THE WORKS OF RICHARD LE GALLIENNE
Robert Louis Stevenson: An Elegy, and Other Poems, Mainly Personal.
English Poems. Revised.
Rudyard Kipling: A Criticism.
George Meredith: Some Characteristics. With a bibliography (much enlarged) by John Lane.
The Quest of the Golden Girl: A Romance.
The Romance of Zion Chapel.
The Worshipper of the Image: A Tragic Fairy Tale.
Sleeping Beauty and Other Prose Fancies.
Rubaiyat of Omar Khayyam: A Paraphrase from Several Literary Translations. New edition with fifty additional quatrains. With cover design by Will Bradley.
Retrospective Reviews: A Literary Log. (New edition.) 2 vols.
Prose Fancies. First series. With portrait of the author by Wilson Steer.
Prose Fancies. Second series.
Travels in England. New edition.
Attitudes and Avowals. With Some Retrospective Reviews.
The Lonely Dancer and Other Poems.
THE SILK-HAT SOLDIER
AND OTHER POEMS IN WAR TIME
BY RICHARD LE GALLIENNE
NEW YORK—JOHN LANE COMPANY LONDON—JOHN LANE—THE BODLEY HEAD MCMXV
COPYRIGHT, 1915, BY JOHN LANE COMPANY
Press of J. J. Little & Ives Co. New York
To His Majesty
King of the Belgians
THE HEROIC CAPTAIN OF AN HEROIC PEOPLE
To Belgium 9
The Silk-Hat Soldier 11
The Cry of the Little Peoples 15
The Illusion of War 20
Christmas in War-time 22
"Soldier Going to the War" 29
The Rainbow 30
Our tears, our songs, our laurels—what are these To thee in thy Gethsemane of loss, Stretched in thine unimagined agonies On Hell's last engine of the Iron Cross.
For such a world as this that thou shouldst die Is price too vast—yet, Belgium, hadst thou sold Thyself, O then had fled from out the earth Honour for ever, and left only Gold.
Nor diest thou—for soon shalt thou awake, And, lifted high on our victorious shields, Watch the new sunrise driving for your sons The hated German shadow from your fields.
"British colonists resident in London volunteer, and not even silk hats are doffed before training begins"
—New York Times
THE SILK-HAT SOLDIER
I saw him in a picture, and I felt I'd like to cry— He stood in line, The man "for mine," A tall silk-hatted "guy"— Right on the call, Silk hat and all, He'd hurried to the cry— For he loves England well enough for England to die.
I've seen King Harry's helmet in the Abbey hanging high— The one he wore At Agincourt; But braver to my eye That city toff Too keen to doff His stove-pipe—bless him—why? For he loves England well enough for England to die.
And other fellows in that line had come too on the fly, Their joys and toys, Brave English boys, For good and all put by; O you brave best, Teach all the rest How pure the heart and high When one loves England well enough for England to die.
One threw his cricket-bat aside, one left the ink to dry; All peace and play He's put away, And bid his love good-bye— O mother mine! O sweetheart mine! No man of yours am I— If I love not England well enough for England to die.
I guess it strikes a chill somewhere, the bravest won't deny, All that you love, Away to shove, And set your teeth to die; But better dead, When all is said, Than lapped in peace to lie— If we love not England well enough for England to die.
THE CRY OF THE LITTLE PEOPLES
The Cry of the Little Peoples went up to God in vain; The Czech and the Pole, and the Finn, and the Schleswig Dane:
We ask but a little portion of the green, ambitious earth; Only to sow and sing and reap in the land of our birth.
We ask not coaling stations, nor ports in the China seas, We leave to the big child-nations such rivalries as these.
We have learned the lesson of Time, and we know three things of worth; Only to sow and sing and reap in the land of our birth.
O leave us little margins, waste ends of land and sea, A little grass, and a hill or two, and a shadowing tree;
O leave us our little rivers that sweetly catch the sky, To drive our mills, and to carry our wood, and to ripple by.
Once long ago, as you, with hollow pursuit of fame, We filled all the shaking world with the sound of our name,
But now are we glad to rest, our battles and boasting done, Glad just to sow and sing and reap in our share of the sun.
Of this O will ye rob us,—with a foolish mighty hand, Add with such cruel sorrow, so small a land to your land?
So might a boy rejoice him to conquer a hive of bees, Overcome ants in battle,—we are scarcely more mighty than these—
So might a cruel heart hear a nightingale singing alone, And say, "I am mighty! See how the singing stops with a stone!"
Yea, he were mighty indeed, mighty to crush and to gain; But the bee and the ant and the bird were the mighty of brain.
And what shall you gain if you take us and bind us and beat us with thongs, And drive us to sing underground in a whisper our sad little songs?
Forbid us the very use of our heart's own nursery tongue— Is this to be strong, ye nations, is this to be strong?
Your vulgar battles to fight, and your grocery conquests to keep, For this shall we break our hearts, for this shall our old men weep?
What gain in the day of battle—to the Russ, to the German, what gain, The Czech, and the Pole, and the Finn, and the Schleswig Dane?
The Cry of the Little Peoples goes up to God in vain, For the world is given over to the cruel sons of Cain;
The hand that would bless us is weak, and the hand that would break us is strong, And the power of pity is nought but the power of a song.
