a while: my wife will excuse your shirtsleeves. Judith: put in another spoonful of tea for Mr. Dudgeon.

RICHARD (eyeing him cynically). The magic of property, Pastor! Are even YOU civil to me now that I have succeeded to my father's estate?

Judith throws down the spoon indignantly.

ANDERSON (quite unruffled, and helping Richard off with his coat). I think, sir, that since you accept my hospitality, you cannot have so bad an opinion of it. Sit down. (With the coat in his hand, he points to the railed seat. Richard, in his shirtsleeves, looks at him half quarrelsomely for a moment; then, with a nod, acknowledges that the minister has got the better of him, and sits down on the seat. Anderson pushes his cloak into a heap on the seat of the chair at the fire, and hangs Richard's coat on the back in its place.)

RICHARD. I come, sir, on your own invitation. You left word you had something important to tell me.

ANDERSON. I have a warning which it is my duty to give you.

RICHARD (quickly rising). You want to preach to me. Excuse me: I prefer a walk in the rain. (He makes for his coat.)

ANDERSON (stopping him). Don't be alarmed, sir; I am no great preacher. You are quite safe. (Richard smiles in spite of himself. His glance softens: he even makes a gesture of excuse. Anderson, seeing that he has tamed him, now addresses him earnestly.) Mr. Dudgeon: you are in danger in this town.

RICHARD. What danger?

ANDERSON. Your uncle's danger. Major Swindon's gallows.

RICHARD. It is you who are in danger. I warned you—

ANDERSON (interrupting him goodhumoredly but authoritatively). Yes, yes, Mr. Dudgeon; but they do not think so in the town. And even if I were in danger, I have duties here I must not forsake. But you are a free man. Why should you run any risk?

RICHARD. Do you think I should be any great loss, Minister?

ANDERSON. I think that a man's life is worth saving, whoever it belongs to. (Richard makes him an ironical bow. Anderson returns the bow humorously.) Come: you'll have a cup of tea, to prevent you catching cold?

RICHARD. I observe that Mrs. Anderson is not quite so pressing as you are, Pastor.

JUDITH (almost stifled with resentment, which she has been expecting her husband to share and express for her at every insult of Richard's). You are welcome for my husband's sake. (She brings the teapot to the fireplace and sets it on the hob.)

RICHARD. I know I am not welcome for my own, madam. (He rises.) But I think I will not break bread here, Minister.

ANDERSON (cheerily). Give me a good reason for that.

RICHARD. Because there is something in you that I respect, and that makes me desire to have you for my enemy.

ANDERSON. That's well said. On those terms, sir, I will accept your enmity or any man's. Judith: Mr. Dudgeon will stay to tea. Sit down: it will take a few minutes to draw by the fire. (Richard glances at him with a troubled face; then sits down with his head bent, to hide a convulsive swelling of his throat.) I was just saying to my wife, Mr. Dudgeon, that enmity— (she grasps his hand and looks imploringly at him, doing both with an intensity that checks him at once) Well, well, I mustn't tell you, I see; but it was nothing that need leave us worse friend—enemies, I mean. Judith is a great enemy of yours.

RICHARD. If all my enemies were like Mrs. Anderson I should be the best Christian in America.

ANDERSON (gratified, patting her hand). You hear that, Judith? Mr. Dudgeon knows how to turn a compliment.

The latch is lifted from without.

JUDITH (starting). Who is that?

Christy comes in.

CHRISTY (stopping and staring at Richard). Oh, are YOU here?

RICHARD. Yes. Begone, you fool: Mrs. Anderson doesn't want the whole family to tea at once.

CHRISTY (coming further in). Mother's very ill.

RICHARD. Well, does she want to see ME?

CHRISTY. No.

RICHARD. I thought not.

CHRISTY. She wants to see the minister—at once.

JUDITH (to Anderson). Oh, not before you've had some tea.

ANDERSON. I shall enjoy it more when I come back, dear. (He is about to take up his cloak.)

CHRISTY. The rain's over.

ANDERSON (dropping the cloak and picking up his hat from the fender). Where is your mother, Christy?

CHRISTY. At Uncle Titus's.

ANDERSON. Have you fetched the doctor?

CHRISTY. No: she didn't tell me to.

ANDERSON. Go on there at once: I'll overtake you on his doorstep. (Christy turns to go.) Wait a moment. Your brother must be anxious to know the particulars.

