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The Wind in the Rose-bush and Other Stories of the Supernatural
by Mary Eleanor Wilkins Freeman
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THE WIND IN THE ROSE-BUSH

And Other Stories Of The Supernatural

By

Mary Wilkins



Contents

The Wind in the Rose-bush The Shadows on the Wall Luella Miller The Southwest Chamber The Vacant Lot The Lost Ghost



THE WIND IN THE ROSE-BUSH

Ford Village has no railroad station, being on the other side of the river from Porter's Falls, and accessible only by the ford which gives it its name, and a ferry line.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow. Beside Rebecca sat a woman of about her own age, who kept looking at her with furtive curiosity; her husband, short and stout and saturnine, stood near her. Rebecca paid no attention to either of them. She was tall and spare and pale, the type of a spinster, yet with rudimentary lines and expressions of matronhood. She all unconsciously held her shawl, rolled up in a canvas bag, on her left hip, as if it had been a child. She wore a settled frown of dissent at life, but it was the frown of a mother who regarded life as a froward child, rather than as an overwhelming fate.

The other woman continued staring at her; she was mildly stupid, except for an over-developed curiosity which made her at times sharp beyond belief. Her eyes glittered, red spots came on her flaccid cheeks; she kept opening her mouth to speak, making little abortive motions. Finally she could endure it no longer; she nudged Rebecca boldly.

"A pleasant day," said she.

Rebecca looked at her and nodded coldly.

"Yes, very," she assented.

"Have you come far?"

"I have come from Michigan."

"Oh!" said the woman, with awe. "It's a long way," she remarked presently.

"Yes, it is," replied Rebecca, conclusively.

Still the other woman was not daunted; there was something which she determined to know, possibly roused thereto by a vague sense of incongruity in the other's appearance. "It's a long ways to come and leave a family," she remarked with painful slyness.

"I ain't got any family to leave," returned Rebecca shortly.

"Then you ain't—"

"No, I ain't."

"Oh!" said the woman.

Rebecca looked straight ahead at the race of the river.

It was a long ferry. Finally Rebecca herself waxed unexpectedly loquacious. She turned to the other woman and inquired if she knew John Dent's widow who lived in Ford Village. "Her husband died about three years ago," said she, by way of detail.

The woman started violently. She turned pale, then she flushed; she cast a strange glance at her husband, who was regarding both women with a sort of stolid keenness.

"Yes, I guess I do," faltered the woman finally.

"Well, his first wife was my sister," said Rebecca with the air of one imparting important intelligence.

"Was she?" responded the other woman feebly. She glanced at her husband with an expression of doubt and terror, and he shook his head forbiddingly.

"I'm going to see her, and take my niece Agnes home with me," said Rebecca.

Then the woman gave such a violent start that she noticed it.

"What is the matter?" she asked.

"Nothin', I guess," replied the woman, with eyes on her husband, who was slowly shaking his head, like a Chinese toy.

"Is my niece sick?" asked Rebecca with quick suspicion.

"No, she ain't sick," replied the woman with alacrity, then she caught her breath with a gasp.

"When did you see her?"

"Let me see; I ain't seen her for some little time," replied the woman. Then she caught her breath again.

"She ought to have grown up real pretty, if she takes after my sister. She was a real pretty woman," Rebecca said wistfully.

"Yes, I guess she did grow up pretty," replied the woman in a trembling voice.

"What kind of a woman is the second wife?"

The woman glanced at her husband's warning face. She continued to gaze at him while she replied in a choking voice to Rebecca:

"I—guess she's a nice woman," she replied. "I—don't know, I—guess so. I—don't see much of her."

"I felt kind of hurt that John married again so quick," said Rebecca; "but I suppose he wanted his house kept, and Agnes wanted care. I wasn't so situated that I could take her when her mother died. I had my own mother to care for, and I was school-teaching. Now mother has gone, and my uncle died six months ago and left me quite a little property, and I've given up my school, and I've come for Agnes. I guess she'll be glad to go with me, though I suppose her stepmother is a good woman, and has always done for her."

The man's warning shake at his wife was fairly portentous.

"I guess so," said she.

"John always wrote that she was a beautiful woman," said Rebecca.

Then the ferry-boat grated on the shore.

John Dent's widow had sent a horse and wagon to meet her sister-in-law. When the woman and her husband went down the road, on which Rebecca in the wagon with her trunk soon passed them, she said reproachfully:

"Seems as if I'd ought to have told her, Thomas."

"Let her find it out herself," replied the man. "Don't you go to burnin' your fingers in other folks' puddin', Maria."

"Do you s'pose she'll see anything?" asked the woman with a spasmodic shudder and a terrified roll of her eyes.

"See!" returned her husband with stolid scorn. "Better be sure there's anything to see."

"Oh, Thomas, they say—"

"Lord, ain't you found out that what they say is mostly lies?"

"But if it should be true, and she's a nervous woman, she might be scared enough to lose her wits," said his wife, staring uneasily after Rebecca's erect figure in the wagon disappearing over the crest of the hilly road.

"Wits that so easy upset ain't worth much," declared the man. "You keep out of it, Maria."

Rebecca in the meantime rode on in the wagon, beside a flaxen-headed boy, who looked, to her understanding, not very bright. She asked him a question, and he paid no attention. She repeated it, and he responded with a bewildered and incoherent grunt. Then she let him alone, after making sure that he knew how to drive straight.

They had traveled about half a mile, passed the village square, and gone a short distance beyond, when the boy drew up with a sudden Whoa! before a very prosperous-looking house. It had been one of the aboriginal cottages of the vicinity, small and white, with a roof extending on one side over a piazza, and a tiny "L" jutting out in the rear, on the right hand. Now the cottage was transformed by dormer windows, a bay window on the piazzaless side, a carved railing down the front steps, and a modern hard-wood door.

"Is this John Dent's house?" asked Rebecca.

The boy was as sparing of speech as a philosopher. His only response was in flinging the reins over the horse's back, stretching out one foot to the shaft, and leaping out of the wagon, then going around to the rear for the trunk. Rebecca got out and went toward the house. Its white paint had a new gloss; its blinds were an immaculate apple green; the lawn was trimmed as smooth as velvet, and it was dotted with scrupulous groups of hydrangeas and cannas.

"I always understood that John Dent was well-to-do," Rebecca reflected comfortably. "I guess Agnes will have considerable. I've got enough, but it will come in handy for her schooling. She can have advantages."

The boy dragged the trunk up the fine gravel-walk, but before he reached the steps leading up to the piazza, for the house stood on a terrace, the front door opened and a fair, frizzled head of a very large and handsome woman appeared. She held up her black silk skirt, disclosing voluminous ruffles of starched embroidery, and waited for Rebecca. She smiled placidly, her pink, double-chinned face widened and dimpled, but her blue eyes were wary and calculating. She extended her hand as Rebecca climbed the steps.

"This is Miss Flint, I suppose," said she.

"Yes, ma'am," replied Rebecca, noticing with bewilderment a curious expression compounded of fear and defiance on the other's face.

"Your letter only arrived this morning," said Mrs. Dent, in a steady voice. Her great face was a uniform pink, and her china-blue eyes were at once aggressive and veiled with secrecy.

"Yes, I hardly thought you'd get my letter," replied Rebecca. "I felt as if I could not wait to hear from you before I came. I supposed you would be so situated that you could have me a little while without putting you out too much, from what John used to write me about his circumstances, and when I had that money so unexpected I felt as if I must come for Agnes. I suppose you will be willing to give her up. You know she's my own blood, and of course she's no relation to you, though you must have got attached to her. I know from her picture what a sweet girl she must be, and John always said she looked like her own mother, and Grace was a beautiful woman, if she was my sister."

Rebecca stopped and stared at the other woman in amazement and alarm. The great handsome blonde creature stood speechless, livid, gasping, with her hand to her heart, her lips parted in a horrible caricature of a smile.

"Are you sick!" cried Rebecca, drawing near. "Don't you want me to get you some water!"

Then Mrs. Dent recovered herself with a great effort. "It is nothing," she said. "I am subject to—spells. I am over it now. Won't you come in, Miss Flint?"

As she spoke, the beautiful deep-rose colour suffused her face, her blue eyes met her visitor's with the opaqueness of turquoise—with a revelation of blue, but a concealment of all behind.

Rebecca followed her hostess in, and the boy, who had waited quiescently, climbed the steps with the trunk. But before they entered the door a strange thing happened. On the upper terrace close to the piazza-post, grew a great rose-bush, and on it, late in the season though it was, one small red, perfect rose.

Rebecca looked at it, and the other woman extended her hand with a quick gesture. "Don't you pick that rose!" she brusquely cried.

Rebecca drew herself up with stiff dignity.

"I ain't in the habit of picking other folks' roses without leave," said she.

As Rebecca spoke she started violently, and lost sight of her resentment, for something singular happened. Suddenly the rose-bush was agitated violently as if by a gust of wind, yet it was a remarkably still day. Not a leaf of the hydrangea standing on the terrace close to the rose trembled.

"What on earth—" began Rebecca, then she stopped with a gasp at the sight of the other woman's face. Although a face, it gave somehow the impression of a desperately clutched hand of secrecy.

"Come in!" said she in a harsh voice, which seemed to come forth from her chest with no intervention of the organs of speech. "Come into the house. I'm getting cold out here."

"What makes that rose-bush blow so when their isn't any wind?" asked Rebecca, trembling with vague horror, yet resolute.

"I don't see as it is blowing," returned the woman calmly. And as she spoke, indeed, the bush was quiet.

"It was blowing," declared Rebecca.

"It isn't now," said Mrs. Dent. "I can't try to account for everything that blows out-of-doors. I have too much to do."

She spoke scornfully and confidently, with defiant, unflinching eyes, first on the bush, then on Rebecca, and led the way into the house.

"It looked queer," persisted Rebecca, but she followed, and also the boy with the trunk.

Rebecca entered an interior, prosperous, even elegant, according to her simple ideas. There were Brussels carpets, lace curtains, and plenty of brilliant upholstery and polished wood.

"You're real nicely situated," remarked Rebecca, after she had become a little accustomed to her new surroundings and the two women were seated at the tea-table.

Mrs. Dent stared with a hard complacency from behind her silver-plated service. "Yes, I be," said she.

"You got all the things new?" said Rebecca hesitatingly, with a jealous memory of her dead sister's bridal furnishings.

"Yes," said Mrs. Dent; "I was never one to want dead folks' things, and I had money enough of my own, so I wasn't beholden to John. I had the old duds put up at auction. They didn't bring much."