The dreams that our fathers dreamed to-day are laughter and dust, And nothing at all in the world is left for a man to trust;
Let us hope no more, or dream, or prophesy, or pray, For the iron world no less will crash on its iron way;
Yea! nothing is left but to watch, with a helpless, pitying eye, The kind old aims for the world, and the kind old fashions die.
THE ILLUSION OF WAR
War I abhor, And yet how sweet The sound along the marching street Of drum and fife, and I forget Wet eyes of widows, and forget Broken old mothers, and the whole Dark butchery without a soul.
Without a soul—save this bright drink Of heady music, sweet as hell; And even my peace-abiding feet Go marching with the marching street, For yonder, yonder goes the fife, And what care I for human life! The tears fill my astonished eyes And my full heart is like to break, And yet 'tis all embannered lies, A dream those little drummers make.
O it is wickedness to clothe Yon hideous grinning thing that stalks Hidden in music, like a queen That in a garden of glory walks, Till good men love the thing they loathe. Art, thou hast many infamies, But not an infamy like this; O snap the fife and still the drum, And show the monster as she is.
CHRISTMAS IN WAR-TIME
This is the year that has no Christmas Day, Even the little children must be told That something sad is happening far away— Or, if you needs must play, As children must, Play softly children, underneath your breath! For over our hearts hangs low the shadow of death, Those hearts to you mysteriously old, Grim grown-up hearts that ponder night and day On the straight lists of broken-hearted dead, Black narrow lists no tears can wash away, Reading in which one cries out here and here And falls into a dream upon a name. Be happy softly, children, for a woe Is on us, a great woe for little fame,— Ah! in the old woods leave the mistletoe, And leave the holly for another year, Its berries are too red.
And lovers, like to children, will not you Cease for a little from your kissing mirth, Thinking of other lovers that must go Kissed back with fire into the bosom of earth,— Ah! in the old woods leave the mistletoe, Be happy, softly, lovers, for you too Shall be as sad as they another year, And then for you the holly be berries of blood, And mistletoe strange berries of bitter tears. Ah! lovers, leave you your beatitude, Give your sad eyes and ears To the far griefs of neighbour and of friend, To the great loves that find a little end, Long loves that in a sudden puff of fire With a wild thought expire.
And you, ye merchants, you that eat and cheat, Gold-seeking hucksters in a noble land, Think, when you lift the wine up in your hand, Of a fierce vintage tragically red, Red wine of the hearts of English soldiers dead, Who ran to a wild death with laughing feet— That we may sleep and drink and eat and cheat. Ah! you brave few that fight for all the rest, And die with smiling faces strangely blest, Because you die for England—O to do Something again for you, In this great deed to have some little part; To send so great a message from the heart Of England that one man shall be as ten, Hearing how England loves her Englishmen! Ah! think you that a single gun is fired We do not hear in England. Ah! we hear, And mothers go with proud unhappy eyes That say: It is for England that he dies, England that does the cruel work of God, And gives her well beloved to save the world. For this is death like to a woman desired, For this the wine-press trod.
And you in churches, praying this Christmas morn, Pray as you never prayed that this may be The little war that brought the great world peace; Undazzled with its glorious infamy, O pray with all your hearts that war may cease, And who knows but that God may hear the prayer. So it may come about next Christmas Day That we shall hear the happy children play Gladly aloud, unmindful of the dead, And watch the lovers go To the old woods to find the mistletoe. But this year, children, if you needs must play, Play very softly, underneath your breath; Be happy softly, lovers, for great Death Makes England holy with sorrow this Christmas Day; Yes! in the old woods leave the mistletoe, And leave the holly for another year— Its berries are too red.
[Christmas, 1899—Written during the Boer War.]
"SOLDIER GOING TO THE WAR"
Soldier going to the war— Will you take my heart with you, So that I may share a little In the famous things you do?
Soldier going to the war— If in battle you must fall, Will you, among all the faces, See my face the last of all?
Soldier coming from the war— Who shall bind your sunburnt brow With the laurel of the hero, Soldier, soldier—vow for vow!
Soldier coming from the war— When the street is one wide sea, Flags and streaming eyes and glory— Soldier, will you look for me?
"These things are real," said one, and bade me gaze On black and mighty shapes of iron and stone, On murder, on madness, on lust, on towns ablaze, And on a thing made all of rattling bone: "What," said he, "will you bring to match with these?" "Yea! War is real," I said, "and real is Death, A little while—mortal realities; But Love and Hope draw an immortal breath."
Think you the storm that wrecks a summer day, With funeral blackness and with leaping fire And boiling roar of rain, more real than they That, when the warring heavens begin to tire, With tender fingers on the tumult paint; Spanning the huddled wrack from base to cope With soft effulgence, like some haloed saint,— The rainbow bridge eternal that is Hope.
Deem her no phantom born of desperate dreams: Ere man yet was, 'twas hope that wrought him man; The blind earth, climbing skyward by her gleams, Hoped—and the beauty of the world began. Prophetic of all loveliness to be, Though God Himself seem from His station hurled, Still shall the blackest hell look up and see Hope's rainbow on the summits of the world.