RICHARD. Psha! not I: he doesn't know; and I don't care. (Violently.) Be off, you oaf. (Christy runs out. Richard adds, a little shamefacedly) We shall know soon enough.

ANDERSON. Well, perhaps you will let me bring you the news myself. Judith: will you give Mr. Dudgeon his tea, and keep him here until I return?

JUDITH (white and trembling). Must I—

ANDERSON (taking her hands and interrupting her to cover her agitation). My dear: I can depend on you?

JUDITH (with a piteous effort to be worthy of his trust). Yes.

ANDERSON (pressing her hand against his cheek). You will not mind two old people like us, Mr. Dudgeon. (Going.) I shall not say good evening: you will be here when I come back. (He goes out.)

They watch him pass the window, and then look at each other dumbly, quite disconcerted. Richard, noting the quiver of her lips, is the first to pull himself together.

RICHARD. Mrs. Anderson: I am perfectly aware of the nature of your sentiments towards me. I shall not intrude on you. Good evening. (Again he starts for the fireplace to get his coat.)

JUDITH (getting between him and the coat). No, no. Don't go: please don't go.

RICHARD (roughly). Why? You don't want me here.

JUDITH. Yes, I— (wringing her hands in despair) Oh, if I tell you the truth, you will use it to torment me.

RICHARD (indignantly). Torment! What right have you to say that? Do you expect me to stay after that?

JUDITH. I want you to stay; but (suddenly raging at him like an angry child) it is not because I like you.

RICHARD. Indeed!

JUDITH. Yes: I had rather you did go than mistake me about that. I hate and dread you; and my husband knows it. If you are not here when he comes back, he will believe that I disobeyed him and drove you away.

RICHARD (ironically). Whereas, of course, you have really been so kind and hospitable and charming to me that I only want to go away out of mere contrariness, eh?

Judith, unable to bear it, sinks on the chair and bursts into tears.

RICHARD. Stop, stop, stop, I tell you. Don't do that. (Putting his hand to his breast as if to a wound.) He wrung my heart by being a man. Need you tear it by being a woman? Has he not raised you above my insults, like himself? (She stops crying, and recovers herself somewhat, looking at him with a scared curiosity.) There: that's right. (Sympathetically.) You're better now, aren't you? (He puts his hand encouragingly on her shoulder. She instantly rises haughtily, and stares at him defiantly. He at once drops into his usual sardonic tone.) Ah, that's better. You are yourself again: so is Richard. Well, shall we go to tea like a quiet respectable couple, and wait for your husband's return?

JUDITH (rather ashamed of herself). If you please. I—I am sorry to have been so foolish. (She stoops to take up the plate of toast from the fender.)

RICHARD. I am sorry, for your sake, that I am—what I am. Allow me. (He takes the plate from her and goes with it to the table.)

JUDITH (following with the teapot). Will you sit down? (He sits down at the end of the table nearest the press. There is a plate and knife laid there. The other plate is laid near it; but Judith stays at the opposite end of the table, next the fire, and takes her place there, drawing the tray towards her.) Do you take sugar?

RICHARD. No; but plenty of milk. Let me give you some toast. (He puts some on the second plate, and hands it to her, with the knife. The action shows quietly how well he knows that she has avoided her usual place so as to be as far from him as possible.)

JUDITH (consciously). Thanks. (She gives him his tea.) Won't you help yourself?

RICHARD. Thanks. (He puts a piece of toast on his own plate; and she pours out tea for herself.)

JUDITH (observing that he tastes nothing). Don't you like it? You are not eating anything.

RICHARD. Neither are you.

JUDITH (nervously). I never care much for my tea. Please don't mind me.

RICHARD (Looking dreamily round). I am thinking. It is all so strange to me. I can see the beauty and peace of this home: I think I have never been more at rest in my life than at this moment; and yet I know quite well I could never live here. It's not in my nature, I suppose, to be domesticated. But it's very beautiful: it's almost holy. (He muses a moment, and then laughs softly.)

JUDITH (quickly). Why do you laugh?

RICHARD. I was thinking that if any stranger came in here now, he would take us for man and wife.

JUDITH (taking offence). You mean, I suppose, that you are more my age than he is.

RICHARD (staring at this unexpected turn). I never thought of such a thing. (Sardonic again.) I see there is another side to domestic joy.