"I suppose you saved some for Agnes. She'll want some of her poor mother's things when she is grown up," said Rebecca with some indignation.

The defiant stare of Mrs. Dent's blue eyes waxed more intense. "There's a few things up garret," said she.

"She'll be likely to value them," remarked Rebecca. As she spoke she glanced at the window. "Isn't it most time for her to be coming home?" she asked.

"Most time," answered Mrs. Dent carelessly; "but when she gets over to Addie Slocum's she never knows when to come home."

"Is Addie Slocum her intimate friend?"

"Intimate as any."

"Maybe we can have her come out to see Agnes when she's living with me," said Rebecca wistfully. "I suppose she'll be likely to be homesick at first."

"Most likely," answered Mrs. Dent.

"Does she call you mother?" Rebecca asked.

"No, she calls me Aunt Emeline," replied the other woman shortly. "When did you say you were going home?"

"In about a week, I thought, if she can be ready to go so soon," answered Rebecca with a surprised look.

She reflected that she would not remain a day longer than she could help after such an inhospitable look and question.

"Oh, as far as that goes," said Mrs. Dent, "it wouldn't make any difference about her being ready. You could go home whenever you felt that you must, and she could come afterward."

"Alone?"

"Why not? She's a big girl now, and you don't have to change cars."

"My niece will go home when I do, and not travel alone; and if I can't wait here for her, in the house that used to be her mother's and my sister's home, I'll go and board somewhere," returned Rebecca with warmth.

"Oh, you can stay here as long as you want to. You're welcome," said Mrs. Dent.

Then Rebecca started. "There she is!" she declared in a trembling, exultant voice. Nobody knew how she longed to see the girl.

"She isn't as late as I thought she'd be," said Mrs. Dent, and again that curious, subtle change passed over her face, and again it settled into that stony impassiveness.

Rebecca stared at the door, waiting for it to open. "Where is she?" she asked presently.

"I guess she's stopped to take off her hat in the entry," suggested Mrs. Dent.

Rebecca waited. "Why don't she come? It can't take her all this time to take off her hat."

For answer Mrs. Dent rose with a stiff jerk and threw open the door.

"Agnes!" she called. "Agnes!" Then she turned and eyed Rebecca. "She ain't there."

"I saw her pass the window," said Rebecca in bewilderment.

"You must have been mistaken."

"I know I did," persisted Rebecca.

"You couldn't have."

"I did. I saw first a shadow go over the ceiling, then I saw her in the glass there"—she pointed to a mirror over the sideboard opposite—"and then the shadow passed the window."

"How did she look in the glass?"

"Little and light-haired, with the light hair kind of tossing over her forehead."

"You couldn't have seen her."

"Was that like Agnes?"

"Like enough; but of course you didn't see her. You've been thinking so much about her that you thought you did."

"You thought YOU did."

"I thought I saw a shadow pass the window, but I must have been mistaken. She didn't come in, or we would have seen her before now. I knew it was too early for her to get home from Addie Slocum's, anyhow."

When Rebecca went to bed Agnes had not returned. Rebecca had resolved that she would not retire until the girl came, but she was very tired, and she reasoned with herself that she was foolish. Besides, Mrs. Dent suggested that Agnes might go to the church social with Addie Slocum. When Rebecca suggested that she be sent for and told that her aunt had come, Mrs. Dent laughed meaningly.

"I guess you'll find out that a young girl ain't so ready to leave a sociable, where there's boys, to see her aunt," said she.

"She's too young," said Rebecca incredulously and indignantly.

"She's sixteen," replied Mrs. Dent; "and she's always been great for the boys."

"She's going to school four years after I get her before she thinks of boys," declared Rebecca.

"We'll see," laughed the other woman.

After Rebecca went to bed, she lay awake a long time listening for the sound of girlish laughter and a boy's voice under her window; then she fell asleep.

The next morning she was down early. Mrs. Dent, who kept no servants, was busily preparing breakfast.

"Don't Agnes help you about breakfast?" asked Rebecca.

"No, I let her lay," replied Mrs. Dent shortly.

"What time did she get home last night?"

"She didn't get home."

"What?"

"She didn't get home. She stayed with Addie. She often does."

"Without sending you word?"

"Oh, she knew I wouldn't worry."

"When will she be home?"

"Oh, I guess she'll be along pretty soon."

Rebecca was uneasy, but she tried to conceal it, for she knew of no good reason for uneasiness. What was there to occasion alarm in the fact of one young girl staying overnight with another? She could not eat much breakfast. Afterward she went out on the little piazza, although her hostess strove furtively to stop her.

"Why don't you go out back of the house? It's real pretty—a view over the river," she said.

"I guess I'll go out here," replied Rebecca. She had a purpose: to watch for the absent girl.

Presently Rebecca came hustling into the house through the sitting-room, into the kitchen where Mrs. Dent was cooking.

"That rose-bush!" she gasped.

Mrs. Dent turned and faced her.

"What of it?"

"It's a-blowing."

"What of it?"

"There isn't a mite of wind this morning."

Mrs. Dent turned with an inimitable toss of her fair head. "If you think I can spend my time puzzling over such nonsense as—" she began, but Rebecca interrupted her with a cry and a rush to the door.

"There she is now!" she cried. She flung the door wide open, and curiously enough a breeze came in and her own gray hair tossed, and a paper blew off the table to the floor with a loud rustle, but there was nobody in sight.

"There's nobody here," Rebecca said.

She looked blankly at the other woman, who brought her rolling-pin down on a slab of pie-crust with a thud.

"I didn't hear anybody," she said calmly.

"I SAW SOMEBODY PASS THAT WINDOW!"

"You were mistaken again."

"I KNOW I saw somebody."

"You couldn't have. Please shut that door."

Rebecca shut the door. She sat down beside the window and looked out on the autumnal yard, with its little curve of footpath to the kitchen door.

"What smells so strong of roses in this room?" she said presently. She sniffed hard.

"I don't smell anything but these nutmegs."

"It is not nutmeg."

"I don't smell anything else."

"Where do you suppose Agnes is?"

"Oh, perhaps she has gone over the ferry to Porter's Falls with Addie. She often does. Addie's got an aunt over there, and Addie's got a cousin, a real pretty boy."

"You suppose she's gone over there?"

"Mebbe. I shouldn't wonder."

"When should she be home?"

"Oh, not before afternoon."

Rebecca waited with all the patience she could muster. She kept reassuring herself, telling herself that it was all natural, that the other woman could not help it, but she made up her mind that if Agnes did not return that afternoon she should be sent for.

When it was four o'clock she started up with resolution. She had been furtively watching the onyx clock on the sitting-room mantel; she had timed herself. She had said that if Agnes was not home by that time she should demand that she be sent for. She rose and stood before Mrs. Dent, who looked up coolly from her embroidery.

"I've waited just as long as I'm going to," she said. "I've come 'way from Michigan to see my own sister's daughter and take her home with me. I've been here ever since yesterday—twenty-four hours—and I haven't seen her. Now I'm going to. I want her sent for."

Mrs. Dent folded her embroidery and rose.

"Well, I don't blame you," she said. "It is high time she came home. I'll go right over and get her myself."

Rebecca heaved a sigh of relief. She hardly knew what she had suspected or feared, but she knew that her position had been one of antagonism if not accusation, and she was sensible of relief.

"I wish you would," she said gratefully, and went back to her chair, while Mrs. Dent got her shawl and her little white head-tie. "I wouldn't trouble you, but I do feel as if I couldn't wait any longer to see her," she remarked apologetically.

"Oh, it ain't any trouble at all," said Mrs. Dent as she went out. "I don't blame you; you have waited long enough."

Rebecca sat at the window watching breathlessly until Mrs. Dent came stepping through the yard alone. She ran to the door and saw, hardly noticing it this time, that the rose-bush was again violently agitated, yet with no wind evident elsewhere.

"Where is she?" she cried.

Mrs. Dent laughed with stiff lips as she came up the steps over the terrace. "Girls will be girls," said she. "She's gone with Addie to Lincoln. Addie's got an uncle who's conductor on the train, and lives there, and he got 'em passes, and they're goin' to stay to Addie's Aunt Margaret's a few days. Mrs. Slocum said Agnes didn't have time to come over and ask me before the train went, but she took it on herself to say it would be all right, and—"

"Why hadn't she been over to tell you?" Rebecca was angry, though not suspicious. She even saw no reason for her anger.

"Oh, she was putting up grapes. She was coming over just as soon as she got the black off her hands. She heard I had company, and her hands were a sight. She was holding them over sulphur matches."

"You say she's going to stay a few days?" repeated Rebecca dazedly.

"Yes; till Thursday, Mrs. Slocum said."

"How far is Lincoln from here?"

"About fifty miles. It'll be a real treat to her. Mrs. Slocum's sister is a real nice woman."

"It is goin' to make it pretty late about my goin' home."

"If you don't feel as if you could wait, I'll get her ready and send her on just as soon as I can," Mrs. Dent said sweetly.

"I'm going to wait," said Rebecca grimly.

The two women sat down again, and Mrs. Dent took up her embroidery.

"Is there any sewing I can do for her?" Rebecca asked finally in a desperate way. "If I can get her sewing along some—"

Mrs. Dent arose with alacrity and fetched a mass of white from the closet. "Here," she said, "if you want to sew the lace on this nightgown. I was going to put her to it, but she'll be glad enough to get rid of it. She ought to have this and one more before she goes. I don't like to send her away without some good underclothing."

Rebecca snatched at the little white garment and sewed feverishly.

That night she wakened from a deep sleep a little after midnight and lay a minute trying to collect her faculties and explain to herself what she was listening to. At last she discovered that it was the then popular strains of "The Maiden's Prayer" floating up through the floor from the piano in the sitting-room below. She jumped up, threw a shawl over her nightgown, and hurried downstairs trembling. There was nobody in the sitting-room; the piano was silent. She ran to Mrs. Dent's bedroom and called hysterically:

"Emeline! Emeline!"

"What is it?" asked Mrs. Dent's voice from the bed. The voice was stern, but had a note of consciousness in it.

"Who—who was that playing 'The Maiden's Prayer' in the sitting-room, on the piano?"

"I didn't hear anybody."

"There was some one."

"I didn't hear anything."

"I tell you there was some one. But—THERE AIN'T ANYBODY THERE."

"I didn't hear anything."

"I did—somebody playing 'The Maiden's Prayer' on the piano. Has Agnes got home? I WANT TO KNOW."

"Of course Agnes hasn't got home," answered Mrs. Dent with rising inflection. "Be you gone crazy over that girl? The last boat from Porter's Falls was in before we went to bed. Of course she ain't come."

"I heard—"

"You were dreaming."

"I wasn't; I was broad awake."

Rebecca went back to her chamber and kept her lamp burning all night.

The next morning her eyes upon Mrs. Dent were wary and blazing with suppressed excitement. She kept opening her mouth as if to speak, then frowning, and setting her lips hard. After breakfast she went upstairs, and came down presently with her coat and bonnet.

"Now, Emeline," she said, "I want to know where the Slocums live."

Mrs. Dent gave a strange, long, half-lidded glance at her. She was finishing her coffee.

"Why?" she asked.

"I'm going over there and find out if they have heard anything from her daughter and Agnes since they went away. I don't like what I heard last night."

"You must have been dreaming."

"It don't make any odds whether I was or not. Does she play 'The Maiden's Prayer' on the piano? I want to know."

"What if she does? She plays it a little, I believe. I don't know. She don't half play it, anyhow; she ain't got an ear."

"That wasn't half played last night. I don't like such things happening. I ain't superstitious, but I don't like it. I'm going. Where do the Slocums live?"

"You go down the road over the bridge past the old grist mill, then you turn to the left; it's the only house for half a mile. You can't miss it. It has a barn with a ship in full sail on the cupola."

"Well, I'm going. I don't feel easy."

About two hours later Rebecca returned. There were red spots on her cheeks. She looked wild. "I've been there," she said, "and there isn't a soul at home. Something HAS happened."

"What has happened?"

"I don't know. Something. I had a warning last night. There wasn't a soul there. They've been sent for to Lincoln."

"Did you see anybody to ask?" asked Mrs. Dent with thinly concealed anxiety.

"I asked the woman that lives on the turn of the road. She's stone deaf. I suppose you know. She listened while I screamed at her to know where the Slocums were, and then she said, 'Mrs. Smith don't live here.' I didn't see anybody on the road, and that's the only house. What do you suppose it means?"

"I don't suppose it means much of anything," replied Mrs. Dent coolly. "Mr. Slocum is conductor on the railroad, and he'd be away anyway, and Mrs. Slocum often goes early when he does, to spend the day with her sister in Porter's Falls. She'd be more likely to go away than Addie."

"And you don't think anything has happened?" Rebecca asked with diminishing distrust before the reasonableness of it.

"Land, no!"

Rebecca went upstairs to lay aside her coat and bonnet. But she came hurrying back with them still on.

"Who's been in my room?" she gasped. Her face was pale as ashes.

Mrs. Dent also paled as she regarded her.

"What do you mean?" she asked slowly.

"I found when I went upstairs that—little nightgown of—Agnes's on—the bed, laid out. It was—LAID OUT. The sleeves were folded across the bosom, and there was that little red rose between them. Emeline, what is it? Emeline, what's the matter? Oh!"

Mrs. Dent was struggling for breath in great, choking gasps. She clung to the back of a chair. Rebecca, trembling herself so she could scarcely keep on her feet, got her some water.

As soon as she recovered herself Mrs. Dent regarded her with eyes full of the strangest mixture of fear and horror and hostility.

"What do you mean talking so?" she said in a hard voice.

"It IS THERE."

"Nonsense. You threw it down and it fell that way."

"It was folded in my bureau drawer."

"It couldn't have been."

"Who picked that red rose?"

"Look on the bush," Mrs. Dent replied shortly.

Rebecca looked at her; her mouth gaped. She hurried out of the room. When she came back her eyes seemed to protrude. (She had in the meantime hastened upstairs, and come down with tottering steps, clinging to the banisters.)

"Now I want to know what all this means?" she demanded.

"What what means?"

"The rose is on the bush, and it's gone from the bed in my room! Is this house haunted, or what?"

"I don't know anything about a house being haunted. I don't believe in such things. Be you crazy?" Mrs. Dent spoke with gathering force. The colour flashed back to her cheeks.

"No," said Rebecca shortly. "I ain't crazy yet, but I shall be if this keeps on much longer. I'm going to find out where that girl is before night."

Mrs. Dent eyed her.

"What be you going to do?"

"I'm going to Lincoln."

A faint triumphant smile overspread Mrs. Dent's large face.

"You can't," said she; "there ain't any train."

"No train?"

"No; there ain't any afternoon train from the Falls to Lincoln."

"Then I'm going over to the Slocums' again to-night."

However, Rebecca did not go; such a rain came up as deterred even her resolution, and she had only her best dresses with her. Then in the evening came the letter from the Michigan village which she had left nearly a week ago. It was from her cousin, a single woman, who had come to keep her house while she was away. It was a pleasant unexciting letter enough, all the first of it, and related mostly how she missed Rebecca; how she hoped she was having pleasant weather and kept her health; and how her friend, Mrs. Greenaway, had come to stay with her since she had felt lonesome the first night in the house; how she hoped Rebecca would have no objections to this, although nothing had been said about it, since she had not realized that she might be nervous alone. The cousin was painfully conscientious, hence the letter. Rebecca smiled in spite of her disturbed mind as she read it, then her eye caught the postscript. That was in a different hand, purporting to be written by the friend, Mrs. Hannah Greenaway, informing her that the cousin had fallen down the cellar stairs and broken her hip, and was in a dangerous condition, and begging Rebecca to return at once, as she herself was rheumatic and unable to nurse her properly, and no one else could be obtained.

Rebecca looked at Mrs. Dent, who had come to her room with the letter quite late; it was half-past nine, and she had gone upstairs for the night.

"Where did this come from?" she asked.

"Mr. Amblecrom brought it," she replied.

"Who's he?"

"The postmaster. He often brings the letters that come on the late mail. He knows I ain't anybody to send. He brought yours about your coming. He said he and his wife came over on the ferry-boat with you."

"I remember him," Rebecca replied shortly. "There's bad news in this letter."

Mrs. Dent's face took on an expression of serious inquiry.

"Yes, my Cousin Harriet has fallen down the cellar stairs—they were always dangerous—and she's broken her hip, and I've got to take the first train home to-morrow."

"You don't say so. I'm dreadfully sorry."

"No, you ain't sorry!" said Rebecca, with a look as if she leaped. "You're glad. I don't know why, but you're glad. You've wanted to get rid of me for some reason ever since I came. I don't know why. You're a strange woman. Now you've got your way, and I hope you're satisfied."

"How you talk."

Mrs. Dent spoke in a faintly injured voice, but there was a light in her eyes.

"I talk the way it is. Well, I'm going to-morrow morning, and I want you, just as soon as Agnes Dent comes home, to send her out to me. Don't you wait for anything. You pack what clothes she's got, and don't wait even to mend them, and you buy her ticket. I'll leave the money, and you send her along. She don't have to change cars. You start her off, when she gets home, on the next train!"

"Very well," replied the other woman. She had an expression of covert amusement.

"Mind you do it."

"Very well, Rebecca."

Rebecca started on her journey the next morning. When she arrived, two days later, she found her cousin in perfect health. She found, moreover, that the friend had not written the postscript in the cousin's letter. Rebecca would have returned to Ford Village the next morning, but the fatigue and nervous strain had been too much for her. She was not able to move from her bed. She had a species of low fever induced by anxiety and fatigue. But she could write, and she did, to the Slocums, and she received no answer. She also wrote to Mrs. Dent; she even sent numerous telegrams, with no response. Finally she wrote to the postmaster, and an answer arrived by the first possible mail. The letter was short, curt, and to the purpose. Mr. Amblecrom, the postmaster, was a man of few words, and especially wary as to his expressions in a letter.

"Dear madam," he wrote, "your favour rec'ed. No Slocums in Ford's Village. All dead. Addie ten years ago, her mother two years later, her father five. House vacant. Mrs. John Dent said to have neglected stepdaughter. Girl was sick. Medicine not given. Talk of taking action. Not enough evidence. House said to be haunted. Strange sights and sounds. Your niece, Agnes Dent, died a year ago, about this time.

"Yours truly,

"THOMAS AMBLECROM."



THE SHADOWS ON THE WALL

"Henry had words with Edward in the study the night before Edward died," said Caroline Glynn.

She was elderly, tall, and harshly thin, with a hard colourlessness of face. She spoke not with acrimony, but with grave severity. Rebecca Ann Glynn, younger, stouter and rosy of face between her crinkling puffs of gray hair, gasped, by way of assent. She sat in a wide flounce of black silk in the corner of the sofa, and rolled terrified eyes from her sister Caroline to her sister Mrs. Stephen Brigham, who had been Emma Glynn, the one beauty of the family. She was beautiful still, with a large, splendid, full-blown beauty; she filled a great rocking-chair with her superb bulk of femininity, and swayed gently back and forth, her black silks whispering and her black frills fluttering. Even the shock of death (for her brother Edward lay dead in the house,) could not disturb her outward serenity of demeanour. She was grieved over the loss of her brother: he had been the youngest, and she had been fond of him, but never had Emma Brigham lost sight of her own importance amidst the waters of tribulation. She was always awake to the consciousness of her own stability in the midst of vicissitudes and the splendour of her permanent bearing.

But even her expression of masterly placidity changed before her sister Caroline's announcement and her sister Rebecca Ann's gasp of terror and distress in response.

"I think Henry might have controlled his temper, when poor Edward was so near his end," said she with an asperity which disturbed slightly the roseate curves of her beautiful mouth.

"Of course he did not KNOW," murmured Rebecca Ann in a faint tone strangely out of keeping with her appearance.

One involuntarily looked again to be sure that such a feeble pipe came from that full-swelling chest.

"Of course he did not know it," said Caroline quickly. She turned on her sister with a strange sharp look of suspicion. "How could he have known it?" said she. Then she shrank as if from the other's possible answer. "Of course you and I both know he could not," said she conclusively, but her pale face was paler than it had been before.

Rebecca gasped again. The married sister, Mrs. Emma Brigham, was now sitting up straight in her chair; she had ceased rocking, and was eyeing them both intently with a sudden accentuation of family likeness in her face. Given one common intensity of emotion and similar lines showed forth, and the three sisters of one race were evident.

"What do you mean?" said she impartially to them both. Then she, too, seemed to shrink before a possible answer. She even laughed an evasive sort of laugh. "I guess you don't mean anything," said she, but her face wore still the expression of shrinking horror.

"Nobody means anything," said Caroline firmly. She rose and crossed the room toward the door with grim decisiveness.

"Where are you going?" asked Mrs. Brigham.

"I have something to see to," replied Caroline, and the others at once knew by her tone that she had some solemn and sad duty to perform in the chamber of death.

"Oh," said Mrs. Brigham.

After the door had closed behind Caroline, she turned to Rebecca.