JUDITH (angrily). I would rather have a husband whom everybody respects than—than—

RICHARD. Than the devil's disciple. You are right; but I daresay your love helps him to be a good man, just as your hate helps me to be a bad one.

JUDITH. My husband has been very good to you. He has forgiven you for insulting him, and is trying to save you. Can you not forgive him for being so much better than you are? How dare you belittle him by putting yourself in his place?

RICHARD. Did I?

JUDITH. Yes, you did. You said that if anybody came in they would take us for man and— (she stops, terror-stricken, as a squad of soldiers tramps past the window) The English soldiers! Oh, what do they—

RICHARD (listening). Sh!

A VOICE (outside). Halt! Four outside: two in with me.

Judith half rises, listening and looking with dilated eyes at Richard, who takes up his cup prosaically, and is drinking his tea when the latch goes up with a sharp click, and an English sergeant walks into the room with two privates, who post themselves at the door. He comes promptly to the table between them.

THE SERGEANT. Sorry to disturb you, mum! duty! Anthony Anderson: I arrest you in King George's name as a rebel.

JUDITH (pointing at Richard). But that is not— (He looks up quickly at her, with a face of iron. She stops her mouth hastily with the hand she has raised to indicate him, and stands staring affrightedly.)

THE SERGEANT. Come, Parson; put your coat on and come along.

RICHARD. Yes: I'll come. (He rises and takes a step towards his own coat; then recollects himself, and, with his back to the sergeant, moves his gaze slowly round the room without turning his head until he sees Anderson's black coat hanging up on the press. He goes composedly to it; takes it down; and puts it on. The idea of himself as a parson tickles him: he looks down at the black sleeve on his arm, and then smiles slyly at Judith, whose white face shows him that what she is painfully struggling to grasp is not the humor of the situation but its horror. He turns to the sergeant, who is approaching him with a pair of handcuffs hidden behind him, and says lightly) Did you ever arrest a man of my cloth before, Sergeant?

THE SERGEANT (instinctively respectful, half to the black coat, half to Richard's good breeding). Well, no sir. At least, only an army chaplain. (Showing the handcuffs.) I'm sorry, air; but duty—

RICHARD. Just so, Sergeant. Well, I'm not ashamed of them: thank you kindly for the apology. (He holds out his hands.)

SERGEANT (not availing himself of the offer). One gentleman to another, sir. Wouldn't you like to say a word to your missis, sir, before you go?

RICHARD (smiling). Oh, we shall meet again before—eh? (Meaning "before you hang me.")

SERGEANT (loudly, with ostentatious cheerfulness). Oh, of course, of course. No call for the lady to distress herself. Still— (in a lower voice, intended for Richard alone) your last chance, sir.

They look at one another significantly for a moment. Than Richard exhales a deep breath and turns towards Judith.

RICHARD (very distinctly). My love. (She looks at him, pitiably pale, and tries to answer, but cannot—tries also to come to him, but cannot trust herself to stand without the support of the table.) This gallant gentleman is good enough to allow us a moment of leavetaking. (The sergeant retires delicately and joins his men near the door.) He is trying to spare you the truth; but you had better know it. Are you listening to me? (She signifies assent.) Do you understand that I am going to my death? (She signifies that she understands.) Remember, you must find our friend who was with us just now. Do you understand? (She signifies yes.) See that you get him safely out of harm's way. Don't for your life let him know of my danger; but if he finds it out, tell him that he cannot save me: they would hang him; and they would not spare me. And tell him that I am steadfast in my religion as he is in his, and that he may depend on me to the death. (He turns to go, and meets the eye of the sergeant, who looks a little suspicious. He considers a moment, and then, turning roguishly to Judith with something of a smile breaking through his earnestness, says) And now, my dear, I am afraid the sergeant will not believe that you love me like a wife unless you give one kiss before I go.

He approaches her and holds out his arms. She quits the table and almost falls into them.

JUDITH (the words choking her). I ought to—it's murder—

RICHARD. No: only a kiss (softly to her) for his sake.

JUDITH. I can't. You must—

RICHARD (folding her in his arms with an impulse of compassion for her distress). My poor girl!

Judith, with a sudden effort, throws her arms round him; kisses him; and swoons away, dropping from his arms to the ground as if the kiss had killed her.

RICHARD (going quickly to the sergeant). Now, Sergeant: quick, before she comes to. The handcuffs. (He puts out his hands.)

SERGEANT (pocketing them). Never mind, sir: I'll trust you. You're a game one. You ought to a bin a soldier, sir. Between them two, please. (The soldiers place themselves one before Richard and one behind him. The sergeant opens the door.)

RICHARD (taking a last look round him). Goodbye, wife: goodbye, home. Muffle the drums, and quick march!

The sergeant signs to the leading soldier to march. They file out quickly.

* * * * *

When Anderson returns from Mrs. Dudgeon's he is astonished to find the room apparently empty and almost in darkness except for the glow from the fire; for one of the candles has burnt out, and the other is at its last flicker.

ANDERSON. Why, what on earth—? (Calling) Judith, Judith! (He listens: there is no answer.) Hm! (He goes to the cupboard; takes a candle from the drawer; lights it at the flicker of the expiring one on the table; and looks wonderingly at the untasted meal by its light. Then he sticks it in the candlestick; takes off his hat; and scratches his head, much puzzled. This action causes him to look at the floor for the first time; and there he sees Judith lying motionless with her eyes closed. He runs to her and stoops beside her, lifting her head.) Judith.

JUDITH (waking; for her swoon has passed into the sleep of exhaustion after suffering). Yes. Did you call? What's the matter?

ANDERSON. I've just come in and found you lying here with the candles burnt out and the tea poured out and cold. What has happened?

JUDITH (still astray). I don't know. Have I been asleep? I suppose— (she stops blankly) I don't know.

ANDERSON (groaning). Heaven forgive me, I left you alone with that scoundrel. (Judith remembers. With an agonized cry, she clutches his shoulders and drags herself to her feet as he rises with her. He clasps her tenderly in his arms.) My poor pet!

JUDITH (frantically clinging to him). What shall I do? Oh my God, what shall I do?

ANDERSON. Never mind, never mind, my dearest dear: it was my fault. Come: you're safe now; and you're not hurt, are you? (He takes his arms from her to see whether she can stand.) There: that's right, that's right. If only you are not hurt, nothing else matters.

JUDITH. No, no, no: I'm not hurt.

ANDERSON. Thank Heaven for that! Come now: (leading her to the railed seat and making her sit down beside him) sit down and rest: you can tell me about it to-morrow. Or, (misunderstanding her distress) you shall not tell me at all if it worries you. There, there! (Cheerfully.) I'll make you some fresh tea: that will set you up again. (He goes to the table, and empties the teapot into the slop bowl.)

JUDITH (in a strained tone). Tony.

ANDERSON. Yes, dear?

JUDITH. Do you think we are only in a dream now?

ANDERSON (glancing round at her for a moment with a pang of anxiety, though he goes on steadily and cheerfully putting fresh tea into the pot). Perhaps so, pet. But you may as well dream a cup of tea when you're about it.

JUDITH. Oh, stop, stop. You don't know— (Distracted she buries her face in her knotted hands.)

ANDERSON (breaking down and coming to her). My dear, what is it? I can't bear it any longer: you must tell me. It was all my fault: I was mad to trust him.

JUDITH. No: don't say that. You mustn't say that. He—oh no, no: I can't. Tony: don't speak to me. Take my hands—both my hands. (He takes them, wondering.) Make me think of you, not of him. There's danger, frightful danger; but it is your danger; and I can't keep thinking of it: I can't, I can't: my mind goes back to his danger. He must be saved—no: you must be saved: you, you, you. (She springs up as if to do something or go somewhere, exclaiming) Oh, Heaven help me!

ANDERSON (keeping his seat and holding her hands with resolute composure). Calmly, calmly, my pet. You're quite distracted.

JUDITH. I may well be. I don't know what to do. I don't know what to do. (Tearing her hands away.) I must save him. (Anderson rises in alarm as she runs wildly to the door. It is opened in her face by Essie, who hurries in, full of anxiety. The surprise is so disagreeable to Judith that it brings her to her senses. Her tone is sharp and angry as she demands) What do you want?

ESSIE. I was to come to you.

ANDERSON. Who told you to?

ESSIE (staring at him, as if his presence astonished her). Are you here?

JUDITH. Of course. Don't be foolish, child.

ANDERSON. Gently, dearest: you'll frighten her. (Going between them.) Come here, Essie. (She comes to him.) Who sent you?