"Did Henry have many words with him?" she asked.

"They were talking very loud," replied Rebecca evasively, yet with an answering gleam of ready response to the other's curiosity in the quick lift of her soft blue eyes.

Mrs. Brigham looked at her. She had not resumed rocking. She still sat up straight with a slight knitting of intensity on her fair forehead, between the pretty rippling curves of her auburn hair.

"Did you—hear anything?" she asked in a low voice with a glance toward the door.

"I was just across the hall in the south parlour, and that door was open and this door ajar," replied Rebecca with a slight flush.

"Then you must have—"

"I couldn't help it."

"Everything?"

"Most of it."

"What was it?"

"The old story."

"I suppose Henry was mad, as he always was, because Edward was living on here for nothing, when he had wasted all the money father left him."

Rebecca nodded with a fearful glance at the door.

When Emma spoke again her voice was still more hushed. "I know how he felt," said she. "He had always been so prudent himself, and worked hard at his profession, and there Edward had never done anything but spend, and it must have looked to him as if Edward was living at his expense, but he wasn't."

"No, he wasn't."

"It was the way father left the property—that all the children should have a home here—and he left money enough to buy the food and all if we had all come home."

"Yes."

"And Edward had a right here according to the terms of father's will, and Henry ought to have remembered it."

"Yes, he ought."

"Did he say hard things?"

"Pretty hard from what I heard."

"What?"

"I heard him tell Edward that he had no business here at all, and he thought he had better go away."

"What did Edward say?"

"That he would stay here as long as he lived and afterward, too, if he was a mind to, and he would like to see Henry get him out; and then—"

"What?"

"Then he laughed."

"What did Henry say."

"I didn't hear him say anything, but—"

"But what?"

"I saw him when he came out of this room."

"He looked mad?"

"You've seen him when he looked so."

Emma nodded; the expression of horror on her face had deepened.

"Do you remember that time he killed the cat because she had scratched him?"

"Yes. Don't!"

Then Caroline reentered the room. She went up to the stove in which a wood fire was burning—it was a cold, gloomy day of fall—and she warmed her hands, which were reddened from recent washing in cold water.

Mrs. Brigham looked at her and hesitated. She glanced at the door, which was still ajar, as it did not easily shut, being still swollen with the damp weather of the summer. She rose and pushed it together with a sharp thud which jarred the house. Rebecca started painfully with a half exclamation. Caroline looked at her disapprovingly.

"It is time you controlled your nerves, Rebecca," said she.

"I can't help it," replied Rebecca with almost a wail. "I am nervous. There's enough to make me so, the Lord knows."

"What do you mean by that?" asked Caroline with her old air of sharp suspicion, and something between challenge and dread of its being met.

Rebecca shrank.

"Nothing," said she.

"Then I wouldn't keep speaking in such a fashion."

Emma, returning from the closed door, said imperiously that it ought to be fixed, it shut so hard.

"It will shrink enough after we have had the fire a few days," replied Caroline. "If anything is done to it it will be too small; there will be a crack at the sill."

"I think Henry ought to be ashamed of himself for talking as he did to Edward," said Mrs. Brigham abruptly, but in an almost inaudible voice.

"Hush!" said Caroline, with a glance of actual fear at the closed door.

"Nobody can hear with the door shut."

"He must have heard it shut, and—"

"Well, I can say what I want to before he comes down, and I am not afraid of him."

"I don't know who is afraid of him! What reason is there for anybody to be afraid of Henry?" demanded Caroline.

Mrs. Brigham trembled before her sister's look. Rebecca gasped again. "There isn't any reason, of course. Why should there be?"

"I wouldn't speak so, then. Somebody might overhear you and think it was queer. Miranda Joy is in the south parlour sewing, you know."

"I thought she went upstairs to stitch on the machine."

"She did, but she has come down again."

"Well, she can't hear."

"I say again I think Henry ought to be ashamed of himself. I shouldn't think he'd ever get over it, having words with poor Edward the very night before he died. Edward was enough sight better disposition than Henry, with all his faults. I always thought a great deal of poor Edward, myself."

Mrs. Brigham passed a large fluff of handkerchief across her eyes; Rebecca sobbed outright.

"Rebecca," said Caroline admonishingly, keeping her mouth stiff and swallowing determinately.

"I never heard him speak a cross word, unless he spoke cross to Henry that last night. I don't know, but he did from what Rebecca overheard," said Emma.

"Not so much cross as sort of soft, and sweet, and aggravating," sniffled Rebecca.

"He never raised his voice," said Caroline; "but he had his way."

"He had a right to in this case."

"Yes, he did."

"He had as much of a right here as Henry," sobbed Rebecca, "and now he's gone, and he will never be in this home that poor father left him and the rest of us again."

"What do you really think ailed Edward?" asked Emma in hardly more than a whisper. She did not look at her sister.

Caroline sat down in a nearby armchair, and clutched the arms convulsively until her thin knuckles whitened.

"I told you," said she.

Rebecca held her handkerchief over her mouth, and looked at them above it with terrified, streaming eyes.

"I know you said that he had terrible pains in his stomach, and had spasms, but what do you think made him have them?"

"Henry called it gastric trouble. You know Edward has always had dyspepsia."

Mrs. Brigham hesitated a moment. "Was there any talk of an—examination?" said she.

Then Caroline turned on her fiercely.

"No," said she in a terrible voice. "No."

The three sisters' souls seemed to meet on one common ground of terrified understanding though their eyes. The old-fashioned latch of the door was heard to rattle, and a push from without made the door shake ineffectually. "It's Henry," Rebecca sighed rather than whispered. Mrs. Brigham settled herself after a noiseless rush across the floor into her rocking-chair again, and was swaying back and forth with her head comfortably leaning back, when the door at last yielded and Henry Glynn entered. He cast a covertly sharp, comprehensive glance at Mrs. Brigham with her elaborate calm; at Rebecca quietly huddled in the corner of the sofa with her handkerchief to her face and only one small reddened ear as attentive as a dog's uncovered and revealing her alertness for his presence; at Caroline sitting with a strained composure in her armchair by the stove. She met his eyes quite firmly with a look of inscrutable fear, and defiance of the fear and of him.

Henry Glynn looked more like this sister than the others. Both had the same hard delicacy of form and feature, both were tall and almost emaciated, both had a sparse growth of gray blond hair far back from high intellectual foreheads, both had an almost noble aquilinity of feature. They confronted each other with the pitiless immovability of two statues in whose marble lineaments emotions were fixed for all eternity.

Then Henry Glynn smiled and the smile transformed his face. He looked suddenly years younger, and an almost boyish recklessness and irresolution appeared in his face. He flung himself into a chair with a gesture which was bewildering from its incongruity with his general appearance. He leaned his head back, flung one leg over the other, and looked laughingly at Mrs. Brigham.

"I declare, Emma, you grow younger every year," he said.

She flushed a little, and her placid mouth widened at the corners. She was susceptible to praise.

"Our thoughts to-day ought to belong to the one of us who will NEVER grow older," said Caroline in a hard voice.

Henry looked at her, still smiling. "Of course, we none of us forget that," said he, in a deep, gentle voice, "but we have to speak to the living, Caroline, and I have not seen Emma for a long time, and the living are as dear as the dead."

"Not to me," said Caroline.

She rose, and went abruptly out of the room again. Rebecca also rose and hurried after her, sobbing loudly.

Henry looked slowly after them.

"Caroline is completely unstrung," said he. Mrs. Brigham rocked. A confidence in him inspired by his manner was stealing over her. Out of that confidence she spoke quite easily and naturally.

"His death was very sudden," said she.

Henry's eyelids quivered slightly but his gaze was unswerving.

"Yes," said he; "it was very sudden. He was sick only a few hours."

"What did you call it?"

"Gastric."

"You did not think of an examination?"

"There was no need. I am perfectly certain as to the cause of his death."

Suddenly Mrs. Brigham felt a creep as of some live horror over her very soul. Her flesh prickled with cold, before an inflection of his voice. She rose, tottering on weak knees.

"Where are you going?" asked Henry in a strange, breathless voice.

Mrs. Brigham said something incoherent about some sewing which she had to do, some black for the funeral, and was out of the room. She went up to the front chamber which she occupied. Caroline was there. She went close to her and took her hands, and the two sisters looked at each other.

"Don't speak, don't, I won't have it!" said Caroline finally in an awful whisper.

"I won't," replied Emma.

That afternoon the three sisters were in the study, the large front room on the ground floor across the hall from the south parlour, when the dusk deepened.

Mrs. Brigham was hemming some black material. She sat close to the west window for the waning light. At last she laid her work on her lap.

"It's no use, I cannot see to sew another stitch until we have a light," said she.

Caroline, who was writing some letters at the table, turned to Rebecca, in her usual place on the sofa.

"Rebecca, you had better get a lamp," she said.

Rebecca started up; even in the dusk her face showed her agitation.

"It doesn't seem to me that we need a lamp quite yet," she said in a piteous, pleading voice like a child's.

"Yes, we do," returned Mrs. Brigham peremptorily. "We must have a light. I must finish this to-night or I can't go to the funeral, and I can't see to sew another stitch."

"Caroline can see to write letters, and she is farther from the window than you are," said Rebecca.

"Are you trying to save kerosene or are you lazy, Rebecca Glynn?" cried Mrs. Brigham. "I can go and get the light myself, but I have this work all in my lap."

Caroline's pen stopped scratching.

"Rebecca, we must have the light," said she.

"Had we better have it in here?" asked Rebecca weakly.

"Of course! Why not?" cried Caroline sternly.

"I am sure I don't want to take my sewing into the other room, when it is all cleaned up for to-morrow," said Mrs. Brigham.

"Why, I never heard such a to-do about lighting a lamp."

Rebecca rose and left the room. Presently she entered with a lamp—a large one with a white porcelain shade. She set it on a table, an old-fashioned card-table which was placed against the opposite wall from the window. That wall was clear of bookcases and books, which were only on three sides of the room. That opposite wall was taken up with three doors, the one small space being occupied by the table. Above the table on the old-fashioned paper, of a white satin gloss, traversed by an indeterminate green scroll, hung quite high a small gilt and black-framed ivory miniature taken in her girlhood of the mother of the family. When the lamp was set on the table beneath it, the tiny pretty face painted on the ivory seemed to gleam out with a look of intelligence.

"What have you put that lamp over there for?" asked Mrs. Brigham, with more of impatience than her voice usually revealed. "Why didn't you set it in the hall and have done with it. Neither Caroline nor I can see if it is on that table."

"I thought perhaps you would move," replied Rebecca hoarsely.