ESSIE. Dick. He sent me word by a soldier. I was to come here at once and do whatever Mrs. Anderson told me.

ANDERSON (enlightened). A soldier! Ah, I see it all now! They have arrested Richard. (Judith makes a gesture of despair.)

ESSIE. No. I asked the soldier. Dick's safe. But the soldier said you had been taken—

ANDERSON. I! (Bewildered, he turns to Judith for an explanation.)

JUDITH (coaxingly) All right, dear: I understand. (To Essie.) Thank you, Essie, for coming; but I don't need you now. You may go home.

ESSIE (suspicious) Are you sure Dick has not been touched? Perhaps he told the soldier to say it was the minister. (Anxiously.) Mrs. Anderson: do you think it can have been that?

ANDERSON. Tell her the truth if it is so, Judith. She will learn it from the first neighbor she meets in the street. (Judith turns away and covers her eyes with her hands.)

ESSIE (wailing). But what will they do to him? Oh, what will they do to him? Will they hang him? (Judith shudders convulsively, and throws herself into the chair in which Richard sat at the tea table.)

ANDERSON (patting Essie's shoulder and trying to comfort her). I hope not. I hope not. Perhaps if you're very quiet and patient, we may be able to help him in some way.

ESSIE. Yes—help him—yes, yes, yes. I'll be good.

ANDERSON. I must go to him at once, Judith.

JUDITH (springing up). Oh no. You must go away—far away, to some place of safety.

ANDERSON. Pooh!

JUDITH (passionately). Do you want to kill me? Do you think I can bear to live for days and days with every knock at the door—every footstep—giving me a spasm of terror? to lie awake for nights and nights in an agony of dread, listening for them to come and arrest you?

ANDERSON. Do you think it would be better to know that I had run away from my post at the first sign of danger?

JUDITH (bitterly). Oh, you won't go. I know it. You'll stay; and I shall go mad.

ANDERSON. My dear, your duty—

JUDITH (fiercely). What do I care about my duty?

ANDERSON (shocked). Judith!

JUDITH. I am doing my duty. I am clinging to my duty. My duty is to get you away, to save you, to leave him to his fate. (Essie utters a cry of distress and sinks on the chair at the fire, sobbing silently.) My instinct is the same as hers—to save him above all things, though it would be so much better for him to die! so much greater! But I know you will take your own way as he took it. I have no power. (She sits down sullenly on the railed seat.) I'm only a woman: I can do nothing but sit here and suffer. Only, tell him I tried to save you—that I did my best to save you.

ANDERSON. My dear, I am afraid he will be thinking more of his own danger than of mine.

JUDITH. Stop; or I shall hate you.

ANDERSON (remonstrating). Come, am I to leave you if you talk like this! your senses. (He turns to Essie.) Essie.

ESSIE (eagerly rising and drying her eyes). Yes?

ANDERSON. Just wait outside a moment, like a good girl: Mrs. Anderson is not well. (Essie looks doubtful.) Never fear: I'll come to you presently; and I'll go to Dick.

ESSIE. You are sure you will go to him? (Whispering.) You won't let her prevent you?

ANDERSON (smiling). No, no: it's all right. All right. (She goes.) That's a good girl. (He closes the door, and returns to Judith.)

JUDITH (seated—rigid). You are going to your death.

ANDERSON (quaintly). Then I shall go in my best coat, dear. (He turns to the press, beginning to take off his coat.) Where—? (He stares at the empty nail for a moment; then looks quickly round to the fire; strides across to it; and lifts Richard's coat.) Why, my dear, it seems that he has gone in my best coat.

JUDITH (still motionless). Yes.

ANDERSON. Did the soldiers make a mistake?

JUDITH. Yes: they made a mistake.

ANDERSON. He might have told them. Poor fellow, he was too upset, I suppose.

JUDITH. Yes: he might have told them. So might I.

ANDERSON. Well, it's all very puzzling—almost funny. It's curious how these little things strike us even in the most— (he breaks off and begins putting on Richard's coat) I'd better take him his own coat. I know what he'll say— (imitating Richard's sardonic manner) "Anxious about my soul, Pastor, and also about your best coat." Eh?

JUDITH. Yes, that is just what he will say to you. (Vacantly.) It doesn't matter: I shall never see either of you again.

ANDERSON (rallying her). Oh pooh, pooh, pooh! (He sits down beside her.) Is this how you keep your promise that I shan't be ashamed of my brave wife?

JUDITH. No: this is how I break it. I cannot keep my promises to him: why should I keep my promises to you?

ANDERSON. Don't speak so strangely, my love. It sounds insincere to me. (She looks unutterable reproach at him.) Yes, dear, nonsense is always insincere; and my dearest is talking nonsense. Just nonsense. (Her face darkens into dumb obstinacy. She stares straight before her, and does not look at him again, absorbed in Richard's fate. He scans her face; sees that his rallying has produced no effect; and gives it up, making no further effort to conceal his anxiety.) I wish I knew what has frightened you so. Was there a struggle? Did he fight?

JUDITH. No. He smiled.

ANDERSON. Did he realise his danger, do you think?

JUDITH. He realised yours.

ANDERSON. Mine!

JUDITH (monotonously). He said, "See that you get him safely out of harm's way." I promised: I can't keep my promise. He said, "Don't for your life let him know of my danger." I've told you of it. He said that if you found it out, you could not save him—that they will hang him and not spare you.

ANDERSON (rising in generous indignation). And you think that I will let a man with that much good in him die like a dog, when a few words might make him die like a Christian? I'm ashamed of you, Judith.

JUDITH. He will be steadfast in his religion as you are in yours; and you may depend on him to the death. He said so.

ANDERSON. God forgive him! What else did he say?

JUDITH. He said goodbye.

ANDERSON (fidgeting nervously to and fro in great concern). Poor fellow, poor fellow! You said goodbye to him in all kindness and charity, Judith, I hope.

JUDITH. I kissed him.

ANDERSON. What! Judith!

JUDITH. Are you angry?

ANDERSON. No, no. You were right: you were right. Poor fellow, poor fellow! (Greatly distressed.) To be hanged like that at his age! And then did they take him away?

JUDITH (wearily). Then you were here: that's the next thing I remember. I suppose I fainted. Now bid me goodbye, Tony. Perhaps I shall faint again. I wish I could die.

ANDERSON. No, no, my dear: you must pull yourself together and be sensible. I am in no danger—not the least in the world.

JUDITH (solemnly). You are going to your death, Tony—your sure death, if God will let innocent men be murdered. They will not let you see him: they will arrest you the moment you give your name. It was for you the soldiers came.

ANDERSON (thunderstruck). For me!!! (His fists clinch; his neck thickens; his face reddens; the fleshy purses under his eyes become injected with hot blood; the man of peace vanishes, transfigured into a choleric and formidable man of war. Still, she does not come out of her absorption to look at him: her eyes are steadfast with a mechanical reflection of Richard's stead-fastness.)

JUDITH. He took your place: he is dying to save you. That is why he went in your coat. That is why I kissed him.

ANDERSON (exploding). Blood an' owns! (His voice is rough and dominant, his gesture full of brute energy.) Here! Essie, Essie!

ESSIE (running in). Yes.

ANDERSON (impetuously). Off with you as hard as you can run, to the inn. Tell them to saddle the fastest and strongest horse they have (Judith rises breathless, and stares at him incredulously)—the chestnut mare, if she's fresh—without a moment's delay. Go into the stable yard and tell the black man there that I'll give him a silver dollar if the horse is waiting for me when I come, and that I am close on your heels. Away with you. (His energy sends Essie flying from the room. He pounces on his riding boots; rushes with them to the chair at the fire; and begins pulling them on.)

JUDITH (unable to believe such a thing of him). You are not going to him!

ANDERSON (busy with the boots). Going to him! What good would that do? (Growling to himself as he gets the first boot on with a wrench) I'll go to them, so I will. (To Judith peremptorily) Get me the pistols: I want them. And money, money: I want money—all the money in the house. (He stoops over the other boot, grumbling) A great satisfaction it would be to him to have my company on the gallows. (He pulls on the boot.)

JUDITH. You are deserting him, then?

ANDERSON. Hold your tongue, woman; and get me the pistols. (She goes to the press and takes from it a leather belt with two pistols, a powder horn, and a bag of bullets attached to it. She throws it on the table. Then she unlocks a drawer in the press and takes out a purse. Anderson grabs the belt and buckles it on, saying) If they took him for me in my coat, perhaps they'll take me for him in his. (Hitching the belt into its place) Do I look like him?