"If I do move, we can't both sit at that table. Caroline has her paper all spread around. Why don't you set the lamp on the study table in the middle of the room, then we can both see?"

Rebecca hesitated. Her face was very pale. She looked with an appeal that was fairly agonizing at her sister Caroline.

"Why don't you put the lamp on this table, as she says?" asked Caroline, almost fiercely. "Why do you act so, Rebecca?"

"I should think you WOULD ask her that," said Mrs. Brigham. "She doesn't act like herself at all."

Rebecca took the lamp and set it on the table in the middle of the room without another word. Then she turned her back upon it quickly and seated herself on the sofa, and placed a hand over her eyes as if to shade them, and remained so.

"Does the light hurt your eyes, and is that the reason why you didn't want the lamp?" asked Mrs. Brigham kindly.

"I always like to sit in the dark," replied Rebecca chokingly. Then she snatched her handkerchief hastily from her pocket and began to weep. Caroline continued to write, Mrs. Brigham to sew.

Suddenly Mrs. Brigham as she sewed glanced at the opposite wall. The glance became a steady stare. She looked intently, her work suspended in her hands. Then she looked away again and took a few more stitches, then she looked again, and again turned to her task. At last she laid her work in her lap and stared concentratedly. She looked from the wall around the room, taking note of the various objects; she looked at the wall long and intently. Then she turned to her sisters.

"What IS that?" said she.

"What?" asked Caroline harshly; her pen scratched loudly across the paper.

Rebecca gave one of her convulsive gasps.

"That strange shadow on the wall," replied Mrs. Brigham.

Rebecca sat with her face hidden: Caroline dipped her pen in the inkstand.

"Why don't you turn around and look?" asked Mrs. Brigham in a wondering and somewhat aggrieved way.

"I am in a hurry to finish this letter, if Mrs. Wilson Ebbit is going to get word in time to come to the funeral," replied Caroline shortly.

Mrs. Brigham rose, her work slipping to the floor, and she began walking around the room, moving various articles of furniture, with her eyes on the shadow.

Then suddenly she shrieked out:

"Look at this awful shadow! What is it? Caroline, look, look! Rebecca, look! WHAT IS IT?"

All Mrs. Brigham's triumphant placidity was gone. Her handsome face was livid with horror. She stood stiffly pointing at the shadow.

"Look!" said she, pointing her finger at it. "Look! What is it?"

Then Rebecca burst out in a wild wail after a shuddering glance at the wall:

"Oh, Caroline, there it is again! There it is again!"

"Caroline Glynn, you look!" said Mrs. Brigham. "Look! What is that dreadful shadow?"

Caroline rose, turned, and stood confronting the wall.

"How should I know?" she said.

"It has been there every night since he died," cried Rebecca.

"Every night?"

"Yes. He died Thursday and this is Saturday; that makes three nights," said Caroline rigidly. She stood as if holding herself calm with a vise of concentrated will.

"It—it looks like—like—" stammered Mrs. Brigham in a tone of intense horror.

"I know what it looks like well enough," said Caroline. "I've got eyes in my head."

"It looks like Edward," burst out Rebecca in a sort of frenzy of fear. "Only—"

"Yes, it does," assented Mrs. Brigham, whose horror-stricken tone matched her sister's, "only— Oh, it is awful! What is it, Caroline?"

"I ask you again, how should I know?" replied Caroline. "I see it there like you. How should I know any more than you?"

"It MUST be something in the room," said Mrs. Brigham, staring wildly around.

"We moved everything in the room the first night it came," said Rebecca; "it is not anything in the room."

Caroline turned upon her with a sort of fury. "Of course it is something in the room," said she. "How you act! What do you mean by talking so? Of course it is something in the room."

"Of course, it is," agreed Mrs. Brigham, looking at Caroline suspiciously. "Of course it must be. It is only a coincidence. It just happens so. Perhaps it is that fold of the window curtain that makes it. It must be something in the room."

"It is not anything in the room," repeated Rebecca with obstinate horror.

The door opened suddenly and Henry Glynn entered. He began to speak, then his eyes followed the direction of the others'. He stood stock still staring at the shadow on the wall. It was life size and stretched across the white parallelogram of a door, half across the wall space on which the picture hung.

"What is that?" he demanded in a strange voice.

"It must be due to something in the room," Mrs. Brigham said faintly.

"It is not due to anything in the room," said Rebecca again with the shrill insistency of terror.

"How you act, Rebecca Glynn," said Caroline.

Henry Glynn stood and stared a moment longer. His face showed a gamut of emotions—horror, conviction, then furious incredulity. Suddenly he began hastening hither and thither about the room. He moved the furniture with fierce jerks, turning ever to see the effect upon the shadow on the wall. Not a line of its terrible outlines wavered.

"It must be something in the room!" he declared in a voice which seemed to snap like a lash.

His face changed. The inmost secrecy of his nature seemed evident until one almost lost sight of his lineaments. Rebecca stood close to her sofa, regarding him with woeful, fascinated eyes. Mrs. Brigham clutched Caroline's hand. They both stood in a corner out of his way. For a few moments he raged about the room like a caged wild animal. He moved every piece of furniture; when the moving of a piece did not affect the shadow, he flung it to the floor, the sisters watching.

Then suddenly he desisted. He laughed and began straightening the furniture which he had flung down.

"What an absurdity," he said easily. "Such a to-do about a shadow."

"That's so," assented Mrs. Brigham, in a scared voice which she tried to make natural. As she spoke she lifted a chair near her.

"I think you have broken the chair that Edward was so fond of," said Caroline.

Terror and wrath were struggling for expression on her face. Her mouth was set, her eyes shrinking. Henry lifted the chair with a show of anxiety.

"Just as good as ever," he said pleasantly. He laughed again, looking at his sisters. "Did I scare you?" he said. "I should think you might be used to me by this time. You know my way of wanting to leap to the bottom of a mystery, and that shadow does look—queer, like—and I thought if there was any way of accounting for it I would like to without any delay."

"You don't seem to have succeeded," remarked Caroline dryly, with a slight glance at the wall.

Henry's eyes followed hers and he quivered perceptibly.

"Oh, there is no accounting for shadows," he said, and he laughed again. "A man is a fool to try to account for shadows."

Then the supper bell rang, and they all left the room, but Henry kept his back to the wall, as did, indeed, the others.

Mrs. Brigham pressed close to Caroline as she crossed the hall. "He looked like a demon!" she breathed in her ear.

Henry led the way with an alert motion like a boy; Rebecca brought up the rear; she could scarcely walk, her knees trembled so.

"I can't sit in that room again this evening," she whispered to Caroline after supper.

"Very well, we will sit in the south room," replied Caroline. "I think we will sit in the south parlour," she said aloud; "it isn't as damp as the study, and I have a cold."

So they all sat in the south room with their sewing. Henry read the newspaper, his chair drawn close to the lamp on the table. About nine o'clock he rose abruptly and crossed the hall to the study. The three sisters looked at one another. Mrs. Brigham rose, folded her rustling skirts compactly around her, and began tiptoeing toward the door.

"What are you going to do?" inquired Rebecca agitatedly.

"I am going to see what he is about," replied Mrs. Brigham cautiously.

She pointed as she spoke to the study door across the hall; it was ajar. Henry had striven to pull it together behind him, but it had somehow swollen beyond the limit with curious speed. It was still ajar and a streak of light showed from top to bottom. The hall lamp was not lit.

"You had better stay where you are," said Caroline with guarded sharpness.

"I am going to see," repeated Mrs. Brigham firmly.

Then she folded her skirts so tightly that her bulk with its swelling curves was revealed in a black silk sheath, and she went with a slow toddle across the hall to the study door. She stood there, her eye at the crack.

In the south room Rebecca stopped sewing and sat watching with dilated eyes. Caroline sewed steadily. What Mrs. Brigham, standing at the crack in the study door, saw was this:

Henry Glynn, evidently reasoning that the source of the strange shadow must be between the table on which the lamp stood and the wall, was making systematic passes and thrusts all over and through the intervening space with an old sword which had belonged to his father. Not an inch was left unpierced. He seemed to have divided the space into mathematical sections. He brandished the sword with a sort of cold fury and calculation; the blade gave out flashes of light, the shadow remained unmoved. Mrs. Brigham, watching, felt herself cold with horror.

Finally Henry ceased and stood with the sword in hand and raised as if to strike, surveying the shadow on the wall threateningly. Mrs. Brigham toddled back across the hall and shut the south room door behind her before she related what she had seen.

"He looked like a demon!" she said again. "Have you got any of that old wine in the house, Caroline? I don't feel as if I could stand much more."

Indeed, she looked overcome. Her handsome placid face was worn and strained and pale.

"Yes, there's plenty," said Caroline; "you can have some when you go to bed."

"I think we had all better take some," said Mrs. Brigham. "Oh, my God, Caroline, what—"

"Don't ask and don't speak," said Caroline.

"No, I am not going to," replied Mrs. Brigham; "but—"

Rebecca moaned aloud.

"What are you doing that for?" asked Caroline harshly.

"Poor Edward," returned Rebecca.

"That is all you have to groan for," said Caroline. "There is nothing else."

"I am going to bed," said Mrs. Brigham. "I sha'n't be able to be at the funeral if I don't."

Soon the three sisters went to their chambers and the south parlour was deserted. Caroline called to Henry in the study to put out the light before he came upstairs. They had been gone about an hour when he came into the room bringing the lamp which had stood in the study. He set it on the table and waited a few minutes, pacing up and down. His face was terrible, his fair complexion showed livid; his blue eyes seemed dark blanks of awful reflections.

Then he took the lamp up and returned to the library. He set the lamp on the centre table, and the shadow sprang out on the wall. Again he studied the furniture and moved it about, but deliberately, with none of his former frenzy. Nothing affected the shadow. Then he returned to the south room with the lamp and again waited. Again he returned to the study and placed the lamp on the table, and the shadow sprang out upon the wall. It was midnight before he went upstairs. Mrs. Brigham and the other sisters, who could not sleep, heard him.

The next day was the funeral. That evening the family sat in the south room. Some relatives were with them. Nobody entered the study until Henry carried a lamp in there after the others had retired for the night. He saw again the shadow on the wall leap to an awful life before the light.

The next morning at breakfast Henry Glynn announced that he had to go to the city for three days. The sisters looked at him with surprise. He very seldom left home, and just now his practice had been neglected on account of Edward's death. He was a physician.

"How can you leave your patients now?" asked Mrs. Brigham wonderingly.

"I don't know how to, but there is no other way," replied Henry easily. "I have had a telegram from Doctor Mitford."

"Consultation?" inquired Mrs. Brigham.

"I have business," replied Henry.

Doctor Mitford was an old classmate of his who lived in a neighbouring city and who occasionally called upon him in the case of a consultation.

After he had gone Mrs. Brigham said to Caroline that after all Henry had not said that he was going to consult with Doctor Mitford, and she thought it very strange.

"Everything is very strange," said Rebecca with a shudder.

"What do you mean?" inquired Caroline sharply.

"Nothing," replied Rebecca.

Nobody entered the library that day, nor the next, nor the next. The third day Henry was expected home, but he did not arrive and the last train from the city had come.

"I call it pretty queer work," said Mrs. Brigham. "The idea of a doctor leaving his patients for three days anyhow, at such a time as this, and I know he has some very sick ones; he said so. And the idea of a consultation lasting three days! There is no sense in it, and NOW he has not come. I don't understand it, for my part."

"I don't either," said Rebecca.

They were all in the south parlour. There was no light in the study opposite, and the door was ajar.

Presently Mrs. Brigham rose—she could not have told why; something seemed to impel her, some will outside her own. She went out of the room, again wrapping her rustling skirts around that she might pass noiselessly, and began pushing at the swollen door of the study.

"She has not got any lamp," said Rebecca in a shaking voice.

Caroline, who was writing letters, rose again, took a lamp (there were two in the room) and followed her sister. Rebecca had risen, but she stood trembling, not venturing to follow.

The doorbell rang, but the others did not hear it; it was on the south door on the other side of the house from the study. Rebecca, after hesitating until the bell rang the second time, went to the door; she remembered that the servant was out.

Caroline and her sister Emma entered the study. Caroline set the lamp on the table. They looked at the wall. "Oh, my God," gasped Mrs. Brigham, "there are—there are TWO—shadows." The sisters stood clutching each other, staring at the awful things on the wall. Then Rebecca came in, staggering, with a telegram in her hand. "Here is—a telegram," she gasped. "Henry is—dead."



LUELLA MILLER

Close to the village street stood the one-story house in which Luella Miller, who had an evil name in the village, had dwelt. She had been dead for years, yet there were those in the village who, in spite of the clearer light which comes on a vantage-point from a long-past danger, half believed in the tale which they had heard from their childhood. In their hearts, although they scarcely would have owned it, was a survival of the wild horror and frenzied fear of their ancestors who had dwelt in the same age with Luella Miller. Young people even would stare with a shudder at the old house as they passed, and children never played around it as was their wont around an untenanted building. Not a window in the old Miller house was broken: the panes reflected the morning sunlight in patches of emerald and blue, and the latch of the sagging front door was never lifted, although no bolt secured it. Since Luella Miller had been carried out of it, the house had had no tenant except one friendless old soul who had no choice between that and the far-off shelter of the open sky. This old woman, who had survived her kindred and friends, lived in the house one week, then one morning no smoke came out of the chimney, and a body of neighbours, a score strong, entered and found her dead in her bed. There were dark whispers as to the cause of her death, and there were those who testified to an expression of fear so exalted that it showed forth the state of the departing soul upon the dead face. The old woman had been hale and hearty when she entered the house, and in seven days she was dead; it seemed that she had fallen a victim to some uncanny power. The minister talked in the pulpit with covert severity against the sin of superstition; still the belief prevailed. Not a soul in the village but would have chosen the almshouse rather than that dwelling. No vagrant, if he heard the tale, would seek shelter beneath that old roof, unhallowed by nearly half a century of superstitious fear.

There was only one person in the village who had actually known Luella Miller. That person was a woman well over eighty, but a marvel of vitality and unextinct youth. Straight as an arrow, with the spring of one recently let loose from the bow of life, she moved about the streets, and she always went to church, rain or shine. She had never married, and had lived alone for years in a house across the road from Luella Miller's.

This woman had none of the garrulousness of age, but never in all her life had she ever held her tongue for any will save her own, and she never spared the truth when she essayed to present it. She it was who bore testimony to the life, evil, though possibly wittingly or designedly so, of Luella Miller, and to her personal appearance. When this old woman spoke—and she had the gift of description, although her thoughts were clothed in the rude vernacular of her native village—one could seem to see Luella Miller as she had really looked. According to this woman, Lydia Anderson by name, Luella Miller had been a beauty of a type rather unusual in New England. She had been a slight, pliant sort of creature, as ready with a strong yielding to fate and as unbreakable as a willow. She had glimmering lengths of straight, fair hair, which she wore softly looped round a long, lovely face. She had blue eyes full of soft pleading, little slender, clinging hands, and a wonderful grace of motion and attitude.

"Luella Miller used to sit in a way nobody else could if they sat up and studied a week of Sundays," said Lydia Anderson, "and it was a sight to see her walk. If one of them willows over there on the edge of the brook could start up and get its roots free of the ground, and move off, it would go just the way Luella Miller used to. She had a green shot silk she used to wear, too, and a hat with green ribbon streamers, and a lace veil blowing across her face and out sideways, and a green ribbon flyin' from her waist. That was what she came out bride in when she married Erastus Miller. Her name before she was married was Hill. There was always a sight of "l's" in her name, married or single. Erastus Miller was good lookin', too, better lookin' than Luella. Sometimes I used to think that Luella wa'n't so handsome after all. Erastus just about worshiped her. I used to know him pretty well. He lived next door to me, and we went to school together. Folks used to say he was waitin' on me, but he wa'n't. I never thought he was except once or twice when he said things that some girls might have suspected meant somethin'. That was before Luella came here to teach the district school. It was funny how she came to get it, for folks said she hadn't any education, and that one of the big girls, Lottie Henderson, used to do all the teachin' for her, while she sat back and did embroidery work on a cambric pocket-handkerchief. Lottie Henderson was a real smart girl, a splendid scholar, and she just set her eyes by Luella, as all the girls did. Lottie would have made a real smart woman, but she died when Luella had been here about a year—just faded away and died: nobody knew what ailed her. She dragged herself to that schoolhouse and helped Luella teach till the very last minute. The committee all knew how Luella didn't do much of the work herself, but they winked at it. It wa'n't long after Lottie died that Erastus married her. I always thought he hurried it up because she wa'n't fit to teach. One of the big boys used to help her after Lottie died, but he hadn't much government, and the school didn't do very well, and Luella might have had to give it up, for the committee couldn't have shut their eyes to things much longer. The boy that helped her was a real honest, innocent sort of fellow, and he was a good scholar, too. Folks said he overstudied, and that was the reason he was took crazy the year after Luella married, but I don't know. And I don't know what made Erastus Miller go into consumption of the blood the year after he was married: consumption wa'n't in his family. He just grew weaker and weaker, and went almost bent double when he tried to wait on Luella, and he spoke feeble, like an old man. He worked terrible hard till the last trying to save up a little to leave Luella. I've seen him out in the worst storms on a wood-sled—he used to cut and sell wood—and he was hunched up on top lookin' more dead than alive. Once I couldn't stand it: I went over and helped him pitch some wood on the cart—I was always strong in my arms. I wouldn't stop for all he told me to, and I guess he was glad enough for the help. That was only a week before he died. He fell on the kitchen floor while he was gettin' breakfast. He always got the breakfast and let Luella lay abed. He did all the sweepin' and the washin' and the ironin' and most of the cookin'. He couldn't bear to have Luella lift her finger, and she let him do for her. She lived like a queen for all the work she did. She didn't even do her sewin'. She said it made her shoulder ache to sew, and poor Erastus's sister Lily used to do all her sewin'. She wa'n't able to, either; she was never strong in her back, but she did it beautifully. She had to, to suit Luella, she was so dreadful particular. I never saw anythin' like the fagottin' and hemstitchin' that Lily Miller did for Luella. She made all Luella's weddin' outfit, and that green silk dress, after Maria Babbit cut it. Maria she cut it for nothin', and she did a lot more cuttin' and fittin' for nothin' for Luella, too. Lily Miller went to live with Luella after Erastus died. She gave up her home, though she was real attached to it and wa'n't a mite afraid to stay alone. She rented it and she went to live with Luella right away after the funeral."

Then this old woman, Lydia Anderson, who remembered Luella Miller, would go on to relate the story of Lily Miller. It seemed that on the removal of Lily Miller to the house of her dead brother, to live with his widow, the village people first began to talk. This Lily Miller had been hardly past her first youth, and a most robust and blooming woman, rosy-cheeked, with curls of strong, black hair overshadowing round, candid temples and bright dark eyes. It was not six months after she had taken up her residence with her sister-in-law that her rosy colour faded and her pretty curves became wan hollows. White shadows began to show in the black rings of her hair, and the light died out of her eyes, her features sharpened, and there were pathetic lines at her mouth, which yet wore always an expression of utter sweetness and even happiness. She was devoted to her sister; there was no doubt that she loved her with her whole heart, and was perfectly content in her service. It was her sole anxiety lest she should die and leave her alone.

"The way Lily Miller used to talk about Luella was enough to make you mad and enough to make you cry," said Lydia Anderson. "I've been in there sometimes toward the last when she was too feeble to cook and carried her some blanc-mange or custard—somethin' I thought she might relish, and she'd thank me, and when I asked her how she was, say she felt better than she did yesterday, and asked me if I didn't think she looked better, dreadful pitiful, and say poor Luella had an awful time takin' care of her and doin' the work—she wa'n't strong enough to do anythin'—when all the time Luella wa'n't liftin' her finger and poor Lily didn't get any care except what the neighbours gave her, and Luella eat up everythin' that was carried in for Lily. I had it real straight that she did. Luella used to just sit and cry and do nothin'. She did act real fond of Lily, and she pined away considerable, too. There was those that thought she'd go into a decline herself. But after Lily died, her Aunt Abby Mixter came, and then Luella picked up and grew as fat and rosy as ever. But poor Aunt Abby begun to droop just the way Lily had, and I guess somebody wrote to her married daughter, Mrs. Sam Abbot, who lived in Barre, for she wrote her mother that she must leave right away and come and make her a visit, but Aunt Abby wouldn't go. I can see her now. She was a real good-lookin' woman, tall and large, with a big, square face and a high forehead that looked of itself kind of benevolent and good. She just tended out on Luella as if she had been a baby, and when her married daughter sent for her she wouldn't stir one inch. She'd always thought a lot of her daughter, too, but she said Luella needed her and her married daughter didn't. Her daughter kept writin' and writin', but it didn't do any good. Finally she came, and when she saw how bad her mother looked, she broke down and cried and all but went on her knees to have her come away. She spoke her mind out to Luella, too. She told her that she'd killed her husband and everybody that had anythin' to do with her, and she'd thank her to leave her mother alone. Luella went into hysterics, and Aunt Abby was so frightened that she called me after her daughter went. Mrs. Sam Abbot she went away fairly cryin' out loud in the buggy, the neighbours heard her, and well she might, for she never saw her mother again alive. I went in that night when Aunt Abby called for me, standin' in the door with her little green-checked shawl over her head. I can see her now. 'Do come over here, Miss Anderson,' she sung out, kind of gasping for breath. I didn't stop for anythin'. I put over as fast as I could, and when I got there, there was Luella laughin' and cryin' all together, and Aunt Abby trying to hush her, and all the time she herself was white as a sheet and shakin' so she could hardly stand. 'For the land sakes, Mrs. Mixter,' says I, 'you look worse than she does. You ain't fit to be up out of your bed.'