JUDITH (turning with the purse in her hand). Horribly unlike him.

ANDERSON (snatching the purse from her and emptying it on the table). Hm! We shall see.

JUDITH (sitting down helplessly). Is it of any use to pray, do you think, Tony?

ANDERSON (counting the money). Pray! Can we pray Swindon's rope off Richard's neck?

JUDITH. God may soften Major Swindon's heart.

ANDERSON (contemptuously—pocketing a handful of money). Let him, then. I am not God; and I must go to work another way. (Judith gasps at the blasphemy. He throws the purse on the table.) Keep that. I've taken 25 dollars.

JUDITH. Have you forgotten even that you are a minister?

ANDERSON. Minister be—faugh! My hat: where's my hat? (He snatches up hat and cloak, and puts both on in hot haste.) Now listen, you. If you can get a word with him by pretending you're his wife, tell him to hold his tongue until morning: that will give me all the start I need.

JUDITH (solemnly). You may depend on him to the death.

ANDERSON. You're a fool, a fool, Judith (for a moment checking the torrent of his haste, and speaking with something of his old quiet and impressive conviction). You don't know the man you're married to. (Essie returns. He swoops at her at once.) Well: is the horse ready?

ESSIE (breathless). It will be ready when you come.

ANDERSON. Good. (He makes for the door.)

JUDITH (rising and stretching out her arms after him involuntarily). Won't you say goodbye?

ANDERSON. And waste another half minute! Psha! (He rushes out like an avalanche.)

ESSIE (hurrying to Judith). He has gone to save Richard, hasn't he?

JUDITH. To save Richard! No: Richard has saved him. He has gone to save himself. Richard must die.

Essie screams with terror and falls on her knees, hiding her face. Judith, without heeding her, looks rigidly straight in front of her, at the vision of Richard, dying.



ACT III

Early next morning the sergeant, at the British headquarters in the Town Hall, unlocks the door of a little empty panelled waiting room, and invites Judith to enter. She has had a bad night, probably a rather delirious one; for even in the reality of the raw morning, her fixed gaze comes back at moments when her attention is not strongly held.

The sergeant considers that her feelings do her credit, and is sympathetic in an encouraging military way. Being a fine figure of a man, vain of his uniform and of his rank, he feels specially qualified, in a respectful way, to console her.

SERGEANT. You can have a quiet word with him here, mum.

JUDITH. Shall I have long to wait?

SERGEANT. No, mum, not a minute. We kep him in the Bridewell for the night; and he's just been brought over here for the court martial. Don't fret, mum: he slep like a child, and has made a rare good breakfast.

JUDITH (incredulously). He is in good spirits!

SERGEANT. Tip top, mum. The chaplain looked in to see him last night; and he won seventeen shillings off him at spoil five. He spent it among us like the gentleman he is. Duty's duty, mum, of course; but you're among friends here. (The tramp of a couple of soldiers is heard approaching.) There: I think he's coming. (Richard comes in, without a sign of care or captivity in his bearing. The sergeant nods to the two soldiers, and shows them the key of the room in his hand. They withdraw.) Your good lady, sir.

RICHARD (going to her). What! My wife. My adored one. (He takes her hand and kisses it with a perverse, raffish gallantry.) How long do you allow a brokenhearted husband for leave-taking, Sergeant?

SERGEANT. As long as we can, sir. We shall not disturb you till the court sits.

RICHARD. But it has struck the hour.

SERGEANT. So it has, sir; but there's a delay. General Burgoyne's just arrived—Gentlemanly Johnny we call him, sir—and he won't have done finding fault with everything this side of half past. I know him, sir: I served with him in Portugal. You may count on twenty minutes, sir; and by your leave I won't waste any more of them. (He goes out, locking the door. Richard immediately drops his raffish manner and turns to Judith with considerate sincerity.)

RICHARD. Mrs. Anderson: this visit is very kind of you. And how are you after last night? I had to leave you before you recovered; but I sent word to Essie to go and look after you. Did she understand the message?

JUDITH (breathless and urgent). Oh, don't think of me: I haven't come here to talk about myself. Are they going to—to— (meaning "to hang you")?

RICHARD (whimsically). At noon, punctually. At least, that was when they disposed of Uncle Peter. (She shudders.) Is your husband safe? Is he on the wing?

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