"'Oh, there ain't anythin' the matter with me,' says she. Then she went on talkin' to Luella. 'There, there, don't, don't, poor little lamb,' says she. 'Aunt Abby is here. She ain't goin' away and leave you. Don't, poor little lamb.'

"'Do leave her with me, Mrs. Mixter, and you get back to bed,' says I, for Aunt Abby had been layin' down considerable lately, though somehow she contrived to do the work.

"'I'm well enough,' says she. 'Don't you think she had better have the doctor, Miss Anderson?'

"'The doctor,' says I, 'I think YOU had better have the doctor. I think you need him much worse than some folks I could mention.' And I looked right straight at Luella Miller laughin' and cryin' and goin' on as if she was the centre of all creation. All the time she was actin' so—seemed as if she was too sick to sense anythin'—she was keepin' a sharp lookout as to how we took it out of the corner of one eye. I see her. You could never cheat me about Luella Miller. Finally I got real mad and I run home and I got a bottle of valerian I had, and I poured some boilin' hot water on a handful of catnip, and I mixed up that catnip tea with most half a wineglass of valerian, and I went with it over to Luella's. I marched right up to Luella, a-holdin' out of that cup, all smokin'. 'Now,' says I, 'Luella Miller, 'YOU SWALLER THIS!'

"'What is—what is it, oh, what is it?' she sort of screeches out. Then she goes off a-laughin' enough to kill.

"'Poor lamb, poor little lamb,' says Aunt Abby, standin' over her, all kind of tottery, and tryin' to bathe her head with camphor.

"'YOU SWALLER THIS RIGHT DOWN,' says I. And I didn't waste any ceremony. I just took hold of Luella Miller's chin and I tipped her head back, and I caught her mouth open with laughin', and I clapped that cup to her lips, and I fairly hollered at her: 'Swaller, swaller, swaller!' and she gulped it right down. She had to, and I guess it did her good. Anyhow, she stopped cryin' and laughin' and let me put her to bed, and she went to sleep like a baby inside of half an hour. That was more than poor Aunt Abby did. She lay awake all that night and I stayed with her, though she tried not to have me; said she wa'n't sick enough for watchers. But I stayed, and I made some good cornmeal gruel and I fed her a teaspoon every little while all night long. It seemed to me as if she was jest dyin' from bein' all wore out. In the mornin' as soon as it was light I run over to the Bisbees and sent Johnny Bisbee for the doctor. I told him to tell the doctor to hurry, and he come pretty quick. Poor Aunt Abby didn't seem to know much of anythin' when he got there. You couldn't hardly tell she breathed, she was so used up. When the doctor had gone, Luella came into the room lookin' like a baby in her ruffled nightgown. I can see her now. Her eyes were as blue and her face all pink and white like a blossom, and she looked at Aunt Abby in the bed sort of innocent and surprised. 'Why,' says she, 'Aunt Abby ain't got up yet?'

"'No, she ain't,' says I, pretty short.

"'I thought I didn't smell the coffee,' says Luella.

"'Coffee,' says I. 'I guess if you have coffee this mornin' you'll make it yourself.'

"'I never made the coffee in all my life,' says she, dreadful astonished. 'Erastus always made the coffee as long as he lived, and then Lily she made it, and then Aunt Abby made it. I don't believe I CAN make the coffee, Miss Anderson.'

"'You can make it or go without, jest as you please,' says I.

"'Ain't Aunt Abby goin' to get up?' says she.

"'I guess she won't get up,' says I, 'sick as she is.' I was gettin' madder and madder. There was somethin' about that little pink-and-white thing standin' there and talkin' about coffee, when she had killed so many better folks than she was, and had jest killed another, that made me feel 'most as if I wished somebody would up and kill her before she had a chance to do any more harm.

"'Is Aunt Abby sick?' says Luella, as if she was sort of aggrieved and injured.

"'Yes,' says I, 'she's sick, and she's goin' to die, and then you'll be left alone, and you'll have to do for yourself and wait on yourself, or do without things.' I don't know but I was sort of hard, but it was the truth, and if I was any harder than Luella Miller had been I'll give up. I ain't never been sorry that I said it. Well, Luella, she up and had hysterics again at that, and I jest let her have 'em. All I did was to bundle her into the room on the other side of the entry where Aunt Abby couldn't hear her, if she wa'n't past it—I don't know but she was—and set her down hard in a chair and told her not to come back into the other room, and she minded. She had her hysterics in there till she got tired. When she found out that nobody was comin' to coddle her and do for her she stopped. At least I suppose she did. I had all I could do with poor Aunt Abby tryin' to keep the breath of life in her. The doctor had told me that she was dreadful low, and give me some very strong medicine to give to her in drops real often, and told me real particular about the nourishment. Well, I did as he told me real faithful till she wa'n't able to swaller any longer. Then I had her daughter sent for. I had begun to realize that she wouldn't last any time at all. I hadn't realized it before, though I spoke to Luella the way I did. The doctor he came, and Mrs. Sam Abbot, but when she got there it was too late; her mother was dead. Aunt Abby's daughter just give one look at her mother layin' there, then she turned sort of sharp and sudden and looked at me.

"'Where is she?' says she, and I knew she meant Luella.

"'She's out in the kitchen,' says I. 'She's too nervous to see folks die. She's afraid it will make her sick.'

"The Doctor he speaks up then. He was a young man. Old Doctor Park had died the year before, and this was a young fellow just out of college. 'Mrs. Miller is not strong,' says he, kind of severe, 'and she is quite right in not agitating herself.'

"'You are another, young man; she's got her pretty claw on you,' thinks I, but I didn't say anythin' to him. I just said over to Mrs. Sam Abbot that Luella was in the kitchen, and Mrs. Sam Abbot she went out there, and I went, too, and I never heard anythin' like the way she talked to Luella Miller. I felt pretty hard to Luella myself, but this was more than I ever would have dared to say. Luella she was too scared to go into hysterics. She jest flopped. She seemed to jest shrink away to nothin' in that kitchen chair, with Mrs. Sam Abbot standin' over her and talkin' and tellin' her the truth. I guess the truth was most too much for her and no mistake, because Luella presently actually did faint away, and there wa'n't any sham about it, the way I always suspected there was about them hysterics. She fainted dead away and we had to lay her flat on the floor, and the Doctor he came runnin' out and he said somethin' about a weak heart dreadful fierce to Mrs. Sam Abbot, but she wa'n't a mite scared. She faced him jest as white as even Luella was layin' there lookin' like death and the Doctor feelin' of her pulse.

"'Weak heart,' says she, 'weak heart; weak fiddlesticks! There ain't nothin' weak about that woman. She's got strength enough to hang onto other folks till she kills 'em. Weak? It was my poor mother that was weak: this woman killed her as sure as if she had taken a knife to her.'

"But the Doctor he didn't pay much attention. He was bendin' over Luella layin' there with her yellow hair all streamin' and her pretty pink-and-white face all pale, and her blue eyes like stars gone out, and he was holdin' onto her hand and smoothin' her forehead, and tellin' me to get the brandy in Aunt Abby's room, and I was sure as I wanted to be that Luella had got somebody else to hang onto, now Aunt Abby was gone, and I thought of poor Erastus Miller, and I sort of pitied the poor young Doctor, led away by a pretty face, and I made up my mind I'd see what I could do.

"I waited till Aunt Abby had been dead and buried about a month, and the Doctor was goin' to see Luella steady and folks were beginnin' to talk; then one evenin', when I knew the Doctor had been called out of town and wouldn't be round, I went over to Luella's. I found her all dressed up in a blue muslin with white polka dots on it, and her hair curled jest as pretty, and there wa'n't a young girl in the place could compare with her. There was somethin' about Luella Miller seemed to draw the heart right out of you, but she didn't draw it out of ME. She was settin' rocking in the chair by her sittin'-room window, and Maria Brown had gone home. Maria Brown had been in to help her, or rather to do the work, for Luella wa'n't helped when she didn't do anythin'. Maria Brown was real capable and she didn't have any ties; she wa'n't married, and lived alone, so she'd offered. I couldn't see why she should do the work any more than Luella; she wa'n't any too strong; but she seemed to think she could and Luella seemed to think so, too, so she went over and did all the work—washed, and ironed, and baked, while Luella sat and rocked. Maria didn't live long afterward. She began to fade away just the same fashion the others had. Well, she was warned, but she acted real mad when folks said anythin': said Luella was a poor, abused woman, too delicate to help herself, and they'd ought to be ashamed, and if she died helpin' them that couldn't help themselves she would—and she did.

"'I s'pose Maria has gone home,' says I to Luella, when I had gone in and sat down opposite her.

"'Yes, Maria went half an hour ago, after she had got supper and washed the dishes,' says Luella, in her pretty way.

"'I suppose she has got a lot of work to do in her own house to-night,' says I, kind of bitter, but that was all thrown away on Luella Miller. It seemed to her right that other folks that wa'n't any better able than she was herself should wait on her, and she couldn't get it through her head that anybody should think it WA'N'T right.

"'Yes,' says Luella, real sweet and pretty, 'yes, she said she had to do her washin' to-night. She has let it go for a fortnight along of comin' over here.'

"'Why don't she stay home and do her washin' instead of comin' over here and doin' YOUR work, when you are just as well able, and enough sight more so, than she is to do it?' says I.

"Then Luella she looked at me like a baby who has a rattle shook at it. She sort of laughed as innocent as you please. 'Oh, I can't do the work myself, Miss Anderson,' says she. 'I never did. Maria HAS to do it.'

"Then I spoke out: 'Has to do it I' says I. 'Has to do it!' She don't have to do it, either. Maria Brown has her own home and enough to live on. She ain't beholden to you to come over here and slave for you and kill herself.'

"Luella she jest set and stared at me for all the world like a doll-baby that was so abused that it was comin' to life.

"'Yes,' says I, 'she's killin' herself. She's goin' to die just the way Erastus did, and Lily, and your Aunt Abby. You're killin' her jest as you did them. I don't know what there is about you, but you seem to bring a curse,' says I. 'You kill everybody that is fool enough to care anythin' about you and do for you.'

"She stared at me and she was pretty pale.

"'And Maria ain't the only one you're goin' to kill,' says I. 'You're goin' to kill Doctor Malcom before you're done with him.'

"Then a red colour came flamin' all over her face. 'I ain't goin' to kill him, either,' says she, and she begun to cry.

"'Yes, you BE!' says I. Then I spoke as I had never spoke before. You see, I felt it on account of Erastus. I told her that she hadn't any business to think of another man after she'd been married to one that had died for her: that she was a dreadful woman; and she was, that's true enough, but sometimes I have wondered lately if she knew it—if she wa'n't like a baby with scissors in its hand cuttin' everybody without knowin' what it was doin'.

"Luella she kept gettin' paler and paler, and she never took her eyes off my face. There was somethin' awful about the way she looked at me and never spoke one word. After awhile I quit talkin' and I went home. I watched that night, but her lamp went out before nine o'clock, and when Doctor Malcom came drivin' past and sort of slowed up he see there wa'n't any light and he drove along. I saw her sort of shy out of meetin' the next Sunday, too, so he shouldn't go home with her, and I begun to think mebbe she did have some conscience after all. It was only a week after that that Maria Brown died—sort of sudden at the last, though everybody had seen it was comin'. Well, then there was a good deal of feelin' and pretty dark whispers. Folks said the days of witchcraft had come again, and they were pretty shy of Luella. She acted sort of offish to the Doctor and he didn't go there, and there wa'n't anybody to do anythin' for her. I don't know how she DID get along. I wouldn't go in there and offer to help her—not because I was afraid of dyin' like the rest, but I thought she was just as well able to do her own work as I was to do it for her, and I thought it was about time that she did it and stopped killin' other folks. But it wa'n't very long before folks began to say that Luella herself was goin' into a decline jest the way her husband, and Lily, and Aunt Abby and the others had, and I saw myself that she looked pretty bad. I used to see her goin' past from the store with a bundle as if she could hardly crawl, but I remembered how Erastus used to wait and 'tend when he couldn't hardly put one foot before the other, and I didn't go out to help her.

"But at last one afternoon I saw the Doctor come drivin' up like mad with his medicine chest, and Mrs. Babbit came in after supper and said that Luella was real sick.

"'I'd offer to go in and nurse her,' says she, 'but I've got my children to consider, and mebbe it ain't true what they say, but it's queer how many folks that have done for her have died.'

"I didn't say anythin', but I considered how she had been Erastus's wife and how he had set his eyes by her, and I made up my mind to go in the next mornin', unless she was better, and see what I could do; but the next mornin' I see her at the window, and pretty soon she came steppin' out as spry as you please, and a little while afterward Mrs. Babbit came in and told me that the Doctor had got a girl from out of town, a Sarah Jones, to come there, and she said she was pretty sure that the Doctor was goin' to marry Luella.

"I saw him kiss her in the door that night myself, and I knew it was true. The woman came that afternoon, and the way she flew around was a caution. I don't believe Luella had swept since Maria died. She swept and dusted, and washed and ironed; wet clothes and dusters and carpets were flyin' over there all day, and every time Luella set her foot out when the Doctor wa'n't there there was that Sarah Jones helpin' of her up and down the steps, as if she hadn't learned to walk.

"Well, everybody knew that Luella and the Doctor were goin' to be married, but it wa'n't long before they began to talk about his lookin' so poorly, jest as they had about the others; and they talked about Sarah Jones, too.

"Well, the Doctor did die, and he wanted to be married first, so as to leave what little he had to Luella, but he died before the minister could get there, and Sarah Jones died a week afterward.

"Well, that wound up everything for Luella Miller. Not another soul in the whole town would lift a finger for her. There got to be a sort of panic. Then she began to droop in good earnest. She used to have to go to the store herself, for Mrs. Babbit was afraid to let Tommy go for her, and I've seen her goin' past and stoppin' every two or three steps to rest. Well, I stood it as long as I could, but one day I see her comin' with her arms full and stoppin' to lean against the Babbit fence, and I run out and took her bundles and carried them to her house. Then I went home and never spoke one word to her though she called after me dreadful kind of pitiful. Well, that night I was taken sick with a chill, and I was sick as I wanted to be for two weeks. Mrs. Babbit had seen me run out to help Luella and she came in and told me I was goin' to die on account of it. I didn't know whether I was or not, but I considered I had done right by Erastus's wife.

"That last two weeks Luella she had a dreadful hard time, I guess. She was pretty sick, and as near as I could make out nobody dared go near her. I don't know as she was really needin' anythin' very much, for there was enough to eat in her house and it was warm weather, and she made out to cook a little flour gruel every day, I know, but I guess she had a hard time, she that had been so petted and done for all her life.

"When I got so I could go out, I went over there one morning. Mrs. Babbit had just come in to say she hadn't seen any smoke and she didn't know but it was somebody's duty to go in, but she couldn't help thinkin' of her children, and I got right up, though I hadn't been out of the house for two weeks, and I went in there, and Luella she was layin' on the bed, and she was dyin'.

"She lasted all that day and into the night. But I sat there after the new doctor had gone away. Nobody else dared to go there. It was about midnight that I left her for a minute to run home and get some medicine I had been takin', for I begun to feel rather bad.

"It was a full moon that night, and just as I started out of my door to cross the street back to Luella's, I stopped short, for I saw something."

Lydia Anderson at this juncture always said with a certain defiance that she did not expect to be believed, and then proceeded in a hushed voice:

"I saw what I saw, and I know I saw it, and I will swear on my death bed that I saw it. I saw Luella Miller and Erastus Miller, and Lily, and Aunt Abby, and Maria, and the Doctor, and Sarah, all goin' out of her door, and all but Luella shone white in the moonlight, and they were all helpin' her along till she seemed to fairly fly in the midst of them. Then it all disappeared. I stood a minute with my heart poundin', then I went over there. I thought of goin' for Mrs. Babbit, but I thought she'd be afraid. So I went alone, though I knew what had happened. Luella was layin' real peaceful, dead on her bed."

This was the story that the old woman, Lydia Anderson, told, but the sequel was told by the people who survived her, and this is the tale which has become folklore in the village.

Lydia Anderson died when she was eighty-seven. She had continued wonderfully hale and hearty for one of her years until about two weeks before her death.

One bright moonlight evening she was sitting beside a window in her parlour when she made a sudden exclamation, and was out of the house and across the street before the neighbour who was taking care of her could stop her. She followed as fast as possible and found Lydia Anderson stretched on the ground before the door of Luella Miller's deserted house, and she was quite dead.

The next night there was a red gleam of fire athwart the moonlight and the old house of Luella Miller was burned to the ground. Nothing is now left of it except a few old cellar stones and a lilac bush, and in summer a helpless trail of morning glories among the weeds, which might be considered emblematic of Luella herself.



THE SOUTHWEST CHAMBER

"That school-teacher from Acton is coming to-day," said the elder Miss Gill, Sophia.

"So she is," assented the younger Miss Gill, Amanda.

"I have decided to put her in the southwest chamber," said Sophia.

Amanda looked at her sister with an expression of mingled doubt and terror. "You don't suppose she would—" she began hesitatingly.

"Would what?" demanded Sophia, sharply. She was more incisive than her sister. Both were below the medium height, and stout, but Sophia was firm where Amanda was flabby. Amanda wore a baggy old muslin (it was a hot day), and Sophia was uncompromisingly hooked up in a starched and boned cambric over her high shelving figure.

"I didn't know but she would object to sleeping in that room, as long as Aunt Harriet died there such a little time ago," faltered Amanda.

"Well!" said Sophia, "of all the silly notions! If you are going to pick out rooms in this house where nobody has died, for the boarders, you'll have your hands full. Grandfather Ackley had seven children; four of them died here to my certain knowledge, besides grandfather and grandmother. I think Great-grandmother Ackley, grandfather's mother, died here, too; she must have; and Great-grandfather Ackley, and grandfather's unmarried sister, Great-aunt Fanny Ackley. I don't believe there's a room nor a bed in this house that somebody hasn't passed away in."

"Well, I suppose I am silly to think of it, and she had better go in there," said Amanda.

"I know she had. The northeast room is small and hot, and she's stout and likely to feel the heat, and she's saved money and is able to board out summers, and maybe she'll come here another year if she's well accommodated," said Sophia. "Now I guess you'd better go in there and see if any dust has settled on anything since it was cleaned, and open the west windows and let the sun in, while I see to that cake."

Amanda went to her task in the southwest chamber while her sister stepped heavily down the back stairs on her way to the kitchen.

"It seems to me you had better open the bed while you air and dust, then make it up again," she called back.

"Yes, sister," Amanda answered, shudderingly.

Nobody knew how this elderly woman with the untrammeled imagination of a child dreaded to enter the southwest chamber, and yet she could not have told why she had the dread. She had entered and occupied rooms which had been once tenanted by persons now dead. The room which had been hers in the little house in which she and her sister had lived before coming here had been her dead mother's. She had never reflected upon the fact with anything but loving awe and reverence. There had never been any fear. But this was different. She entered and her heart beat thickly in her ears. Her hands were cold. The room was a very large one. The four windows, two facing south, two west, were closed, the blinds also. The room was in a film of green gloom. The furniture loomed out vaguely. The gilt frame of a blurred old engraving on the wall caught a little light. The white counterpane on the bed showed like a blank page.

Amanda crossed the room, opened with a straining motion of her thin back and shoulders one of the west windows, and threw back the blind. Then the room revealed itself an apartment full of an aged and worn but no less valid state. Pieces of old mahogany swelled forth; a peacock-patterned chintz draped the bedstead. This chintz also covered a great easy chair which had been the favourite seat of the former occupant of the room. The closet door stood ajar. Amanda noticed that with wonder. There was a glimpse of purple drapery floating from a peg inside the closet. Amanda went across and took down the garment hanging there. She wondered how her sister had happened to leave it when she cleaned the room. It was an old loose gown which had belonged to her aunt. She took it down, shuddering, and closed the closet door after a fearful glance into its dark depths. It was a long closet with a strong odour of lovage. The Aunt Harriet had had a habit of eating lovage and had carried it constantly in her pocket. There was very likely some of the pleasant root in the pocket of the musty purple gown which Amanda threw over the easy chair.

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